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Born in 1934, The Queen Of The Organ, as she was known, began her long recording career with Prestige Records in 1958.  Here, on her last outing, we have a solid collection of tunes played with Scott's signature sympathetic and underscored style.\u003c\/p\u003e\u003cp\u003eThe set has a variety of moods - The infectious romp and joy of Carnival, the marvelous tribute to Art Blakey entitled Shades of Bu, and title track A Walkin‚Äô Thing, which gets an extended workout by Scott. There‚Äôs also a swinging version of Irving Berlin‚Äôs Remember, the truly funky DB Blues.  Probably the standout is Scott‚Äôs ultra-slow, hymn-like take on When a Man Loves a Woman.  First and foremost, Scott was a trained pianist, and it should be noted that towards the end of her life, she gravitated more to that instrument.  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Branch.\u003c\/p\u003e\u003cp\u003eA1 ONENESS OF JUJU - AFRICAN RHYTHMS (Album version) 7.19 A2 ONENESS OF JUJU - FOLLOW ME 5.02\r A3 ONENESS OF JUJU  NOOKY 4.37\r B1 ONENESS OF JUJU  RIVER LUV RITE 8.06\r B2 ROACH OM  NO NAME #3 \/ LOVE IS... \/ MY NIGGER \u0026amp; ME 4.29 B3 JUJU  NAIROBI \/ CHANTS 6.32\r C1 ONENESS OF JUJU  CHANTS \/ DONT GIVE UP 6.58\r C2 ONENESS OF JUJU  BE ABOUT THE FUTURE 5.14\r C3 JUJU \u0026amp; THE SPACE RANGERS  GOT TO BE RIGHT ON IT (Original 45 version) 5.21\r D1 ONENESS OF JUJU  SPACE JUNGLE FUNK 9.39\r D2 ONENESS OF JUJU  WEST WIND (Previously unreleased) 7.40\r E1 JUJU \u0026amp; THE SPACE RANGERS  PLASTIC (Original 45 version) 6.10\r E2 PLUNKY \u0026amp; ONENESS OF JUJU  EVERY WAY BUT LOOSE (Original version) 6.41 E3 OKYEREMA ASANTE FEAT. PLUNKY  SABI (BLACK FIRE MIX) 6.23\r F1 OKYEREMA ASANTE FEAT. 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Originally released on Blue Note (84064). Includes liner notes by Robert Levin.\u003cbr\u003eDigitally remastered using 24-bit technology by Ron McMaster.\u003cbr\u003eGuitarist Grant Green's immense recorded output for Blue Note would not be complete without this excellent date from 1961, which marks his first recorded appearance for the label. This is a burning trio session with legendary organist \"Baby Face\" Willette and underrated drummer Ben Dixon providing fiery counterpoint to Green's already soulful lines.\u003cbr\u003eFrom the blistering opener, \"Miss Ann's Tempo,\" Green digs in and delivers some choice statements while Willette whoops up a sonic storm of his own. The session's two standards, \"Lullaby of the Leaves\" and \"Tain't Nobody's Business if I Do,\" are stunning swingers that reach deep into the blues tradition that Green made such a part of his signature style. His own compositions, \"Blues for Willarene,\" \"Baby's Minor Lope,\" and the closing \"A Wee Bit O' Green,\" reveal the guitarist's penchant for swinging grooves and tasty melodies from the start. In all, this is a remarkable debut that foreshadows Green's legendary career as one of the most influential guitarists in jazz.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Grant Green","offers":[{"title":"Default Title","offer_id":44256107626694,"sku":"VNAF17-035N-00","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Grant-Green-FIRST-STAND-RUDY-VAN-GELDER-RECORDINGS_aXsJ9.jpg?v=1762324414"},{"product_id":"eddie-harris-the-in-sound-vinyl","title":"The In Sound [Vinyl]","description":"\u003cp\u003eThis is one of Eddie Harris’ great records. The playing is inspired! What a band! Cedar Walton (piano) and Billy Higgins (drums), Lee Morgan’s favourite rhythm section. The underrated but popular tenor saxophonist introduces his “Freedom Jazz Dance,” which would become a jazz standard after featuring on Miles Davis’ album Miles Smiles. Plays one of the earlier versions of “The Shadow of Your Smile,” romps on “Love for Sale” and “’S Wonderful,” and also performs “Born to Be Blue” and his own “Cryin’ Blues.” Harris is heard in prime form in a quartet\/quintet with pianist Cedar Walton, bassist Ron Carter, drummer Billy Higgins, and part-time trumpeter Ray Codrington. A gem.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRe-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\u003c\/ul\u003e PPAN SD11448 -Artist-Eddie Harris\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EDDIE HARRIS","offers":[{"title":"Default Title","offer_id":44288084312262,"sku":"N2WFB6-J1SU-PP","price":56.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/eddie-harris-the-in-sound_E9IzV.jpg?v=1762328468"},{"product_id":"phil-upchurch-tell-the-truth-vinyl","title":"Tell The Truth [Vinyl]","description":"\u003cp\u003ePhil Upchurch is the kind of guitarist who makes a strong point by what he chooses not to play. There are speedier chopsmeisters, players who undertake more daring intervallic leaps, those who navigate trickier lines, but it would be hard to imagine a more soulful guitarist than Upchurch. From his laidback phrasing on Nat Adderley’s bluesy boogaloo “Jive Samba” to his buttery-smooth vocal inflections on Steely Dan’s “Jack of Speed” and on the bluesy title track, Upchurch’s understated approach on Tell the Truth! is more about pure feeling than technique.\u003c\/p\u003e\n\u003cp\u003eAnd yet he’s holding in that department too, as he so capably demonstrates on Roland Vasquez’s “Long Gone Bird” and on his own stunning arrangement of Paul Desmonds’ “Take Five,” done up in a similar fashion to his arrangement for that tune on George Benson’s crossover smash hit from 1976, Breezin’.\u003c\/p\u003e\n\u003cp\u003eNatalie Cole’s “La Costa” is a lovely change of pace, allowing Upchurch to flaunt  his affinity for flamenco music (and the late Lenny Breau) on nylon string acoustic guitar. On Eric Johnson’s “Manhattan,” he shows a command of Wes Montgomerystyle thumbed octaves. He creates an infectious groove with wah-wah rhythm guitar bubbling underneath his soulful reading of the gospel-flavored ’70s R\u0026amp;B anthem\u003c\/p\u003e\n\u003cp\u003e“(Every Time I Turn Around) Back in Love Again,” while his earthy soloing on a gorgeous reading of “Girl Talk,” the Neal Hefti\/Bobby Troup vehicle for Count Basie, is a blue-tinged thing of beauty. But for straightforward, real-deal blues, nothing here surpasses Upchurch’s loping, down-home “She’s Alright.”\u003c\/p\u003e\n\u003cp\u003eHis unaccompanied rendition of “St. Louis Blues” is another guitaristic highlight, showcasing what Upchurch calls his stride guitar technique: incorporating bass, chords and melody lines simultaneously, a la Joe Pass. The prolific studio guitarist covers a lot of basses and blows his own horn in fine style on his Evidence debut.\u003c\/p\u003e\n\u003cp\u003e- Bill Milowski\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003ePressed on 180g Black Vinyl\u003c\/li\u003e\n\t\u003cli\u003eRe-mastering by: Cicely Baston at Alchemy\/Air Mastering, London\u003c\/li\u003e\n\t\u003cli\u003eRecorded at The Bakery Recording Studio, North Hollywood, 2001\u003c\/li\u003e\n\t\u003cli\u003eRecording engineers: Andy Waterman \u0026amp; Glen Fujiwara\u003c\/li\u003e\n\t\u003cli\u003ePersonnel: Phil Upchurch, guitar, harmonica on “She’s Allright” \/ David Arnay, piano \/ Kevin Axt, bass  \/ Vince Wilburn Jr., drums\u003c\/li\u003e\n\u003c\/ul\u003e EVD22222 -Artist-Phil Upchurch\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phil Upchurch","offers":[{"title":"Default Title","offer_id":44303430811846,"sku":"VB641M-MKWH-N8","price":70.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/phil-upchurch-tell-the-truth_uSd4e.jpg?v=1759806403"},{"product_id":"weldon-irvine-time-capsule-vinyl","title":"Time Capsule [Vinyl]","description":"\u003cp\u003eThe sublime Time Capsule remains Weldon Irvine’s most fully realized and influential recording. A supremely talented multi-instrumentalist and composer, Irvine had a musical vision that was unerringly soulful, spiritual, and funky. Assembled as a kind of musical scrapbook documenting the thought patterns and belief systems of the early ‘70s, it nevertheless boasts a surprising vitality and timelessness thanks to luminous funk grooves that anticipate the latter-day emergence of acid jazz. Irvine also rhymes over several tracks, further cementing his influence on successive generations of hip-hop. A profoundly righteous spirituality winds through all eight of Time Capsule’s performances, assaying both the affection (“Soul Sisters”) and anger (“Watergate”) vying for control of post-Woodstock America. Irvine’s searing keyboard and piano playing further capture the moment in question, deftly balancing between beatitude and bitterness. For fans of funk, soul and jazz, it doesn’t get much better than this 1973 classic.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eFor fans of funk, soul and jazz, it doesn’t get much better than this 1973 classic.\u003c\/li\u003e\n\t\u003cli\u003e180 gram LP\u003c\/li\u003e\n\u003c\/ul\u003e NM-1002 -Artist-Weldon Irvine\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weldon Irvine","offers":[{"title":"Default Title","offer_id":44303453880518,"sku":"VCFH7W-VBW9-WU","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/weldon-irvine-time-capsule_5ZbG6.jpg?v=1759806446"},{"product_id":"lonnie-liston-smith-visions-of-a-new-world-vinyl","title":"Visions Of A New World [Vinyl]","description":"\u003cp\u003ePianist Lonnie Liston Smith began his true professional career with Pharoah Sanders and then moved on to the very electric Miles Davis band before embarking on his own journey — one that took him deep into the waters of pop music and disco by the late ’70s. On Visions of a New World, Smith, accompanied by his working unit the Cosmic Echoes, digs deeper into the soul-jazz vein that he had begun exploring on Expansions and Funk Extraction in 1973 and 1974, respectively. In 1975, Smith was looking for a smoother, more soulful groove than he had displayed previously. Elements of the earlier band are in evidence: Vocalist Donald Smith is still on board, as are Dave Hubbard and Cecil Bridgewater on horns. Reggie Lucas even helps out on guitar in one or two places, and Ray Armando helps the percussion section. Despite these fiery players, the music here is strictly a late-night seduction\/meditation groove. Tracks like the opener, “A Chance for Peace,” keep the funk in mid-tempo while rounding off the edges, but “Love Beams” sounds exactly like its name. “Colours of the Rainbow” is a duet between Donald and Lonnie on keyboard and vocals, and “Devika” is the first place where the groove exceeds the mood. Latin rhythms, loosely woven horn lines, funky backbeats, and a slinky melody bring the whole thing up a couple of notches. The only other place the album heats up is on the final two tracks: the second part of the title suite — when Donald Smith stops singing — and “Summer Nights,” when the concentration is on pure movement and sweaty, shimmering late-night funk.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRecorded in 1975 at Electric Lady Studios\u003c\/li\u003e\n\u003c\/ul\u003e BDL1-1196 -Artist-Lonnie Liston Smith\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/14\/20\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lonnie Liston Smith","offers":[{"title":"Default Title","offer_id":44303455060166,"sku":"R9TWDE-YVTV-HD","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/lonnie-liston-smith-visions-of-a-new-world_NPpa1.jpg?v=1759806456"},{"product_id":"wendell-harrison-tribe-get-up-off-your-knees-vinyl","title":"Get Up Off Your Knees [Vinyl]","description":"\u003cp\u003eSaxophonist Wendell Harrison has lived by a standard philosophy for his 50-plus-year career: One must have complete self-autonomy. Both his music and business dealings reflect this. Besides being a legend on the Detroit jazz scene and mentoring up-and-coming musicians through his non-profit organization Rebirth Inc., he co-founded the Tribe Records label in the 1970s, which produced a magazine and many classic albums.\u003c\/p\u003e\n\u003cp\u003eHarrison is continuing Tribe’s legacy—this time around with a group of rising jazz musicians from the Motor City such as drummer Louis M. Jones \u003cspan class=\"caps\"\u003eIII\u003c\/span\u003e, trumpeter Trunino Lowe, and guitarist Jacob Schwantz—on his new recording Get Up Off Your Knees.\u003c\/p\u003e\n\u003cp\u003eThere’s a lot to digest here because the original compositions encompass R\u0026amp;B, soul, spoken word, and “world” music, all seen through the lens of jazz. Harrison tends to weave elements of African music into many of his compositions. On “Siera” and “Samoulén Khalé Yi,” both written by vocalist and bassist Pathe Jassi, he pays tribute to Guinea-Bissau and Senegalese culture. “Educators” also has African nuances in its hardcore drumming and Harrison’s sublime blowing on bass clarinet and clarinet.\u003c\/p\u003e\n\u003cp\u003eAny discriminating jazz listener will be consumed by Get Up Off Your Knees, but it seems Harrison’s primary purpose for making this album is to encourage the current generation to put education first and build social awareness. On the title track, vocalist Miche Braden pushes the self-determination angle, which is again highlighted on “Revolution,” a reimagined take on Gil Scott-Heron’s “The Revolution Will Not Be Televised” delivered with an adherence to contemporary events by the poet Rev. Mbiyu Chui.       By Veronica Johnson from Jazz Times.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eAll songs composed and arranged by Wendell Harrison except for\u003c\/li\u003e\n\t\u003cli\u003eRevolution poetry by Mbiyu Chui (William K Moore) \u0026amp; music by Pamela Samiha Wise\u003c\/li\u003e\n\t\u003cli\u003eEducators poetry by Mbiyu Chui (William K Moore) \u0026amp; music by Wendell Harrison\u003c\/li\u003e\n\t\u003cli\u003eSiera \u0026amp; Samoulen Khale Yi composed by Pathe Jassi\u003c\/li\u003e\n\u003c\/ul\u003e WHR520 -Artist-Wendell Harrison Tribe\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wendell Harrison Tribe","offers":[{"title":"Default Title","offer_id":44303458533574,"sku":"CWC8JS-KKLB-43","price":62.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/wendell-harrison-tribe-get-up-off-your-knees_DcD4O.jpg?v=1759806486"},{"product_id":"shamek-farrah-first-impressions-vinyl","title":"First Impressions [Vinyl]","description":"\u003cp\u003eFor a label that wasn’t around long, Strata East achieved the same sort of label recognition that Impulse! or Blue Note managed to build. In other words, you knew what you were getting when you bought a record on the label, even if you didn’t know the names on the outside of the cover. This is no exception. Who is Shamek Farrah? Who knows? Who cares? It’s the music that’s important. This is the standard spiritually intense new jazz one learns to expect from the label, soaked in some Eastern influences but always with its ear to the street. Musicians took their roles as leaders and spokesmen very seriously back then. This very adult statement from a group of very serious men is no exception. However, what might be an average, forgettable session is rescued by the propulsive engine of Milton Suggs’ bass. He adds the fire and the drive that keeps things interesting and prevents the music from wandering into a circular spiritual morass. For fans of the sound or the label, this can be heartily recommended.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRe-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\u003c\/ul\u003e SES-7412 -Artist-Shamek Farrah\u003cul\u003e\n\u003cli\u003eReleased: 1\/17\/18\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shamek Farrah","offers":[{"title":"Default Title","offer_id":44303463317702,"sku":"2JKNRT-LGBS-N3","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/shamek-farrah-first-impressions_2MFRY.jpg?v=1759806503"},{"product_id":"lyman-woodard-organization-dont-stop-the-groove-vinyl","title":"Don’T Stop The Groove [Vinyl]","description":"\u003cp\u003eWhen Cobb’s Corner nightclub owner Henry Normile was murdered, followed by the in-street shooting and death of Eddie Jefferson, the heart of the Detroit jazz scene was ripped apart. Through the advent of the Labor Day Montreux-Detroit Jazz Festivals starting in 1980, things picked back up measurably, but the club scene has never been the same. This live recording of the Lyman Woodard Organization, which was taped the day before Normile was killed in his next-door apartment, more than any other album or event exemplified the never say die spirit of Motor City jazz. It also was a hallmark for a unique style of the music, an urban rhythm \u0026amp; blues infused contemporary jazz that stood tall for both listeners and dancers during the tail-end of the disco movement. Woodard was in his prime, determined that his idea was singular, and went beyond soul-jazz into a realm where only he could claim ownership. With guitarist Robert Lowe and saxophonist Allan Barnes, who would both go on to national acclaim as leaders, the Organization was a powerhouse in live performance not to be denied, and for sure a solid sending crowd pleaser. A much better recording than his studio cult classic Saturday Night Special, this live set laid the groundwork for the continuation of Woodard’s career for decades to come and showed his fellow Detroiter’s that better days lay ahead. Where the title track is happy and a bit more commercial than the rest with its slinky, straight, finger-popping, sublime beat and seductive vocal line, “Disco Tease” prances along in a hard rock vein with conga accents from Lorenzo Brown and chicken scratch, dramatic guitar chords from Lowe. “Down Lowe” is a concrete, fatback groove from the guitarist, while “Djarum” turns the wick down in a slow, sexy nightshade visage, with Kerry Campbell’s soprano sax expanding the horn section with Woodard’s organ in stretched out phrases. The appropriately titled “Theme in Search of a Sports Spectacular” is the killer track, as trumpeter Marcus Belgrave joins the band in an Olympic sprint, an irresistible melody that is catchy, infectious, memorable, and anthematic as any warrior clarion call to battle in the athletic arena. This driven, tenacious, forceful piece of music still stands the test of time for its ferocious attitude and champion-like strut. This recording documents not only the darkest days, but the bright hope a financially strapped Detroit offers to the rest of the world, and the determination Woodard always exemplified.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRe-mastering by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\u003c\/ul\u003e LW-1353 -Artist-Lyman Woodard Organization\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lyman Woodard Organization","offers":[{"title":"Default Title","offer_id":44303465054406,"sku":"B90WCF-9DHH-WN","price":56.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/lyman-woodard-organization-dont-stop-the-groove_L0gO2.jpg?v=1759806514"},{"product_id":"idris-muhammed-kabsha-vinyl","title":"Kabsha [Vinyl]","description":"\u003cp\u003eThis little-known album by New Orleans-born drummer Idris Muhammad (1939-2014) was originally recorded for \u003cspan class=\"caps\"\u003eTHERESA\u003c\/span\u003e at Rudy Van Gelder’s studio in New Jersey on September 12, 1980 with George Coleman \u0026amp; Pharoah Sanders on tenor saxophones \u0026amp; Ray Drummond on bass.\u003c\/p\u003e\n\u003cp\u003eThe six powerful tracks include originals from Muhammad \u0026amp; Drummond and an impressive version of Billy Eckstine’s ‘I Want To Talk About You’ featuring Sanders.\u003c\/p\u003e\n\u003cp\u003e‘Kabsha’, which is dedicated to Muhammad’s youngest daughter, is recommended to anyone who appreciates inventive and passionate modern jazz.\u003c\/p\u003e\n\u003cp\u003eDrummer Idris Muhammad’s strongest jazz date as a leader. Muhammad, who had often been heard in funky or more commercial settings, really excels in this sparse setting, showing off what he learned from hearing bands in his native New Orleans. In addition, both the underrated Coleman and Sanders are heard in top form, stretching out on originals, basic pieces, and “I Want to Talk About You” (during which Sanders lets out a few trademark screams so everyone knows that he is not John Coltrane).\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eOriginally recorded for \u003cspan class=\"caps\"\u003eTHERESA\u003c\/span\u003e at Rudy Van Gelder’s studio in New Jersey on September 12, 1980 with George Coleman \u0026amp; Pharoah Sanders on tenor saxophones \u0026amp; Ray Drummond on bass.\u003c\/li\u003e\n\t\u003cli\u003eRecommended to anyone who appreciates inventive and passionate modern jazz.\u003c\/li\u003e\n\t\u003cli\u003e180 gram LP x 1 in standard sleeve\u003c\/li\u003e\n\u003c\/ul\u003e TR110 -Artist-Idris Muhammed\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Idris Muhammed","offers":[{"title":"Default Title","offer_id":44303468986566,"sku":"U20ZAI-W2V8-C5","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/idris-muhammed-kabsha_1CJ7p.jpg?v=1759806536"},{"product_id":"dadisi-komolahe-hassans-walk-vinyl","title":"Hassan’S Walk [Vinyl]","description":"\u003cp\u003eDon’t let the date fool you, released back in 1983 this modal to slightly free jazz outfit from California takes you on a journey back to the late 60s and very early 70s, into the spiritual realms of greats like John Coltrane, Pharoah Sanders, John McLaughlin and Miles Davis among others. A soul jazz treasure from the LA scene of the early 80s – a fantastic record that I rank with the best Strata East sides of the time! The group’s led by alto saxophonist Dadisi Komolafe, and features vibes by Ricky Kelly, piano by Eric Tillman, bass by Roberto Miranda, and drums by Sunship Theus – all working together in a style that’s infused with soulful, post-Coltrane exploratory energy, never going too far outside, and always staying true to the rhythmic pulse at its core. Kelly’s vibes are really great – sparkling underneath solos by Komolafe that remind me a lot of Gary Bartz’s earliest work.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRe-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\t\u003cli\u003eRecorded in Los Angeles in October 1983\u003c\/li\u003e\n\t\u003cli\u003eProduced by Tom Albach\u003c\/li\u003e\n\u003c\/ul\u003e NS-3035 -Artist-Dadisi Komolahe\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dadisi Komolahe","offers":[{"title":"Default Title","offer_id":44303470756038,"sku":"WOAA3N-B44N-5W","price":51.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/dadisi-komolahe-hassans-walk_UBwI8.jpg?v=1759806554"},{"product_id":"nate-morgan-journey-into-nigritia-vinyl","title":"Journey Into Nigritia [Vinyl]","description":"\u003cp\u003eMorgan was one of the most active artists in the Los Angeles underground jazz scene, and a member of the late great Horace Tapscott‘s artist collective Union of God’s Musicians and Artists Ascension (\u003cspan class=\"caps\"\u003eUGMAA\u003c\/span\u003e). He performed alongside Tapscott, and other Nimbus recording artists like Jesse Sharps, who he introduced to Tapscott. He also performed with Arthur Blythe, Gary Bartz, Azar Lawrence, as well as soul icons Willie Hutch (notably on the Foxy Brown soundtrack) and Rufus \u0026amp; Chaka Khan. Most recently he contributed to Carlos Niño’s 2016 album Flutes, Echoes, It’s All Happening!, and was a part of Niño and vocalist Dwight Trible’s soul-jazz group Build An Ark (which also featured Tribe’s Phil Ranelin).\u003c\/p\u003e\n\u003cp\u003eJourney Into Nigritia was Morgan’s debut as a leader, and the first of three recordings he released for Nimbus West. The album has a strong post-Coltrane spiritual feel, with some model-based melodies, and some fiery solos from saxophonist Dadisi Komolafe. The record also features a solid rhythm section featuring bassist Jeff Littleton and drummer Fritz Wise.\u003c\/p\u003e\n\u003cp\u003eAt the dawn of the Reagan years, LA jazz pianist Nate Morgan recorded his first album for Nimbus West. Journey Into Nigritia portrays an artist marked by the icons of his day and striving for reinvention. Although he came from a solid jazz background, coming up through the Pan Afrikan People’s Arkestra, Morgan found more exciting work with pop bands in the seventies, including glory years with Rufus w\/Chaka Khan. On Journey into Nigritia, Morgan re-embraces jazz. Included in the band are Jeff Littleton on bass, Fritz Wise on drums, and Dadisi Komolafe on alto sax.\u003c\/p\u003e\n\u003cp\u003eThe collection opens with the Trane-ish Mrafu. Komolafe blasts off in short order, and while the modal chording recalls Tyner, Morgan shows flashes of the nimble loquacious gift that define him. While Alice Coltrane incense perfumes \"Morning Prayer, Morgan’s devotional sincerity and personnel expression triumph.\u003c\/p\u003e\n\u003cp\u003eSuitably complex with yearning minors, Mother features the trio performing a memorable composition. Littleton’s deep-note sustain contrasts Wise’s shimmering cymbals, while Morgan tells heart-wrenching truth. With a somewhat solemn theme, He Left Us a Song regularly bursts through into straight-ahead fast-break sprints up and down the court. The unexpected \"Study in C.T. offers an homage to Cecil Taylor and Morgan’s musical roots with free improvisations on a dense and spiky theme. The exhilarating result has Morgan exploring his own way, with a winking slinging of jagged bass chords halfway through.\u003c\/p\u003e\n\u003cp\u003eWhile a quarter century’s experience has nurtured Morgan’s prodigious gifts beyond this ambitious debut, Journey Into Nigritia offers enjoyable insights into his artistic evolution, while adding another precious title to the discography of one of the most woefully under-recorded greats of our time.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eJourney Into Nigritia was Morgan’s debut as a leader, and the first of three recordings he released for Nimbus West\u003c\/li\u003e\n\t\u003cli\u003eOne of the most woefully under-recorded greats of our time\u003c\/li\u003e\n\t\u003cli\u003eFeatures a solid rhythm section featuring bassist Jeff Littleton and drummer Fritz Wise\u003c\/li\u003e\n\u003c\/ul\u003e NS-3257 -Artist-Nate Morgan\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"NATE MORGAN","offers":[{"title":"Default Title","offer_id":44303482912966,"sku":"ZREG0I-BV0O-5M","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/nate-morgan-journey-into-nigritia_YX3At.jpg?v=1759806604"},{"product_id":"nate-morgan-retribution-reparation-vinyl","title":"Retribution, Reparation [Vinyl]","description":"\u003cp\u003ePianist Nate Morgan (1964-2013) was a central figure on the Los Angeles jazz undergound. A core member of the circle around the legendary bandleader, pianist and community organiser Horace Tapscott, Morgan had been part of Tapscott’s U.G.M.A.A. (Union Of God’s Musicians and Artists Ascension) since he was just a teenager, and was a key member of the Pan Afrikan People’s Arkestra, known as ‘The Ark’. Through the 1980s and 1990s he kept the \u003cspan class=\"caps\"\u003ePAPA\u003c\/span\u003e flame alive, organising the Ark’s sprawling songbook, running legendary jam sessions, and keeping LA’s deep jazz roots well watered. By the early 2000s he was bringing hard won knowledge to a new generation as part of the Build The Ark collective. He was a musician’s musician, at the beating heart of the radical, community-minded Los Angeles jazz network that Tapscott and his associates had first put together in the early 1960s.\u003c\/p\u003e\n\u003cp\u003eRetribution, Reparation was the second of the two LPs Morgan recorded for Tom Albach’s storied Nimbus West imprint. His first, Journey Into Nigritia had been a declaration of arrival laced with energies drawn from Cecil Taylor and Coltrane. One year later, with nods to Herbie Hancock (‘One Finger Snap’) and Ellington (‘Come Sunday’), Retribution, Reparation was a confident statement of purpose. Politically charged with pan-Africanist and Black nationalist sentiments inspired by Marcus Garvey, and titled with uncompromising directness, the album focusses the sound world of the Ark into a surging, restless masterpiece of spiritualised modal jazz. With Danny Cortez on trumpet and Ark stalwart Jesse Sharps on saxophones the frontline is explosive (this set is also one of the few places the extraordinary Sharps can be heard in a small group setting), while Fritz Wise and Ark regular Joel Ector hold down the rhythm section. Morgan’s forceful, Tyner-like chords and virtuosic solos and bind the music together. From the poised drama of the opening dedication to Tapscott’s U.G.M.A.A. (‘U.G.M.A.A.GER’) to the propulsive militancy of the title track, Retribution, Reparation spreads the word: ‘Advance to Victory, Let Nigritia Be Free!\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRecorded Los Angeles  October 1983\u003c\/li\u003e\n\t\u003cli\u003eEngineer – Dennis Moody\u003c\/li\u003e\n\u003c\/ul\u003e NS-3479 -Artist-Nate Morgan\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eReleased: 8\/10\/21\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"NATE MORGAN","offers":[{"title":"Default Title","offer_id":44303496708294,"sku":"KWOA9B-87DH-6P","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/nate-morgan-retribution-reparation_iftvv.jpg?v=1759806633"}],"url":"https:\/\/paladinvinyl.com\/collections\/jazz-soul.oembed?page=6","provider":"Paladin Vinyl","version":"1.0","type":"link"}