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Unschooled yet eloquent in his music, the Baker mystique has only reinforced one of the most haunting trumpet styles and ingenuous singing approaches. Chet Baker Sings: It Could Happen To You is his classic 1958 vocal album. 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Chet (RSD 4.22.23) [Vinyl]","description":"Chet Baker - Chet Baker - Chet (RSD 4.22.23) [Vinyl] \u003cbr\u003eBarcode: 888072474437 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Chet Baker","offers":[{"title":"Default Title","offer_id":43835107049670,"sku":"5XNS9R-1VGH-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/chet-baker-chet-rsd-42223_43zQk.jpg?v=1762298276"},{"product_id":"chet-baker-chet-baker-blue-room-the-1979-vara-studio-sessions-in-hollan-rsd-42223-vinyl","title":"Chet Baker - Blue Room: The 1979 Vara Studio Sessions In Hollan (RSD 4.22.23) [Vinyl]","description":"Chet Baker - Chet Baker - Blue Room: The 1979 Vara Studio Sessions In Hollan (RSD 4.22.23) [Vinyl] \u003cbr\u003eBarcode: 8435395503584 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 04\/22\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Chet Baker","offers":[{"title":"Default Title","offer_id":43837702832326,"sku":"WRIWVT-0IMK-00","price":52.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/chet-baker-blue-room-the-1979-vara-studio-sessions-in-hollan-rsd-42223_svcff.jpg?v=1762300487"},{"product_id":"chet-baker-chet-baker-blues-for-a-reason-lp-vinyl","title":"Chet Baker - 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For Ezio Leoni and Giulio Libano the work ground with Chet has been smoothed out: there was no need to build beyond the measure, it was important to expand, enhance, galvanize what Chet wanted to express.There is no doubt that they found a simple, successful and effective technique in structuring the album. They have alternated lyrical songs with more stringent and alive tracks. With the continuous alternation of times, expressions and atmospheres they made sure to avoid any monotony. In according with Chet they built a great and selected formation made up of the best Italian jazz musicians. The orchestra that recorded the album was consisted of 16 violins, 4 violas, 4 cellos, a flute, a bass clarinet, an oboe, a French horn, a harp which matched with Glauco Massetti's alto sax, Fausto Papetti's baritone sax, Mario Pezzotta's trombone, Gianni Basso's tenor sax, Franco Cerri's double bass, Gene Victory's drums. An imposing orchestra that was able to mix perfectly and alternate purely jazzy instruments with strings during the performances.The repertoire included in the album ranges a lot: from well-known motifs such as 'Angel Eyes', 'When I Fall In Love' or 'I Should Care', to others less known but very pleasant tracks as 'The Song Is You' or 'Forgetful'. Other tracks lend themselves perfectly to a wider orchestration such as 'Autumn In New York', 'Violets for Your Fur' or 'Deep in A Dream'. Another theme was treated with a thrifty intervention of the strings, almost a crown of the whole performance, represented by the recording 'Street of Dreams'. 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In New York captures the moody prince of cool stepping into the East Coast hard bop ring - and holding his own with charm, tone, and those impossibly lyrical lines that seem to float above the beat like cigarette smoke in a club basement.Chet Baker didn't play the trumpet. He seduced it. His tone? So velvety, you might try spreading it on toast. His solos? Like a conversation with someone who never raises their voice - but always gets the last word. On In New York, Chet proves that his famously fragile persona belied a rock-solid sense of melody, timing, and understated swagger.Chet may be the name on the cover, but he came to town with some serious firepower. Johnny Griffin (tenor sax), known as the 'Little Giant' brings a big sound and a bebop bite, pushing Chet into edgier territory - and yes, it works. Al Haig (piano), is bebop royalty. Cool, crisp, and a perfect harmonic foil for Baker's phrasing. Paul Chambers (bass), is from Miles' first-call list. He doesn't just walk the bass - he struts. Lastly, Philly Joe Jones (drums) swings so hard, it's a wonder the studio walls didn't cave in. This lineup turns In New York from a moody trumpet feature into a full-on jazz heavyweight bout, where elegance and energy shake hands for 42 glorious minutes.Among the tracks, 'Fair Weather' opens like a sigh and builds to a gorgeous melodic statement. Chet's tone is so pure, you'll swear it's whispering secrets. 'Solar' is the Miles Davis tune. Chet steps into the master's world and makes it his own. Confident, cool, and swinging. 'Polka Dots and Moonbeams' is a ballad done Baker-style: Romantic, vulnerable, and smoother than a vintage Cadillac. These are just a taste of the treasures that await on In New York.This vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.This is an album that deserves space in every jazz fan's collection. It captures a unique moment in Chet's career - between the breezy West Coast cool and the rawer later years. It's a must-have for any jazz collector who values tone, taste, and a little touch of trumpet romance. Add to cart. Drop the needle. Cue the cool.Mastering by Kevin Gray and Steve Hoffman at Acoustech MasteringDouble LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings!Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finishTracklist:LP 1 Side A1. Fair Weather2. Polka Dots And MoonbeamsLP 1 Side B1. Hotel 49LP 2 Side A1. Solar2. Blue ThoughtsLP 2 Side B1. 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