{"title":"Destroyer","description":null,"products":[{"product_id":"destroyer-ken-vinyl","title":"KEN [Vinyl]","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":44317361471686,"sku":"HMX5GF-6WN8-00","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Destroyer-KEN_Mrxzo.jpg?v=1762331592"},{"product_id":"your-blues-vinyl","title":"Your Blues [Vinyl]","description":"\u003cp\u003eBombastic and bold at times, quiet and soothing at others, Your Blues has a theatrical quality that informs the compositions. Recorded with the production duo JC\/DC (aka David Carswell and John Collins) - who aided in the creation of Destroyer's first three discs - Dan Bejar ditches the band format he used for 2002?s This Night with tremendous results. Fusing a dramatic vocal style akin to that of David Bowie in the 1970s with 1980s studio achievers like Microdisney and Prefab Sprout, Your Blues is regularly breathtaking.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNotorious Lightning\u003c\/li\u003e\n\u003cli\u003eIt's Gonna Take An Airplane\u003c\/li\u003e\n\u003cli\u003eAn Actor's Revenge\u003c\/li\u003e\n\u003cli\u003eThe Music Lovers\u003c\/li\u003e\n\u003cli\u003eFrom Oakland to Warsaw\u003c\/li\u003e\n\u003cli\u003eYour Blues\u003c\/li\u003e\n\u003cli\u003eNew Ways of Living\u003c\/li\u003e\n\u003cli\u003eDon't Become the Thing You Hated\u003c\/li\u003e\n\u003cli\u003eMad Foxes\u003c\/li\u003e\n\u003cli\u003eThe Fox and the Hound\u003c\/li\u003e\n\u003cli\u003eWhat Road\u003c\/li\u003e\n\u003cli\u003eCertain Things You Ought to Know\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855023816\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.2.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45455618965702,"sku":"1113","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/2798675.jpg?v=1768498472"},{"product_id":"dans-boogie-iex-black-swirl-coke-bottle-clear-lp","title":"Dan's Boogie (IEX) Black Swirl\/Coke Bottle Clear [LP]","description":"\u003cp\u003eDan's Boogie is a breakthrough album for Destroyer, both in the sense that it makes moves that no Destroyer album to this point has made, and in the sense that, to record it, Bejar had to burst through a series of intentional and unintentional barriers to write the songs. Initially challenging himself to not write songs so the ideas would well up inside of him until they breached containment, the months following the completion of LABYRINTHITIS turned into one year then two, at which point Bejar gave himself a New Year's resolution to play the piano every day for an hour. That lasted about four days, but the songs Bejar credits as coming from that resolution-\"Cataract Time,\" \"Hydroplaning Off the Edge of the World,\" \"Bologna,\" and \"Dan's Boogie\" among them-are all-timer Destroyer songs across the vast spectrum Bejar and his collaborators have established for themselves: spectacle-laden pop epics, personal piano ballads, and smouldering works of mood that blur the lines between song and novel and cinema, each brimming with the urgency of a state secret in the mind of a tortured spy. Lead single \"Bologna\" is the most radical frame for this energy, as it's the first time Bejar wrote a song where he imagined himself as a supporting character. Taking lead is Fiver's Simone Schmidt, whose voice-tough and expressive, piercing through the murk of the scene-is a siren's call that haunts the album. The gravity of their voice pulls Dan's Boogie into order around a sense of impending doom, the way a fatale's promise of the unusual and the ecstatic dooms the principal character of an erotic thriller. \"Hydroplaning Off the Edge of the World\" is a delicious bit of contradiction, a peppy song that came out of the havoc Bejar was intentionally wreaking on himself-it's holiday cheeriness making the angst of it's lyrics go down smoothly until the song veers off the road. \"We are now entering a new phase,\" Bejar intones, introducing layers of guitar and synthesizer that considerably darken the palette as he alternates between singing and speaking. The lyrics and vocals are improvised, invented as Bejar recorded the demo in his garage-a manic stream-of-consciousness and simultaneously exquisite display of his songwriting mastery.Contradiction informs much of Dan's Boogie, the fog swirling around Bejar illuminated by the friction between competing truths and tastes, as when his interest in jazzy ballads runs aground on producer and bassist John Collins' interest in bands like Led Zeppelin and Scritti Politti. When Bejar told Collins that he was thinking of Sammy Davis Jr., the title track bloomed into being, Bejar adopting a Rat Pack swagger with almost delusional glee against a dreamy soundscape of soaring guitars, lush horns, jazz drumming, spaced-out synths, and, perhaps truest to how Bejar sees himself, plinking lounge piano. In terms of shaping sound, the centerpiece of Dan's Boogie may be \"Cataract Time,\" an eight-minute epic that ranks as some of the heaviest lyrics Bejar has ever written, and one of Destroyer's most musically intricate compositions. Borne aloft on an easygoing groove, Bejar's lyrics-\"a reckoning, a dressing down\" as he describes them-are transfigured, their melancholy tasting almost counterintuitively like hope. It's an intimate song that puts away Destroyer's usual urban fable milieu in exchange for bracing interiority, but it's lilting groove can see a future, one that Bejar and his band are eager to meet.It is, to use Bejar's phrase, the kind of song you make when you're up against it, when it seems as if the world is crashing down upon you. And therein lies the album's most radical shift: Where previous Destroyer albums were locked in combat with the world, Dan's Boogie dances with it, it's nine reveries coalescing into one long hustle. Dan Bejar's eye may be on the exits, but he's not leaving anytime soon.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Same Thing As Nothing at All\u003c\/li\u003e\n\u003cli\u003eHydroplaning Off the Edge of the World\u003c\/li\u003e\n\u003cli\u003eThe Ignoramus of Love\u003c\/li\u003e\n\u003cli\u003eDan's Boogie\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eBologna [Feat. Fiver]\u003c\/li\u003e\n\u003cli\u003eI Materialize\u003c\/li\u003e\n\u003cli\u003eSun Meet Snow\u003c\/li\u003e\n\u003cli\u003eCataract Time\u003c\/li\u003e\n\u003cli\u003eTravel Light\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855086903\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45455636594886,"sku":"16863","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4399487-3317407.jpg?v=1768498747"},{"product_id":"kaputt-lp","title":"Kaputt [LP]","description":"\u003cp\u003eDan Bejar started Destroyer as a solo home-recording project in the early to mid-nineties.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChinatown\u003c\/li\u003e\n\u003cli\u003eBlue Eyes\u003c\/li\u003e\n\u003cli\u003eSavage Night at the Opera\u003c\/li\u003e\n\u003cli\u003eSuicide Demo for Kara Walker\u003c\/li\u003e\n\u003cli\u003ePoor in Love\u003c\/li\u003e\n\u003cli\u003eKaputt\u003c\/li\u003e\n\u003cli\u003eDowntown\u003c\/li\u003e\n\u003cli\u003eSong for America\u003c\/li\u003e\n\u003cli\u003eBay of Pigs (Detail) 1\u003c\/li\u003e\n\u003cli\u003eThe Laziest River\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855036915\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.25.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45455731654854,"sku":"47955","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/1664950-2575536.jpg?v=1768499950"},{"product_id":"dans-boogie-lp","title":"Dan's Boogie [LP]","description":"\u003cp\u003eDan's Boogie is a breakthrough album for Destroyer, both in the sense that it makes moves that no Destroyer album to this point has made, and in the sense that, to record it, Bejar had to burst through a series of intentional and unintentional barriers to write the songs. Initially challenging himself to not write songs so the ideas would well up inside of him until they breached containment, the months following the completion of LABYRINTHITIS turned into one year then two, at which point Bejar gave himself a New Year's resolution to play the piano every day for an hour. That lasted about four days, but the songs Bejar credits as coming from that resolution-\"Cataract Time,\" \"Hydroplaning Off the Edge of the World,\" \"Bologna,\" and \"Dan's Boogie\" among them-are all-timer Destroyer songs across the vast spectrum Bejar and his collaborators have established for themselves: spectacle-laden pop epics, personal piano ballads, and smouldering works of mood that blur the lines between song and novel and cinema, each brimming with the urgency of a state secret in the mind of a tortured spy. Lead single \"Bologna\" is the most radical frame for this energy, as it's the first time Bejar wrote a song where he imagined himself as a supporting character. Taking lead is Fiver's Simone Schmidt, whose voice-tough and expressive, piercing through the murk of the scene-is a siren's call that haunts the album. The gravity of their voice pulls Dan's Boogie into order around a sense of impending doom, the way a fatale's promise of the unusual and the ecstatic dooms the principal character of an erotic thriller. \"Hydroplaning Off the Edge of the World\" is a delicious bit of contradiction, a peppy song that came out of the havoc Bejar was intentionally wreaking on himself-it's holiday cheeriness making the angst of it's lyrics go down smoothly until the song veers off the road. \"We are now entering a new phase,\" Bejar intones, introducing layers of guitar and synthesizer that considerably darken the palette as he alternates between singing and speaking. The lyrics and vocals are improvised, invented as Bejar recorded the demo in his garage-a manic stream-of-consciousness and simultaneously exquisite display of his songwriting mastery.Contradiction informs much of Dan's Boogie, the fog swirling around Bejar illuminated by the friction between competing truths and tastes, as when his interest in jazzy ballads runs aground on producer and bassist John Collins' interest in bands like Led Zeppelin and Scritti Politti. When Bejar told Collins that he was thinking of Sammy Davis Jr., the title track bloomed into being, Bejar adopting a Rat Pack swagger with almost delusional glee against a dreamy soundscape of soaring guitars, lush horns, jazz drumming, spaced-out synths, and, perhaps truest to how Bejar sees himself, plinking lounge piano. In terms of shaping sound, the centerpiece of Dan's Boogie may be \"Cataract Time,\" an eight-minute epic that ranks as some of the heaviest lyrics Bejar has ever written, and one of Destroyer's most musically intricate compositions. Borne aloft on an easygoing groove, Bejar's lyrics-\"a reckoning, a dressing down\" as he describes them-are transfigured, their melancholy tasting almost counterintuitively like hope. It's an intimate song that puts away Destroyer's usual urban fable milieu in exchange for bracing interiority, but it's lilting groove can see a future, one that Bejar and his band are eager to meet.It is, to use Bejar's phrase, the kind of song you make when you're up against it, when it seems as if the world is crashing down upon you. And therein lies the album's most radical shift: Where previous Destroyer albums were locked in combat with the world, Dan's Boogie dances with it, it's nine reveries coalescing into one long hustle. Dan Bejar's eye may be on the exits, but he's not leaving anytime soon.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Same Thing As Nothing at All\u003c\/li\u003e\n\u003cli\u003eHydroplaning Off the Edge of the World\u003c\/li\u003e\n\u003cli\u003eThe Ignoramus of Love\u003c\/li\u003e\n\u003cli\u003eDan's Boogie\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eBologna [Feat. Fiver]\u003c\/li\u003e\n\u003cli\u003eI Materialize\u003c\/li\u003e\n\u003cli\u003eSun Meet Snow\u003c\/li\u003e\n\u003cli\u003eCataract Time\u003c\/li\u003e\n\u003cli\u003eTravel Light\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855086910\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45455736537286,"sku":"58692","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4399485-3317578.jpg?v=1768500036"},{"product_id":"city-of-daughters-lp","title":"City Of Daughters [LP]","description":"\u003cp\u003eVinyl LP pressing. In the hallowed Destroyer discography, the early trinity of City Of Daughters, Thief and Streethawk: A Seductionholds an important place; for not only does it document Dan Bejar's evolution from lo-fi bedroom tyro to bona fide master of the rock album, it also contains a massive percentage of superlative Destroyer \"classics.\" 1998's City of Daughters features some of the first steps out of the demo-tapey experimentation of earlier recordings, with songs like \"Comments On The World As Will\" refining the sound of that stripped-down earlier work, and the seminal \"No Cease Fires\" offering us the first taste of just what a full-band Destroyer might conjure.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eComments on the World As Will\u003c\/li\u003e\n\u003cli\u003eNo Cease Fires! (Crimes Against the State of Our Love, Baby)\u003c\/li\u003e\n\u003cli\u003eDark Purposes\u003c\/li\u003e\n\u003cli\u003eEmax I\u003c\/li\u003e\n\u003cli\u003eI Want This Cyclops\u003c\/li\u003e\n\u003cli\u003eLoves of a Gnostic\u003c\/li\u003e\n\u003cli\u003eEmax II\u003c\/li\u003e\n\u003cli\u003eState of the Union\u003c\/li\u003e\n\u003cli\u003eSchool, and the Girls Who Go There 1\u003c\/li\u003e\n\u003cli\u003eThe Space Race 1\u003c\/li\u003e\n\u003cli\u003eMelanie and Jennifer and Melanie 1\u003c\/li\u003e\n\u003cli\u003eWar on Jazz II or How I Learned to Love the War on Jazz 1\u003c\/li\u003e\n\u003cli\u003eEmax III 1\u003c\/li\u003e\n\u003cli\u003eYou Were So Cruel 1\u003c\/li\u003e\n\u003cli\u003eSigns 1\u003c\/li\u003e\n\u003cli\u003eRereading the Marble Faun 1\u003c\/li\u003e\n\u003cli\u003eSon of the Earth\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855037110\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.25.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45455968927942,"sku":"170218","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/3783300.jpg?v=1768503095"},{"product_id":"streethawk-a-seduction-lp","title":"Streethawk: A Seduction [LP]","description":"\u003cp\u003eIn the hallowed Destroyer discography, the early trinity of City Of Daughters \/ Thief \/Streethawk: A Seduction holds an important place; for not only does it document Dan Bejar's evolution from lo-fi bedroom tyro to bona fide master of the rock album, it also contains a massive percentage of superlative Destroyer \"classics.\" 1998's City of Daughters features some of the first steps out of the demo-tapey experimentation of earlier recordings, with songs like \"Comments On The World As Will\" refining the sound of that stripped-down earlier work, and the seminal \"No Cease Fires\" offering us the first taste of just what a full-band Destroyer might conjure. 2000's Thief naturally went further down that road, and from the opening strums of \"The Temple\" to the arty quirk of \"Queen of Languages\" to the gentle, jagged comedown of the title track, it soon became clear that Dan Bejar was master of a singular songcraft- and one that was only just getting started. Because the following year brought us Streethawk: A Seduction. And every last inch - and I don't mean this hyperbolically - EVERY. LAST. INCH. Of Streethawk is a true classic.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStreethawk I\u003c\/li\u003e\n\u003cli\u003eBad Arts, The\u003c\/li\u003e\n\u003cli\u003eBeggars Might Ride\u003c\/li\u003e\n\u003cli\u003eSublimation Hour, The\u003c\/li\u003e\n\u003cli\u003eEnglish Music\u003c\/li\u003e\n\u003cli\u003eVirgin with a Memory\u003c\/li\u003e\n\u003cli\u003eVery Modern Dance, The\u003c\/li\u003e\n\u003cli\u003eCrossover, The\u003c\/li\u003e\n\u003cli\u003eHelena\u003c\/li\u003e\n\u003cli\u003eFarrar, Straus \u0026amp; Giroux (Sea of Tears)\u003c\/li\u003e\n\u003cli\u003eStrike\u003c\/li\u003e\n\u003cli\u003eStreethawk II\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855037318\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.20.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45455985705158,"sku":"187868","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/1627374.jpg?v=1768503323"},{"product_id":"trouble-in-dreams-lp","title":"Trouble in Dreams [LP]","description":"\u003cp\u003eThis release cements Vancouver, BC's Dan Bejar as an artist as quirky and enigmatic as David Bowie, as symphonic and grandiose as Scott Walker, and as quixotically literary as Bob Dylan. A collection of songs that is fresh and confounding, yet befitting The Destroyer canon. \"Of all contemporary songwriters, he's been the biggest influence and inspiration. Because he is pretentious, but in a way that makes it into a game where we all get to pretend to be so grand\" - Okkervil River's Will Sheff. Planned SXSW appearance.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlue Flower, Blue Flame\u003c\/li\u003e\n\u003cli\u003eDark Leaves Form a Thread\u003c\/li\u003e\n\u003cli\u003eState, The\u003c\/li\u003e\n\u003cli\u003eFoam Hands\u003c\/li\u003e\n\u003cli\u003eMy Favorite Year\u003c\/li\u003e\n\u003cli\u003eShooting Rockets From the Desk of Night's Ape\u003c\/li\u003e\n\u003cli\u003eIntroducing Angels\u003c\/li\u003e\n\u003cli\u003eRivers\u003c\/li\u003e\n\u003cli\u003eLeopard of Honor\u003c\/li\u003e\n\u003cli\u003ePlaza Trinidad\u003c\/li\u003e\n\u003cli\u003eLibby's First Sunrise\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855031910\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.18.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45456089579718,"sku":"230771","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/1298801.jpg?v=1768504663"},{"product_id":"trouble-in-dreams-cd","title":"Trouble in Dreams [CD]","description":"\u003cp\u003eThis release cements Vancouver, BC's Dan Bejar as an artist as quirky and enigmatic as David Bowie, as symphoni and grandiose as Scott Walker and as quixotically literary as Bob Dylan. A collection of songs that is fresh and confounding, yet befitting the Destroyer canon.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlue Flower\/Blue Flame\u003c\/li\u003e\n\u003cli\u003eDark Leaves Form a Thread\u003c\/li\u003e\n\u003cli\u003eState, The\u003c\/li\u003e\n\u003cli\u003eFoam Hands\u003c\/li\u003e\n\u003cli\u003eMy Favorite Year\u003c\/li\u003e\n\u003cli\u003eShooting Rockets (From the Desk of Night's Ape)\u003c\/li\u003e\n\u003cli\u003eIntroducing Angels\u003c\/li\u003e\n\u003cli\u003eRivers\u003c\/li\u003e\n\u003cli\u003eLeopard of Honor\u003c\/li\u003e\n\u003cli\u003ePlaza Trinidad\u003c\/li\u003e\n\u003cli\u003eLibby's First Sunrise\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855031927\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.18.08\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45456432169158,"sku":"380775","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/1298835.jpg?v=1768508820"},{"product_id":"thief-lp","title":"Thief [LP]","description":"\u003cp\u003eVinyl LP pressing. In the hallowed Destroyer discography, the early trinity of City Of Daughters, Thief and Streethawk: A Seductionholds an important place; for not only does it document Dan Bejar's evolution from lo-fi bedroom tyro to bona fide master of the rock album, it also contains a massive percentage of superlative Destroyer \"classics.\" 1998's City of Daughters features some of the first steps out of the demo-tapey experimentation of earlier recordings, with songs like \"Comments On The World As Will\" refining the sound of that stripped-down earlier work, and the seminal \"No Cease Fires\" offering us the first taste of just what a full-band Destroyer might conjure. 2000's Thief naturally went further down that road, and from the opening strums of \"The Temple\" to the arty quirk of \"Queen of Languages\" to the gentle, jagged comedown of the title track, it soon became clear that Bejar was a master of a singular songcraft - and one that was only just getting started.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDestroyer's the Temple\u003c\/li\u003e\n\u003cli\u003eTo the Heart of the Sun on the Back of the Vulture, I'll Go\u003c\/li\u003e\n\u003cli\u003eThe Way of Perpetual Roads\u003c\/li\u003e\n\u003cli\u003eCanadian Lover\/Falcon's Escape\u003c\/li\u003e\n\u003cli\u003eCity of Daughters\u003c\/li\u003e\n\u003cli\u003eEvery Christmas\u003c\/li\u003e\n\u003cli\u003eMercy (We Had the Right)\u003c\/li\u003e\n\u003cli\u003eQueen of Languages\u003c\/li\u003e\n\u003cli\u003eI.H.O.J 1\u003c\/li\u003e\n\u003cli\u003eIn Dreams 1\u003c\/li\u003e\n\u003cli\u003eDeath on the Festival Circuit 1\u003c\/li\u003e\n\u003cli\u003eM.E.R.C.I 1\u003c\/li\u003e\n\u003cli\u003eThief\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855037219\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.25.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45456652009670,"sku":"493939","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/3783301.jpg?v=1768511847"},{"product_id":"streethawk-a-seduction-reissue-digipak","title":"Streethawk: A Seduction [Reissue] [Digipak]","description":"\u003cp\u003eDan Bejar's fourth full length album under the moniker Destroyer is a potent collection of pop songwriting drawing on influences as diverse as Bowie, Barrett, Eno, Pavement and the Fall.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStreethawk I\u003c\/li\u003e\n\u003cli\u003eBad Arts, The\u003c\/li\u003e\n\u003cli\u003eBeggars Might Ride\u003c\/li\u003e\n\u003cli\u003eSublimation Hour, The\u003c\/li\u003e\n\u003cli\u003eEnglish Music\u003c\/li\u003e\n\u003cli\u003eVirgin With a Memory\u003c\/li\u003e\n\u003cli\u003eVery Modern Dance, The\u003c\/li\u003e\n\u003cli\u003eCrossover, The\u003c\/li\u003e\n\u003cli\u003eHelena\u003c\/li\u003e\n\u003cli\u003eFarrar, Straus and Giroux (Sea of Tears)\u003c\/li\u003e\n\u003cli\u003eStrike\u003c\/li\u003e\n\u003cli\u003eStreethawk II\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855037325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.20.10\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45456654663878,"sku":"505519","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/1627377.jpg?v=1768511873"},{"product_id":"kaputt-cd","title":"Kaputt [CD]","description":"\u003cp\u003eDan Bejar started Destroyer as a solo home-recording project in the early to mid-nineties.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChinatown\u003c\/li\u003e\n\u003cli\u003eBlue Eyes\u003c\/li\u003e\n\u003cli\u003eSavage Night At The Opera\u003c\/li\u003e\n\u003cli\u003eSuicide Demo For Kara Walker\u003c\/li\u003e\n\u003cli\u003ePoor In Love\u003c\/li\u003e\n\u003cli\u003eKaputt\u003c\/li\u003e\n\u003cli\u003eDowntown\u003c\/li\u003e\n\u003cli\u003eSong For America\u003c\/li\u003e\n\u003cli\u003eBay Of Pigs (Detail)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855036922\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.25.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45456801169606,"sku":"570499","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/1787661.jpg?v=1768513581"},{"product_id":"this-night-lp","title":"This Night [LP]","description":"\u003cp\u003eLimited-edition vinyl pressing of 2002's This Night by Destroyer exclusive for Record Store Day! First vinyl pressing in the US. Vinyl is limited to 2,000 copies worldwide, remastered and  includes a full album download\u003c\/p\u003e\r\n\u003cp\u003e1 This Night\u003cbr\u003e2  Holly Going Lightly\u003cbr\u003e3  Here Comes the Night\u003cbr\u003e4  The Chosen Few\u003cbr\u003e5  Makin' Angels\u003cbr\u003e6  Hey, Snow White\u003cbr\u003e7  Modern Painters\u003cbr\u003e8  Crystal Country\u003cbr\u003e9  Trembling Peacock\u003cbr\u003e10  I Have Seen the Light\u003cbr\u003e11  Students Carve Hearts Out of Coal\u003cbr\u003e12  Goddess of Drought\u003cbr\u003e13  Self Portrait With Thing (Tonight Is Not Your Night)\u003cbr\u003e14  The Relevant Ballads\u003cbr\u003e15  The Night Moves\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThis Night\u003c\/li\u003e\n\u003cli\u003eHolly Going Lightly\u003c\/li\u003e\n\u003cli\u003eHere Comes the Night\u003c\/li\u003e\n\u003cli\u003eThe Chosen Few\u003c\/li\u003e\n\u003cli\u003eMakin' Angels\u003c\/li\u003e\n\u003cli\u003eHey, Snow White\u003c\/li\u003e\n\u003cli\u003eModern Painters\u003c\/li\u003e\n\u003cli\u003eCrystal Country\u003c\/li\u003e\n\u003cli\u003eTrembling Peacock\u003c\/li\u003e\n\u003cli\u003eI Have Seen a Light\u003c\/li\u003e\n\u003cli\u003eStudents Carve Hearts Out of Coal\u003c\/li\u003e\n\u003cli\u003eGoddess of Drought\u003c\/li\u003e\n\u003cli\u003eSelf Portrait with Thing (Tonight Is Not Your Night)\u003c\/li\u003e\n\u003cli\u003eThe Relevant Ballads\u003c\/li\u003e\n\u003cli\u003eThe Night Moves\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855021812\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.20.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45456803463366,"sku":"572209","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/2171503.jpg?v=1768513614"},{"product_id":"ken-cd","title":"Ken [CD]","description":"\u003cp\u003e\u003cspan\u003eOf his 12th studio album and its enigmatic title, Destroyer’s Dan Bejar offers the following: Sometime last year, I discovered that the original name for “The Wild Ones” (one of the great English-language ballads of the last 100 years or so) was “Ken.” I had an epiphany, I was physically struck by this information. In an attempt to hold on to this feeling, I decided to lift the original title of that song and use it for my own purposes. It’s unclear to me what that purpose is, or what the connection is. I was not thinking about Suede when making this record. I was thinking about the last few years of the Thatcher era. Those were the years when music first really came at me like a sickness, I had it bad. Maybe “The Wild Ones” speaks to that feeling, probably why Suede made no sense in America. I think “ken” also means “to know.” ken was produced by Josh Wells of Black Mountain, who has been the drummer in Destroyer since 2012. The album was recorded in its entirety in the jam space\/studio space that the group calls The Balloon Factory. However, unlike Poison Season, ken was not recorded as a “band” record, though everyone in the band does make an appearance.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSky\u0026amp;rsquo;s Grey\u003c\/li\u003e\n\u003cli\u003eIn The Morning\u003c\/li\u003e\n\u003cli\u003eTinseltown Swimming In Blood\u003c\/li\u003e\n\u003cli\u003eCover From The Sun\u003c\/li\u003e\n\u003cli\u003eSaw You At The Hospital\u003c\/li\u003e\n\u003cli\u003eA Light Travels Down The Catwalk\u003c\/li\u003e\n\u003cli\u003eRome\u003c\/li\u003e\n\u003cli\u003eSometimes In The World\u003c\/li\u003e\n\u003cli\u003eIvory Coast\u003c\/li\u003e\n\u003cli\u003eStay Lost\u003c\/li\u003e\n\u003cli\u003eLa Regle Du Jeu\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855059921\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.20.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45457039032518,"sku":"671185","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/3706811.jpg?v=1768516169"},{"product_id":"dans-boogie-cd","title":"Dan's Boogie [CD]","description":"\u003cp\u003eDan's Boogie is a breakthrough album for Destroyer, both in the sense that it makes moves that no Destroyer album to this point has made, and in the sense that, to record it, Bejar had to burst through a series of intentional and unintentional barriers to write the songs. Initially challenging himself to not write songs so the ideas would well up inside of him until they breached containment, the months following the completion of LABYRINTHITIS turned into one year then two, at which point Bejar gave himself a New Year's resolution to play the piano every day for an hour. That lasted about four days, but the songs Bejar credits as coming from that resolution-\"Cataract Time,\" \"Hydroplaning Off the Edge of the World,\" \"Bologna,\" and \"Dan's Boogie\" among them-are all-timer Destroyer songs across the vast spectrum Bejar and his collaborators have established for themselves: spectacle-laden pop epics, personal piano ballads, and smouldering works of mood that blur the lines between song and novel and cinema, each brimming with the urgency of a state secret in the mind of a tortured spy. Lead single \"Bologna\" is the most radical frame for this energy, as it's the first time Bejar wrote a song where he imagined himself as a supporting character. Taking lead is Fiver's Simone Schmidt, whose voice-tough and expressive, piercing through the murk of the scene-is a siren's call that haunts the album. The gravity of their voice pulls Dan's Boogie into order around a sense of impending doom, the way a fatale's promise of the unusual and the ecstatic dooms the principal character of an erotic thriller. \"Hydroplaning Off the Edge of the World\" is a delicious bit of contradiction, a peppy song that came out of the havoc Bejar was intentionally wreaking on himself-it's holiday cheeriness making the angst of it's lyrics go down smoothly until the song veers off the road. \"We are now entering a new phase,\" Bejar intones, introducing layers of guitar and synthesizer that considerably darken the palette as he alternates between singing and speaking. The lyrics and vocals are improvised, invented as Bejar recorded the demo in his garage-a manic stream-of-consciousness and simultaneously exquisite display of his songwriting mastery.Contradiction informs much of Dan's Boogie, the fog swirling around Bejar illuminated by the friction between competing truths and tastes, as when his interest in jazzy ballads runs aground on producer and bassist John Collins' interest in bands like Led Zeppelin and Scritti Politti. When Bejar told Collins that he was thinking of Sammy Davis Jr., the title track bloomed into being, Bejar adopting a Rat Pack swagger with almost delusional glee against a dreamy soundscape of soaring guitars, lush horns, jazz drumming, spaced-out synths, and, perhaps truest to how Bejar sees himself, plinking lounge piano. In terms of shaping sound, the centerpiece of Dan's Boogie may be \"Cataract Time,\" an eight-minute epic that ranks as some of the heaviest lyrics Bejar has ever written, and one of Destroyer's most musically intricate compositions. Borne aloft on an easygoing groove, Bejar's lyrics-\"a reckoning, a dressing down\" as he describes them-are transfigured, their melancholy tasting almost counterintuitively like hope. It's an intimate song that puts away Destroyer's usual urban fable milieu in exchange for bracing interiority, but it's lilting groove can see a future, one that Bejar and his band are eager to meet.It is, to use Bejar's phrase, the kind of song you make when you're up against it, when it seems as if the world is crashing down upon you. And therein lies the album's most radical shift: Where previous Destroyer albums were locked in combat with the world, Dan's Boogie dances with it, it's nine reveries coalescing into one long hustle. Dan Bejar's eye may be on the exits, but he's not leaving anytime soon.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Same Thing As Nothing at All\u003c\/li\u003e\n\u003cli\u003eHydroplaning Off the Edge of the World\u003c\/li\u003e\n\u003cli\u003eThe Ignoramus of Love\u003c\/li\u003e\n\u003cli\u003eDan's Boogie\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003cli\u003eBologna [Feat. Fiver]\u003c\/li\u003e\n\u003cli\u003eI Materialize\u003c\/li\u003e\n\u003cli\u003eSun Meet Snow\u003c\/li\u003e\n\u003cli\u003eCataract Time\u003c\/li\u003e\n\u003cli\u003eTravel Light\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855086927\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.28.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45457047847110,"sku":"678780","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4399486-3317304.jpg?v=1768516331"},{"product_id":"labyrinthitis-cd","title":"Labyrinthitis [CD]","description":"\u003cp\u003eLABYRINTHITIS brims with mystic and intoxicating terrain, the threads of Dan Bejar’s notes woven through by allusions at once eerily familiar and intimately perplexing. The record circuitously draws ever inward, each turn offering giddy surprise, anxious esoterica, and thumping emotionality at equal odds. “Do you remember the mythic beast?” Bejar asks at the outset of “Tintoretto, It’s for You,” the album’s first single, casting torchlight over the labyrinth’s corridors. Delivered in a Marlene Dietrich smolder, Bejar’s lyrical menace seeps like smoke through the brazen march’s woozy synths and dizzied guitar. “There’s some character here that feels new to me, a low drawl, an evening gown draped over a piano,” Bejar says of the song. Throughout, LABYRINTHITIS insists that everything’s not all right, but that even isolation and dissolution can be a source of joy—stepping into the sunlight at the other end of the maze in your ear, Bejar strolling alongside like a wildmaned,\u003cbr\u003eleisure-suited minotaur.\u003cbr\u003e\u003cbr\u003eMore than an arcane puzzle for the listener, LABYRINTHITIS warps and winds through unfamiliar territory for Bejar as well. Written largely in 2020 and recorded the following spring, the album most often finds Bejar and frequent collaborator John Collins seeking the mythic artifacts buried somewhere under the dance floor, from the glitzy spiral of “It Takes a Thief ” to the Books-ian collage bliss of the title track. Initial song ideas ventured forth from disco, Art of Noise, and New Order, Bejar and Collins championing the over-the-top madcappery. “John is in his 50s, and I’m almost there, but we used to go to clubs,” Bejar laughs. “Our version may have been punk clubs, but our touchstones for the album were more true to disco.”\u003cbr\u003e\u003cbr\u003eBejar and Collins conducted their questing in the height of isolation, Collins on the remote Galiano Island and Bejar in nearby Vancouver, sending ideas back and forth when restrictions didn’t allow them to meet. “From the vocal manipulation to the layered electronics, making this record pushed us to a new place, and reaching that place felt stressful,” Bejar recalls. “But I trust that that stress is a good feeling.” That cuddly anxiety excels in tracks like “Eat the Wine, Drink the Bread.”\u003cbr\u003e\u003cbr\u003eLyrically, LABYRINTHITIS embraces a widescreen maximalism, blocks of text dotted with subversions and hedges. Building from the koans of Have We Met, Bejar continues to carve his words precisely, toying with expectations and staid symbols, while Collins’ production reconstructs the pieces into a unified whole. “Even though everyone recorded in their own isolated corners, this is the most band record that we’ve done in the last few years,” Bejar says. “Everything’s manipulated, but the band is really present, and our plans wound up betrayed by what the tracks wanted. I’ve written 300, 400 songs in my adult life—I don’t know how to do anything else—but this album feels like a breakthrough into new territory.”\u003cbr\u003e\u003cbr\u003eThat unprepared synchronicity and mutual discovery shines on “June,” a six-and-a-halfminute track that features a blend of funk bass, fluttering synth, and charred poetry recitation. While Bejar initially envisioned LABYRINTHITIS as a straight dance record (“just like Donna Summer’s greatest hits”), the end of “June” explodes that simplicity into a million shining pieces, finding joy in mutual discovery instead of isolated certainty. LABYRINTHITIS closes on “The Last Song,” Bejar singing and strumming all alone, a gentle yet no more settled exodus out of the fractured dance party. “I try and sneak in sweet moments where I can,” Bejar laughs. As LABYRINTHITIS closes, the reorienting vertigo lingers, its implacable aura and bewitching lyrics wriggling ever deeper into the mind.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt’s in Your Heart Now\u003c\/li\u003e\n\u003cli\u003eSuffer\u003c\/li\u003e\n\u003cli\u003eJune\u003c\/li\u003e\n\u003cli\u003eAll My Pretty Dresses\u003c\/li\u003e\n\u003cli\u003eTintoretto, It’s for You\u003c\/li\u003e\n\u003cli\u003eLabyrinthitis\u003c\/li\u003e\n\u003cli\u003eEat the Wine, Drink the Bread\u003c\/li\u003e\n\u003cli\u003eIt Takes a Thief\u003c\/li\u003e\n\u003cli\u003eThe States\u003c\/li\u003e\n\u003cli\u003eThe Last Song\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855078922\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.25.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45457144316102,"sku":"695505","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4045916-2783635.jpg?v=1768517814"},{"product_id":"my-mystery-my-mystery-vinyl-single","title":"My Mystery \/ My Mystery [Vinyl Single]","description":"\u003cp\u003eWe recorded a song called “My Mystery” a year and a half ago. Kind of a light number, vaguely danceable. Wistful, looking back not unfondly on time spent and dull misadventures had within the dead-as-a-doornail music industry. And the feeling of where it leaves you, like a rat in the middle of the ocean, though not as harsh as that; as if rats could swim an ocean’s length. Anyway, the song was not in keeping with the shadow spirit of Poison Season, and so it got shelved. Then one day DJjohnedwardcollins@gmail.com called me up and said, “You got any shit for me?”…\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Mystery\u003c\/li\u003e\n\u003cli\u003eMy Mystery (DJ johnedwardcollins@gmail.com remix)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855057118\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.6.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45560958812358,"sku":"119835","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/3325600.jpg?v=1771963343"},{"product_id":"poison-season-vinyl","title":"Poison Season [Vinyl]","description":"\u003cp\u003eOn August 28, Destroyer returns with a new full-length, Poison Season. In addition, a two-song 12-inch that includes a remix of album track “Forces From Above” and the orchestral version of “Times Square, Poison Season” will be released as a companion to the record. Poison Season opens with Vancouver native Dan Bejar swathed in Hunky Dory strings. He’s a dashboard Bowie surveying four wracked characters—Jesus, Jacob, Judy, Jack—simultaneously Biblical and musical theatre.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTimes Square, Poison Season I\u003c\/li\u003e\n\u003cli\u003eDream Lover\u003c\/li\u003e\n\u003cli\u003eForces From Above\u003c\/li\u003e\n\u003cli\u003eHell Is An Open Door\u003c\/li\u003e\n\u003cli\u003eThe River\u003c\/li\u003e\n\u003cli\u003eGirl In A Sling\u003c\/li\u003e\n\u003cli\u003eTimes Square\u003c\/li\u003e\n\u003cli\u003eArcher On The Beach\u003c\/li\u003e\n\u003cli\u003eMidnight Meet The Rain\u003c\/li\u003e\n\u003cli\u003eSolace\u0026amp;#39;s Bride\u003c\/li\u003e\n\u003cli\u003eBangkok\u003c\/li\u003e\n\u003cli\u003eSun In The Sky\u003c\/li\u003e\n\u003cli\u003eTimes Square, Poison Season II\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855056913\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45561068912838,"sku":"178479","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/2934874.jpg?v=1771964201"},{"product_id":"forces-from-above-b-w-times-square-poison-season-vinyl-single","title":"Forces From Above b\/w Times Square, Poison Season [Vinyl Single]","description":"\u003cp\u003eFrom the pen of DJ johnedwardcollins@gmail.com DJ johnedwardcollins@gmail.com has heard of dubstep. DJ johnedwardcollins@gmail.com is sickened by the organic, human nature of the album version of “Forces From Above” and of the Poison Season feel in general, when the words are so often about mechanized abuse at a societal level. It makes no sense. However, DJ johnedwardcollins@gmail.com understands malaise and being lost in the simple maze (a couple of squiggly lines) of one’s dreary thoughts. DJ johnedwardcollins@gmail.com knows for a fact that “Forces From Above” is about CAMPS, like internment camps and concentration camps. DJ johnedwardcollins@gmail.com heard this from Bejar himself, muttered once or twice, in his bunk.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eForces From Above (DJ Johnedwardcollins@gmail.Com Remix)\u003c\/li\u003e\n\u003cli\u003eTimes Square, Poison Season\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855057019\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45561764184262,"sku":"311090","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/2937327.jpg?v=1771966103"},{"product_id":"five-spanish-songs-vinyl","title":"Five Spanish Songs [Vinyl]","description":"\u003cp\u003eLP + MP3. Dan Bejar writes: It was 2013. The English language seemed spent, despicable, not easily singable. It felt over for English; good for business transactions, but that's about it. The only other language I know is Spanish, and the only Spanish songs I really know are those of Sr. Chinarro, led by Antonio Luque. I've been a decades-long fan of how he conducted his affairs, his strange words, his melodies that have always felt so natural (this is important), his bitter songs about painting the light. Something about them, I knew I could do it...\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaria de Las Nieves\u003c\/li\u003e\n\u003cli\u003eDel Monton\u003c\/li\u003e\n\u003cli\u003eEl Rito\u003c\/li\u003e\n\u003cli\u003eBabieca\u003c\/li\u003e\n\u003cli\u003eBye Bye\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855049816\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.25.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Destroyer","offers":[{"title":"Default Title","offer_id":45562292306118,"sku":"618840","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/2353057.jpg?v=1771970732"}],"url":"https:\/\/paladinvinyl.com\/collections\/artist-destroyer.oembed","provider":"Paladin Vinyl","version":"1.0","type":"link"}