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THUS LOVE's lineup clicked into place when Mars and Racine were finally able to convince their roommate van Osdol to join on bass in 2019. The band was just starting to regularly headline renowned local venue The Stone Church when everything came to a sudden and screeching halt. \"The pandemic hit everyone hard, but I think it was especially difficult for new artists like us that rely on live shows to spread the word,\" says Racine. \"At that point, we had a couple of demos and we weren't sure what the future would hold.\" Rather than idly wait, the band decided to take their future in their own hands. Armed with nothing but YouTube videos and her innate curiosity, Mars constructed a makeshift studio in their rented apartment above downtown Brattleboro, recording during odd hours when their next-door neighbors were out and about.Looking back now, Mars is glad the band decided to forge ahead. \"I obviously would never want to go through a pandemic again, but I'm pretty confident in saying that this album would not be coming out in 2022 if we hadn't had the forced downtime.\" Their resulting debut, Memorial, is a stunningly accomplished album, especially considering the circumstances surrounding it's creation. The hallmarks will be unmistakable to anyone who has ever obsessed over classic LPs from indie and post-punk's progenitors-everything from the chiming, Marr-esque guitars on opener \"Repitioner\" to the pugnacious rhythmic punch on lead single \"In Tandem\". 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There are no words but it's about making peace with what's passed.\" Mars is reluctant to provide additional detail out of respect for others' privacy but does allude to the deaths of several people close to the band while making the record.Although it's tempting to cast Memorial as a record dealing exclusively with grief and loss, Racine suggests that sometimes working through those feelings are the necessary precondition to true healing. He points to his own process of transition as proof. \"I was in a dark place for a long time even when we were making this record. I knew what I had to do, but it didn't make it any easier. There was a long period of mourning.\" Racine finally completed his top surgery in September 2021, an important step in a years-long journey to embrace his true self. \"Even though I was struggling at the time, the happiness I feel now makes it all worth it. 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Thematically, it considers Plum's broader questionsabout the values ascribed to one's time and labor through the morerefined lens of performance and music-making. This is due in part tothe band's recent return to New York City, the site of their own originstory, where they recorded The Jacket at the Diamond Mine with coproducer and noted Daptone Records affiliate Homer Steinweiss.Reunions always breed reflection, and Hamilton admits that muchof the album's themes are tied to formative experiences in theband's own early years. Some songs speak to the process of movingon (\"Unwind\", \"Salt\"), while others muse about regret (\"True Blue\",\"Forget It\"). The album's namesake track considers the literal andfigurative costumes we dress our personalities in: imbued withmeaning and sense of time and place, becoming so representativeof who we think we are before they're ultimately left behind. 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For the first time in his career, Wauters has recorded a full-length project in his birthplace of Montevideo, Uruguay, embracing the city's rich musical traditions while continuing to push the boundaries of his distinctive songwriting. A love letter to both his roots and his present, 'MVD LUV' brings Uruguayan sounds to the global stage, incorporating candombe and murga rhythms into Wauters' signature fusion of folk, pop, and experimentation.Having spent much of his career in the United States, Wauters has long carried the dual identity of immigrant and native son. With 'MVD LUV', he set out to bridge those worlds, capturing the essence of Montevideo's streets, homes, and communal spirit. The album was recorded in various locations across the city, from his own studio to sidewalks, rooftops, and the homes of featured musicians. 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When she set out on her own, Mancari followed the wind from Appalachia to Arizona, from south Florida to India, drifting in search of purpose and community. She eventually found both in East Nashville, where she garnered widespread acclaim for her strikingly honest songwriting and moving performances. Her debut Good Woman was a critical smash, praised by NPR and hailed as one of 2017's best by Rolling Stone. Her songs racked up millions of streams, which helped land Mancari dates with the likes of Margo Price, Natalie Prass, and Julien Baker, among others. On top of her solo work, Mancari also teamed up with Alabama Shakes frontwoman Brittany Howard and songwriter Jesse Lafser to form Bermuda Triangle, which earned similarly glowing reviews as they performed sold-out headline shows across the country. Despite all her success, the relentless pace of life on the road left Mancari little time to grapple with the trauma of her past, nor absorb any new challenges arising in her present. 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