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Since forming in the tiny Stockholm suburb of Bandhagen in 1990, they have eclipsed convention, defiantly crushed the odds, and crafted 12 stunningly beautiful, intrinsically intense albums to become one of the best bands on the planet. They have received massive critical acclaim for their combination of progressive influences and annihilating Swedish death metal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA must-have for fans and collectors alike, these 140g LP reissues, in a variety of colors, have been loving remaster by none-other than Jens Bogren (Opeth, Katatonia, Amorphis, Sepultura), with the guidance from Opeth frontman, Mikael kerfeldt. The have been cut at half-speed at the infamous Abbey Rd studios by Miles Showell (ABBA, Beatles), and artwork was carefully restored by Dan Capp; designed how the band originally intended.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.1 In Mist She Was Standing\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.2 Under the Weeping Moon\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.3 Silhouette\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.4 Forest of October\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.5 The Twilight Is My Robe\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.6 Requiem\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.7 The Apostle in Triumph\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.8 Into the Frost of Winter\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Candlelight\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Spinefarm\u003c\/li\u003e\n\u003cli\u003eGenre: Metal\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Opeth","offers":[{"title":"Default Title","offer_id":42980451352774,"sku":"HT66NR-95Y2-00","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/opeth-orchid-vinyl-lp_rCFcg.jpg?v=1779571492"},{"product_id":"golden-dragon-golden-dragon-golden-dragon-deluxe-vinyl","title":"Golden Dragon - Golden Dragon (DELUXE) [Vinyl]","description":"Golden Dragon - Golden Dragon - Golden Dragon (DELUXE) [Vinyl] \u003cbr\u003eBarcode: 7393210134973 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eLimited deluxe edition of 499 copies. Includes an insert with line notes and photos. First-time limited-edition reissue of this mega super-crazy rare US hard rock\/metal heavy psych private press LP from 1981. Golden Dragon were a wild Filipino-American quartet from the Bay Area lead by Freddy Mabuhay. The album is filled with heavy blazing psyched out metallic rock, blistering guitar solos loaded with fuzz and wah, heavy riffs and stoned vocals. Freddy was the bass player in the legendary band Dakila who had a fantastic album out on Epic in 1972. Later in 1978, after playing the Diamond Head Crater Festival in Hawaii, Freddy formed his own group; Golden Dragon. In 1981 he and his band; consisting of his brother and two musicians from the legendary Bay Area punk band VKTMS, recorded the amazing Golden Dragon album. The album was only pressed in a few copies to be sent out as a demo to secure a record deal. Unfortunately, the deal never happened, and the album stayed unreleased and pretty much unobtainable for all these years. The short lived, but lethal, Golden Dragon band performed live at the legendary venue Mabuhay Gardens, aka The Fab Mab, in San Francisco. Sadly, Freddy passed away shortly thereafter, and the mighty Golden Dragon's music stayed obscure growing to mythical status among hard rock and psych rock aficionados. Subliminal Sounds has now put together this release in cooperation with the surviving musicians. It's finally time for the world to experience the mighty sound of Golden Dragon!\u003c\/p\u003e\r\n\r\n\u003cp\u003eTracklist: A1. Highway Child, A2. Higher \u0026amp; Higher, A3. Need A Friend , A4. Take Off, B1. Too Late, B2. Version , B3. 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Various artist cover songs from the cult neo-crust underground band His Hero Is Gone who were active from 1995-1999.  All the proceeds from this album will be donated to the Fairbnaks Native Assosiation alcohol and drug wellness centers.\u003c\/p\u003e\u003cp\u003e1. Many Blessings ‚Äì Paranoia Secured\r 2. deathCAVE ‚Äì Leash\r 3. Open Veins ‚Äì Headcount\r 4. Isenordal ‚Äì Headless\/Heartless\r 5. Heiress ‚Äì Like Weeds\r 6. Nightmare Fuel ‚Äì Surrender\r 7. Old Iron ‚Äì Chain of Command\r 8. Githyanki ‚Äì Raise the Curtain\r 9. Heel ‚Äì Friendly Fire\r 10.    Blast Cells ‚Äì Epidemic\r 11.    Impulse Noise - ‚Ä¶And We Burn\r 12.    Nuclear Dudes ‚Äì Concrete Cage\/Abandoned \r 13.    Wretched F*ck ‚Äì Carry On\r 14.    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Various artist cover songs from the cult neo-crust underground band His Hero Is Gone who were active from 1995-1999.  All the proceeds from this album will be donated to the Fairbnaks Native Assosiation alcohol and drug wellness centers.\u003c\/p\u003e\u003cp\u003e1. Many Blessings ‚Äì Paranoia Secured\r 2. deathCAVE ‚Äì Leash\r 3. Open Veins ‚Äì Headcount\r 4. Isenordal ‚Äì Headless\/Heartless\r 5. Heiress ‚Äì Like Weeds\r 6. Nightmare Fuel ‚Äì Surrender\r 7. Old Iron ‚Äì Chain of Command\r 8. Githyanki ‚Äì Raise the Curtain\r 9. Heel ‚Äì Friendly Fire\r 10.    Blast Cells ‚Äì Epidemic\r 11.    Impulse Noise - ‚Ä¶And We Burn\r 12.    Nuclear Dudes ‚Äì Concrete Cage\/Abandoned \r 13.    Wretched F*ck ‚Äì Carry On\r 14.    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Guitarist\/vocalist Stephen Brodsky (Cave In, Old Man Gloom) and drummer Ben Koller (Converge, Killer Be Killed) have always excelled at crafting their own unique brand of frenzied, hyper-focused, dynamic, and deliciously excessive fretboard-savvy metal. Take two players who were raised in the hardcore world and who quickly surpassed the technical requirements for playing even the more sophisticated spins on that sound, and then make them playfully push each other into more outrageous and catchy territories, and you have a rough approximation of the Mutoid Man sound. With the addition of bassist Jeff Matz (High on Fire, Zeke) in tow, you now have a trifecta of prog-level players approaching metal with punk irreverence. But Mutants never comes across as academic noodling. Rather, the whole album radiates an exuberant and adrenalized joy.\u003c\/p\u003e\u003cp\u003e1. Call of the Void\r 2. Frozen Hearts\r 3. Broken Glass Ceiling\r 4. Siren Song\r 5. Graveyard Love\r 6. Unborn\r 7. 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Guitarist\/vocalist Betsy Wright (Ex Hex) and drummer Laura King (Flesh Wounds, COLD CREAM) united after playing a show together in their respective projects, with the goal of pushing Wright's pop focused songwriting in a bolder, brasher direction. Their sophomore LP, Queen of My World is a reeling, rocking mass of guitar and vocals that serves as both a reclamation and a reevaluation of a sound that was once a breeding ground for a particularly egregious brand of cock rock dude-bro. Paying tribute to the sounds of their youth while offering an alternative to an era of music that deified toxic masculinity as a core value, Wright and King represent a new model of Rock Stardom that's less about the Stars and more about the Rock. On 'Talk Tough', the first song written for this LP, Wright sings of music carrying her into a near supernatural state, describing herself as being 'in the cosmic sea', and inviting others 'crawl out the window on to a higher plain'. This otherworldliness permeates throughout the record, applying magical perspectives to real lived experiences. Using musical nostalgia as it's crystal ball, Queen of My World looks into life's little moments and sees the mystical within the ordinary. Though many of the songs are autobiographical, at its core the record is a lens into other worlds, gazing into timelines that could have been and childhood memories so distant they may as well be past lives. One such reminiscion takes place on the title track, which reflects on a wild adolescence of drugs and destruction, with an aggressive guitar attack to match. Underneath the\u003c\/p\u003e\u003cp\u003e1. Action\r 2. Queen Of My World \r 3. Talk Tough \r 4. Lightning Hand\r 5. Psychic Eye\r 6. Third Eye Vision\r 7. Supernatural\r 8. In The Water\r 9. 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Their monstrous concoction of metal, noise, indie rock guitar trickery, and depth is on full display. This is a last will and testament to the group's drive and intent, cementing their legacy as one of the untouchable greats, already having influenced many a group.\u003c\/p\u003e\u003cp\u003eBassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time. Their final show was June 15, 2002, the same day as the original release of An Anthology of Dead Ends. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup. Over 20 years since they played their final show, Botch are reuniting for select dates across the US throughout the end of 2023.\u003c\/p\u003e\u003cp\u003e1. Spaim\r 2. Japam\r 3. Framce\r 4. Vietmam\r 5. Afghamistam\r 6. 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Making heady heavy music for third eyes and stiff upper lips, Betsy Wright (Ex Hex) shreds 'n' howls over Laura King's (Fleshwounds, Speed Stick, The Moaners) deep-thunder drums. Let the Bat Fangs sink in! \u003c\/p\u003e\u003cp\u003e01. Turn It Up\r 02. Rock the Reaper\r 03. Bad Astrology\r 04. Boy of Summer\r 05. Static\r 06. Wolfbite\r 07. Heartbeat\r 08. Mercury\r 09. 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Guitarist\/vocalist Betsy Wright (Ex Hex) and drummer Laura King (Flesh Wounds, COLD CREAM) united after playing a show together in their respective projects, with the goal of pushing Wright‚Äôs pop focused songwriting in a bolder, brasher direction.  \u003c\/p\u003e\u003cp\u003eTheir sophomore LP, Queen of My World is a reeling, rocking mass of guitar and vocals that serves as both a reclamation and a reevaluation of a sound that was once a breeding ground for a particularly egregious brand of cock rock dude-bro. Paying tribute to the sounds of their youth while offering an alternative to an era of music that deified toxic masculinity as a core value, Wright and King represent a new model of Rock Stardom that‚Äôs less about the Stars and more about the Rock. \u003c\/p\u003e\u003cp\u003eOn ‚ÄúTalk Tough‚Äù, the first song written for this LP, Wright sings of music carrying her into a near supernatural state, describing herself as being ‚Äúin the cosmic sea‚Äù, and inviting others ‚Äúcrawl out the window on to a higher plain‚Äù. This otherworldliness permeates throughout the record, applying magical perspectives to real lived experiences. \u003c\/p\u003e\u003cp\u003eUsing musical nostalgia as it‚Äôs crystal ball, Queen of My World looks into life‚Äôs little moments and sees the mystical within the ordinary. Though many of the songs are autobiographical, at its core the record is a lens into other worlds, gazing into timelines that could have been and childhood memories so distant they may as well be past lives. \u003c\/p\u003e\u003cp\u003eOne such reminiscion takes place on the title track, which reflects on a wild adolescence of drugs and destruction, with an aggressive guitar attack to match. Underneath the high octane teenage antics is a genuine tribute to the unique friendships that can only form in the pseudo-invincibility of youth. Wright sings ‚Äúwe were living in other worlds every night‚Äù, a recognition that while the song is rooted in real memories, the tint of nostalgia makes them feel like a different world entirely. \u003c\/p\u003e\u003cp\u003eAs the record examines deeper into these alternate dimensions, it becomes increasingly psychedelic. The culmination of this is closing track ‚ÄúInto the Weave‚Äù, an instrumental jam that builds over a repeated tom groove into a full throttle barrage of guitar and drums. As it trails off, one last vocal harmony shines through, a sign that we‚Äôve exited the mythical realm Queen of My World occupies, and moved on to the next. \u003c\/p\u003e\u003cp\u003e1. Action\r 2. Queen Of My World \r 3. Talk Tough \r 4. Lightning Hand\r 5. Psychic Eye\r 6. Third Eye Vision\r 7. Supernatural\r 8. In The Water\r 9. Into The Weave\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP Yellow vinyl [w\/ download card]\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Metal\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bat Fangs","offers":[{"title":"Default Title","offer_id":43668051394758,"sku":"MO0V91-4E6Y-DV","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/bat-fangs-queen-of-my-world-yellow-vinyl_OvgCu.jpg?v=1762276530"},{"product_id":"various-artists-various-artists-death-in-gothenburg-vinyl","title":"Various Artists - Death in Gothenburg [Vinyl]","description":"Various Artists - Various Artists - Death in Gothenburg [Vinyl] \u003cbr\u003eBarcode: 7320470222805 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eIf you're into harder music you know about The Gothenburg Sound. Bands like At The Gates, Dark Tranquillity and In Flames have spread that brand of melodic death metal all over the world, but what did that sound grow out of? This compilation of thrash\/death-bands from the early 90s metal scene in Gothenburg features early attempts from Dark Tranquillity and In Flames as well as soon-to-be members of bands like Hammerfall, Tiamat, Evergrey and Engel.\u003c\/p\u003e\u003cp\u003eA1. Pagandom - Protectors of Penetra√Ü≈∏ on\r A2. Sarcazm - Snaildeath\r A3. Exempt - Labratory Sickness\r A4. Dark Tranquillity - Void of Tranquillity\r B1. Ceremonial Oath - Lost Name of God\r B2. Braindead - Summon for the Praise\r B3. Caedes - Beyond Salva√Ü≈∏ on\r B4. Intoxicate - Tango of Nietsche\r B5. 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Into This Juvenile Apocalypse... finds the quartet navigating the push-and-pull of creative interplay with bolder strides and stronger chemistry. Recorded on May 21, 2019 at the Astoria Hotel on Vancouver BC‚Äôs notorious East Hastings Street as a one-off performance during a short North American tour for Haino, the six compositions comprising Into This Juvenile Apocalypse... showcase a musical unit bouncing unfiltered ideas off of one another, mining a trove of textures and timbres from their armory to buoy and bolster these living and breathing pieces. 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Together, they veer from pummelling odd time signatures and downtuned riffs into ascendant, widescreen climaxes that subvert tired black metal tropes. Ballantyne is an in-demand performer, playing guitar for DEBBY FRIDAYs breakout album GOOD LUCK (Sub Pop), writing and performing electronic music as City, and performing endurance performance art with Chinese collective TRANCE. The result is an ideological and sonic crystallization that pushes Anti-God Hands cosmic black metal into something still more emphatic, distinctive, dynamic.\u003c\/p\u003e\u003cp\u003e1. Out of the Tunnels, Into the Heavens\r 2. Barge of Light\r 3. The Horde at the End of Language\r 4. Endless Brightness\r 5. Demon Sniper\r 6. Warped and Opalescent Swords\r 7. Chaoscene Hell\r 8. Hyperincursion of the Theocentre\r 9. 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But first their debut album from 2018 gets a re-release. \u003cbr\u003eHowlin¥ Sun  the band that proves that rock is most definitely alive. The band from Bergen, Norway, combines elements from 60-s British rock and classic guitar-heavy rock to create a modern sound and tastefully rude image.After playing together for a number of years, the quartet has made a name for themselves through their unique expression and live-show reminiscent of Hendrix¥s early concerts. Lead vocalist Tor Erik delivers an impressive classic rock character on stage, and singing like the child of Robert Plant and Jim Morrison, according to dusken.no. Guitarist Magnus plays energetic riffs and solos over the solid backing of Torgrim and Pieter on drums and bass. \u003cbr\u003e With an arsenal of guitar solos and bass lines Howlin¥ Sun engages the entire audience with a live show that has been well rounded over a summer of festival gigs such as Rekordfestivalen and Klubbÿya. 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The sound is familiar for fans of the first album, but this time it is crisper, darker and bigger. \u003c\/p\u003e\u003cp\u003eThe dark and heavy title track ´Maximeª - a homage to a legendary former venue in Bergen, sets the stage for the album. The album is a broad exploration of the rock genre going from southern country rock to gritty garage, complimented by the indie intermission ´Jayneª and the americana album closer ´Bittersweet Morning Sunª.  \u003cbr\u003eThe album was recorded live to tape in an old sardine packaging plant by the sea side in Bergen, by Robert J¯nnnum from Underschˆn studio. The sound of the room, the feel of the band playing together in real time, and the vintage compressors, audio console and reel-to-reel tape machine gives ´Maximeª an organic and warm presence. \u003c\/p\u003e\u003cp\u003eFor fans of classic rock, modern fuzz, blues, southern rock and garage rock.\u003c\/p\u003e\u003cp\u003e1. Maxime\r 2. Let's Go Steady\r 3. All Night Long\r 4. Jayne\r 5. 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