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Most listeners will be familiar with works for strings by Elgar, Vaughan Williams and Tippett - they are some of the most famous works in the repertoire. The works on this album reveal that composers in Wales were also writing outstanding works for strings at the same time. Grace Williams was taught by Vaughan Williams, and her haunting Elegy leaves a deep impression on the listener. Morfydd Owen's brief Romance reflects her all to short life - tragically cut short in 1918 at just 26. Her trajectory as a composer was set high. William Matthias, one of the better known of Welsh composers, studied with Lennox Berkeley and was a child prodigy. Best known for his music for choir, he also wrote three symphonies and three piano concertos. His deft and polished Music for Strings displays his technical prowess to the full. Paul Mealor is one of the current generation of composers from Wales, studying with Mathias. His music was performed at the wedding of Prince William and Catherine Middleton in 2011, and Wherever You Are was the Christmas No.1 single in the UK in the same year. Arwel Hughes studied with Vaughan Williams and was a key player in the establishment of music at BBC Wales, becoming Head of Music in 1965. He composed in all fields, from oratorios, religious music, chamber and orchestral music - the latter often drawing on Welsh legends and history. Christopher Woods powerful Aberfan is a musical memorial to the harrowing tragedy that occurred on October 21, 1966 when a coal spoil tip engulfed a school killing 116 children and 28 adults in surrounding streets.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElegy for string orchestra\u003c\/li\u003e\n\u003cli\u003eGweddi (A Prayer) for soprano, chorus and strings or orchestra\u003c\/li\u003e\n\u003cli\u003eO Sacred Heart\u003c\/li\u003e\n\u003cli\u003eRomance for Strings\u003c\/li\u003e\n\u003cli\u003eDivertimento (based on the tune 'Ebenezer')\u003c\/li\u003e\n\u003cli\u003eAberfan\u003c\/li\u003e\n\u003cli\u003eMusic for Strings~I. Maestoso\u003c\/li\u003e\n\u003cli\u003eMusic for Strings~II. Canto\u003c\/li\u003e\n\u003cli\u003eMusic for Strings~III. 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Strauss and Beethoven. This is the 33rd edition of SOMM's long-running and acclaimed series The Beecham Collection, and it marks the 70th anniversary of two remarkable recordings from 1956. Once again, audio engineer Lani Spahr brings his depth of musicality and technical expertise to these newly restored masterworks.In addition to his determined efforts to put Strauss's operas on the London stage-beginning with conducting the British premiere of Strauss's opera Elektra in 1910-Beecham was enthusiastic about Strauss's tone poems. Ein Heldenleben, in particular, became something of a calling card for him. In 1947, he made a studio recording of the tone poem with the recently established Royal Philharmonic Orchestra. A few weeks after his death in 1961, his 1958 stereo recording of Ein Heldenleben was released.The present live recording comes from an all-Strauss concert given at the Royal Festival Hall on 17 October 1956. The first half of the programme included MacBeth, Le Bourgeois Gentilhomme, and the Dance of the Seven Veils, which SOMM released in 2023 (ARIADNE 5021). The second half, heard here, was devoted to Ein Heldenleben.Strauss's eighth tone poem is considered somewhat autobiographical despite his insistence that the hero was \"not a single poetical or historical figure, but rather a more general and free ideal of great and manly heroism.\" It traces the dramatic arc of the hero's life through his adversaries and his companion; at battle and in peace; and it closes with his retirement from this world. Contemporary critics of Beecham's rapturously received 1956 performance were fulsome in their praise, one noting that \"the epilogue was played with such tenderness as to bring tears to the eyes,\" and another that \"this is how Strauss can sound when conducted with musical sensibility deepened by experience.\"Beecham's relationship with Ludwig van Beethoven was rather more ambivalent. Although he performed several of Beethoven's symphonies regularly, his recordings were more sporadic and he never completed a full cycle. SOMM is fortunate and proud to present here Beecham's exciting, fleet-footed interpretation of the Eighth Symphony, recorded at the Festival Hall on 12 December 1956. His performance brings energy and a sense of fun to the work, which musicologist Nigel Simeone describes as the \"wittiest of the Beethoven symphonies.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93~I. Allegro vivace e con brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93~II. Allegretto scherzando\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93~III. Tempo di menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 8 in F Major, Op. 93~IV. 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Directing the combined forces of the Royal Philharmonic Orchestra, Philharmonia Chorus and Tiffin Boys' Choir, and with the movingly expressive voice of Hanna Hipp, Vasily Petrenko reveals all the richness of this visionary peak of Post-Romanticism.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMahler: Symphony No. 3 in D minor, Part I: I. Kräftig. Entschieden\u003c\/li\u003e\n\u003cli\u003eMahler: Symphony No. 3 in D minor, Part II: II. Tempo Di Menuetto. Sehr Mässig\u003c\/li\u003e\n\u003cli\u003eMahler: Symphony No. 3 in D minor, Part II: III. Comodo (Scherzando). Ohne Hast\u003c\/li\u003e\n\u003cli\u003eMahler: Symphony No. 3 in D minor, Part II: IV. Sehr Langsam - Misterioso\u003c\/li\u003e\n\u003cli\u003eMahler: Symphony No. 3 in D minor, Part II: V. Lustig Im Tempo Und Keck Im Ausdruck\u003c\/li\u003e\n\u003cli\u003eMahler: Symphony No. 3 in D minor, Part II: VI. 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The recording highlights the operatic side of Beecham with orchestral excerpts from Les Troyens and La Damnation de Faust by Hector Berlioz, and Tannhauser, Parsifal, Gotterdammerung, and Die Meistersinger von Nurnberg by Richard Wagner. Producer and audio engineer Lani Spahr, whose work for SOMM on Elgar from the Archives has been described by Gramophone Magazine as \"astounding\" and \"revelatory,\" is once again responsible for the audio restoration on this release.The professional debut of Sir Thomas Beecham, Bart., C.H. took place on 6 December 1899 in St Helen's Town Hall when he was twenty years old. He conducted the Hungarian March from La Damnation de Faust by Berlioz with the Halle Orchestra, and the music of Berlioz was to become one of the cornerstones of his repertoire for the next six decades. This present recording of the Hungarian March is a gloriously uninhibited performance that brought the house down at the end of a 1955 concert at the Royal Festival Hall. That concert also included two excerpts from Les Troyens by Berlioz. The Prelude to The Trojans at Carthage is followed by The Royal Hunt and Storm, with the Oxford Bach Choir providing the brief choral contribution from Nymphs, Sylvans, and Fauns. These performances are remarkable for their atmospheric poetry in the slower sections and the rampaging energy in the faster music.During the same year as his professional debut, a young Beecham made his pilgrimage to Bayreuth, and he became an enthusiastic, instinctual conductor of Wagner's music. The renowned music critic Neville Cardus once noted that, while German conductors tended to take a reflective and philosophical approach in interpreting Wagner, Sir Thomas concentrated on the dramatic and picturesque parts of the music. This concentration on colour and drama makes his conducting of the orchestral extracts included on this release both satisfying and full of character.These four orchestral excerpts were recorded at the Royal Festival Hall on 17 December 1958. The concert opened with the Overture and Venusberg Music from Tannhauser; for decades one of Beecham's warhorses as a concert opener. Orchestral excerpts from Parsifal appeared regularly on Beecham's concert programmes, and this 1958 concert featured the Good Friday Music. Beecham conducted a number of Ring cycles during his career, and his  affinity with the music shines through in this recording of Siegfried's Rhine Journey from Gotterdammerung. This release closes with the Prelude to Act One of Die Meistersinger, about which the review in the Daily Telegraph said, \"the thickly overlaid texture of the overture can seldom have been given with such golden clarity.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTroyens, H. 133-Prelude to the Trojans at Carthage\u003c\/li\u003e\n\u003cli\u003eTroyens, H. 133-Royal Hunt and Storm (With the Oxford Bach Choir)\u003c\/li\u003e\n\u003cli\u003eDamnation de Faust, H. 111-Hungarian March\u003c\/li\u003e\n\u003cli\u003eTannhäuser, WWV 70-Overture and Venusberg Music\u003c\/li\u003e\n\u003cli\u003eParsifal, WWV 11-Good Friday Music\u003c\/li\u003e\n\u003cli\u003eGötterdämmerung, WWV 86D-Siegfried's Rhine Journey\u003c\/li\u003e\n\u003cli\u003eMeistersinger Von Nürnberg, WWV 96 - Prelude to Act One\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 758871013529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Somm Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Royal Philharmonic Orchestra","offers":[{"title":"Default Title","offer_id":45693171466438,"sku":"150552637","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4507251-3562914.jpg?v=1775615480"},{"product_id":"pre-order-strauss-an-alpine-symphony-cd","title":"Strauss: An Alpine Symphony [CD]","description":"\u003cp\u003eVasily Petrenko and the Royal Philharmonic Orchestra reach new musical peaks with An Alpine Symphony, one of the most spectacular scores ever written for orchestra. This monumental fresco, inspired by the Bavarian Alps Strauss loved so greatly, is the very summit of symphonic poems: a fascinating album of images in which nature stands as a metaphor for existence itself.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: I. Nacht\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: II. Sonnenaufgang\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: III. Der Anstieg\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: IV. Eintritt in Den Wald\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: V. Wanderung Neben Dem Bache\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: VI. Am Wasserfall\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: VII. Erscheinung\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: VIII. Auf Blumigen Wiesen\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: IX. Auf Der Alm\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: X. Durch Dickicht Und Gestrüpp Auf Irrwegen\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XI. Auf Dem Gletscher\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XII. Gefahrvolle Augenblicke\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XIII. Auf Dem Gipfel\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XIV. Vision\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XV. Nebel Steigen Auf\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XVI. Die Sonne Verdüstert Sich Allmählich\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XVII. Elegie\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XVIII. Stille Vor Dem Sturm\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XIX. Gewitter Und Sturm, Abstieg\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XX. Sonnenuntergang\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XXI. Ausklang\u003c\/li\u003e\n\u003cli\u003eStrauss: Eine Alpensinfonie, Op. 64: XXII. Nacht\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3149020957110\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Harmonia Mundi\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Royal Philharmonic Orchestra","offers":[{"title":"Default Title","offer_id":46974565482694,"sku":"363248020","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4537958-3699354.jpg?v=1787678071"}],"url":"https:\/\/paladinvinyl.com\/collections\/artist-the-royal-philharmonic-orchestra.oembed","provider":"Paladin Vinyl","version":"1.0","type":"link"}