{"title":"Munchner Rundfunkorchester","description":null,"products":[{"product_id":"scala-sym-overtures-cd","title":"Scala Sym \u0026 Overtures [CD]","description":"\u003cp\u003e\"If I had as much melody as you, and you had as much knowledge as I, we would both be great men.\" These words capture the essence of Georg Joseph Vogler. While his pupil Carl Maria von Weber famously composed countless Romantic classics, Vogler secured lasting recognition primarily through his theories of composition. However, during his lifetime, he was also highly esteemed as a musician, not only in German-speaking regions but also in Paris, London, Rotterdam, Stockholm, and Vienna. His prolific output spanned a wide range of genres, from opera and singspiel to keyboard music, sacred works, and symphonies. His third and final symphony, La Scala, appears to be a direct response to Mozart's \"learned\" Jupiter Symphony. Though Mozart himself dismissed Vogler as a charlatan, even he was not infallible. Listen and judge for yourself!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 761203537327\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Cpo Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.15.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Munchner Rundfunkorchester","offers":[{"title":"Default Title","offer_id":45455729852614,"sku":"53525","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4433191-3403155.jpg?v=1768499923"},{"product_id":"symphonies-cd","title":"Symphonies [CD]","description":"\u003cp\u003e\"Indeed, Vienna is so rich in composers [...], that it is but just to allow it to be, among German cities, the imperial seat of music, as well as of power.\" Sir Charles Burney, the famous observer of European music, was quite correct. This city on the Danube was bubbling over with talents and masters who all made their livelihood there. This included Johann Baptist Wanhal, one of the innumerable Bohemians that tried their luck in the shadow of the court palace. He contributed many beautiful pieces to his preferred medium of instrumental music. The small selection of the present production alone well demonstrates that Wanhal was able to hold his own in the symphonic genre next to Joseph Haydn, who was seven years his senior. Subtle orchestral colours, a fine sense for dramatic events, especially in the minor keys, and striking melodies are characteristic of the creations that were enjoyed not only in the old imperial city.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony in G minor (Bryan g1)~Allegro moderato\u003c\/li\u003e\n\u003cli\u003eSymphony in G minor (Bryan g1)~Andante cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony in G minor (Bryan g1)~Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony in G minor (Bryan g1)~Finale. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony in A major (Bryan A4)~Finale. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony in A major (Bryan A4)~Cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony in A major (Bryan A4)~Finale. Prestissimo\u003c\/li\u003e\n\u003cli\u003eSymphony in A minor (Bryan a1)~Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony in A minor (Bryan a1)~Andante\u003c\/li\u003e\n\u003cli\u003eSymphony in A minor (Bryan a1)~Finale. 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It was with these flattering words that the press greeted the premiere of the five-act opera by one of the women composers most frequently performed in late nineteenth-century France. For her career was regularly marked by flattering reviews and lasting successes, spanning all genres, from chamber music to oratorio and opera. Yet Mazeppa, though regarded as her testamentary work, did not enjoy the honour of a premiere at the Paris Opera and had to fall back on Bordeaux to reap the rewards of glory. A model of concision, this powerful, dramatic opera relates in a little over two hours the apotheosis and fall of the Cossack general Ivan Mazeppa, a fugitive in war-torn Ukraine. It was predicted that the work would enjoy a long career, but the subsequent evolution of the musical language of the Belle epoque, followed by the composer's death, meant that Mazeppa sank into oblivion for more than a century. It was high time for it's hero to get back in the saddle.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMazeppa~Acte premier. Scène: Ah!\u003c\/li\u003e\n\u003cli\u003eMazeppa~Acte premier. Scène: La Pologne est notre ennemie\u003c\/li\u003e\n\u003cli\u003eMazeppa~Acte deuxième. Deuxième tableau. Scène: Mais ce n'est pas en roi\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8055776010250\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Bru Zane\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Munchner Rundfunkorchester","offers":[{"title":"Default Title","offer_id":45459651788998,"sku":"82481304","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4484259-3505487.jpg?v=1768588751"},{"product_id":"pre-order-johann-strauss-perpetuum-mobile-cd","title":"Johann Strauss: Perpetuum Mobile [CD]","description":"\u003cp\u003eIn addition to the popular potpourri overture to Johann Strauss II's operetta The Gypsy Baron (1885) and the musical joke Perpetuum mobile, the programme of the new CD from BR-KLASSIK features mostly lesser-known, yet no less rousing, compositions by the 'Viennese Waltz King,' all of them studio productions.Johann Strauss II inherited his father's entrepreneurial passion and artistic mastery. He succeeded in further refining and expanding the repertoire, particularly in the form of the grand concert waltz.This CD features the Revolutionary March, Op. 54 (1848), as well as Perpetuum mobile - A Musical Joke, Op. 257 (1861), and the Intermezzo from the operetta 1001 Nights (1871\/1906). The waltz Carnevalsbilder, Op. 357 (1873), and the fast polka Vom Donaustrande, Op. 356 (1873), are both based on melodies from the operetta The Carnival in Rome. The waltz Nordseebilder, Op. 390 (1879), the overture to the operetta Der Zigeunerbaron (1885), and the Csárdás from Strauss's only opera Ritter Pásmán (1892) are also included, as is the musical prelude Klange aus der Raimundzeit, Op. 479 (1898). The CD also has several surprises in store (as bonus tracks)!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4035719003536\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Br Klassiks\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Munchner Rundfunkorchester","offers":[{"title":"Default Title","offer_id":46079807619270,"sku":"282229482","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4528232-3668413.jpg?v=1784274907"},{"product_id":"pre-order-ferdinand-herold-zampa-ou-la-fiancee-de-marbre-cd","title":"Ferdinand Herold: Zampa Ou La Fiancee De Marbre [CD]","description":"\u003cp\u003eZampa enjoyed a triumph at the Opera-Comique on 3 May 1831. This was probably because Melesville's libretto displayed some resemblances to Mozart's Don Giovanni: a godless and lawless protagonist, the pirate Zampa, attempts to force Camille, betrothed to Alphonse, to marry him, but the statue of Alice Manfredi, one of his earlier victims, comes to life and carries him off to Hell. The action skilfully combines tragic and comic elements. In musical terms, Herold responds to the Romantic sensibilities of his time: he incorporates a few discreet 'Gothic' touches, plays on local colour (the plot unfolds in Sicily), and exploits the dramatic resources of orchestration and harmony (Berlioz noted 'chords of a wild, fantastical appearance'). Zampa amplifies the opera-comique through borrowings from grand opera: vocal styles blending French and Italian elements, spectacular events such as the eruption of Mount Etna (recalling the denouement of La Muette de Portici in 1828), and the contrast between collective and intimate scenes. 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He was almost exactly eleven months younger than Wolfgang Amadeus Mozart was, who he survived by seventeen years. The obvious comparison between the two contemporaries does, of course, yield some astonishing results. Among other things, this may be because the older of the two was a child prodigy, whereas Wranitzky only became a composer after a circuitous route and had to learn much of what came so naturally to the Mozart. He applied this approach with great ingenuity, however, as his four dozen symphonies alone reveal. Although he had some of them published in volumes in the traditional manner, their style suggests they serve more as a missing link between his teacher, Joseph Haydn, and the 'man of the future' - Ludwig van Beethoven. The three pieces published as Opus 35 in April 1800, though composed in the previous decade, are no exception. Original, full of formal surprises and musically progressive, they evoke a faint suspicion. 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