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These are, of course, qualities that fans have come to expect from Bright Eyes, nearly three decades into their career. The tight-knit band of Conor Oberst, Mike Mogis, and Nate Walcott tends to operate in distinct sweeping movements: each unique in its sound and story but unified by a sense of ambition and ever-growing emotional stakes. Even with this rich history behind them, these new songs exude a visceral thrill like nothing they have attempted before. Oberst has always sung in a voice that conveys a sense of life-or-death gravity. At times throughout Five Dice, All Threes, you may feel worried for him; other times, he may seem like the only one with the clarity to get us out of this mess.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOn the self-produced album, Bright Eyes embrace the elusive quality that has made them so enduring and influential across generations and genres, bringing their homespun sound from an Omaha bedroom to devoted audiences around the world. In Oberst’s songwriting lies a promise that our loneliest thoughts and feelings can take on grander shapes when passed between friends, blasted through speakers, or shouted among crowds. This time around, the band invites such like-minded voices onto the record with them, with notable guest appearances from Cat Power (“All Threes”), The National’s Matt Berninger (“The Time I Have Left”), and Alex Orange Drink, the frontman of the New York punk band The So So Glos, who co-wrote several songs and shares a climactic verse in the surging “Rainbow Overpass.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen they hit the studio with Oberst’s longtime bandmates—the multiinstrumentalist and producer Mike Mogis, the keyboardist and arranger Nate Walcott—they opted for a fast-paced approach that drew inspiration from formative influences like The Replacements and Frank Black. They sought textures that burst from the mix like gnarly splashes of paint on a blank canvas; they opted for first takes and spontaneous decisions. Five Dice, All Threes thrashes and squirms and resists classification. In the brilliant expanse of “El Capitan,” they blend a galloping rhythm you might find in a Johnny Cash standard with a swell of funereal horns, shouted vocals, and lyrics that read like a sobering farewell between twin souls. “So they’re burning you an effigy,” Oberst sings. “Well, that happens to me all the time!”\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor every striking turn in his lyrics, the band knows just how to complement him. On one level, Five Dice, All Threes may be the most fun album in the Bright Eyes catalog, filled with singalong hooks and buzzing performances. And yet, sitting alongside these adrenalized rockers that sound beamed in directly from the garage, you will find contemplative, psychedelic material like the heartbreaking “Tiny Suicides” and “All Threes,” a song whose jazzy piano solo and free-associative lyrics feel totally unprecedented in the Bright Eyes catalog.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs per usual, the music comes loaded with subtext that invites deep listening—the signature touch of a band who has always honored the album as its own exalted work of art. In the game of threes, the titular move would indicate a perfect roll. Perfection, however, means something different in the world of Bright Eyes, where our flaws are what grants us authority and finding meaning is only possible if we bear witness to the dark, winding journey to get there. On Five Dice, All Threes, Bright Eyes embrace these beliefs with music that feels thrillingly alive, as if we were all in the room with them, shouting along and gaining the strength to move forward together. It doesn’t just sound like classic Bright Eyes. It sounds like their future, too.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1 Five Dice\u003c\/li\u003e\r\n\t\u003cli\u003e2 Bells and Whistles\u003c\/li\u003e\r\n\t\u003cli\u003e3 El Capitan\u003c\/li\u003e\r\n\t\u003cli\u003e4 Bas Jan Ader\u003c\/li\u003e\r\n\t\u003cli\u003e5 Tiny Suicides\u003c\/li\u003e\r\n\t\u003cli\u003e6 All Threes\u003c\/li\u003e\r\n\t\u003cli\u003e7 Rainbow Overpass\u003c\/li\u003e\r\n\t\u003cli\u003e8 Hate\u003c\/li\u003e\r\n\t\u003cli\u003e9 Real Feel 105°\u003c\/li\u003e\r\n\t\u003cli\u003e10 Spun Out\u003c\/li\u003e\r\n\t\u003cli\u003e11 Trains Still Run on Time\u003c\/li\u003e\r\n\t\u003cli\u003e12 The Time I Have Left\u003c\/li\u003e\r\n\t\u003cli\u003e13 Tin Soldier Boy\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 09\/20\/2024\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2xLP - Red \u0026amp; Orange Splatter\u003c\/li\u003e\n\u003cli\u003eUPC: 656605163635\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Dead Oceans\u003c\/li\u003e\n\u003cli\u003eGenre: Alternative\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":43929772196038,"sku":"VBDBDL-VM8V-00","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/five-dice-all-threes-2lp-red-orange-splatter_uc2iD_7ff00810-ca3a-47eb-afc2-712d142c1ed9.jpg?v=1762304436"},{"product_id":"bright-eyes-bright-eyes-im-wide-awake-its-morning-limited-edition-red-marble-colored-vinyl-vinyl","title":"Bright Eyes - I'm Wide Awake, It's Morning (Limited Edition, Red Marble Colored Vinyl) [Vinyl]","description":"Bright Eyes - Bright Eyes - I'm Wide Awake, It's Morning (Limited Edition, Red Marble Colored Vinyl) [Vinyl] \u003cbr\u003eBarcode: 656605159034 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\"I’m Wide Awake, It’s Morning came out in 2005, Conor Oberst’s folky foil to Bright Eyes’ concurrent release, the electronic experiments of Digital Ash in a Digital Urn. It’s distinct placement in an Americana lineage takes center stage, from the detailed, no-holds-barred vulnerability in its storytelling to gripping vocal appearances from Emmylou Harris. For many, it’s looked fondly upon as the well-worn soundtrack to a distinct coming-of-age period, much like the time of exploration Oberst chronicles across the songs on the album, where even the mundane is something worthy of marveling at.\"\u003cbr\u003eTracklist\u003cbr\u003eLP 1 \/ Side A\u003cbr\u003e1\u003cbr\u003eAt The Bottom of Everything\u003cbr\u003e2\u003cbr\u003eWe Are Nowhere And It's Now\u003cbr\u003e3\u003cbr\u003eOld Soul Song (For The New World Order)\u003cbr\u003e4\u003cbr\u003eLua\u003cbr\u003e5\u003cbr\u003eTrain Under Water\u003cbr\u003eLP 1 \/ Side B\u003cbr\u003e1\u003cbr\u003eFirst Day of My Life\u003cbr\u003e2\u003cbr\u003eAnother Travelin' Song\u003cbr\u003e3\u003cbr\u003eLand Locked Blues\u003cbr\u003e4\u003cbr\u003ePoison Oak\u003cbr\u003e5\u003cbr\u003eRoad to Joy\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 12\/13\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":44076462833862,"sku":"19OA1T-2E4L-9G","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/bright-eyes-im-wide-awake-its-morning-limited-edition-red-marble-colored-vinyl-_MtuiH.png?v=1762305884"},{"product_id":"bright-eyes-bright-eyes-five-dice-all-threes-2-lp-vinyl","title":"Bright Eyes - Five Dice, All Threes (2 Lp) [Vinyl]","description":"Bright Eyes - Bright Eyes - Five Dice, All Threes (2 Lp) [Vinyl] \u003cbr\u003eBarcode: 656605163611 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eDescription\u003cbr\u003eFive Dice, All Threes is a record of uncommon intensity and tenderness,\u003c\/p\u003e\u003cp\u003ecommunal exorcism and personal excavation. These are, of course, qualities that fans have come to expect from Bright Eyes, nearly three decades into their career. The tight-knit band of Conor Oberst, Mike Mogis, and Nate Walcott tends to operate in distinct sweeping movements: each unique in it's sound and story but unified by a sense of ambition and ever-growing emotional stakes. Even with this rich history behind them, these new songs exude a visceral thrill like nothing they have attempted before. Oberst has always sung in a voice that conveys a sense of life-or-death gravity. At times throughout Five Dice, All Threes, you may feel worried for him; other times, he may seem like the only one with the clarity to get us out of this mess. On the self-produced album, Bright Eyes embrace the elusive quality that has made them so enduring and influential across generations and genres, bringing their homespun sound from an Omaha bedroom to devoted audiences around the world. In Oberst's songwriting lies a promise that our loneliest thoughts and feelings can take on grander shapes when passed between friends, blasted through speakers, or shouted among crowds. This time around, the band invites such like-minded voices onto the record with them, with notable guest appearances from Cat Power (\"All Threes\"), The National's Matt Berninger (\"The Time I Have Left\"), and Alex Levine, the frontman of the New York punk band The So So Glos, who co-wrote several songs and shares a climactic verse in the surging \"Rainbow Overpass.\" When they hit the studio with Oberst's longtime bandmates-the multiinstrumentalist and producer Mike Mogis, the keyboardist and arranger Nate Walcott-they opted for a fast-paced approach that drew inspiration from formative influences like The Replacements and Frank Black. They sought textures that burst from the mix like gnarly splashes of paint on a blank canvas; they opted for first takes and spontaneous decisions. Five Dice, All Threes thrashes and squirms and resists classification. In the brilliant expanse of \"El Capitan,\" they blend a galloping rhythm you might find in a Johnny Cash standard with a swell of funereal horns, shouted vocals, and lyrics that read like a sobering farewell between twin souls. \"So they're burning you an effigy,\" Oberst sings. \"Well, that happens to me all the time!\" For every striking turn in his lyrics, the band knows just how to complement him. On one level, Five Dice, All Threes may be the most fun album in the Bright Eyes catalog, filled with singalong hooks and buzzing performances. And yet, sitting alongside these adrenalized rockers that sound beamed in directly from the garage, you will find contemplative, psychedelic material like the heartbreaking \"Tiny Suicides\" and \"All Threes,\" a song whose jazzy piano solo and free-associative lyrics feel totally unprecedented in the Bright Eyes catalog. As per usual, the music comes loaded with subtext that invites deep listening-the signature touch of a band who has always honored the album as it's own exalted work of art. In the game of threes, the titular move would indicate a perfect roll. Perfection, however, means something different in the world of Bright Eyes, where our flaws are what grants us authority and finding meaning is only possible if we bear witness to the dark, winding journey to get there. On Five Dice, All Threes, Bright Eyes embrace these beliefs with music that feels thrillingly alive, as if we were all in the room with them, shouting along and gaining the strength to move forward together. It doesn't just sound like classic Bright Eyes. It sounds like their future, too.\u003cbr\u003e \u003cbr\u003eTracks\u003cbr\u003e1 Five Dice\u003cbr\u003e2 Bells and Whistles\u003cbr\u003e3 El Capitan\u003cbr\u003e4 Bas Jan Ader\u003cbr\u003e5 Tiny Suicides\u003cbr\u003e6 All Threes\u003cbr\u003e7 Rainbow Overpass\u003cbr\u003e8 Hate\u003cbr\u003e9 Real Feel 105°\u003cbr\u003e10 Spun Out\u003cbr\u003e11 Trains Still Run on Time\u003cbr\u003e12 The Time I Have Left\u003cbr\u003e13 Tin Soldier Boy\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 09\/20\/2024\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":44113247011014,"sku":"HDEINX-O41R-48","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/bright-eyes-five-dice-all-threes-2-lp_mIzjf.jpg?v=1762306232"},{"product_id":"bright-eyes-bright-eyes-digital-ash-in-a-digital-urn-vinyl","title":"Bright Eyes - Digital Ash in a Digital Urn [Vinyl]","description":"Bright Eyes - Bright Eyes - Digital Ash in a Digital Urn [Vinyl] \u003cbr\u003eBarcode: 648401007312 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eContaining what are undeniably his finest songs to date, I'm Wide Awake, It's Morning, and Digital Ash in a Digital Urn, two separate albums simultaneously released on January 25th, 2005, provide unequivocal proof that 24 year-old Oberst belongs to the lineage of great American songwriters.These albums are a soundly articulated slice of modern American life rolled into two very different records.\u003c\/p\u003e\u003cp\u003eI'm Wide Awake, It's Morning, is a country-tinged melange of Conor's finest acoustic songs, featuring guest vocal appearances from Emmylou Harris and Jim James (My Morning Jacket), whereas Digital Ash in a Digital Urn is a more produced, band-centric album featuring cameo appearances by Nick Zinner of Yeah Yeah Yeahs.\u003c\/p\u003e\u003cp\u003eThe new songs are bursting with all of the rough edges and heartfelt poetry for which Bright Eyes records have earned their acclaim, while exposing a glorious new level of depth and texture to the writing and delivery. Recorded back-to-back, the albums work in tandem to elucidate both sides of Conor's recent creative output.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":44253723459782,"sku":"ICIFOZ-NXUW-00","price":22.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Bright-Eyes-Digital-Ash-in-a-Digital-Urn_8XBJf.jpg?v=1762323610"},{"product_id":"bright-eyes-bright-eyes-fevers-mirrors-vinyl","title":"Bright Eyes - FEVERS \u0026 MIRRORS [Vinyl]","description":"Bright Eyes - Bright Eyes - FEVERS \u0026amp; MIRRORS [Vinyl] \u003cbr\u003eBarcode: 648401003215 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eBright Eyes: Connor Oberst (vocals, guitar, Fender Rhodes piano, organ, keyboards, percussion, samples); Andy Lemaster (vocals, guitar, Mellotron, bass, percussion); Mike Mogis (acoustic \u0026amp; electric guitar, pedal steel, E-bow, mandolin, piano, organ, keyboards, vibraphone, glockenspiel, tambourine, electronics); Jiha Lee (flute); Tim Kasher (accordion); A.J. Mogis (piano); Todd Baechle (keyboards); Matt Maginn (bass); Joe Knapp (drums, percussion); Clint Schnase (drums).\u003cbr\u003eRecorded at Dead Space, Lincoln, Nebraska in December 1999.\u003cbr\u003eWhile 2002's LIFTED was the record that blew Bright Eyes and its hyper-poetic frontman, Conor Oberst, into the public's consciousness and up the Billboard charts, its predecessor, FEVERS AND MIRRORS, put him on the next-big-thing map. The third official album in the band's catalog, FEVERS AND MIRRORS finds Oberst \u0026amp; Co. codifying the vision nascently established on LETTING OFF THE HAPPINESS. Oberst furiously wrestles with his emotions as he upends confessional singer-songwriter tropes while producer and multi-instrumentalist Mike Mogis frames his whims in shifting, episodic textures that include pulsating organs, dulcimers, and vibraphones.\u003cbr\u003eAs with all Bright Eyes albums, this one begins and ends with Oberst's strong songwriting and preternatural gift for dramatic, narrative lyricism. \"A Scale, A Mirror, and Those Indifferent Clocks\" includes the line \"Now I know a disease that these doctors can't treat\/you contract on the day you accept all you see\". Oberst seems to be kicking and screaming against this possibility through a strained larynx--most notably on the anthemically strung-out \"Calendar Hung Itself\" and the eruptive refrains of \"Sunrise Sunset\". While \"Something Vague\" and \"Haligh, Haligh, A Lie, Haligh\" each predict the operatic alt.country the band would perfect on CASSADEGA. Here Oberst is still embracing his influences--openly channeling Eliot Smith on the opening track and SISTER LOVERS-era Alex Chilton on \"The Center of the World\". Arguably, pound for pound the best Bright Eyes album, FEVERS AND MIRRORS captures Oberst before the masses did.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":44253756752070,"sku":"MUBII8-B0JN-00","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Bright-Eyes-FEVERS-MIRRORS_jjKMJ.jpg?v=1762323771"},{"product_id":"bright-eyes-bright-eyes-letting-off-the-happiness-vinyl","title":"Bright Eyes - Letting Off the Happiness [Vinyl]","description":"Bright Eyes - Bright Eyes - Letting Off the Happiness [Vinyl] \u003cbr\u003eBarcode: 648401002317 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eTen songs written by Conor Oberst (Bright Eyes), a boy from Nebraska, and performed\/recorded with assistance from members of Cursive, Drip, Lullaby for the Working Class, Neutral Milk Hotel, of Montreal, Sorry About Dresden, and more. For those familiar with the work of Bright Eyes, this new record represents a big step forward in terms of fidelity, much in part to the guidance and assistance throughout the recordings by Lullaby's Mike Mogis. For those not familiar with the Bright Eyes sound, this album will serve as a perfect introduction to this chaotic bedroom pop.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":44253805805766,"sku":"IYREWO-SMYR-00","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Bright-Eyes-Letting-Off-the-Happiness_alTLl.jpg?v=1762323863"},{"product_id":"bright-eyes-bright-eyes-the-peoples-key-180-gram-vinyl-deluxe-edition-digital-download-card-vinyl","title":"Bright Eyes - The People's Key (180 Gram Vinyl, Deluxe Edition, Digital Download Card) [Vinyl]","description":"Bright Eyes - Bright Eyes - The People's Key (180 Gram Vinyl, Deluxe Edition, Digital Download Card) [Vinyl] \u003cbr\u003eBarcode: 648401015812 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eSince 2006, the once revolving cast of Bright Eyes players has settled around permanent members Conor Oberst, Mike Mogis and Nate Walcott, with additional musicians joining them in the studio and on tour. Fully realized and bursting with charisma, The People's Key is an assured and accomplished album, artfully arranged and filled with the engaging and mesmeric songwriting for which Oberst is renowned.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":44253809508550,"sku":"5RYZH6-A7DW-00","price":22.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Bright-Eyes-The-Peoples-Key-180-Gram-Vinyl-Deluxe-Edition-Digital-Download-Card_zgm3a.jpg?v=1762323883"},{"product_id":"bright-eyes-bright-eyes-a-christmas-album-translucent-red-colored-vinyl-vinyl","title":"Bright Eyes - A Christmas Album (Translucent Red Colored Vinyl) [Vinyl]","description":"\u003cp\u003eDescription\u003cbr\u003eBright Eyes' Christmas Album begins with a piano, flute, ambient noise, and musical saw-driven version of \"Away in a Manger,\" helping weed out casual Christmas music enjoyers, but all too tempting for the most devout of Conor Oberst's disciples, who originally learned that the warmth of the holiday season is trumped only by it's potential for melancholy back in 2002 with the original Saddle Creek release. Oberst and a small army of friends at his house proceed to jamboree through Christmas classics like \"Have Yourself a Merry Little Christmas,\" \"God Rest Ye Merry Gentlemen,\" and \"Oh Little Town of Bethlehem,\" Holiday cheer, when delivered with Oberst's trademark tremble, sounds more like a lament than it does hymns of ecclesiastical joy. But the spirited listener will find that the fragile, homespun, and somewhat blinkered vibe that permeates the album sets itself apart from the bog-standard, less sonically humble offerings of the holidays, and, both strangely and satisfyingly, is probably more aligned with the true spirit of the season.\u003cbr\u003eTracks\u003cbr\u003e1 Away in a Manger\u003cbr\u003e2 Blue Christmas\u003cbr\u003e3 Oh Little Town of Bethlehem\u003cbr\u003e4 God Rest Ye Merry Gentlemen\u003cbr\u003e5 The First Noel\u003cbr\u003e6 Little Drummer Boy\u003cbr\u003e7 White Christmas\u003cbr\u003e8 Silent Night\u003cbr\u003e9 Silver Bells\u003cbr\u003e10 Have Yourself a Merry Little Christmas\u003cbr\u003e11 The Night Before Christmas\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 11\/10\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":44267171053766,"sku":"UMCD9D-E66U-GH","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/bright-eyes-a-christmas-album-translucent-red-colored-vinyl_N1Loq.jpg?v=1762325660"},{"product_id":"bright-eyes-letting-off-the-happiness-vinyl","title":"Letting Off The Happiness [Vinyl]","description":"\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e If Winter Ends\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Padraic My Prince\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Contrast and Compare\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e The City Has Sex\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e The Difference in the Shades\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Touch June on the West Coast\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e7\u003c\/span\u003e Pull My Hair a Poetic Retelling of An Unfortunate Seduction\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e8\u003c\/span\u003e Tereza and Tomas\u003c\/li\u003e\r\n\u003c\/ul\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":44326054756550,"sku":"048JLO-MT9G-00","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Bright-Eyes-Letting-Off-The-Happiness_cwVwT.jpg?v=1759808321"},{"product_id":"bright-eyes-fevers-and-mirrors-limited-edition-merlot-wave-colored-vinyl-2-lps-vinyl","title":"Fevers And Mirrors (Limited Edition, Merlot Wave Colored Vinyl) (2 Lp's) [Vinyl]","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 09\/9\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":44326309855430,"sku":"3X7LMO-EHTH-00","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Bright-Eyes-Fevers-And-Mirrors-Limited-Edition-Merlot-Wave-Colored-Vinyl-2-Lps_UYlNe.jpg?v=1762335768"},{"product_id":"bright-eyes-lifted-or-the-story-is-in-the-soil-keep-your-ear-to-the-ground-a-companion-gold-vinyl-ep-vinyl","title":"Lifted or The Story Is in the Soil, Keep Your Ear to the Ground: A Companion (Gold Vinyl, EP) [Vinyl]","description":"\u003cp\u003eTracksCredits 1 The Big Picture (Companion Version) 2 You Will. 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Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.\" Those two albums came out simultaneously. And their lead singles – \"Take It Easy (Love Nothing),\" from the austere, remote Digital Ash, and \"Lua,\" from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. \"First Day of My Life,\" also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll.Bright Eyes had officially broken through. It was a heady, exciting time, but also fraught and tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, \"When The President Talks To God.\"These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of \"harmonica and mandolins – folky vibes,\" Oberst says. 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Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.\" Those two albums came out simultaneously. And their lead singles - \"Take It Easy (Love Nothing),\" from the austere, remote Digital Ash, and \"Lua,\" from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. \"First Day of My Life,\" also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll.  Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, \"When The President Talks To God.\"  These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of \"harmonica and mandolins - folky vibes,\" Oberst says. 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Not sonically, of course, but conceptually. This last wave contains, in \u003c\/span\u003e\u003cem\u003eNoise Floor,\u003c\/em\u003e\u003cspan\u003e early Bright Eyes songs so raw Oberst never even released them back in the day, as well as, in \u003c\/span\u003e\u003cem\u003eCassadaga\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eThe People’s Key\u003c\/em\u003e\u003cspan\u003e, the band’s most polished and sophisticated albums. When Bright Eyes toured \u003c\/span\u003e\u003cem\u003eCassadega\u003c\/em\u003e\u003cspan\u003e they performed an epic 7 sold-out nights at NYC’s Town Hall. What’s more grown-up rock-star than that? And yet ...“Thematically those early songs are not that different than the songs I make now,” Oberst says, shaking his head. “There’s something affirming and disheartening about it. It’s like, have I really changed or grown? 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I like that. I like a challenge. I like to be forced to do something that's slightly hard, just to see if we can.\" \"Just to see if we can\" could be the unofficial motto of Bright Eyes, the band Oberst founded as a teenager and plays in with two of his oldest friends, multi-instrumentalists Mike Mogis and Nate Walcott. \"We've never made the same record twice,\" the singer says. \"I'm proud of that.\" From warm folk-rock to austere electro, plaintive, earnest ballads to glacially cool guitar noise, Bright Eyes has tried on pretty much every sound that's ever inspired them, just to see if they could. Along the way they've collaborated with many of their influences, heroes, and peers, from Gillian Welch and Emmylou Harris to Jenny Lewis, Nick Zinner and Britt Daniel. And they've seen their songs covered by many more, including Lorde, The Killers, and Mac Miller. For a band that's often been perceived as an outlier - the ingenious but quixotic group fronted by that wunderkind singer-songwriter with the floppy hair and bedroom eyes - the depth, breadth, and impact of the Bright Eyes canon is remarkable. And that's what really strikes you when you sit down to fully take in the nine Bright Eyes albums that will be reissued, in chronological order, in groups of three, beginning this spring. Over the last two-plus decades, as Bright Eyes has released one after another time capsule LP's -urgent dispatches from transcendent, fleeting eras of our collective lives - they've also simultaneously been assembling a robust, mature, narratively cohesive discography. \"I've written a looooot of songs,\" Oberst says, laughing. \"And by no means are they all good, but the fact that we can cull through these records and find ones that I'm not ashamed to sing years later makes me feel pretty happy.\"  It's the desire to celebrate that sonic bounty that first got Oberst and the band excited about the idea of comprehensive reissues. But this wouldn't be a Bright Eyes project if a moment devoted to appreciating the past weren't turned into an opportunity to connect with the future. That's where the nine companion EPs come in. Or as Oberst puts it, \"the supplemental reading\" for the primary reissues: One six-track EP per reissued album, each featuring five reworked songs from that album. \"My thing was they had to sound different from the originals, we had to mess with them in a substantial way.\" Plus one cover that felt \"of the era\" in which that particular albums was made - a song that meant something to the band at the time. To help the EPs come alive in the fullest way, Bright Eyes called in lots of old friends, like Bridgers, M. Ward, and Welch and Rawlings, as well as new ones like Katie Crutchfield of Waxahatchee.  It was the band's way of reframing, rediscovering, and renewing the past. It was also a hilarious amount of work. \"I thought it was a cool concept,\" Oberst says. \"Then I realized it's nine records, six songs a piece, so that's like 54 different songs you have to record!\" He laughs. 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