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Warm Slime is guaranteed to please fans of their whacked-out Garage\/Psych\/Punk jams. Recorded by Sacramento sultan of sound Chris Woodhouse, Warm Slime carries on in the same tradition as the group's previous release, Help, showcasing their more electrified and rocking side, in comparison to other recent home-recorded releases. The centerpiece is undoubtedly the mind-bending title track, which clocks in at nearly 14 minutes and takes up the entirety of the album's first side. It's a Psychedelic epic of 'Inna Gadda Da Vida' proportions! John Dwyer's guitar playing is at it's best here, and the vocal interplay with Brigid Dawson gives it a B-52s-at-their-least-cheesy-crossed-with-the-Troggs vibe. The results are stunning.\r\n\r\n \r\nTracks\r\n1 Warm Slime\r\n2 I Was Denied\r\n3 Everything Went Black\r\n4 Castiatic Tackle\r\n5 Flash Bats\r\n6 Mega-Feast\r\n7 MT Work\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 5\/5\/23\u003c\/li\u003e\n\u003cli\u003eReleased: 05\/11\/2010\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eReleased: 05\/11\/2010\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Thee Oh Sees","offers":[{"title":"Default Title","offer_id":44589831389382,"sku":"AGCS3D-TXDL-UI","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/thee-oh-sees-warm-slime-green-orange-colored-vinyl_ISVNm.png?v=1762341018"},{"product_id":"thee-oh-sees-floating-coffin-reissue-vinyl","title":"Floating Coffin (Reissue) [Vinyl]","description":"Description\r\n*We all know the type: prolific bands that commit every loose thought, stray idea and 90-second song fragment to tape. Bands that pay no attention to little inconveniences like \"release cycles\" or \"self-editing,\" and instead decide that quantity equals quality, creating a discography more labyrinthine, imposing and-ultimately-exhausting than the cast of creatures in a sci-fi novel. Here is why none of that applies to THEE OH SEES. Because each of the dozen-plus albums they've released since 2004 possesses a distinct personality and represents a different point along the path of JOHN DWYER's slow transformation from auteur of woozy, bare-bones four-track psychedelia to goggle-eyed garage rock marauder backed at long last by a band that both shares and stokes his singular vision. Because drop a needle on any record and-to their great credit-it takes several songs before you're convinced it's Thee Oh Sees. The seasick hundred-bottles-of-rum shanty \"What the Driven Drink,\" from 2007's delirious Sucks Blood exists in a different galaxy than the rollercoastering \"Chem-Farmer\" from last year's Carrion Crawler \/ The Dream; the doomy doo-wop of \"Blood on the Deck\" hardly seems like the product of the same band that delivered the yelping \"Ruby Go Home\" in 2009.\r\n\r\n \r\nTracks\r\n1 1. I Come from the Mountain\r\n2 2. Toe Cutter \/ Thumb Buster\r\n3 3. the Floating Coffin\r\n4 4. No Spell\r\n5 5. Strawberries 1+2\r\n6 6. Maze Fancier\r\n7 7. Night Crawler\r\n8 8. Sweets Helicopter\r\n9 9. Tunnel Time\r\n10 10. 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Notice the fresh dollop of organ and keyboard prowess courtesy of Memory Of A Cut Off Head-alum and noted key-stabber Tom Dolas, while the Paul Quattrone \/ Dan Rincon drum-corps polyrhythmic pulse continues to astound and pound in equal measure, buttressed by the nimble fingered bottom end of Sir Tim Hellman the Brave and the shred-heaven fret frying of John Dwyer, whilst Lady Brigid Dawson again graces the wax with her harmonic gifts. Aside from the familiar psych-scorch familiar to soggy pit denizens the world over, there’s a fresh heavy-prog vibe that fits like a worn-in jean jacket comfortably among hairpin metal turns and the familiar but no less horns-worthy guitar fireworks Dwyer’s made his calling card. Perhaps the most notable thing about Smote Reverser is the artistic restlessness underpinning its flights of fancy. 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The band is in tour-greased, anvil-on-a-balance beam, gut-pleasingly heavy form, nimbly braining-with equal dashes of abandon and menace-on this fresh batch of bruisers and brooders, hypnotically stirred into to the cauldron of chaos you've come to expect. On Orc, fresh blood Paul Quattrone joins Dan Rincon to form a phalanx of interlocking double drums, alternately propelling and fleet-footing shifting ground to pinion John Dwyer's cliff-face guitars to the boogie. Tim Hellman keeps it swinging like a battle-axe to the eyebrows. The tunes veer toward the violence of their live shows, with a few tasty swerves into other lanes: heavy to lush, groovy to stately. Throughout, it remains sinister in it's swaggering skulk, manic in it's fuzz-fried fugues. They hit all the sweet spots the heads foggily remember, and there's plenty to sweat over if you just hopped into the sauna. More evil... more complex... more narcotic... more screech... more blare... more whisper... there's even more Brigid. Less \"Thee,\" but more of everything else.\r\n\r\n \r\nTracks\r\n1 1. the Static God\r\n2 2. Nite Expo\r\n3 3. Animated Violence\r\n4 4. Keys to the Castle\r\n5 5. Jettisoned\r\n6 6. Cadaver Dog\r\n7 7. Paranoise\r\n8 8. Cooling Tower\r\n9 9. Drowned Beast\r\n10 10. 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