{"title":"Michel Petrucciani","description":null,"products":[{"product_id":"michel-petrucciani-michel-petrucciani-the-montreux-years-vinyl","title":"Michel Petrucciani: The Montreux Years [Vinyl]","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Michel Petrucciani","offers":[{"title":"Default Title","offer_id":43837365518534,"sku":"TNRXYV-03JA-00","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/michel-petrucciani-michel-petrucciani-the-montreux-years_QofUT.jpg?v=1762300033"},{"product_id":"trio-in-tokyo-lp","title":"Trio In Tokyo [LP]","description":"\u003cp\u003eFOR THE FIRST TIME AVAILABLE ON VINYL (until now, this album has never been released in vinyl format, only as a CD).Double vinyl edition, each record is 180g, mastered for the vinyl format, featuring a 350g cover with \"Struktura Leather\", for an elegant texture and refined touch.If there is one quality that best defines both Michel Petrucciani's personality and his music, it is generosity. Onstage, in the heat of the moment, close to the audience, within the intimate energy of a club atmosphere, he expressed his passion for sharing with absolute sincerity.\"A lot of musicians have a playing style that is too egotistical,\" he once said. \"They play just for themselves and for an elite few. I play to give pleasure and to communicate. I like to think of myself as a very happy person. That's why it is so important for me to pass along and give to others the generosity that is indispensable in art, music, and life.\"This generosity shines through in these magnificent moments captured live in Tokyo in 1997. Joined by Anthony Jackson and Steve Gadd-two close friends with whom he shared an almost telepathic musical connection-Michel Petrucciani delivers a blazing hour of piano, blending standards and original compositions to unleash his boundless expressiveness.Once again, we are struck by the radiant clarity of his phrasing, the vigor and percussive precision of his touch. A true master of tempo, he played \"all the way through the note,\" shaping long, flowing phrases where each note is distinctly heard. His playing brought both accent and dimension to every piece. But above all, it was defined by absolute sincerity.His heart sang directly through the piano. And this album is one of the most astonishing demonstrations of that.Text by Pascal Anquetil\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTraining\u003c\/li\u003e\n\u003cli\u003eSeptember Second\u003c\/li\u003e\n\u003cli\u003eHome\u003c\/li\u003e\n\u003cli\u003eLittle Peace in C for U\u003c\/li\u003e\n\u003cli\u003eLove Letter\u003c\/li\u003e\n\u003cli\u003eCantabile\u003c\/li\u003e\n\u003cli\u003eColors\u003c\/li\u003e\n\u003cli\u003eSo What\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3760420423267\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Diggers Factory\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.20.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Michel Petrucciani","offers":[{"title":"Default Title","offer_id":45456493740230,"sku":"416548","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4421904-3383825.jpg?v=1768509600"},{"product_id":"the-days-of-wine-and-roses-the-owl-years-1981-1985-2-cd","title":"The Days Of Wine and Roses: The Owl Years 1981-1985 [2 CD]","description":"\u003cp\u003eDays of Wine And Roses is a 2-CDs set that includes 15 tracks atrfully selected by the producer Jean-Jacques Pussiau from the 6 albums that Michael Petrucciani reoced for his Owl Records label between 1981 amd 1985. 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As in \"the best of both worlds,\" where one undoubtedly wants to have everything but also offer the best of each universe. Both Worlds, a new step for Michel Petrucciani, or how to juxtapose distinct (id)entities and bring together the best of reciprocal elements, for the duration of a tour, a record, a wide-scale project. Dualism, then, but also balance. Geographical, from Paris to New York, and cultural, with three European musicians and three Americans. Both Worlds is clearly the testimony of the fruitful encounter between two worlds, between a composer and an arranger; the collaboration of two creative spaces that are dissimilar yet compatible. For the first time in his career, Michel Petrucciani entrusted his most accomplished compositions to another tailor of jazz and poet of made-to-measure, Bob Brookmeyer. The result is a magical undertaking, retaining that particularly distinctive \"two worlds\" character in the pianist's work: a writing imbued with classics and standards, over one of the most modern rhythm sections. Joy, melancholy, humor and moods, this recording displays a rich emotional palette and a few nods to Rodgers \u0026amp; Hart (Petite Louise), Return to Forever (35 Seconds of Music and More), Maurice Chevalier (On Top of the Roof) and Hollywood musicals (Chlo̩ Meets Gershwin referring to A Foggy Day and Seven Brides for Seven Brothers by Johnny Mercer). Within an abundant discography, Both Worlds innovates and profiles the pianist's work in a new light. For the first time as well, Michel Petrucciani assembles a genuine group and builds a homogeneous formation where his presence and role are no longer perceived as dominant elements. While in many of his previous records the piano seemed to leap out of the rhythm section for an obvious highlighting, Both Worlds deliberately inserts Petrucciani within the group, and makes the pianist an integrated element of the whole, allowing him to be the leader without acting like one. Another novelty: Michel Petrucciani uses the horns here as never before; they no longer intervene only as soloists but in a new context, as accompaniment and counterpoint. If this record could only come to life thanks to an intense collaboration between composer and arranger, the unexpected production work of drummer Steve Gadd surely contributed to it's creation. Thanks to his experience in the most diverse contexts and to a solid friendship with Michel Petrucciani, he was able to provide knowledgeable suggestions and above all appropriate structural ideas. Both Worlds like the two flat faces of the same coin, the work of a Michel Petrucciani thus doubly generous and in a language that is as simply universal as possible. 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The result is a magical undertaking, retaining that particularly distinctive \"two worlds\" character in the pianist's work: a writing imbued with classics and standards, over one of the most modern rhythm sections. Joy, melancholy, humor and moods, this recording displays a rich emotional palette and a few nods to Rodgers \u0026amp; Hart (Petite Louise), Return to Forever (35 Seconds of Music and More), Maurice Chevalier (On Top of the Roof) and Hollywood musicals (Chlo̩ Meets Gershwin referring to A Foggy Day and Seven Brides for Seven Brothers by Johnny Mercer). Within an abundant discography, Both Worlds innovates and profiles the pianist's work in a new light. For the first time as well, Michel Petrucciani assembles a genuine group and builds a homogeneous formation where his presence and role are no longer perceived as dominant elements. While in many of his previous records the piano seemed to leap out of the rhythm section for an obvious highlighting, Both Worlds deliberately inserts Petrucciani within the group, and makes the pianist an integrated element of the whole, allowing him to be the leader without acting like one. Another novelty: Michel Petrucciani uses the horns here as never before; they no longer intervene only as soloists but in a new context, as accompaniment and counterpoint. If this record could only come to life thanks to an intense collaboration between composer and arranger, the unexpected production work of drummer Steve Gadd surely contributed to it's creation. Thanks to his experience in the most diverse contexts and to a solid friendship with Michel Petrucciani, he was able to provide knowledgeable suggestions and above all appropriate structural ideas. Both Worlds like the two flat faces of the same coin, the work of a Michel Petrucciani thus doubly generous and in a language that is as simply universal as possible. 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Onstage, in the heat of the moment, close to the audience, within the intimate energy of a club atmosphere, he expressed his passion for sharing with absolute sincerity.\"A lot of musicians have a playing style that is too egotistical,\" he once said. \"They play just for themselves and for an elite few. I play to give pleasure and to communicate. I like to think of myself as a very happy person. That's why it is so important for me to pass along and give to others the generosity that is indispensable in art, music, and life.\"This generosity shines through in these magnificent moments captured live in Tokyo in 1997. Joined by Anthony Jackson and Steve Gadd-two close friends with whom he shared an almost telepathic musical connection-Michel Petrucciani delivers a blazing hour of piano, blending standards and original compositions to unleash his boundless expressiveness.Once again, we are struck by the radiant clarity of his phrasing, the vigor and percussive precision of his touch. A true master of tempo, he played \"all the way through the note,\" shaping long, flowing phrases where each note is distinctly heard. His playing brought both accent and dimension to every piece. But above all, it was defined by absolute sincerity.His heart sang directly through the piano. 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