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In the years since, the record took shape in pieces, coming to light with a variety of collaborators, including Breeders past and present (Mando Lopez, Kelley Deal, Jim Macpherson, and Britt Walford), as well as new friends like Jack Lawrence (The Greenhorns) and Savages’ Fay Milton and Ayse Hassan. Tracked over the last several years, the record’s last recording was helmed by iconic engineer and Deal’s close friend Steve Albini, tracking “A Good Time Pushed” with Jim and Kelley in November 2022. 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On the eve of what would have been American singer-songwriter and Byrds founding member Gene Clark’s 75th birthday comes the reissue of one of his finest works, No Other. Released in 1974 on Asylum Records, a year after the Byrds short- lived reunion, Gene reached for the stars with No Other; a psychedelic rock, folk, country and soul record that famously cost a small fortune to make. Although received warmly by critics, it flopped and was soon deleted, a failure Gene never came to terms with. However, as The New York Times wrote around the record’s 40th anniversary in 2014, “hindsight has burnished No Other, as it has redeemed other albums that went on to be reconstructed as rock repertory, like Big Star’s Third\/Sister Lovers and Lou Reed’s Berlin,” with the album now being increasingly recognized as one of the greatest of its time, if not all time. 45 years on and recently remastered at Abbey Road, 4AD are giving No Other the reappraisal it deserves. The original eight track album is being released on both CD and LP, while a limited run double CD edition in a hardbound book cover is also coming which includes a bonus disc of alternate studio versions of each track plus a recording of “Train Leaves Here This Morning” (an Eagles hit in 1972, written by Gene and Eagles founding member Bernie Leadon). Excitingly, the deluxe boxset edition fans have been waiting decades for has also been lovingly curated. 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Giver Taker, hailed by Rolling Stone as one of the year's best albums, positioned him as a compelling voice exploring enduring themes of spirituality, identity, and liberation. With The King, Anjimile intensified his examination of Black and trans existence amid personal and societal turbulence, reaffirming his courageous commitment to navigating discomfort as a means of liberation.You're Free to Go, picks up where The King left off, but with it's hands open wide - a central question being: what happens when you let go and let love in? On You're Free to Go, he learns to trust life again.The album's title symbolises Anjimile's expansive perspective on love and personal freedom, influenced profoundly by his relationship with his partner and their joyful embrace of non-monogamy. Elsewhere, You're Free to Go explores heavier, darker truths; But even in it's most searching moments, the record radiates light. Each song holds space for healing - for turning pain into something tender, communal, and free.Spirituality remains the heartbeat of Anjmile's work. \"Songwriting feels like a prayer, a plea, or a question,\" he says. Across the album, sacredness feels alive and imperfect - a practice of breathing, wondering, forgiving. The album hums with that same sacred energy: messy and full of grace.You're Free to Go is a portrait of transformation - not as a wound, but an opening. Richly textured, this collection of songs is an honest reflection of life's fluctuations. It holds space for contradiction and finds liberation in tenderness. 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Highlights include \"Her Eyes Were Huge\", on which lightly strummed acoustic guitar uplift Karin Oliver's swooning, gossamer drawl; the synth-led, inquisitive and prickly \"Are We Still Married?\"; and pensive instrumental waltz \"Siting Still Moving Still Staring Outlooking\". A varied yet grounded compilation of new material and old (some dating back to Defever's junior high days), it finds the band entering a confident creative stride, leaving listeners enthralled by both it's beauty and darkness and proving Defever's inspired productions utterly unique. \"Dark, disturbing, and beautiful [...] Held together by Warren Defever's artful production, it's 23 songs range from jealous contemplation to spiritual concerns, from gentle folk to white noise guitar outbursts. Karin Oliver's supple voice lends itself to an array of musical and emotional settings.\" - AllMusic\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAre You Comin' Down This Weekend?\u003c\/li\u003e\n\u003cli\u003eHer Eyes Were Huge Things\u003c\/li\u003e\n\u003cli\u003eThe Charmer\u003c\/li\u003e\n\u003cli\u003eHope Called In Sick\u003c\/li\u003e\n\u003cli\u003eMy Feathers Needed Cleaning\u003c\/li\u003e\n\u003cli\u003eThe Well\u003c\/li\u003e\n\u003cli\u003eThere's Something Between Us And He's Changing My Wor.\u003c\/li\u003e\n\u003cli\u003eThe Phoenix, A Pool Of Ice\u003c\/li\u003e\n\u003cli\u003eAre We Still Married?\u003c\/li\u003e\n\u003cli\u003ePut Your Finger In Your Eye\u003c\/li\u003e\n\u003cli\u003eHome Is In Your Head\u003c\/li\u003e\n\u003cli\u003eWhy People Disappear\u003c\/li\u003e\n\u003cli\u003eHere Eyes Are Huge\u003c\/li\u003e\n\u003cli\u003eSave The Birds\u003c\/li\u003e\n\u003cli\u003eChances Are We Are Mad\u003c\/li\u003e\n\u003cli\u003eMescalina\u003c\/li\u003e\n\u003cli\u003eSitting Still Moving Still Staring Out\u003c\/li\u003e\n\u003cli\u003eVery Bad A Bitter Hand\u003c\/li\u003e\n\u003cli\u003eBeautiful And Pointless\u003c\/li\u003e\n\u003cli\u003eTempe\u003c\/li\u003e\n\u003cli\u003eSpirit And Body\u003c\/li\u003e\n\u003cli\u003eLove's A Fish Eye\u003c\/li\u003e\n\u003cli\u003eDreams Are Of The Body\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400041028\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.8.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"His Name Is Alive","offers":[{"title":"Default Title","offer_id":45666372714694,"sku":"132345605","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4502628-3555092.jpg?v=1774970322"},{"product_id":"pre-order-livonia-lp","title":"Livonia [LP]","description":"\u003cp\u003eA storied part of the early 4AD catalog, His Name Is Alive - the creative outlet of Michigan musician Warren Defever - was signed to the label in 1989, after founder Ivo Watts-Russell fell in love with their dark and fragmented sonic inclinations via cassette demos sent in the post. The project's debut record, Livonia (named after Defever's hometown), was released in June 1990. While His Name Is Alive's sound was in line with the gothic echoes of labelmates Cocteau Twins and Dead Can Dance, they also had a different, nonpareil quality, something existing on the boundary of this earth and another realm further underground. It was this otherness that piqued interest and proved the fulcrum of an unpredictable sound that often changed tack before listeners could second guess.A product of nearly ten years of Defever's home recordings, produced and mixed by Watts-Russell and his This Mortal Coil collaborator John Fryer, their debut Livonia cemented the band's presence among the 4AD's well-established ethereal lineage, reinventing and refracting the 4AD sound through a prism. A study in shadows, the album examined the dual themes of love and loss, being woozily delivered as if dreamlike. 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The project's soaring growth over time allowed Defever to employ an extraordinarily adventuring approach to the record's sound and vision, indulging his love for all kinds of music, be it tastes of looped dub (\"Lord, Make Me A Channel of Your Peace\", \"The Homesick Waltz\"), sugar-sweet 1960s pop (\"Baby Fish Mouth\", \"Lip\"), distortion-laden dream-gaze (\"Can't Go Wrong Without You\"), evocative alt-noise (\"Sick\"), or strummy folk (\"Where Knock Is Open Wide\"). Embracing the surreal and turning their experimentalism up a notch and with Defever's studio skills truly blossoming, many see this as a high point for the band. \"Like a DIY cocktail of My Bloody Valentine's dreamy noise and the wee-hours arthouse sigh of fellow 4AD'ers This Mortal Coil, [Mouth By Mouth] generates a tremolo- and fuzz-laden frenzy underscoring Defever's debt to '60s garage psych.\" - Bandcamp Daily\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBaby Fish Mouth\u003c\/li\u003e\n\u003cli\u003eLip\u003c\/li\u003e\n\u003cli\u003eCornfield\u003c\/li\u003e\n\u003cli\u003eIn Every Ford\u003c\/li\u003e\n\u003cli\u003eLord, Make Me A Channel Of Your Peace\u003c\/li\u003e\n\u003cli\u003eDrink, Dress, and Ink\u003c\/li\u003e\n\u003cli\u003eWhere Knock Is Open Wide\u003c\/li\u003e\n\u003cli\u003eCan't Go Wrong Without You\u003c\/li\u003e\n\u003cli\u003eJack Rabbits\u003c\/li\u003e\n\u003cli\u003eSort Of\u003c\/li\u003e\n\u003cli\u003eSick\u003c\/li\u003e\n\u003cli\u003eBlue Moon\u003c\/li\u003e\n\u003cli\u003eEar\u003c\/li\u003e\n\u003cli\u003eLemon Ocean\u003c\/li\u003e\n\u003cli\u003eThe Torso\u003c\/li\u003e\n\u003cli\u003eThe Dirt Eaters\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400041127\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.8.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"His Name Is Alive","offers":[{"title":"Default Title","offer_id":45666405122246,"sku":"132413630","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4502630-3555095.jpg?v=1774970990"},{"product_id":"pre-order-home-is-in-your-head-lp","title":"Home Is In Your Head [LP]","description":"\u003cp\u003eThe band's second album with 4AD, recorded in Warren Defever's home studio and remixed by Ivo Watts-Russell and John Fryer (as with their debut), sees 23 songs quick-firing through emotions, with moments of soothing calm soon clashing with white noise and visceral chaos. 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Magazine captures the band at their most immediate, fleeting bursts of noise, tension, and dark spiritual imagery that hit like a transmission from another realm. \"This is a band so instinctive and expressive that it's greatness lies not just in what's happening on the record, but in what could possibly happen next.\" - Pitchfork\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGhost of Love\u003c\/li\u003e\n\u003cli\u003eStillness Blues\u003c\/li\u003e\n\u003cli\u003eInnocent Sigh\u003c\/li\u003e\n\u003cli\u003eHips on a Wheel\u003c\/li\u003e\n\u003cli\u003eBallerina\u003c\/li\u003e\n\u003cli\u003eGive Blood\u003c\/li\u003e\n\u003cli\u003eMagazine\u003c\/li\u003e\n\u003cli\u003eSewer Tree\u003c\/li\u003e\n\u003cli\u003eBurns\u003c\/li\u003e\n\u003cli\u003eTo the Devil\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400093720\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.21.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Yhwh Nailgun","offers":[{"title":"Default Title","offer_id":45933376372934,"sku":"220187645","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4519753-3611237.jpg?v=1781306216"},{"product_id":"pre-order-peel-complete-peel-sessions-cd","title":"Peel: Complete Peel Sessions [CD]","description":"\u003cp\u003eGerman goth pioneers Xmal Deutschland - revered among British audiences in the early Eighties for their ominous and transfixing presentation of danceable darkwave, sung mostly in the German language - performed live for beloved DJ John Peel's BBC Radio 1 program four times over the span of 1982 to 1985. Emerging from Hamburg's art-punk underground and often associated with the Neue Deutsche Welle scene, the band quickly found a devoted UK following when they signed to 4AD and extensively toured alongside label mates Cocteau Twins, Clan of Xymox, and Dead Can Dance.The 16-song anthology, newly remastered at Abbey Road Studios (2026), includes fan favourites \"Incubus Succubus,\" \"Mondlicht,\" \"Geheimnis,\" and \"Qual\". This release features new artwork by Timothy O'Donnel and band photography by Jörg Bohm.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIncubus SuccubusPeel Session\u003c\/li\u003e\n\u003cli\u003eGeheimnisPeel Session\u003c\/li\u003e\n\u003cli\u003eZinker (aka Stummes Kind)Peel Session\u003c\/li\u003e\n\u003cli\u003eQualPeel Session\u003c\/li\u003e\n\u003cli\u003eSehnsuchtPeel Session\u003c\/li\u003e\n\u003cli\u003eIn MotionPeel Session\u003c\/li\u003e\n\u003cli\u003eReigenPeel Session\u003c\/li\u003e\n\u003cli\u003eVitoPeel Session\u003c\/li\u003e\n\u003cli\u003eMondlichtPeel Session\u003c\/li\u003e\n\u003cli\u003eTag für TagPeel Session\u003c\/li\u003e\n\u003cli\u003eAugen-blickPeel Session\u003c\/li\u003e\n\u003cli\u003eNachtschattenPeel Session\u003c\/li\u003e\n\u003cli\u003ePolarlichtPeel Session\u003c\/li\u003e\n\u003cli\u003eDer WindPeel Session\u003c\/li\u003e\n\u003cli\u003eJahr Um JahrPeel Session\u003c\/li\u003e\n\u003cli\u003eAutumnPeel Session\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400086524\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Xmal Deutschland","offers":[{"title":"Default Title","offer_id":45937755422918,"sku":"184346254","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4514399-3594071.jpg?v=1781414912"},{"product_id":"pre-order-cobalt-blue-live-at-the-aquarium-cd","title":"Cobalt Blue \u0026 Live At The Aquarium [CD]","description":"\u003cp\u003eInventor of the \"infinite guitar,\" Canadian musician Michael Brook's 1992 4AD record Cobalt Blue is a timeless and quietly stunning collection of instrumental pieces and shimmering dreamscapes, featuring contributions from ambient music pioneer Brian Eno, composer \u0026amp; multi-instrumentalist Roger Eno, and Grammy-winning producer Daniel Lanois. Recorded later that year, Live at the Aquarium captures Brook's rare solo performance in London, highlighting the hypnotic sustain and atmosphere that define his work. Beyond his albums, Brook has scored acclaimed films including Into the Wild, Brooklyn, and An Inconvenient Truth. Newly remastered by Rashad Becker and presented as a crystal clear 2LP with artwork by Alison Fielding based on the original v23 designs, this set marks the first vinyl reissue of Cobalt Blue and the vinyl debut of Live at the Aquarium - a long-overdue celebration of an underrated gem in the 4AD catalogue.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShona Bridge2026 Remaster\u003c\/li\u003e\n\u003cli\u003eBreakdown2026 Remaster\u003c\/li\u003e\n\u003cli\u003eRed Shift2026 Remaster\u003c\/li\u003e\n\u003cli\u003eSkip Wave2026 Remaster\u003c\/li\u003e\n\u003cli\u003eSlipstream2026 Remaster\u003c\/li\u003e\n\u003cli\u003eAndean2026 Remaster\u003c\/li\u003e\n\u003cli\u003eSlow Breakdown2026 Remaster\u003c\/li\u003e\n\u003cli\u003eUltramarine2026 Remaster\u003c\/li\u003e\n\u003cli\u003eUrbana2026 Remaster\u003c\/li\u003e\n\u003cli\u003eLakbossa2026 Remaster\u003c\/li\u003e\n\u003cli\u003eTen2026 Remaster\u003c\/li\u003e\n\u003cli\u003eHawaii2026 Remaster\u003c\/li\u003e\n\u003cli\u003eShona Bridge2026 Remaster - Live\u003c\/li\u003e\n\u003cli\u003eAfter Image \/ Urbana2026 Remaster - Live\u003c\/li\u003e\n\u003cli\u003eAndean2026 Remaster - Live\u003c\/li\u003e\n\u003cli\u003eUltramarine2026 Remaster - Live\u003c\/li\u003e\n\u003cli\u003eLakbossa2026 Remaster - Live\u003c\/li\u003e\n\u003cli\u003eCascade2026 Remaster - Live\u003c\/li\u003e\n\u003cli\u003eRed Shift2026 Remaster - Live\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400085329\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Michael Brook","offers":[{"title":"Default Title","offer_id":45937755586758,"sku":"184346619","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4514398-3594070.jpg?v=1781414913"},{"product_id":"pre-order-ask-me-tomorrow-cd","title":"Ask Me Tomorrow [CD]","description":"\u003cp\u003eMojave 3's founding members are vocalist\/guitarist Neil Halstead, bassist\/vocalist Rachel Goswell, and drummer Ian McCutcheon, members of definitive shoegazers Slowdive. The band broke cover in 1995, when a six-track demo impressed 4AD sufficiently to offer them a deal.Released in October 1995, Ask Me Tomorrow could have easily been the fourth Slowdive album, sounding like an acoustic deconstruction of the group's early recordings, still dreamlike and ethereal but recontextualized by discernible lyrics and a country-folk aesthetic.  \"We put quite a lot of reverb on the vocals,\" Neil recalls of the primitive recording style, \"and because we were all in one room recording straight to tape, there was a lot of bleed, it made everything sound really reverby. It gave the mix this really cool, murky sound and sort of inadvertently bridges the gap to Slowdive a little.\" Channelling the sorrowful songwriting of Leonard Cohen, Nick Drake, Townes Van Zant, and Fairport Convention, as well as contemporaries like Mazzy Star, Tindersticks, and Cowboy Junkies, this tone is set by the transcendent opener \"Love Songs on the Radio,\" in which Rachel's angelic vocals are suspended in air by slow, sleepwalking guitar and minimalist bass and drum flourishes.  \"I sang that song sitting on a mattress in the kitchen of Neil's flat,\" Rachel recalls. \"It was exciting because I really enjoyed the songs, and it felt like this entirely new thing was forming with only me, Neil and Ian.\" \"It was a very easy record to make, very off the cuff,\" Ian confirms. \"The atmosphere had been so toxic at the end of Slowdive, that it just felt so positive to be starting over with Rachel, Neil and myself, having a good time doing something completely different.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove Songs on the Radio\u003c\/li\u003e\n\u003cli\u003eSarah\u003c\/li\u003e\n\u003cli\u003eTomorrow's Taken\u003c\/li\u003e\n\u003cli\u003eCandle Song 3\u003c\/li\u003e\n\u003cli\u003eYou're Beautiful\u003c\/li\u003e\n\u003cli\u003eWhere Is the Love\u003c\/li\u003e\n\u003cli\u003eAfter All\u003c\/li\u003e\n\u003cli\u003ePictures\u003c\/li\u003e\n\u003cli\u003eMercy\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400082625\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mojave 3","offers":[{"title":"Default Title","offer_id":45970062868678,"sku":"202985750","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4517579-3603549.jpg?v=1782186718"},{"product_id":"pre-order-spoon-rafter-cd","title":"Spoon \u0026 Rafter [CD]","description":"\u003cp\u003eMojave 3's founding members are vocalist\/guitarist Neil Halstead, bassist\/vocalist Rachel Goswell, and drummer Ian McCutcheon, members of definitive shoegazers Slowdive. The band broke cover in 1995, when a six-track demo impressed 4AD sufficiently to offer them a deal. Never ones to sit still, Spoon and Rafter marked a shift for Mojave 3. While still containing echoes of singer-songwriters and alt-country, the record represents a Technicolor expansion of their palette that utilizes electronics, glockenspiels, melodica, and Beatlesque production.  \"It's quite a bonkers album, really,\" says Ian. \"By that stage we had our own studio again on the north Cornish coast in the UK. We had time to pick up different instruments and just faff around. It was quite a process, but it's my favorite record we did. \" \"We sort of entered our Beach Boys phase of Mojave 3,\" says Neil, \"where we became more interested in different instrumentation and a fuller sound. Thanks to Mark [Van Hoen] it was the first time we used an early Pro Tools system to edit stuff together, so some of the tracks are much longer and more orchestrated, like 'Bluebird of Happiness,' which has three different sections that were all recorded separately and then chopped together. \"Mojave 3's own myth has grown, resulting in their records being some of 4AD's most requested reissues of the last decade. With these 2026 reissues putting all five albums in print once again, perhaps it's Mojave 3's time to rise from the ashes and fly once again.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBluebird of Happiness\u003c\/li\u003e\n\u003cli\u003eStarlite #1\u003c\/li\u003e\n\u003cli\u003eBill Oddity\u003c\/li\u003e\n\u003cli\u003eWriting to St Peter\u003c\/li\u003e\n\u003cli\u003eBattle of the Broken Hearts\u003c\/li\u003e\n\u003cli\u003eHard to Miss You\u003c\/li\u003e\n\u003cli\u003eTinkers Blues\u003c\/li\u003e\n\u003cli\u003eShe's All Up Above\u003c\/li\u003e\n\u003cli\u003eToo Many Mornings\u003c\/li\u003e\n\u003cli\u003eBetween the Bars\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400082922\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mojave 3","offers":[{"title":"Default Title","offer_id":45970063589574,"sku":"202995007","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4517585-3603558.jpg?v=1782186915"},{"product_id":"pre-order-ask-me-tomorrow-lp","title":"Ask Me Tomorrow [LP]","description":"\u003cp\u003eMojave 3's founding members are vocalist\/guitarist Neil Halstead, bassist\/vocalist Rachel Goswell, and drummer Ian McCutcheon, members of definitive shoegazers Slowdive. The band broke cover in 1995, when a six-track demo impressed 4AD sufficiently to offer them a deal.Released in October 1995, Ask Me Tomorrow could have easily been the fourth Slowdive album, sounding like an acoustic deconstruction of the group's early recordings, still dreamlike and ethereal but recontextualized by discernible lyrics and a country-folk aesthetic.  \"We put quite a lot of reverb on the vocals,\" Neil recalls of the primitive recording style, \"and because we were all in one room recording straight to tape, there was a lot of bleed, it made everything sound really reverby. It gave the mix this really cool, murky sound and sort of inadvertently bridges the gap to Slowdive a little.\" Channelling the sorrowful songwriting of Leonard Cohen, Nick Drake, Townes Van Zant, and Fairport Convention, as well as contemporaries like Mazzy Star, Tindersticks, and Cowboy Junkies, this tone is set by the transcendent opener \"Love Songs on the Radio,\" in which Rachel's angelic vocals are suspended in air by slow, sleepwalking guitar and minimalist bass and drum flourishes.  \"I sang that song sitting on a mattress in the kitchen of Neil's flat,\" Rachel recalls. \"It was exciting because I really enjoyed the songs, and it felt like this entirely new thing was forming with only me, Neil and Ian.\" \"It was a very easy record to make, very off the cuff,\" Ian confirms. \"The atmosphere had been so toxic at the end of Slowdive, that it just felt so positive to be starting over with Rachel, Neil and myself, having a good time doing something completely different.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove Songs on the Radio\u003c\/li\u003e\n\u003cli\u003eSarah\u003c\/li\u003e\n\u003cli\u003eTomorrow's Taken\u003c\/li\u003e\n\u003cli\u003eCandle Song 3\u003c\/li\u003e\n\u003cli\u003eYou're Beautiful\u003c\/li\u003e\n\u003cli\u003eWhere Is the Love\u003c\/li\u003e\n\u003cli\u003eAfter All\u003c\/li\u003e\n\u003cli\u003ePictures\u003c\/li\u003e\n\u003cli\u003eMercy\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400082618\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mojave 3","offers":[{"title":"Default Title","offer_id":45970063655110,"sku":"203014230","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4517578-3603548.jpg?v=1782186726"},{"product_id":"pre-order-puzzles-like-you-lp","title":"Puzzles Like You [LP]","description":"\u003cp\u003eBy the time of their final album, Mojave 3 had journeyed a long way from the dreamy, country-tinged sadcore they started with. Reminiscent of the late days of Slowdive, both Neil and Rachel had released solo records, Ian was playing in other bands, and Neil was once again going off on his own to finish the album himself. Leapfrogging the sonic direction of their previous album, Puzzles Like You brings in jangly Byrds guitars and uptempo Sixties pop melodies for a positively bright and fun record that feels right at home next to indie rock, while sounding nearly unrecognizable next to the band they were on Ask Me Tomorrow.  \"It's a much perkier, more 'indie' record,\" says Neil, \"although there's still some quite nice country stuff on there. 'Most Days', 'Big Star Baby', and Ian's song 'The Mutineer' are some of my favorite songs that Mojave made.\" Sadly, after recording her vocals for the album, Rachel entered a period of illness that would prevent her from touring or recording for several years. Along with Neil's growing solo career, the band seemed to be reaching it's natural conclusion. And so Mojave 3 disappeared, blown away by the desert sands they came from. Over the next few years, the shoegaze sound Neil and Rachel first made together was discovered and mythologized by a new generation, and it was Slowdive's turn to be reborn, becoming bigger and more beloved than anyone could have imagined.  As a result of their unpredicted success, Mojave 3's own myth has grown, resulting in their records being some of 4AD's most requested reissues of the last decade. 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The band broke cover in 1995, when a six-track demo impressed 4AD sufficiently to offer them a deal.After playing the band on their first tours of the US and Europe, Simon Rowe of Chapterhouse and organ\/piano player Alan Forrester had joined the group full-time for the next record, essentially turning Mojave 3 into Mojave 5. Not only that, but the four men in the band also moved into a farmhouse in Cornwall, building a small studio in a cowshed where they demoed songs for what became Out of Tune. \"It was a real communal experience living on this village farm with Ian, Alan, and Simon, and other friends,\" says Neil. \"It was our own little Big Pink.\" \"That was a real Band-y sort of atmosphere,\" agrees Ian, \"very old school, with everyone learning their parts and playing at the same time. Our sound became bigger, more raucous and poppy, as a result.\" \"I was living in London and coming down to stay for a few weeks at a time,\" says Rachel. \"We were young and really having fun with it.\" The band decamped to Cava Studios in Glasgow to record Out of Tune, which turned into a long process of remixing, rerecording, and adding new elements like pedal steel and brass. While the procedure was labored, the highly polished result is a bright, largely upbeat record that showcases a new sophistication in Neil's lyrics while sounding much more like Neil Young, Bob Dylan, and Gram Parsons than anything resembling Slowdive.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho Do You Love\u003c\/li\u003e\n\u003cli\u003eGive What You Take\u003c\/li\u003e\n\u003cli\u003eSome Kinda Angel\u003c\/li\u003e\n\u003cli\u003eAll Your Tears\u003c\/li\u003e\n\u003cli\u003eYer Feet\u003c\/li\u003e\n\u003cli\u003eCaught Beneath Your Heel\u003c\/li\u003e\n\u003cli\u003eKeep It All Hid\u003c\/li\u003e\n\u003cli\u003eBaby's Coming Home\u003c\/li\u003e\n\u003cli\u003eTo Whom Should I Write\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400082724\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mojave 3","offers":[{"title":"Default Title","offer_id":45970064572614,"sku":"202991288","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4517581-3603551.jpg?v=1782186742"},{"product_id":"pre-order-excuses-for-travellers-lp","title":"Excuses For Travellers [LP]","description":"\u003cp\u003eMojave 3's founding members are vocalist\/guitarist Neil Halstead, bassist\/vocalist Rachel Goswell, and drummer Ian McCutcheon, members of definitive shoegazers Slowdive. The band broke cover in 1995, when a six-track demo impressed 4AD sufficiently to offer them a deal.With the band returning to London to work and live at the famed Fortress studios, Excuses for Travellers was the first of two consecutive albums recorded with the help of friend and electronic artist Mark Van Hoen. Combining the melancholy and stripped-down intimacy of Ask Me Tomorrow and the Laurel Canyon soul of Out of Tune, it finds the band refining their touch to create a more cohesive record that rightfully sits at the middle of their ever-morphing sound.  Lusciously textured with restrained guitar, drums, pedal steel, horns, and piano, it's an introspective campfire record that let's Neil's voice and songwriting take center stage (\"In Love with a View,\" \"My Life in Art,\" \"She Broke You So Softly\"), while also featuring the only two Mojave tracks solely credited to Rachel (\"Bringin' Me Home\") and Ian (\"Got My Sunshine\"). Reflecting on his growth as a songwriter, Neil says, \"Unlike Slowdive, where the music is at the forefront and nobody is focusing on what anyone's saying, you couldn't really hide the lyrics with Mojave 3. I had to think about them more, work harder on them.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn Love with a View\u003c\/li\u003e\n\u003cli\u003eTrying to Reach You\u003c\/li\u003e\n\u003cli\u003eMy Life in Art\u003c\/li\u003e\n\u003cli\u003eReturn to Sender\u003c\/li\u003e\n\u003cli\u003eWhen You're Drifting\u003c\/li\u003e\n\u003cli\u003eAny Day Will Be Fine\u003c\/li\u003e\n\u003cli\u003eShe Broke You So Softly\u003c\/li\u003e\n\u003cli\u003ePrayer for the Paranoid\u003c\/li\u003e\n\u003cli\u003eBringin' Me Home\u003c\/li\u003e\n\u003cli\u003eGot My Sunshine\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400082816\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mojave 3","offers":[{"title":"Default Title","offer_id":45970064605382,"sku":"203009847","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4517582-3603552.jpg?v=1782186746"},{"product_id":"pre-order-puzzles-like-you-cd","title":"Puzzles Like You [CD]","description":"\u003cp\u003eBy the time of their final album, Mojave 3 had journeyed a long way from the dreamy, country-tinged sadcore they started with. Reminiscent of the late days of Slowdive, both Neil and Rachel had released solo records, Ian was playing in other bands, and Neil was once again going off on his own to finish the album himself. Leapfrogging the sonic direction of their previous album, Puzzles Like You brings in jangly Byrds guitars and uptempo Sixties pop melodies for a positively bright and fun record that feels right at home next to indie rock, while sounding nearly unrecognizable next to the band they were on Ask Me Tomorrow.  \"It's a much perkier, more 'indie' record,\" says Neil, \"although there's still some quite nice country stuff on there. 'Most Days', 'Big Star Baby', and Ian's song 'The Mutineer' are some of my favorite songs that Mojave made.\" Sadly, after recording her vocals for the album, Rachel entered a period of illness that would prevent her from touring or recording for several years. Along with Neil's growing solo career, the band seemed to be reaching it's natural conclusion. And so Mojave 3 disappeared, blown away by the desert sands they came from. Over the next few years, the shoegaze sound Neil and Rachel first made together was discovered and mythologized by a new generation, and it was Slowdive's turn to be reborn, becoming bigger and more beloved than anyone could have imagined.  As a result of their unpredicted success, Mojave 3's own myth has grown, resulting in their records being some of 4AD's most requested reissues of the last decade. With these 2026 reissues putting all five albums in print once again, perhaps it's Mojave 3's time to rise from the ashes and fly once again.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTruck Driving Man\u003c\/li\u003e\n\u003cli\u003ePuzzles Like You\u003c\/li\u003e\n\u003cli\u003eBreaking the Ice\u003c\/li\u003e\n\u003cli\u003eRunning with Your Eyes Closed\u003c\/li\u003e\n\u003cli\u003eMost Days\u003c\/li\u003e\n\u003cli\u003eBig Star Baby\u003c\/li\u003e\n\u003cli\u003eGhost Ship Waiting\u003c\/li\u003e\n\u003cli\u003eKill the Lights\u003c\/li\u003e\n\u003cli\u003eYou Said It Before\u003c\/li\u003e\n\u003cli\u003eTo Hold Your Tiny Toes\u003c\/li\u003e\n\u003cli\u003eJust a Boy\u003c\/li\u003e\n\u003cli\u003eThe Mutineer\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400083028\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mojave 3","offers":[{"title":"Default Title","offer_id":45970064933062,"sku":"203010163","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4517587-3603562.jpg?v=1782186754"},{"product_id":"pre-order-out-of-tune-lp","title":"Out Of Tune [LP]","description":"\u003cp\u003eMojave 3's founding members are vocalist\/guitarist Neil Halstead, bassist\/vocalist Rachel Goswell, and drummer Ian McCutcheon, members of definitive shoegazers Slowdive. The band broke cover in 1995, when a six-track demo impressed 4AD sufficiently to offer them a deal.After playing the band on their first tours of the US and Europe, Simon Rowe of Chapterhouse and organ\/piano player Alan Forrester had joined the group full-time for the next record, essentially turning Mojave 3 into Mojave 5. Not only that, but the four men in the band also moved into a farmhouse in Cornwall, building a small studio in a cowshed where they demoed songs for what became Out of Tune. \"It was a real communal experience living on this village farm with Ian, Alan, and Simon, and other friends,\" says Neil. \"It was our own little Big Pink.\" \"That was a real Band-y sort of atmosphere,\" agrees Ian, \"very old school, with everyone learning their parts and playing at the same time. Our sound became bigger, more raucous and poppy, as a result.\" \"I was living in London and coming down to stay for a few weeks at a time,\" says Rachel. \"We were young and really having fun with it.\" The band decamped to Cava Studios in Glasgow to record Out of Tune, which turned into a long process of remixing, rerecording, and adding new elements like pedal steel and brass. While the procedure was labored, the highly polished result is a bright, largely upbeat record that showcases a new sophistication in Neil's lyrics while sounding much more like Neil Young, Bob Dylan, and Gram Parsons than anything resembling Slowdive.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho Do You Love\u003c\/li\u003e\n\u003cli\u003eGive What You Take\u003c\/li\u003e\n\u003cli\u003eSome Kinda Angel\u003c\/li\u003e\n\u003cli\u003eAll Your Tears\u003c\/li\u003e\n\u003cli\u003eYer Feet\u003c\/li\u003e\n\u003cli\u003eCaught Beneath Your Heel\u003c\/li\u003e\n\u003cli\u003eKeep It All Hid\u003c\/li\u003e\n\u003cli\u003eBaby's Coming Home\u003c\/li\u003e\n\u003cli\u003eTo Whom Should I Write\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400082717\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mojave 3","offers":[{"title":"Default Title","offer_id":45970064998598,"sku":"202987331","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4517580-3603550.jpg?v=1782186961"},{"product_id":"pre-order-spoon-rafter-lp","title":"Spoon \u0026 Rafter [LP]","description":"\u003cp\u003eMojave 3's founding members are vocalist\/guitarist Neil Halstead, bassist\/vocalist Rachel Goswell, and drummer Ian McCutcheon, members of definitive shoegazers Slowdive. The band broke cover in 1995, when a six-track demo impressed 4AD sufficiently to offer them a deal. Never ones to sit still, Spoon and Rafter marked a shift for Mojave 3. While still containing echoes of singer-songwriters and alt-country, the record represents a Technicolor expansion of their palette that utilizes electronics, glockenspiels, melodica, and Beatlesque production.  \"It's quite a bonkers album, really,\" says Ian. \"By that stage we had our own studio again on the north Cornish coast in the UK. We had time to pick up different instruments and just faff around. It was quite a process, but it's my favorite record we did. \" \"We sort of entered our Beach Boys phase of Mojave 3,\" says Neil, \"where we became more interested in different instrumentation and a fuller sound. Thanks to Mark [Van Hoen] it was the first time we used an early Pro Tools system to edit stuff together, so some of the tracks are much longer and more orchestrated, like 'Bluebird of Happiness,' which has three different sections that were all recorded separately and then chopped together. \"Mojave 3's own myth has grown, resulting in their records being some of 4AD's most requested reissues of the last decade. With these 2026 reissues putting all five albums in print once again, perhaps it's Mojave 3's time to rise from the ashes and fly once again.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBluebird of Happiness\u003c\/li\u003e\n\u003cli\u003eStarlite #1\u003c\/li\u003e\n\u003cli\u003eBill Oddity\u003c\/li\u003e\n\u003cli\u003eWriting to St Peter\u003c\/li\u003e\n\u003cli\u003eBattle of the Broken Hearts\u003c\/li\u003e\n\u003cli\u003eHard to Miss You\u003c\/li\u003e\n\u003cli\u003eTinkers Blues\u003c\/li\u003e\n\u003cli\u003eShe's All Up Above\u003c\/li\u003e\n\u003cli\u003eToo Many Mornings\u003c\/li\u003e\n\u003cli\u003eBetween the Bars\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400082915\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mojave 3","offers":[{"title":"Default Title","offer_id":45970065064134,"sku":"202995998","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4517584-3603556.jpg?v=1782186753"},{"product_id":"pre-order-excuses-for-travellers-cd","title":"Excuses For Travellers [CD]","description":"\u003cp\u003eMojave 3's founding members are vocalist\/guitarist Neil Halstead, bassist\/vocalist Rachel Goswell, and drummer Ian McCutcheon, members of definitive shoegazers Slowdive. The band broke cover in 1995, when a six-track demo impressed 4AD sufficiently to offer them a deal.With the band returning to London to work and live at the famed Fortress studios, Excuses for Travellers was the first of two consecutive albums recorded with the help of friend and electronic artist Mark Van Hoen. Combining the melancholy and stripped-down intimacy of Ask Me Tomorrow and the Laurel Canyon soul of Out of Tune, it finds the band refining their touch to create a more cohesive record that rightfully sits at the middle of their ever-morphing sound.  Lusciously textured with restrained guitar, drums, pedal steel, horns, and piano, it's an introspective campfire record that let's Neil's voice and songwriting take center stage (\"In Love with a View,\" \"My Life in Art,\" \"She Broke You So Softly\"), while also featuring the only two Mojave tracks solely credited to Rachel (\"Bringin' Me Home\") and Ian (\"Got My Sunshine\"). Reflecting on his growth as a songwriter, Neil says, \"Unlike Slowdive, where the music is at the forefront and nobody is focusing on what anyone's saying, you couldn't really hide the lyrics with Mojave 3. I had to think about them more, work harder on them.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn Love with a View\u003c\/li\u003e\n\u003cli\u003eTrying to Reach You\u003c\/li\u003e\n\u003cli\u003eMy Life in Art\u003c\/li\u003e\n\u003cli\u003eReturn to Sender\u003c\/li\u003e\n\u003cli\u003eWhen You're Drifting\u003c\/li\u003e\n\u003cli\u003eAny Day Will Be Fine\u003c\/li\u003e\n\u003cli\u003eShe Broke You So Softly\u003c\/li\u003e\n\u003cli\u003ePrayer for the Paranoid\u003c\/li\u003e\n\u003cli\u003eBringin' Me Home\u003c\/li\u003e\n\u003cli\u003eGot My Sunshine\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400082823\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mojave 3","offers":[{"title":"Default Title","offer_id":45970065260742,"sku":"203024496","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4517583-3603554.jpg?v=1782186932"},{"product_id":"pre-order-gem-cd","title":"Pre-Order: Gem [CD]","description":"\u003cp\u003eJulia Jacklin has made a name for herself as one of Australia's most internationally celebrated songwriters, with nominations at both the ARIA and Libera Awards, sold-out shows globally, massive tours, appearing at major festivals from Glastonbury to Pitchfork, Newport Folk to Primavera, countless accolades for her critically acclaimed albums.After touring flat-out for years on three beloved releases, Julia found herself at home out of contract with her record label, looking for a new manager. \"For the first time since I started out, I had this big chunk of time without any industry expectations and no-one to ask me what was going on,\" she remembers. \"It was liberating and it was scary.\" Jacklin wanted to do things intentionally this time around. She wanted to back herself. And she wanted to make the record at home in Melbourne: something she'd never done before.\"I want to love and be loved, but I also want to feel free. The tension between those two things has been the central question of my life,\" This is the theme that underpins her fourth album The Gem.When Julia first moved to Melbourne from Sydney in 2017, she discovered a little bar called The Gem on a back street in Collingwood, where bands pushed dining tables to the side and set up in a corner on the floor.\"The Gem felt like a metaphor for the whole process, because a lot of it did feel like digging. I felt like I was almost doing it in the dark, just trusting that I was going to find something,\" says Jacklin of the record, which conjures images of excavation, of reinvention, of trusting your instincts and surrounding yourself with the people and things that make life worthwhile. It's a soaring document of the songwriter's journey back to herself.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrand New\u003c\/li\u003e\n\u003cli\u003eGod Sometimes\u003c\/li\u003e\n\u003cli\u003eIf I Had the Hand of God\u003c\/li\u003e\n\u003cli\u003eThe Hardest Thing\u003c\/li\u003e\n\u003cli\u003eAngel Vision\u003c\/li\u003e\n\u003cli\u003eReal Life\u003c\/li\u003e\n\u003cli\u003eGet Away from Me (I Think I'll Love You Soon)\u003c\/li\u003e\n\u003cli\u003eYou Turned on the Tap\u003c\/li\u003e\n\u003cli\u003eWalk on Me\u003c\/li\u003e\n\u003cli\u003eI Wish\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400094222\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.25.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Julia Jacklin","offers":[{"title":"Default Title","offer_id":45970067357894,"sku":"228753894","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4521134-3623127.jpg?v=1782186944"},{"product_id":"pre-order-autosmile-cd","title":"Pre-Order: Autosmile [CD]","description":"\u003cp\u003eSongwriters Victoria Rose and Stone Filipczak are the creative force behind @, a singular duo whose inventive collaboration has reimagined psychedelic folk for a new generation. On Autosmile, their first album for 4AD, the pair expand on the acclaimed promise of their debut Mind Palace Music, blending timeless songwriting with adventurous arrangements, dense harmonies, and a playful spirit that constantly pushes beyond genre boundaries.Though now based in Philadelphia, Victoria and Stone continue their distinctive songwriting process: working independently before completing each other's compositions. Recorded largely at home with a humble collection of equipment and enriched by contributions from close friends on cello, violin, and drums, Autosmile transforms lo-fi methods into something remarkably lush, immersive, and emotionally resonant.Across eleven songs, @ balance darkness and wonder with striking confidence. The album moves effortlessly between haunting folk textures, progressive flourishes, indie-pop hooks, and moments of cinematic beauty. Highlights include the expansive title track \"Autosmile,\" the nostalgic earworm \"I Know You Are (But What Am I Thinking),\" and the intricately arranged \"Punish My Mind,\" each exploring themes of change, self-reflection, loss, and acceptance through lyrics that remain deliberately open-ended and deeply relatable.Equal parts mysterious, virtuosic, and playful, Autosmile showcases @ at their most fully realized-an adventurous partnership capable of looking backward and forward at once. It is an album of contrasts: beauty and pain, humor and gravity, intimacy and ambition. In the face of uncertainty, @ offer curiosity, connection, and the possibility of transformation.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBird\u003c\/li\u003e\n\u003cli\u003eLove in the Dark\u003c\/li\u003e\n\u003cli\u003eI Know You Are (But What Am I Thinking)\u003c\/li\u003e\n\u003cli\u003eEarthly Love\u003c\/li\u003e\n\u003cli\u003eYour Dog\u003c\/li\u003e\n\u003cli\u003eUntitled\u003c\/li\u003e\n\u003cli\u003eI'm Not in Pain\u003c\/li\u003e\n\u003cli\u003ePunish My Mind\u003c\/li\u003e\n\u003cli\u003eJudgement Farmer\u003c\/li\u003e\n\u003cli\u003eAutosmile\u003c\/li\u003e\n\u003cli\u003eAmity\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400091023\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"@ ( At )","offers":[{"title":"Default Title","offer_id":45992008319174,"sku":"240173081","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4523207-3623594.jpg?v=1782747430"},{"product_id":"pre-order-autosmile-soil-brown","title":"Pre-Order: Autosmile [Soil Brown]","description":"\u003cp\u003eSongwriters Victoria Rose and Stone Filipczak are the creative force behind @, a singular duo whose inventive collaboration has reimagined psychedelic folk for a new generation. On Autosmile, their first album for 4AD, the pair expand on the acclaimed promise of their debut Mind Palace Music, blending timeless songwriting with adventurous arrangements, dense harmonies, and a playful spirit that constantly pushes beyond genre boundaries.Though now based in Philadelphia, Victoria and Stone continue their distinctive songwriting process: working independently before completing each other's compositions. Recorded largely at home with a humble collection of equipment and enriched by contributions from close friends on cello, violin, and drums, Autosmile transforms lo-fi methods into something remarkably lush, immersive, and emotionally resonant.Across eleven songs, @ balance darkness and wonder with striking confidence. The album moves effortlessly between haunting folk textures, progressive flourishes, indie-pop hooks, and moments of cinematic beauty. Highlights include the expansive title track \"Autosmile,\" the nostalgic earworm \"I Know You Are (But What Am I Thinking),\" and the intricately arranged \"Punish My Mind,\" each exploring themes of change, self-reflection, loss, and acceptance through lyrics that remain deliberately open-ended and deeply relatable.Equal parts mysterious, virtuosic, and playful, Autosmile showcases @ at their most fully realized-an adventurous partnership capable of looking backward and forward at once. It is an album of contrasts: beauty and pain, humor and gravity, intimacy and ambition. 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