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That attribute is precisely what gives the music such a singular, distinctive sound and vision.\u003c\/p\u003e\u003cp\u003eEnd Of Amnesia\r Color Of Water\r Half Moon\r So Much Water\r Bad Dreams\r Archangel Tale\r Silverline\r Flaming Heart\r Carolina\r From A Pirate Radio Sermon, 1989\r Psalm\r Ella\r Seashell Tale\r O'brien\/O'brien's Nocturne\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: 2LP tip-on gatefold LP jacket with printed inner sleeves\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Indie \u0026amp; Alternative\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"M. 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Indeed, elements of this album would reappear throughout Miller's stratospherically successful mid-'70s commercial heyday: the slyly humorous centerpiece rocker \"Space Cowboy\" was name-checked on \"The Joker,\" and the main riff of \"My Dark Hour\" (a studio collaboration between Miller and Paul McCartney) would later reappear as the intro to the huge hit \"Fly Like An Eagle.\" BRAVE NEW WORLD also benefits heavily from the contributions of famed British keyboardist Nicky Hopkins. Acid rockers like \"Can't You Hear Your Daddy's Heartbeat\" and \"Got Love 'Cause You Need It\" are wisely kept to the 2:30 mark, saving them from getting bogged down in the monotonous jamming that ruined so many albums of the period, while forward-looking experiments like the noise-rock interludes on the title track give the album a freshness that belies its recording date.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Steve Miller","offers":[{"title":"Default Title","offer_id":42452620017862,"sku":"X0GL1E-2DIG-00","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Steve-Miller-Brave-New-World_I0GMN.jpg?v=1779542815"},{"product_id":"grayscale-grayscale-umbra-black-marble-lp-vinyl","title":"Umbra [Black Marble LP] [Vinyl]","description":"Grayscale - Grayscale - Umbra [Black Marble LP] [Vinyl] \u003cbr\u003eBarcode: 888072275621 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Grayscale","offers":[{"title":"Default Title","offer_id":42452622246086,"sku":"7EVCGZ-XDSY-00","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Grayscale-Umbra-Black-Marble-LP_fjDvX.jpg?v=1779542835"},{"product_id":"spoon-spoon-transference-vinyl","title":"Transference [Vinyl]","description":"Spoon - 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Scorpions - Rock Believer [LP] [Vinyl] \u003cbr\u003eBarcode: 602438813780 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Scorpions","offers":[{"title":"Default Title","offer_id":42452624179398,"sku":"OTW07H-VST3-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Scorpions-Rock-Believer-LP_RWL3z.jpg?v=1779542947"},{"product_id":"barrington-levy-barrington-levy-prison-oval-rock-vinyl","title":"PRISON OVAL ROCK [Vinyl]","description":"BARRINGTON LEVY - BARRINGTON LEVY - PRISON OVAL ROCK [Vinyl] \u003cbr\u003eBarcode: 054645101714 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"BARRINGTON LEVY","offers":[{"title":"Default Title","offer_id":42452625326278,"sku":"3KHWZZ-GJKO-00","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/BARRINGTON-LEVY-PRISON-OVAL-ROCK_jZpF5.jpg?v=1779542965"},{"product_id":"the-go-gos-the-go-gos-beauty-and-the-beat-lp-vinyl","title":"Beauty And The Beat [LP] [Vinyl]","description":"The Go-Go's - The Go-Go's - Beauty And The Beat [LP] [Vinyl] \u003cbr\u003eBarcode: 602508848889 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Go-Go's","offers":[{"title":"Default Title","offer_id":42452628144326,"sku":"U5ABSL-6YLX-00","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/The-Go-Gos-Beauty-And-The-Beat-LP_yhUcM.jpg?v=1779543086"},{"product_id":"blu-for-sale-extended-play-vinyl","title":"For Sale (Extended Play) [Vinyl]","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blu","offers":[{"title":"Default Title","offer_id":42452637417670,"sku":"FEV16F-CYA3-00","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Blu-For-Sale-Extended-Play_vnpwY.jpg?v=1779543143"},{"product_id":"alice-coltrane-world-spirituality-classics-1-ecstatic-music-vinyl","title":"WORLD SPIRITUALITY CLASSICS 1: ECSTATIC MUSIC [Vinyl]","description":"\u003cp\u003eThe title of this record is evidenced by the very first notes of opening track \"Om Rama.\" A chorus of chanters armed with hand claps and tambourines light into a Hindu Bhajan, accompanied by Alice Coltrane's whirling Wurlitzer organ as she lays down brooding bass notes with one hand, moves her feet across those pedals with authority, and plays glissandi synth with the other hand -- immediate ecstasy. Then John Panduranga Henderson -- who sang with Ray Charles -- delivers a moaning, gospelized solo as Coltrane vamps on his blues. This isn't common Hare Krishna chanting, folks. This music is compiled from four privately pressed cassettes (Turiya Sings [1982]; Divine Songs [1987]; Infinite Chants [1992], and Glorious Chants [1995]) that Coltrane distributed to members of the Sai Antaram Ashram (which she founded) between 1982 and 1995. Some were recorded in professional studios; all were engineered by Baker Bigsby -- who oversaw the tape transfers here from the masters -- and represent a startling chapter in her musical legacy. The music exists in the space where \"ecstatic\" meets \"heavy.\" Coltrane, known to her followers as Turiyasangitananda (\"the Transcendental Lord's highest song of bliss\"), brought all of her musical history to bear in these pieces, from her beginnings playing piano in the churches of Detroit and the hard bop she played there to Paris and New York, to the vanguard, which she embraced with openness and helped to redefine with a softer, more spacious approach.\u003cbr\u003eThe most amazing aspect of this music is what few have heard before: Coltrane's very deep and physical singing voice; her lead vocals are featured on most of the album, and it's another instrument she commands (though she wouldn't see it that way). On \"Om Shanti,\" she accompanies herself on organ using breath control in an airy, devoted chant. On \"Rama Rama,\" sarod, tablas, and her Oberheim synth add blissful dimensions to her quietly passionate singing. \"Keshavas Murahara\" commences with strings (her chart), Oberheim, and droning organ; her voice emerges as if from smoke, slowly intoning the prayer, dirge-like, but jazz informs her phrasing as the synth winds around her voice. The first half of \"Journey in Satchidananda\" features only her organ and Oberheim. It's droning, bluesy, and heavy -- nearly Gothic. When the Ashram Singers come in and Joshua Spiegelman adds a flute, some light enters. Tamil singer Sairam Iyer solos in his own language, opening the heart of the chant and bringing it home. Harp makes its presence felt on \"Er Ra,\" where Coltrane's playing moves across Eastern and Western modes as her singing emerges in sweet, blues-inflected lines. Luaka Bop did everything right for The Ecstatic Music of Alice Coltrane Turyirasangitananda, from getting full participation from her family to create an amazing package with a great long essay by Ashley Khan, to reminiscences, to excellent sound. This is not just ecstatic music, but cosmic soul music. If you buy one archival recording this year, let this be it. ~ Thom Jurek\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: 2xLP with two booklets of liner notes, w\/ DL\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alice Coltrane","offers":[{"title":"Default Title","offer_id":42452637450438,"sku":"N3LMCX-2XP2-00","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Alice-Coltrane-WORLD-SPIRITUALITY-CLASSICS-1-ECSTATIC-MUSIC_7gmNv.jpg?v=1779543177"},{"product_id":"pearl-jam-ten-vinyl","title":"TEN [Vinyl]","description":"\u003cp\u003ePearl Jam: Eddie Vedder (vocals); Mike McCreedy, Stone Gossard (guitar); Jeff Ament (bass); Dave Krusen (drums). Additional personnel: Walter Gray (cello); Rick Parashar (piano, organ, percussion). Engineers: Dave Hills, Don Gilmore, Adrian Moore. Recorded at London Bridge Studios, Seattle, Washington from March to April, 1991. Audio Remixer: Brendan O'Brien . For the twentieth anniversary of their debut Ten -- an event that arrives in 2011 and is being celebrated in 2009, but who's counting? -- Pearl Jam went all out and delivered not one but three reissues, all in increasing levels of lavishness. First off is a standard two-CD set, followed by a triple-disc set that adds a DVD of the band's 1992 performance for MTV Unplugged and then there's a gargantuan, frankly ludicrous, collectors edition that has all that plus four slabs of vinyl containing the two mixes of the album plus a 1992 live show, one cassette that replicates the original demo Eddie Vedder turned in as his audition, and assorted memorabilia that retails for $200.00. All this commotion camouflages the really noteworthy aspect of this anniversary edition: Pearl Jam brought in their longtime producer Brendan O'Brien to remix Ten from the ground up, to strip away the studio affectations of producer Rick Parashar and mixer Tim Palmer that made it a bright, shiny anomaly during the dingy heyday of grunge and make the album sound more liked the rest of the band's work (which O'Brien produced, after all). This isn't full-scale cultural revisionism on the order of George Lucas -- the original album is preserved in remastered form on the first disc -- nor is it akin to the massive reworking of Raw Power that took liberties with the aesthetics of a classic, altering some crucial reasons why it was influential, but rather like a director's cut that's designed to be closer to the artist's original intentions. Since Ten is the odd man out among Pearl Jam's albums -- its shimmering surfaces and gated rhythms too eager to crossover -- this revision also seems logical, bringing it closer to the sound and feel of Vs. and Vitalogy without drastically altering its character. Actually, it's quite arguable that this lean, muscular remix is a marked improvement on the original mix, as it's easier to focus on both the songs and group's interplay. The only room for complaint is that for a deluxe reissue this seems to skimp on the bonus tracks, never bothering to include all the relevant non-LP songs from Ten. It's seems that the logic behind their absence is that they're all available on the compilation Lost Dogs and the bonus material here is all unreleased: a version of \"Brother\" with vocals (an instrumental was on Lost Dogs), early versions of \"Breath and a Scream\" and \"State of Love and Trust\" recorded a year before the Singles soundtrack, and the unreleased \"Just a Girl,\" \"2000 Mile Blues,\" and \"Evil Little Goat.\" Although the latter two sound like the unfinished outtakes they are, it's still nice to have all this material in circulation, but even so it doesn't feel quite right to have a reissue of Ten that misses the B-side \"Yellow Ledbetter,\" a song that received a lot of radio play during the peak of the album's popularity. It also doesn't feel right to have that original demo available only as a cassette in the super-deluxe version of Ten -- or to have the live show only on vinyl, for that matter -- when it would have been easy to expand the set out to three CDs and have this material available for everyone, but in a sense, that's nitpicking: the mad collectors are going to invest in the $200.00 set while the less dedicated will be happy with the remix which is certainly reason enough to justify this entire multi-format project. [A vinyl-only version was also released.] ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pearl Jam","offers":[{"title":"Default Title","offer_id":42452646691014,"sku":"9BOC8M-5BDD-00","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Pearl-Jam-TEN-VINYL-COLLECTIO_Pvomk.jpg?v=1779543234"},{"product_id":"pavement-westing-by-musket-and-sextant-vinyl","title":"Westing (By Musket And Sextant) [Vinyl]","description":"\u003cp\u003eComing July 15: the first Matador pressing of Pavement‚Äôs Westing (By Musket And Sextant), the compilation of Pavement‚Äôs early work from 1989-1993. The new pressing coincides with this year‚Äôs release of the Terror Twilight: Farewell Horizontal 4xLP box set and a 30th anniversary limited vinyl edition of Slanted \u0026amp; Enchanted. Pavement begins several months out touring by headlining Primavera Sound Barcelona before continuing onto sold-out tour dates in North America and Europe.\u003c\/p\u003e\u003cp\u003eVol Side Track Artist Title Sub-Title \r 1 1 1 Pavement You're Killing Me  \r 1 1 2 Pavement Box Elder  \r 1 1 3 Pavement Maybe Maybe  \r 1 1 4 Pavement She Believes  \r 1 1 5 Pavement Price Yeah!  \r 1 1 6 Pavement Forklift  \r 1 1 7 Pavement Spizzle Trunk  \r 1 1 8 Pavement Recorder Grot  \r 1 1 9 Pavement Internal K-Dart  \r 1 1 10 Pavement Perfect Depth  \r 1 1 11 Pavement Recorder Grot (Rally)  \r 1 2 1 Pavement Heckler Spray  \r 1 2 2 Pavement From Now On  \r 1 2 3 Pavement Angel Carver Blues\/Mellow Jazz Docent  \r 1 2 4 Pavement Drive-By-Fader  \r 1 2 5 Pavement Debris Slide  \r 1 2 6 Pavement Home  \r 1 2 7 Pavement Krell Vid-User  \r 1 2 8 Pavement Summer Babe  \r 1 2 9 Pavement Mercy Snack: The Laundromat  \r 1 2 10 Pavement Baptist Blacktick  \r 1 2 11 Pavement My First Mine  \r 1 2 12 Pavement My Radio\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP jacket with a printed innersleeve\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Indie \u0026amp; Alternative\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pavement","offers":[{"title":"Default Title","offer_id":42452647542982,"sku":"J2Z7SG-N6KA-00","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Pavement-Westing-By-Musket-And-Sextant_b39f4.jpg?v=1779543253"},{"product_id":"van-halen-van-halen-van-halen-ii-180-gram-vinyl-remastered-vinyl","title":"Van Halen II (180 Gram Vinyl, Remastered) [Vinyl]","description":"Van Halen - Van Halen - Van Halen II (180 Gram Vinyl, Remastered) [Vinyl] \u003cbr\u003eBarcode: 081227954932 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eVan Halen: David Lee Roth (vocals); Eddie Van Halen (guitar); Michael Anthony (bass); Alex Van Halen (drums).\u003cbr\u003eRecorded at Sunset Sound Recorders, Hollywood, California in 1979.\u003cbr\u003eAll tracks have been digitally remastered.\u003cbr\u003eWhile it's tough to follow up a classic, VAN HALEN II comes close to matching the brilliance of the band's debut. Once again, the record begins with a fat bass line from Michael Anthony, and his piercing background vocals are featured on \"You're No Good,\" an explosive cover of the Linda Ronstadt tune.\u003cbr\u003eWhile the group's early material was slightly too heavy for Top 40 airplay, here they take a commercial stab with the brilliant \"Dance the Night Away\" and \"Beautiful Girls.\" \"Somebody Get Me a Doctor\" features the trademark wails of David Lee Roth, and Eddie Van Halen's magical soloing. Alex Van Halen's playing takes a slightly complex turn on \"Outta Love Again\" with some funky drum fills. Eddie shows his versatility with the gorgeous, flamenco-styled solo \"Spanish Fly.\" The band kicks it full throttle once again on \"D.O.A.,\" which accelerates to a mighty finish. \"Women in Love\" features lessons from Mr. Roth on dealing with female fickleness. VAN HALEN II would go on to be a huge success, reaching the U.S. Top 10. This remastered album leaves the band sounding better than ever.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Van Halen","offers":[{"title":"Default Title","offer_id":42452840874182,"sku":"XAYAMN-ESTO-00","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Van-Halen-Van-Halen-II-180-Gram-Vinyl-Remastered_wr6Gb.jpg?v=1779543289"},{"product_id":"van-halen-van-halen-women-children-first-vinyl","title":"WOMEN \u0026 CHILDREN FIRST [Vinyl]","description":"Van Halen - Van Halen - WOMEN \u0026amp; CHILDREN FIRST [Vinyl] \u003cbr\u003eBarcode: 081227954963 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eVan Halen: David Lee Roth (vocals); Eddie Van Halen (guitar); Michael Anthony (bass); Alex Van Halen (drums). All tracks have been digitally remastered. Also available with \"Fair Warning\" on 1 cassette. WOMEN AND CHILDREN FIRST reached #6 in April 1980 and shows a band progressing towards their eventual peak. \"And The Cradle Will Rock\" is one of the album's two radio staples, along with \"Everybody Wants Some.\" These two anthems set the stage for one hell of a rock \u0026amp; roll party album. \"Fools,\" a relatively obscure VH tune, features thumping rhythm, the piercing background vocals of bassist Michael Anthony and some David Lee Roth scatting at the end. Roth declares \"I'm takin' whiskey to the party tonight and I'm lookin' for somebody to squeeze\" in \"Romeo Delight.\" Preferring sneaky licks and heavy riffs, Eddie Van Halen does fit some excellent acoustic work into \"Could This Be Magic\" and \"In A Simple Rhyme.\" WACF shows a hungry, talented rock band delivering the goods. Longtime producer Ted Templeman helps the band achieve their signature sound, producing a fantastic album.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Van Halen","offers":[{"title":"Default Title","offer_id":42452847198406,"sku":"HCBFCU-I2AV-00","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Van-Halen-WOMEN-CHILDREN-FIRST_iQsiT.jpg?v=1779543325"},{"product_id":"john-lennon-john-lennon-some-time-in-new-york-city2lp-vinyl","title":"SOME TIME IN NEW YORK CITY(2LP) [Vinyl]","description":"John Lennon - John Lennon - SOME TIME IN NEW YORK CITY(2LP) [Vinyl] \u003cbr\u003eBarcode: 600753570968 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eWhile Lennon claimed to have always been politically minded, given his working-class upbringing in class-conscious England (\"I've been satirizing the system since my childhood,\" he once mused), rock-pop sensibilities, clever wordplay, or matters of the heart usually took precedence in his musical output. But here Lennon and Yoko, accompanied by New York's Elephant's Memory, sing and scream freely against sexism in \"Woman Is the Nigger Of The World\" and \"Sisters, O Sisters.\" They protest incarceration in \"John Sinclair,\" \"Attica State,\" and \"Born In A Prison,\" colonialism in \"Sunday Bloody Sunday\" and \"The Luck Of The Irish,\" and racism in \"Angela.\"\u003cbr\u003eThe richness of Phil Spector's production fills out the danceable grooves on nearly every track. Also featured is Lennon's paean to his adopted home, \"New York City,\" with allusions to doping clerics and transsexual rockers as well as the highly quotable line, \"What a bad-ass city!\" On the bonus disc, Lennon and Ono get it on with Zappa and the Mothers in live sets from London and New York. Things heat up considerably with \"Cold Turkey,\" freak out with \"Don't Worry Kyoko,\" and veer into the ridiculous with audience participation on \"Scumbag.\" SOMETIME IN NEW YORK CITY is some of the groovin'-est, most tuneful agit-prop ever committed to disc.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Lennon","offers":[{"title":"Default Title","offer_id":42452847853766,"sku":"Q8FFMB-KJLD-00","price":40.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/John-Lennon-SOME-TIME-IN-NEW-YORK-CITY2LP_ZPumn.jpg?v=1779543344"},{"product_id":"led-zeppelin-led-zeppelin-coda-vinyl","title":"CODA [Vinyl]","description":"Led Zeppelin - Led Zeppelin - CODA [Vinyl] \u003cbr\u003eBarcode: 081227955885 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eLed Zeppelin: Robert Plant (vocals); Jimmy Page (guitar); John Paul Jones (keyboards, bass); John Bonham (drums). Recorded at Morgan Studios, London, England on June 25, 1969; Olympic Studios, London, England on June 5, 1970; Royal Albert Hall, London, England on January 9, 1970; Rolling Stones Mobile At Stargroves on May 15, 1972; Polar Studios, Stockholm, Sweden on November 11, 16, and 21, 1978; Mountain Studios, Montreux, Switzerland on September 12, 1976. Released two years after the 1980 death of John Bonham, Coda tied up most of the loose ends Led Zeppelin left hanging: it officially issued a bunch of tracks circulating on bootleg and it fulfilled their obligation to Atlantic Records. Coda doesn't contain every non-LP track Zeppelin released -- notably, the B-side \"Hey Hey What Can I Do\" and anything from the BBC sessions were left untouched (they'd be added to Coda on a 1993 CD revision of the compilation, and also appear on the major three-disc overhaul Jimmy Page masterminded in 2015) -- but it does gather much of what was floating around in the wake of their demise, including three blistering rockers that were rejected for In Through the Out Door. If \"Ozone Baby,\" \"Darlene,\" or \"Wearing and Tearing\" -- rockers that alternately cut loose, groove, and menace -- had made the cut for In Through the Out Door, that album wouldn't have had its vague progressive edge and when they're included alongside a revival of the band's early raver \"We're Gonna Groove,\" the big-boned funk of the Houses of the Holy outtake \"Walter's Walk,\" and the folk stomp \"Poor Tom\" (naturally taken from the sessions for Led Zeppelin III), they wind up underscoring the band's often underappreciated lighter side. For heaviness, there's a live version of \"I Can't Quit You Baby\" and \"Bonzo's Montreux,\" a solo showcase for the departed drummer, and when this pair is added to the six doses of hard-charging rock \u0026amp; roll, it amounts to a good snapshot of much of what made Led Zeppelin a great band: when they were cooking, they really did groove. ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Led Zeppelin","offers":[{"title":"Default Title","offer_id":42452848640198,"sku":"Q7H2EK-V902-00","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Led-Zeppelin-CODA_JEBGL.jpg?v=1779543363"},{"product_id":"the-beatles-the-beatles-with-the-beatles09-vinyl","title":"WITH THE BEATLES(09) [Vinyl]","description":"The Beatles - The Beatles - WITH THE BEATLES(09) [Vinyl] \u003cbr\u003eBarcode: 094638242017 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Beatles: John Lennon (vocals, acoustic \u0026amp; electric guitars, harmonica, Hammond organ, tambourine); George Harrison (vocals, acoustic \u0026amp; electric guitars); Paul McCartney (vocals, piano, electric bass, claves); Ringo Starr (vocals, drums, bongos, maracas). Additional personnel: George Martin (piano). Recorded at Abbey Road Studios, London, England from July to October 1963. Includes liner notes by Tony Barrow. This is the one that turned the world upside-down. Released as its creators evolved from pop group to phenomenon, WITH THE BEATLES both affirmed promise and proclaimed genius. A slew of memorable Lennon\/McCartney compositions embraced pop at its most multi-faceted, robust, melancholic, excited, and wistful. Their grasp of melody and harmony startled, yet for every unusual chord sequence employed, the Beatles' vigor and sense of purpose remained true. Influences and mentors were acknowledged by a handful of cover versions, but the strength of the album lies in the group's own creations. 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Additional personnel includes: Dave Mason (piccolo, trumpet); Philip Jones (trumpet); George Martin (piano); Mal Evans (tambourine); Mick Jagger, Gary Leeds, Keith Richards, Marianne Faithfull, Jane Asher, Patti Harrison, Keith Moon, Graham Nash (background vocals). Recorded at Abbey Road Studios, Olympic Sound Studios, De Lane Lea and Chappell Recording Studios, London, England between November 24, 1966 and November 7, 1967. The U.S. version of the soundtrack for the Beatles' ill-fated British television special embellished the six songs that were found on the British Magical Mystery Tour double EP with five other cuts from their 1967 singles. (The CD version of the record has now been standardized worldwide as the 11 tracks found on the American version.) The psychedelic sound is very much in the vein of Sgt. Pepper's, and even spacier in parts (especially the sound collages of \"I Am the Walrus\"). Unlike Sgt. Pepper's, there's no vague overall conceptual\/thematic unity to the material, which has made Magical Mystery Tour suffer slightly in comparison. Still, the music is mostly great, and \"Penny Lane,\" \"Strawberry Fields Forever,\" \"All You Need Is Love,\" and \"Hello Goodbye\" were all huge, glorious, and innovative singles. The ballad \"The Fool on the Hill,\" though only a part of the Magical Mystery Tour soundtrack, is also one of the most popular Beatles tunes from the era. 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Over the course of Cage the Elephant's career, each step along the way has attracted attention for the sounds they incorporated: Nirvana, Beck, the Strokes, Arctic Monkeys, the White Stripes, Pixies. Now, enter the Black Keys. It's no surprise, given that the head Key, Dan Auerbach, produced the album at his Easy Eye Studio in Nashville. Entwined in their Southern-fried rock sound, Auerbach brings an organic production to Tell Me I'm Pretty, reportedly using first takes and scratch vocals. So while the band's sound has softened somewhat -- there's less rollicking fury and the feral edges have been smoothed (most notably on the plaintive beauty \"How Are You True\") -- the fresh depth and grit heard here are reminiscent of Arctic Monkeys' evolution once they hooked up with Josh Homme. As with that relationship, the young band's sound naturally takes on the flavor of the producer's band, and it's mostly for the better. Auerbach's signature Black Keys sound pops up on a few tracks: most notably on first single \"Mess Around,\" which is a perfect El Camino hip-shaker, as well as the stomping \"Punchin' Bag.\" Elsewhere, glimmers of former ferocity briefly pop up, especially on the sneering sleazy album closer \"Portuguese Knife Fight,\" which sounds like \"Down on the Street\" Iggy Pop fronting the aforementioned Arctic Monkeys lads. For fans of the \"old\" Cage, the sparkly twang of \"Trouble\" harks back to their Pixies hero worship heyday: it apes \"Where Is My Mind?\" so expertly it even includes the line \"God don't let me lose my mind.\" Despite the clear connections, it's not completely derivative. Cage the Elephant are maturing and their songs have a new heft to them, which may drive away some old diehards but will certainly attract new followers. ~ Neil Z. 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