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The collection includes powerful renditions of \"Crazy Train,\" \"Mr. Crowley,\" \"Iron Man,\" \"War Pigs,\" \"No More Tears\" and more, 37 tracks in total, offering over three hours of metal mayhem. Packaged with deluxe artwork and extended liner notes, The Many Faces of Ozzy \u0026amp; Black Sabbath is not just a celebration, it's a deep dive into one of the most influential legacies in rock history. A must-have for collectors and die-hard fans alike.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSurfing with the Alien. Jake E. Lee\u003c\/li\u003e\n\u003cli\u003eMainline Riders. Quartz (Prod. By Tony Iommi)\u003c\/li\u003e\n\u003cli\u003eOver the Mountain. Brad Gillis (Night Ranger), Mark Slaughter, Gary Moon, Eric Singer ; Paul Taylor\u003c\/li\u003e\n\u003cli\u003eI Believe in You (Fire in My Body). Bedlam (Feat. 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Back in 1987, Minneapolis rock and roll renegades The Replacements famously stole their Twin\/Tone master tapes and threw them in the Mississippi River. A year later-while wrapping up work on their Warner Bros. Album, Don't Tell A Soul-the group absconded with a collection of their reels from Paisley Park studios. Thankfully, those tapes were spared a watery fate, and instead stashed away for decades by the band. Now they've been recovered to form the basis of The Replacements first-ever boxed set, Dead Man's Pop. Although Don't Tell A Soul ultimately became the group's best-selling effort, The Replacements were unsatisfied with the sound of the record. The box features a newly completed mix of the album by Don't Tell A Soul producer Matt Wallace (based on his 1988 Paisley Park mix); a disc of unreleased recordings (including a session with Tom Waits); plus the band's entire June 2, 1989 show at the University of Wisconsin-Milwaukee. 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Andante, Più Tosto Allegretto\u003c\/li\u003e\n\u003cli\u003eViolin Sonata No. 10 in G Major, Op. 96-I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Sonata No. 10 in G Major, Op. 96-II. 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