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Hubbard, joined by an all-star group that includes tenor saxophonist Joe Henderson, keyboardist Herbie Hancock, guitarist George Benson, bassist Ron Carter, and drummer Jack DeJohnette, is frequently astounding on “Straight Life” (check out that introduction) and “Mr. Clean,” constructing classic solos. The very memorable set is rounded off by the trumpeter’s duet with Benson on a lyrical version of the ballad “Here’s That Rainy Day.” This exciting album is essential for all serious jazz collections. Scott Yanow\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the great jazz trumpeters of all time, Freddie Hubbard formed his sound out of the Clifford Brown\/Lee Morgan tradition, and by the early ’70s was immediately distinctive and the pacesetter in jazz. However, a string of blatantly commercial albums later in the decade damaged his reputation and, just when Hubbard, in the early ’90s (with the deaths of Dizzy Gillespie and Miles Davis), seemed perfectly suited for the role of veteran master, his chops started causing him serious troubles. 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He played a hot and sassy horn! When he was teamed up with George Benson, Jack DeJohnette and Ron Carter (just to name a few) on this one of many Creed Taylor-produced collaborations, he most deservedly won the Grammy! The opening title song “First Light” has an ethereal beginning with a diverse arrangement. An unusual arrangement of Paul McCartney’s “Uncle Albert\/Admiral Halsey” is most satisfying. Henry Mancini’s “Moment To Moment” has a hauntingly sweet sound. “Lonely Town” is darkly complex. There are many sides and moods to each of the songs within this original work. With stylish jazzy rhythms and rich orchestrations, this is \u003cspan class=\"caps\"\u003eTHE\u003c\/span\u003e Freddie Hubbard album to have!\u003c\/p\u003e[[Release Description]]\u003cp\u003eFreddie Hubbard was one of the most prolific jazz trumpeters in the business. He played a hot and sassy horn! When he was teamed up with George Benson, Jack DeJohnette and Ron Carter (just to name a few) on this one of many Creed Taylor-produced collaborations, he most deservedly won the Grammy! The opening title song “First Light” has an ethereal beginning with a diverse arrangement. An unusual arrangement of Paul McCartney’s “Uncle Albert\/Admiral Halsey” is most satisfying. Henry Mancini’s “Moment To Moment” has a hauntingly sweet sound. “Lonely Town” is darkly complex. There are many sides and moods to each of the songs within this original work. With stylish jazzy rhythms and rich orchestrations, this is \u003cspan class=\"caps\"\u003eTHE\u003c\/span\u003e Freddie Hubbard album to have!\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003ePressed on 180gm vinyl\u003c\/li\u003e\n\u003c\/ul\u003e PPANCTI6013 -Artist-Freddie Hubbard\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Freddie Hubbard","offers":[{"title":"Default Title","offer_id":44303770747078,"sku":"RWW8HQ-3IFQ-PG","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/freddie-hubbard-first-light_uP7Ir.jpg?v=1759807615"},{"product_id":"hub-tones-shm-jpn-cd","title":"Hub-Tones (Shm) (Jpn) [CD]","description":"\u003cp\u003eJapanese Remastered SHM-CD pressing. 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The album features Hubbard alongside an ensemble that includes Junior Cook on tenor sax, George Cables on keyboards, Aurell Ray on guitar, Kent Brinkley or Ron Carter on bass, Ralph Penland on drums, and Juno Lewis on percussion. The album's sound, though occasionally funky, is rooted in creative jazz, showcasing Hubbard in peak form across four of his original compositions. Though some writers have often underrated Hubbard's CTI recordings, mistaking them for his later, more commercial output on Columbia, this particular album stands out as a testament to his ingenuity. Hubbard's blend of bravado and subtlety shines through, as does his ability to fuse technical mastery with emotional depth. His ability to maintain a consistent, rich tone across both slow and fast passages placed him among the greatest trumpeters in jazz history. Influenced by legends such as Miles Davis and Clifford Brown, Hubbard nonetheless crafted a sound entirely his own, becoming one of the boldest and most inventive trumpeters of the bop, hard-bop, and post-bop eras. His impact on jazz extended far beyond his solo recordings, as he collaborated with many of the genre's greats, leaving behind a powerful legacy. Down Beat magazine described Hubbard as \"the most powerful and prolific trumpeter in jazz\" shortly after his passing in 2008. 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Released on May 1961 it was recorded in November 6, 1960 at Van Gelder Studio, Englewood Cliffs, New Jersey. Following his debut \"Open Sesame\" (1960), with \"Goin' Up\" continued Hubbard's partnership with producer Alfred Lion and sound engineer Rudy Van Gelder, forging his hard bop signature. The record is a bold and soulful statement from a young Freddie Hubbard 22 years old at the time: his command and creativity are on full display, supported by an all-star ensemble as Hank Mobley, McCoy Tyner, Paul Chambers and Philly Joe Jones. Their synergy is palpable: Tyner's dynamic modes, Chambers' grounding bass, and Jones's rhythmic drive provide a powerful foundation for Hubbard and Mobley to stretch out. The album blends spirited hard bop energy with emotional depth, ideal for anyone exploring Hubbard's formative and most exciting studio work: a few outstanding solos, playing lyrically on the ballads and building his own sound out of the Clifford Brown\/Lee Morgan tradition. \"Goin' Up\" is a defining moment for Hubbard's early career: a hard bop session with emotional breadth, technical prowess, and top-tier musical conversation.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAsiatic Raes\u003c\/li\u003e\n\u003cli\u003eChanging Scene\u003c\/li\u003e\n\u003cli\u003eKarioka\u003c\/li\u003e\n\u003cli\u003ePeck a Sec\u003c\/li\u003e\n\u003cli\u003eI Wished I Knew\u003c\/li\u003e\n\u003cli\u003eBlues for Brenda\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3770024957174\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ermitage\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Freddie Hubbard","offers":[{"title":"Default Title","offer_id":45457226367174,"sku":"55605405","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4471464-3476066.jpg?v=1768519395"},{"product_id":"music-is-here-live-at-studio-104-maison-de-la-radio-ortf-paris-1973-cd","title":"Music Is Here: Live At Studio 104 Maison de la Radio, (ORTF), Paris 1973 [CD]","description":"\u003cp\u003eMusic Is Here: Live At Studio 104 Maison de la Radio, (ORTF), Paris 1973 is a Music CDs from Freddie Hubbard\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: CD\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Freddie Hubbard","offers":[{"title":"Default Title","offer_id":45526384345286,"sku":"P77I2P-5KB4-J9","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/freddie-hubbard-music-is-here-live-at-studio-104-maison-de-la-radio-ortf-paris-1973_nExf8.jpg?v=1770767765"},{"product_id":"open-sesame-colored-vinyl-ylw-uk","title":"Open Sesame [Colored Vinyl] (Ylw) (Uk)","description":"\u003cp\u003eHubbard was only 22 years old when he recorded the album, yet it showcases his prodigious talent and hints at the remarkable career he would go on to have. The album has become a classic in the hard bop genre, combining elements of bebop and blues with advanced harmonies and improvisational flair and features a stellar lineup of musicians, many of whom were already influential figures in the jazz world or would go on to become so Freddie Hubbard, Tina Brooks, McCoy Tyner, Sam Jones, Clifford Jarvis. \"Open Sesame\" is rooted in hard bop, a jazz style characterized by a mix of bebop's fast tempo and complex improvisations with blues, gospel, and R\u0026amp;B influences. Hubbard's trumpet playing is both aggressive and lyrical, marked by his technical precision and emotive phrasing. His performance is complemented by Tina Brooks' soulful tenor saxophone and McCoy Tyner's distinctive piano comping, which adds a rich harmonic layer. The album's compositions range from the upbeat and fiery title track \"Open Sesame\", to the lush ballad \"But Beautiful\", and the bluesy groove of \"One Mint Julep\". The track \"Gypsy Blue\", written by Tina Brooks, is a highlight with it's sophisticated chord changes and melodic inventiveness. Open Sesame received critical acclaim upon release and established Hubbard as one of the premier trumpet players of his generation. 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Records, The Artistry of Freddie Hubbard captures the trumpeter at a pivotal early stage, showcasing his technical brilliance, warmth, and rhythmic command within a versatile ensemble of Art Davis, Curtis Fuller, John Gilmore, Louis Hayes and Tommy Flanagan. Produced by Bob Thiele, the album blends originals and standards, highlighting Hubbard's compositions like \"\"The 7th Day\"\" and a fine arrangement of the Ellington-Tizol classic \"\"Caravan, \"\" while balancing hard bop, balladry, and modal harmony. Gilmore's distinctive tenor complements Hubbard's sculpted lines, Fuller and Flanagan provide harmonic depth, and Davis and Hayes drive a responsive rhythm section, resulting in a cohesive session that documents Hubbard's emergence as a defining voice of 1960s jazz. Verve Acoustic Sounds Series highlights the most historic jazz records. 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