{"title":"Mobile Fidelity","description":"","products":[{"product_id":"santana-santana-santana-iii-mofi-ltd-numbered-vinyl","title":"Santana - Santana III (Mofi Ltd Numbered) [Vinyl]","description":"Santana - Santana - Santana III (Mofi Ltd Numbered) [Vinyl] \u003cbr\u003eBarcode: 821797100397 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eMobile Fidelity Sound Lab Limited Numbered \u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Santana","offers":[{"title":"Default Title","offer_id":42611371671750,"sku":"I3VKGO-711Z-00","price":62.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/santana-iii-mofi-ltd_DVOem.jpg?v=1779556457"},{"product_id":"grateful-dead-grateful-dead-workingmans-dead-mofi-ltd-180g-vinyl","title":"Grateful Dead - Workingman's Dead [MoFi Ltd 180g] [Vinyl]","description":"Grateful Dead - Grateful Dead - Workingman's Dead [MoFi Ltd 180g] [Vinyl] \u003cbr\u003eBarcode: 821797242813 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eSublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk You've Never Heard This Roots-Based Marvel Sound Better: Mastered from the Original Master Tapes and Given Extra-Wide Grooves on 45RPM LP Ranked #264 on Rolling Stone's List of the 500 Greatest Albums of All Time: Airy Harmonies, Simple Structures, Concise Arrangements, and Burnished Tones Anchor Songs Bookend to 1970's American Beauty, Also Available on 180g 45RPM 2 LP from Mobile Fidelity Workingman's Dead defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, Workingman's Dead attains audiophile reference status courtesy of this first-ever 45RPM version. As flawless as any rustic album ever releases, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures and uncomplicated structures that furnish the songs a transcendence associated with timeless American music. Colorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives. Mastered from the original master tapes and pressed on 180g LPs at RTI, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances - traits made possible by the format's wider grooves. Instrumental melds and refined accents, such as guest David Nelson's nimble fills on \"Cumberland Blues,\" are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling. The first Grateful Dead album to eschew cosmic jams and complex signatures, Workingman's Dead stakes it's existence to great songs, homespun warmth, and bare essentials. It's wistful, relaxed state - immediately apparent via the innocent album-opening invitation 'Will you come with me?\" on \"Uncle John's Band\" - owes to the circumstances and conditions surrounding it's creation. At the time, the Dead owed a considerable financial debt to Warner Bros. And were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from - and reacting to - the tragic events of the Altamont Music Festival and symbolic end of the peace and love era. As such, Workingman's Dead acts as a retreat from chaos and uncertainty, it's songs emblems of simpler times and pleas for compassion in the face of hardship. Lyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the the Bakersfield-leaning \"Cumberland Blues,\" pastoral ballad \"Dire Wolf,\" and bluesy \"Easy Wind\" hit the mark. Leader Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus. Of course, aside from the economical concision and thematic consistency, the genius of Workingman's Dead resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live \"air blends\" of multi-part vocal harmonies that provide the foundations of nearly ever track. \"Uncle John's Band,\" \"High Time,\" \"New Speedway Boogie\" (with the iconic refrain \"One way or another\/This darkness has got to give\" referencing the ill wind that greeted the new decade), and the radio favorite \"Casey Jones\" practically float on the ensemble's communal vocal beds. Mobile Fidelity's 45RPM edition renders these invigorating, refreshing, and engaging characteristics in three-dimensional sound that transports you to the event. Recordings don't get more lifelike. Workingman's Dead - an iconic, ageless record that drew countless listeners to the band's unique style because of it's accessibility and charm - deserves nothing less. Neither do you.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Grateful Dead","offers":[{"title":"Default Title","offer_id":42786075345094,"sku":"0F11O6-ITWO-00","price":64.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/workingmans-dead-mofi-ltd-180g_WSu4M.jpg?v=1779564170"},{"product_id":"the-eagles-one-of-these-nights-180g-mofi-numbered-vinyl","title":"One Of These Nights (180g, MoFi, Numbered) [Vinyl]","description":"\u003cp\u003eMoFi ultradisc One-Step, now pressed on Supervinyl\u003c\/p\u003e\r\n\r\n\u003cp\u003eMofi special audiophile edition, limited to 10,000 units\u003c\/p\u003e\r\n\r\n\u003cp\u003e1\/4\"\/15 IPS\/Dolby A Analog Master; DSD 256; Analog console; Lathe\u003c\/p\u003e\r\n\r\n\u003cp\u003eMOBILE FIDELITY ULTRADISC ONE-STEPBOX SET TAKES The Eagles' COMMERCIAL BREAKTHROUGH TO THE LIMIT\u003c\/p\u003e\r\n\r\n\u003cp\u003eOne of These Nights stands as the final album The Eagles made before releasing the bajillion-selling Their Greatest Hits (1971-1975). The timing is telling. A coming-out party for Glenn Frey and Don Henley's songwriting skills, the studio record - the band's fourth and first to hit #1 on the charts - signifies the group's ascent to superstar status. Home to three massive singles (the title track, 'Lyin' Eyes,' and 'Take It to the Limit') and nominated for four Grammy Awards, the quadruple-platinum 1975 set solidified The Eagles' Southern California-reared sound and made the band a household name. Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited to 10,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set truly takes One of These Nights to the limit.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cul role=\"tablist\"\u003e\r\n\t\u003cli aria-controls=\"mt-2\" aria-expanded=\"true\" aria-labelledby=\"MusicCredits\" aria-selected=\"true\" role=\"tab\" tabindex=\"0\"\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Eagles","offers":[{"title":"Default Title","offer_id":43800583340230,"sku":"60JM3P-DXZD-00","price":148.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/The-Eagles-One-Of-These-Nights-180g-Mofi-Numbered-_gT60U.jpg?v=1762295031"},{"product_id":"simon-garfunkel-simon-garfunkel-parsley-sage-rosemary-thyme-mofi-numbered-vinyl","title":"Simon \u0026 Garfunkel - Parsley, Sage, Rosemary \u0026 Thyme (Mofi, Numbered) [Vinyl]","description":"Simon \u0026amp; Garfunkel - Simon \u0026amp; Garfunkel - Parsley, Sage, Rosemary \u0026amp; Thyme (Mofi, Numbered) [Vinyl] \u003cbr\u003eBarcode: 821797148412 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eSpecial Edition\u003cbr\u003e\r\nMastered at Mobile Fidelity Sound Lab® in Sebastopol, CA on the GAIN 2 ULTRA ANALOG SYSTEM™\u003cbr\u003e\r\nSpecially Plated and Pressed on 180g High-Definition Vinyl\u003cbr\u003e\r\nProduction by Mobile Fidelity Sound Lab® in Sebastopol, CA\u003cbr\u003e\r\n1\/4\" \/ 15 IPS analog copy to DSD 256\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe liner notes pioneering writer Ralph J. Gleason penned for the back cover of Simon and Garfunkel's Parsley, Sage, Rosemary and Thyme ring as true now as they did upon the record's original release in 1966. He mused: 'Today's popular music is in good shape indeed-at least the portion of it represented by this album. It has strength and it has beauty, it has lyricism, meaning, and, above all, that quality of broad appeal which still retains form. And it's music speaks for more than the moment. The songs in this album are songs for all time.' Indeed, they are, and they can now be experienced in the highest fidelity they've ever enjoyed. Reflecting the perfectionist-minded nature of Bob Johnston's meticulous production and the group's painstaking arrangements, Mobile Fidelity's reissues bring to light textures, nuances, details, and microdynamics obscured on prior editions. Harmonies crest and seemingly float on clouds. Acoustic passages blossom with lifelike structure. The intent of deliberate euphonic variations is made clear. Such punctiliousness is exactly what the duo pursued during their four months in the studio, considered then by record-company executives to be borderline excessive. But as these editions attest like never before, there's no arguing with the results of a benchmark Rolling Stone named the 202nd Greatest Album of All Time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Simon \u0026 Garfunkel","offers":[{"title":"Default Title","offer_id":43835981758662,"sku":"7H1ZJ9-0TJF-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/parsley-sage-rosemary-thyme-mofi-numbered_mPP6z.jpg?v=1762299246"},{"product_id":"t-rex-electric-warrior-mofi-180g-numbered-vinyl","title":"Electric Warrior (Mofi, 180g, Numbered) [Vinyl]","description":"\u003cp\u003e'T. Rex's Exotic Landmark Signals the Birth of Glam Rock, Features 'Bang a Gong (Get It On)' and 'Jeepster': Electric Warrior Swaggers with Libido, Flamboyance, Fantasy, Fun, and Theatricality. Mastered on Mobile Fidelity's State-of-the-Art Mastering System: 180g 45RPM Vinyl 2LP Set Presents the 1971 Record's Reverb, Colors, Tones, and String Arrangements in Full-Tilt Glory. Named the 160th Greatest Album of All Time by Rolling Stone: Catchy Boogies, Shuffles, and Vamps Burst with Excessive Fun and Playful Pretense. Bang a gong and get it on. At once sardonic, flamboyant, and trashy, T. Rex's uncommonly unique Electric Warrior catapulted leader Marc Bolan to stardom, triggered an ongoing fascination with glam rock, and launched a movement that soon involved David Bowie, Roxy Music, and more. Yet none of those namesake artists ever released a record that out-glammed, out-thrusted, or outcamped Electric Warrior-named the 160th Greatest Album of All Time by Rolling Stone. Bursting with excessive fun and unchecked libido, T. Rex's catchy boogies, shuffles, and vamps scoot by on a seemingly impossible blend of concise hooks, non-sequitur fantasies, and theatrical swagger. The 1971 landmark remains a rewardingly strange, parallel universe of sound, style, and sex that still has no equal.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"T. Rex","offers":[{"title":"Default Title","offer_id":43835981889734,"sku":"0B6IGJ-0A06-00","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/electric-warrior-mofi-180g-numbered_JA4l7.jpg?v=1759805371"},{"product_id":"bill-withers-bill-withers-still-bill-180-gram-audiophile-vinyl-numbered-mofi-vinyl","title":"Bill Withers - Still Bill (180 Gram Audiophile Vinyl, Numbered, Mofi) [Vinyl]","description":"Bill Withers - Bill Withers - Still Bill (180 Gram Audiophile Vinyl, Numbered, Mofi) [Vinyl] \u003cbr\u003eBarcode: 821797152518 \u003cbr\u003e\u003cbr\u003e\u003ch2\u003eMASTERED ON MOBILE FIDELITY'S RENOWNED MASTERING SYSTEM AND PRESSED AT RTI FOR DEFINITIVE SOUND\u003c\/h2\u003e\r\n\r\n\u003ch3\u003e1\/4\" \/ 15 IPS analog copy to DSD 256 to analog console to lathe\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAs it celebrates its 50th anniversary, Bill Withers' \u003cem\u003eStill Bill\u003c\/em\u003e remains true to its title – and stands as the greatest male-fronted soul album not made by a singer named Marvin, Al, Sam, James, or Ray. Though the saying \"keeping it real\" did not exist in popular parlance when Withers released his sophomore effort on Sussex Records, no words better capture the music's approach, mindset, and value. Every facet of \u003cem\u003eStill Bill\u003c\/em\u003e radiates honesty, truth, and emotion. These characteristics – along with Withers' strong singing, hybrid arrangements, and deceptively simple songwriting – have allowed the album to endure to the point where it sounds as fresh today as in 1972.\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003eLonely Town, Lonely Street\u003c\/li\u003e\r\n\t\u003cli\u003eLet Me in Your Life\u003c\/li\u003e\r\n\t\u003cli\u003eWho Is He (And What Is He to You)?\u003c\/li\u003e\r\n\t\u003cli\u003eUse Me\u003c\/li\u003e\r\n\t\u003cli\u003eLean on Me\u003c\/li\u003e\r\n\t\u003cli\u003eKissing My Love\u003c\/li\u003e\r\n\t\u003cli\u003eI Don't Know\u003c\/li\u003e\r\n\t\u003cli\u003eAnother Day to Run\u003c\/li\u003e\r\n\t\u003cli\u003eI Don't Want You on My Mind\u003c\/li\u003e\r\n\t\u003cli\u003eTake It All in and Check It All Out\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003ch2\u003e \u003c\/h2\u003e\r\n\r\n\u003cp\u003eMastered on Mobile Fidelity's renowned mastering system and pressed on 180g vinyl at RTI, Mobile Fidelity's numbered-edition LP of \u003cem\u003eStill Bill\u003c\/em\u003e gives this lush classic the luxe treatment it has always deserved. Replete with intoxicating detail and depth, the collectible reissue zeroes in on the music's crux – Withers' unique, rich, West Virginia-accented voice – while clearing a true-to-the-source path to the extraordinary backing he receives from members of the Watts 103rd Street Rhythm Band. The diverse spectrum of colors, textures, and tones Withers captured at the Record Plant can now be experienced for the first time outside the L.A. studio. And the lifelike presence and directness of his singing, as well as the smooth glide of his phrasing, further elevate the magnificence of the music and underscore why the record \u003cem\u003eRolling Stone\u003c\/em\u003e named the 303rd Greatest Album of All Time continues to escalate in stature.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAfter rising into the Top 5 of the Billboard Album charts and attaining gold status within a year of release, \u003cem\u003eStill Bill\u003c\/em\u003e has long been evaluated not by sales – but according to its merit, spirit, and agelessness. Included by\u003cem\u003e The Guardian\u003c\/em\u003e on its \"1,000 Albums to Hear Before You Die\" list (2007) as well as in Tom Moon's \u003cem\u003e1,000 Recordings to Hear Before You Die\u003c\/em\u003e book (2008), its contemporary standing as one of history's most venerated soul efforts eclipses the positive reception it enjoyed in the early ‘70s. \u003cem\u003eStill Bill\u003c\/em\u003e walks the same hallowed ground as \u003cem\u003eWhat's Going On\u003c\/em\u003e, \u003cem\u003eCall Me\u003c\/em\u003e, \u003cem\u003eNight Beat\u003c\/em\u003e, and \u003cem\u003eGenius + Soul = Jazz\u003c\/em\u003e. Like those landmarks, \u003cem\u003eStill Bill\u003c\/em\u003e plays with a mix of consistency, effortlessness, and complexity that rewards repeat listening and transcends categorization.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn combining four of the era's predominant styles – Philly soul, sweaty funk, Southern-reared blues, acoustic-based folk – and melding them with standout production borrowed from both minimalist affairs and sophisticated singer-songwriter albums,\u003cem\u003e Still Bill \u003c\/em\u003eoccupies a distinct universe. Its rhythmic fare is equally laidback and invigorating; relaxing and rollicking; eloquent and muscular; soft and tough. Withers' calm, self-assured voice hovers above it all, doubling as a warm blanket that adds comfort and grace to lyrics steeped in maturity, perspective, and compassion. Withers' balanced outlook on human desires, needs, and situations stem from his own existence as a former blue-collar employee who believed his time as a musician would soon end. That grounding forever separates Withers from other contemporary soul greats – and stamps \u003cem\u003eStill Bill \u003c\/em\u003ewith a conversational nature and egoless approachability.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\"I mean look, I'm really a factory worker,\" said Withers in 1972. \"That's a real job.\" There's that word again: real. The songs on \u003cem\u003eStill Bill \u003c\/em\u003eare tethered to modesty and actuality, wedded to a belief in simplicity, and connected to universal truths that link us all – independent of our economic or social standing. No track better exemplifies those principles than \"Lean on Me,\" a feel-good paean to brotherhood and community that hit No. 1 on the pop and R\u0026amp;B charts en route to becoming a mainstream staple. Withers approaches the plainspoken insight on \"Lonely Town, Lonely Street\" and heartbreaking vulnerability of \"I Don't Want You on My Mind\" with similar sincerity and straightforwardness. His proclivity for authenticity extends to the record's other big hit: the sexual, funk-laden \"Use Me,\" which reached No. 2 and reflects the singer's everyman persona. It's an identity couched in keeping it real, the very inclination that ultimately led Withers to retire in the mid-'80s rather than bend to industry pressures or risk credibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThat commitment to truthfulness and realism helps make \u003cem\u003eStill Bill\u003c\/em\u003e feel as unaffected as the air we breathe. Looking back on \"Lean on Me\" years later, Withers said it seemed like \"something that was there before I got here\" – the kind of song that could be 100 or 10 years old, or one we encounter anew 10 years into the future. The same can be said for every note on \u003cem\u003eStill Bill\u003c\/em\u003e.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Funk \/ Soul\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bill Withers","offers":[{"title":"Default Title","offer_id":43836259205318,"sku":"5LEPD3-UIWH-00","price":45.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/still-bill-180-gram-audiophile-vinyl-numbered-mofi_xe86C.jpg?v=1762299583"},{"product_id":"bob-dylan-another-side-of-bob-dylan-mono-180g-mofi-vinyl","title":"Another Side of Bob Dylan (Mono, 180g, MoFi) [Vinyl]","description":"\u003cp\u003eLimited Mobile Fidelity double 180gm vinyl LP edition of the mono version of this classic album pressed at 45RPM. The ever-evasive Bob Dylan never explicitly stated exactly what represented the \"another side\" of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Experienced in mono, Another Side of Bob Dylan is all that and more. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's 180g 45RPM 2LP set illuminates Dylan's emotional condition - he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection - with microscopic accuracy and unparalleled directness. The preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album - making the mono mix all the more historically valuable and truthful. The uninhibited joie de vive is discernible in the rattling piano lines on \"Black Crow Blues,\" seemingly subconscious ramble of the hysterical folk rhyming of \"Motorpsycho Nightmare,\" bluesy dream sequencing throughout \"I Don't Believe You,\" and intentionally out-of-tune yodeling during \"All I Really Want to Do.\" On a majority of the prized set, Dylan let's his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. 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Indeed, the subdued grandiosity, cosmic bluster, and lights-out wonder of \"Sirius\" also sets the table for the band's smash 1982 album, whose hallmark smoothness, lushness, and balance reach epic heights on Mobile Fidelity's reissue.\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003eSirius\u003c\/li\u003e\r\n\t\u003cli\u003eEye in the Sky\u003c\/li\u003e\r\n\t\u003cli\u003eChildren of the Moon\u003c\/li\u003e\r\n\t\u003cli\u003eGemini\u003c\/li\u003e\r\n\t\u003cli\u003eSilence and I\u003c\/li\u003e\r\n\t\u003cli\u003eYou're Gonna Get Your Fingers Burned\u003c\/li\u003e\r\n\t\u003cli\u003ePsychobabble\u003c\/li\u003e\r\n\t\u003cli\u003eMammagamma\u003c\/li\u003e\r\n\t\u003cli\u003eStep by Step\u003c\/li\u003e\r\n\t\u003cli\u003eOld and Wise\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003eMastered from the original master tapes, this numbered-edition version of \u003cem\u003eEye in the Sky\u003c\/em\u003e features succulent warmth, magnificent balance, low-end heft, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road. Akin to Mobile Fidelity's meticulous restoration of Parsons and company's \u003cem\u003eI Robot\u003c\/em\u003e, this super-clean edition will test the full-range capabilities of the world's finest stereo systems. In sum, there's more information, more detail, more texture, more nuance – more of everything to be experienced.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Alan Parsons Project","offers":[{"title":"Default Title","offer_id":43836285649094,"sku":"RQOHFY-9NLH-00","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/eye-in-the-sky-mofi-2xlp-180g-numbered_pe0X0.jpg?v=1762299673"},{"product_id":"bruce-springsteen-greetings-from-asbury-park-nj-mofi-180g-box-set-vinyl","title":"Greetings From Asbury Park, N.J. (MoFi, 180g Box Set) [Vinyl]","description":"\u003cp\u003e\u003cstrong\u003eULTRADISC ONE-STEP BOX SET OF BRUCE SPRINGSTEEN'S 1973 DEBUT PLAYS WITH AUDIOPHILE SOUND: LIMITED TO 7,500 NUMBERED COPIES\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e1\/4\" \/ 15 IPS analog master to DSD 256 to analog console to lathe\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTeeming with identifiable characters, youthful romanticism, vivid narratives, and sophisticated arrangements, \u003cem\u003eGreetings from Asbury Park, N.J. \u003c\/em\u003eis a personal postcard from the heart, soul, and mind of a rock ’n’ roll lifer bent on discovering his world and what lays beyond it. The 1973 album establishes many of the signature themes and sounds Bruce Springsteen would embrace throughout his unparalleled career. No wonder a majority of the songs — “Blinded by the Light,” “Lost in the Flood,” “Spirit in the Night” included — remain staples of the New Jersey native’s fabled concerts.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSourced from the original analog master tapes, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33RPM LP set is the definitive-sounding version of Springsteen’s daring debut. Afforded the benefits of SuperVinyl’s nearly non-existent noise floor, \u003cem\u003eGreetings from Asbury Park, N.J. \u003c\/em\u003eplays with a clarity, directness, and emotionalism that practically whisks you into the New York office in which Springsteen — accompanied by then-manager Mike Appel — played a few originals for legendary Columbia Records executive John Hammond and earned a record deal.  \u003c\/p\u003e\r\n\r\n\u003cp\u003eThat solo-centric aspect of \u003cem\u003eGreetings from Asbury Park, N.J. —\u003c\/em\u003e credited only to Springsteen and featuring only a handful of accompanying musicians \u003cem\u003e— \u003c\/em\u003ehelps make it unique in his catalog. So do the acoustic-based frameworks, revealed on this pressing with newly exposed detail, nuance, and immediacy. The music emerges with an openness that gives flight to the Boss’ storytelling. His words flow with unbridled, stream-of-conscious pacing and vibrant imagery; they pay homage to and update a tradition established by Bob Dylan, Woody Guthrie, and Jack Kerouac. Equally important, Springsteen’s still-underrated vocal performances can now be appreciated in full-range fidelity. Earnest, transparent, and sincere, his singing comes across with an urgency that distinguishes him from the era’s singer-songwriter mold and a raw energy that underlines his unflinching belief in rock ’n’ roll. \u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bruce Springsteen","offers":[{"title":"Default Title","offer_id":43836367569094,"sku":"8DUUFN-32EW-00","price":103.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/greetings-from-asbury-park-nj-mofi-180g-box-set_APcNM.jpg?v=1762299735"},{"product_id":"warren-zevon-warren-zevon-excitable-boy-mofi-vinyl","title":"Warren Zevon - Excitable Boy (MOFI) [Vinyl]","description":"Warren Zevon - Warren Zevon - Excitable Boy (MOFI) [Vinyl] \u003cbr\u003eBarcode: 821797251310 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eA Consummate Fusion of Wit, Humor, Satire, Honesty, and Chaos: Warren Zevon's Excitable Boy Captures Dark Elements of American Culture and Includes 'Werewolves of London'\u003c\/p\u003e\r\n\r\n\u003cp\u003eSourced from the Original Analog Tapes for Definitive Sound: Mobile Fidelity's Numbered-Edition 180g 45RPM 2LP Set Plays with Explosive Dynamics and Airy Openness Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated Excitable Boy established Warren Zevon as rock's gonzo figurehead - or, as Jackson Browne aptly called him, 'the first and foremost proponent of song noir.' A supreme collision of over-caffeinated energy, acerbic wit, dark humor, irreverent reporting, bittersweet romance, swept-under-the-rug truth, and illicit desire sent up with booze, pills, and therapist confessions, the breakthrough album zeroes in on frightening aspects of American culture with an incisiveness that's even sharper today than upon the effort's release in 1978. And the music has never sounded so excitable. Sourced from the original analog master tapes and pressed on dead-quiet vinyl, Mobile Fidelity's numbered-edition 180g 45RPM 2LP set elevates the best-selling album of Zevon's distinguished career to audiophile status. Co-produced by Browne and Waddy Wachtel - and featuring contributions by members of Fleetwood Mac plus Linda Rondstadt, J.D. Souther, Leland Sklar, and Browne - the platinum-certified record now plays with a verve and explosivity that match it's subject matter. Listeners will experience wide separation between the instruments; full-range dynamics that underscore the depth of the arrangements; sterling transparency that draws a through-line to the original sessions at the Sound Factory; warmth on a par with the finest analog recordings; presence that elevates the body and tenor of Zevon's vocals; and an openness and balance resulting from the freedom that Browne and Wachtel afforded recording engineer Greg Ladanyi. That lenience coincides with the record's primary themes and speaks to the freewheeling spirit in which it was made. Excitable Boy delightfully teeters on the verge of chaos - and, often, causes us to question what the zany singer-songwriter has gotten into (and what he is going on about). Not yet two years removed from his critically acclaimed self-titled major-label debut, Zevon had already established a fabled reputation for debauchery and grown more perceptive about the twisted underbelly and self-destructive nature of U.S. politics and society.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 04\/28\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warren Zevon","offers":[{"title":"Default Title","offer_id":43837370269894,"sku":"9BRMQB-KDX8-00","price":70.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/warren-zevon-excitable-boy-mofi_a4SXi.jpg?v=1762300043"},{"product_id":"carole-king-carole-king-tapestry-mofi-ltd-180g-vinyl","title":"Carole King - Tapestry (MoFi Ltd 180g) [Vinyl]","description":"Carole King - Carole King - Tapestry (MoFi Ltd 180g) [Vinyl] \u003cbr\u003eBarcode: 821797141413 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eFeel the Earth Move: Mobile Fidelity Gives Listeners the End-All-Be-All Definitive Version of the Long-Time Audiophile ClassicBlockbuster Album Defined Singer-Songwriter Movement, Swept Grammy Awards, Spawned Four Hit Singles, Sold More Than 25 Million Copies WorldwideCarole King's Tapestry is one of the rare albums that immediately plays in your head the moment it's title, cover art, or songs are mentioned. Having achieved status of near-mythical proportions, it is the singer-songwriter record you'd bring to the proverbial desert island if you were limited to one choice. Renowned for it's lifelike production, Tapestry now sounds clearer, richer, and more emotional courtesy of Mobile Fidelity's 180 gram LP. Audiophiles, this is the version that brings Carole King right before your eyes and into your room.Faithful to original album producer Lou Adler's vision of making King (and not just any pianist player) appear seated and playing in front of listeners, these numbered limited-editions delivers utmost transparency, balance, warmth, intimacy, and perhaps most importantly, feeling. Aware of how many times this iconic work has been re-released, Mobile Fidelity engineers settled for nothing less than the absolute finest sonic presentation possible when mastering Tapestry from the original master tapes.Thematically, classics such as 'You've Got a Friend,' 'I Feel the Earth Move,' 'Will You Love Me Tomorrow,' and '(You Make Me Feel Like) a Natural Woman' resonate because they address universal sensibilities and the human condition. They, like all of Tapestry, are relaxed yet emancipating, strong yet mellow, comfortable yet terrifically beautiful and lastingly unique. Four major Grammy Awards, four Top 10 singles, sales of more than 25 million copies, and one of the first albums chosen for inclusion in the National Recording Registry just seem like icing on the cake.Tapestry makes you feel, and compels you to get closer to the music, and the musicians performing. It is an album of organic nuances, suggestive intents, and engaging melodies.\u003cbr\u003e\r\n \u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 02\/25\/2014\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\/Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Carole King","offers":[{"title":"Default Title","offer_id":43838130847942,"sku":"925TYT-UVWK-00","price":38.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/tapestry-mofi-ltd-180g_vM69c.jpg?v=1762301100"},{"product_id":"run-dmc-raising-hell-180g-mofi-supervinyl-numbered-vinyl","title":"Raising Hell (180g Mofi SuperVinyl, Numbered) [Vinyl]","description":"\u003cp\u003eAmong the Most Influential, Inventive, Invigorating Records Ever Released: Run- D.M.C.'s Raising Hell Brought Hip-Hop to the Mainstream, Includes Crossover Smash 'Walk This Way'\u003c\/p\u003e\r\n\r\n\u003cp\u003eSourced from the Original Master Tapes and Pressed on MoFi SuperVinyl: Mobile Fidelity Numbered-Edition 180g 33RPM SuperVinyl LP Heightens Rick Rubin's Pioneering Production 1\/2' \/ 30 IPS analog master to DSD 256 to analog console to lathe. Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash 'Walk This Way,' the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything - hard-rock riffs, turntable scratching, itchy rhythms, hit singles - not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity's simply illin' edition. Sourced from the original master tapes and pressed on MoFi SuperVinyl, the reissue label's numbered-edition 180g 33RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with it's musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME - and included on 'Best of' lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet - the triple-platinum effort rocks the house. Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent - and displayed just how big it could get - Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell. As for the music, it ranks among the most influential, inventive, and invigorating ever released - rap or otherwise. Vanguard artists such as Ice-T, Eminem, Jay-Z, and Public Enemy's Chuck D - who declared it his all-time favorite and 'the first record that made me realize this was an album-oriented genre' - have testified on behalf of it's brilliance. And never mind the presence of the Top 5 single 'Walk This Way,' whose power helped make Aerosmith's Steven Tyler and Joe Perry relevant for the first time in nearly a decade - and literally put Run-D.M.C. in bedrooms ranging from the Bronx to Bartlett to Bad Axe. Look instead to the rest of the entirely filler-free set, be it the corkscrew turns, slippery wordplay, and 'My Sharona'-meets-'Mickey' mixology of the boisterous 'It's Tricky,' the fat-but-minimized bass grooves and warped turntable wobble of the hysterical 'You Be Illin',' chimes-accented inertia and boombox-on- shoulder thunder of the now-iconic 'Peter Piper,' or voice-as-percussion attack of the funky 'Is It Live.' With Raising Hell, the answer to the question is always affirmative - a sensation bolstered by the fact the group always had something to say. The definition of Golden Age Hip-Hop in every way, Run-D.M.C. avoids the negativity and misogyny that later plagued the style, spinning assertive tales about identity (the biographical and culture-changing 'My Adidas'), work ethics ('Perfection'), and, most notably, pride (the Harriet Tubman- and Malcom X.-referencing 'Proud to Be Black'). Pavement-packed inner cities, tree-lined suburbs, and cornfield-rimmed rural areas would never again be the same. And rocking a rhyme that's right on time would become trickier than ever. Peter Piper It's Tricky My Adidas Walk This Way Is It Live Perfection Hit It Run Raising Hell You Be Illin' Dumb Girl Son of Byford Proud to Be Black\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Rap \u0026amp; Hip-Hop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RUN-DMC","offers":[{"title":"Default Title","offer_id":43838131503302,"sku":"7UMRG7-YI37-00","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/raising-hell-180g-mofi-supervinyl-numbered_AhOUR.jpg?v=1762301111"},{"product_id":"santana-santana-santana-vinyl","title":"Santana - Santana [Vinyl]","description":"Santana - Santana - Santana [Vinyl] \u003cbr\u003eBarcode: 821797450126 \u003cbr\u003e\u003cbr\u003e\u003cul\u003e\r\n\t\u003cli\u003eA1 - Waiting\u003c\/li\u003e\r\n\t\u003cli\u003eA2 - Evil Ways\u003c\/li\u003e\r\n\t\u003cli\u003eB1 - Shades Of Time\u003c\/li\u003e\r\n\t\u003cli\u003eB2 - Savor\u003c\/li\u003e\r\n\t\u003cli\u003eB3 - Jingo\u003c\/li\u003e\r\n\t\u003cli\u003eC1 - Persuasion\u003c\/li\u003e\r\n\t\u003cli\u003eC2 - Treat\u003c\/li\u003e\r\n\t\u003cli\u003eD1 - You Just Don't Care\u003c\/li\u003e\r\n\t\u003cli\u003eD2 - Soul Sacrifice\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Santana","offers":[{"title":"Default Title","offer_id":43838245634246,"sku":"3MNAL0-BRST-00","price":58.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/santana_EYMC3.jpg?v=1762301513"},{"product_id":"van-halen-van-halen-van-halen-2lp-mofi-180g-45-rpm-vinyl","title":"Van Halen - Van Halen [2LP Mofi 180g 45 RPM] [Vinyl]","description":"Van Halen - Van Halen - Van Halen [2LP Mofi 180g 45 RPM] [Vinyl] \u003cbr\u003eBarcode: 821797203227 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eMASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL\u003c\/p\u003e\r\n\r\n\u003cp\u003eVan Halen did more than announce to the world the earthshaking arrival of a revolutionary guitarist. Performed by an enterprising California quartet that took it's name from two of it's principal members, the 1978 debut ripped headlines away from punk, injected fresh energy into a then-moribund rock 'n' roll scene, reimagined how heavy music and throwback pop could coexist, and invited everyone to experience the top-down pleasures of a beachfront Saturday night every day of the week no matter where they lived. Painstakingly restored by Mobile Fidelity Sound Lab, and the first of a multi-album series in an exciting partnership between the famous reissue label and Van Halen, Van Halen delivers feel-good thrills and hormonally charged desires like never before. Limited to 15,000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LP collector's edition pays tribute to the record's merit and allows fans to experience Van Halen's original blend of raw power, Hollywood flair, and vaudeville fun for generations to come. Playing with reference-setting sonics that elevate a 10-times-platinum landmark whose importance cannot be quantitatively measured, this definitive version provides a clear, clean, transparent, balanced, and turn-the-volume-up-to-11 view of an album that birthed entirely new styles. Since MoFi's unique SuperVinyl compound allows you to crank the decibels to your wildest desires without risking noise-floor interference, prepare to not only hear but feel Van Halen in your chest, no fifth-row concert seat necessary. The premium packaging and gorgeous presentation of the UD1S Van Halen pressing befit it's extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art - and everything involved with the album, from the iconic cover art to the meticulous finishes and, yes, of course, Eddie Van Halen's pioneering fretwork and his brother Alex's double-bass percussion. Indeed, could a piece of music that transformed how countless guitarists approached their instrument be more fittingly named than 'Eruption'? Likely not, and in just 102 seconds, Eddie Van Halen rewrote, reimagined, and reconfigured a vocabulary last significantly updated a decade earlier by fellow six-string wizard Jimi Hendrix. Akin to the Washington State legend, Eddie Van Halen developed his own techniques and tones all the while making his seismic accomplishments seem effortless. Devoid of the pretense, ego, and showiness that infected many of his imitators, the Dutch native sticks to a straightforward approach that underlines the authority, prowess, and visionary scope of his playing and then-unheard-of finger-tapping skills. Throughout Van Halen, he establishes himself as an instant idol - a savant whose otherworldly combination of breadth, poise, feel, speed, force, and melody seems beamed in from another galaxy.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eUPC: 821797203227\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Van Halen","offers":[{"title":"Default Title","offer_id":43838428446918,"sku":"3EML54-IW32-00","price":149.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/van-halen-van-halen-2lp-mofi-180g-45-rpm_Y9RcO.jpg?v=1762302385"},{"product_id":"muddy-waters-folk-singer-mofi-ltd-numbered-vinyl","title":"Folk Singer [Mofi, Ltd, Numbered] [Vinyl]","description":"\u003cp\u003eMASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10,000 NUMBERED COPIES\u003c\/p\u003e\r\n\r\n\u003cp\u003eMuddy Waters' Folk Singer remains rightly revered as the greatest-sounding blues album ever released-and, to date, one of the only bonafide audiophile records in the genre. Originally issued in 1964 by Chess Records, the all-acoustic work has made the rounds as a demonstration disc and benefitted from myriad reissues, all of which sought to improve upon Willie Dixon and Ralph Bass' legendary, subtlety-abundant production while bringing the musicians into your room. More than five decades after Waters, Buddy Guy, and company initially gathered in a Chicago studio in September 1963, those feats (and more) are finally accomplished in definitive, unsurpassed fashion courtesy of Mobile Fidelity. Limited to 10,000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LP collector's edition pays tribute to the album's merit and enhances the intimate program for generations to come. Playing with reference-setting sonics that more than justify it's existence in a field filled with prior audiophile reissues of Folk Singer, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a set that inspired Rolling Stone to deem it the 282nd Greatest Album of All Time and proclaim it 'a pioneering 'unplugged' set beloved by blues and folk fans alike.' The premium packaging and beautiful presentation of the UD1S Folk Singer pressing befit it's extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art-and everything involved with the album, from the iconic photos to the gorgeous finishes. Such potency reveals itself explicitly on a vinyl set afforded uncanny reproduction of Waters' tobacco-stained singing, booming reach, robust acoustic guitar, and instrumental accompanists-a Hall of Fame group that comprises a very young Guy, stand-up bassist Dixon, and drummer Francis Clay. Accurately portraying the scale of a human voice remains one of the most difficult tasks to accomplish on a recording. And yet the timbre, richness, and realism of Waters' singing here convey the authority of it's inner cavity and considerable depth, allowing notes to individually register all the while pairing with succeeding rhythmic passages in seamless fashion. The presence, feel, and contributions of Waters' esteemed colleagues register, too, with the lifelike nature rivaled only by sitting in a small venue. 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Though dismissed upon its original release in 1973, the former Velvet Underground member’s third solo effort ultimately landed on Rolling Stone’s 500 Greatest Albums of All Time and remains one of his most lauded works.\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003eBerlin\u003c\/li\u003e\r\n\t\u003cli\u003eLady Day\u003c\/li\u003e\r\n\t\u003cli\u003eMen of Good Fortune\u003c\/li\u003e\r\n\t\u003cli\u003eCaroline Says I\u003c\/li\u003e\r\n\t\u003cli\u003eHow Do You Think It Feels\u003c\/li\u003e\r\n\t\u003cli\u003eOh, Jim\u003c\/li\u003e\r\n\t\u003cli\u003eCaroline Says II\u003c\/li\u003e\r\n\t\u003cli\u003eThe Kids\u003c\/li\u003e\r\n\t\u003cli\u003eThe Bed\u003c\/li\u003e\r\n\t\u003cli\u003eSad Song\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n \u003c\/p\u003e\r\n\r\n\u003cp\u003eAddressing mature issues in stark fashion, the rock opera blends autobiographical reality, poetic license, and ambitious arrangements to tell the story of a couple’s toxic relationship and its fallout. Produced by Bob Ezrin and featuring an array of ace musicians, Berlin is an emotionally harrowing and sonically eclectic journey into the many of the worst tendencies of the human condition.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSourced from the original master tapes, housed in a Stoughton jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity’s numbered-edition 180g LP of Berlin presents the landmark recording in audiophile quality for the first time. The scope, balance, and reach of Ezrin’s explosive production comes to the fore. As does the ample spaciousness and separation that help give the songs breathing room even when the music builds to an orchestral pitch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReed’s distinctive voice — central to every track — sounds direct, immediate, centered. The realism and clarity of his tone make it appear as if he’s entered the room. You can trace his breath control, reserved coolness, and commanding phrasing. And sense the implied violence, delusion, and sorrow in the questions and statements he issues in the persona of the protagonist Jim — as well as the empathy, fatigue, confusion, and frustration he projects in his guise as Caroline.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMobile Fidelity’s reissue also puts into a new, improved light the brilliant contributions of the standout session players. Steve Winwood (Hammond organ), Michael Brecker (tenor saxophone), Randy Brecker (trumpet), and Procol Harum drummer B.J. Wilson play key roles. The core band assisting Reed and Ezrin on a majority of Berlin — Alice Cooper guitarists Dick Wagner and Steve Hunter, drum maven Aynsley Dunbar, Cream bassist Jack Bruce — turn in a collective performance for the ages. None more so than Bruce, whose bass lines resonate on this LP with a roundedness, fatness, tautness, and control that give songs added depth and foundation. Ezrin’s restrained piano, full of body and decay, performs a similar function.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExpanding on the gritty themes he explored with the Velvet Underground, and arranging them into a conceptual tale, Reed transforms Berlin into a candid report of what was happening behind closed doors everywhere. Deemed by the Chicago Tribune as “a spare, understated song cycle of nearly suicidal intensity about a crumbling marriage,” it deals head-on with heavyweight topics such as domestic abuse, drug addiction, mental illness, custodial rights, prostitution, and depression. Reed’s purple narratives detail issues that would attract mainstream attention many years later — and which continue to spur vital conversations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAkin to a classic film noir or hardboiled novel, Berlin skirts any attempt to varnish its rough interiors. Functioning as both a contrast and counterweight, the record's beautiful, symphonic-leaning exteriors somehow both heighten and lessen the severity of the vignettes. The theatrical swells of woodwinds, strings, and brass feature the same streaks of black humor that inform Reed’s writing. That edginess and eccentricity, and Reed’s investment in the album’s three characters and situations, function as magnets that draw us in even when the sadness, meanness, and darkness prompt us to look away.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSave for the opening romance of the title track and false hope of the damning (and downright nasty) “Sad Song,” Berlin largely trades in doom and depression. 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The vocalist's bracing conviction is matched by small-scale acoustic frameworks that don't let a note go to waste. Mobile Fidelity's engineers worked to make sure you hear all of them. Balances are superb, dynamics are grand. 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The confident sound of Santana stretching out and carving out new musical territory, the band's 1970 effort pulses with psychedelic accents and Afro-Latin grooves. Ranked on Rolling Stone's list of the 500 Greatest Albums of All Time and selected by the Library of Congress for inclusion in it's National Recording Registry, Abraxas immediately captured the public's ear, spending six weeks at the No. 1 spot and sending the band's cosmic cover of Fleetwood Mac's 'Black Magic Woman' into the Top 5. More than five million copies and countless global accolades later, Abraxas is legend. Sourced from the original analog tapes, housed in a Stoughton gatefold jacket, and improving upon the label's critically acclaimed out-of-print 180g LP pressing, Mobile Fidelity's numbered-edition 180g SuperVinyl LP teems with information, clarity, textures, and colors. The result: Spacious, airy, and you-are-there sonics that further benefit from the characteristics of MoFi SuperVinyl: an ultra-low noise floor, superior groove definition, and dead-quiet surfaces. Experience Abraxas the way it is meant to be heard, with the instruments and musicians placed in the proper channels. This collectible version captures the full tonal range of Santana's guitar and nuances of his distinctive touch. Passages and notes are brought to the forefront and properly scaled, enhancing your emotional connection to this iconic record. Filled with celebratory vibes, bluesy jams, mellow vocals, and hip-shaking grooves, Abraxas picks up on the momentum of Santana's self-titled 1969 debut. Drifting into more versatile territory, Santana reimagines what's possible in melding various disciplines and styles. Mysticism and spirituality abound amid performances featuring a thrilling assembly of purring organs, conga beats, and fluid bass lines. And that says nothing of the bandleader's extraordinary guitar playing. Wild, free, and loose, the group conjures the feeling of mountains and rivers on the opening instrumental 'Singing Winds, Crying Beasts,' leads a salsa parade on a definitive version of Tito Puente's 'Oye Como Va,' and explores it's sensual side on 'Samba Pa Ti,' a track indicative of the album's Latin vibes and percussion. Sonically, Abraxas takes advantage of then-advanced studio techniques such as cross-fading and state-of-the-art mixing. As The Mojo Collection explains: 'Dissatisfied with the sound of their debut, the group brought in as a co-producer veteran jazz engineer Fred Catero, whose skills proved invaluable in balancing the new range of musical flavors Santana [was] bringing into it's sound: the result was a giant step on from [the band's] debut.' Like the group's debut, Abraxas long laid claim to one of the biggest production gaffes in music history. Until Mobile Fidelity corrected the error with it's 2008 LP and gold CD reissues, Abraxas had never been heard correctly. For nearly four decades, copies were produced with the left and right channels reversed. So, in addition to showcasing reach-out-and-touch it sound, this SuperVinyl edition gets all the specifications right. 1\/4' \/ 15 IPS analog master to DSD 64 to analog console to lathe Numbered 180g 33RPM SuperVinyl LP NUMBERED SPECIAL EDITION Track List Side One: 1. Singing Winds, Crying Beasts 2. Black Magic Woman\/Gypsy Queen 3. Oye Como Va 4. Incident at Neshabur Side Two: 1. Se a Cabo 2. Mother's Daughter 3. Samba Pa Ti 4. Hope You're Feeling Better 5. 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Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations. Mastered on MoFi's renowned system at the label's California studio, housed in a Stoughton jacket, pressed at Fidelity Record Pressing, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl 33RPM LP of Bookends presents the duo's timeless effort in reference-quality sound. Benefitting from the inherent properties of the SuperVinyl formula - a nearly inaudible noise floor, superb groove definition, dead-quiet surfaces - this collectible reissue magnifies the brilliance of the extended production sessions that took place over the course of 18 months at Columbia's iconic 52nd Street Studio. Simon himself said that Bookends possesses 'the most use of the studio' of any Simon \u0026amp; Garfunkel effort. The plain truth of his observation comes to fore on this audiophile LP. The full bloom and natural decay of notes; weight and impact of low-end frequencies; lushness, breathiness, and air of the omnipresent harmonies; separation and imaging of the wood, string, and brass instruments; timbres and in-the-room realism of Simon's lead vocals - these critical traits and more are rendered with elevated accuracy, detail, and presence. Bookends has never sounded more transparent, lifelike, or balanced. And that's exactly what Simon, Garfunkel, and producer Roy Halee intended while taking as many as 50 hours to nail a single track. Envisioned from the start by Simon as a way to capture the age's zeitgeist, and inspired by the broad strokes of the Beatles' Sgt. Pepper's Lonely Hearts Club Band and Bob Dylan's Blonde on Blonde, Bookends pairs it's sonic flair - and diverse arrangements that incorporate folk, rock, jazz, pop, and baroque elements - with arresting lyrics that address restlessness, uncertainty, alienation, love, and heritage. The first half of Bookends traces the cycle of life from beginning to end, with the final words to 'Bookends Theme' - a call to 'preserve your memories\/they're all that's left you' - echoing as the overarching and recurring theme of the album. Before the pair lands on that advice, Simon \u0026amp; Garfunkel use irony ('Save the Life of My Child'), metaphor ('America'), suggestion ('Overs'), field recordings ('Voices of Old People'), and descriptive imagery ('Old Friends') to cover everything from the loss of innocence to institutional hypocrisy and fears of loneliness. Released amid a tumultuous political and cultural climate, Bookends retains enormous significance and relevance more than five decades later in a 21st century facing many of the same issues. It's central motifs - searching for meaning and identity; dealing with loss and disappointment; negotiating the split between authenticity and ersatz; reconciling with what one sacrifices over a lifetime; confronting life stages that involve sadness, bewilderment, and disappointment - are universal concerns. And the 'America' Simon \u0026amp; Garfunkel pursues remains more elusive than ever. As does our collective want for a lasting hero ('Mrs. Robinson'), tendency toward affectation ('Fakin' It'), and inclination to wishfully insert ourselves into circumstances rooted in whimsical fantasy ('Punky's Dilemma'), particularly when we need an escape. Though the songs on the album's second half were not devised as part of a unified narrative, they speak a related language steeped in disillusionment, anxiety, and doubt. None more so than on the grayscale 'A Hazy Shade of Winter.' 'Simply pretend,' Simon sings,' that you can build [hopes] again,' knowing full well he's not even fooling himself. 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Original, charismatic, and immensely gifted, the guitarist\/vocalist (born Kevin Moore) brings country blues in the late 20th century on his stunning self-titled Epic debut, which quickly climbed the charts and turned the former backing instrumentalist into a household name. Replete with gritty textures, close-up vocals, and resplendent acoustics, Mobile Fidelity's scintillating version of this 1994 set finally possesses the fidelity that brings Mo's Delta strains out of the backwoods and onto a lively back porch. Mastered from the original tapes, this numbered-edition 180g LP represents the very first time that Mo's watershed album has been given a much-needed sonic facelift. Gone are the hazes that obscured his singing, artificial ceilings that blunted the highs, and digital fog that interfered with the multitude of illuminating tones, details, and notes. What's revealed is startling intimacy and soothing emotion, Mo's gorgeous vocal timbres and inflections given equal space with his guitar, harmonica, and pace. Finally, a great-sounding contemporary blues record that doesn't resort to derivative recycling and bland revivalism. The son of Southern parents, Mo' channels his heritage via a batch of superb folksy songs that relax, refresh, and regale. While he's since traveled in a more commercialized pop-oriented direction, Mo's initial salvo is nothing but raw, pure blues played with unbridled passion, tremendous conviction, and what is best deemed the essence of heart and soul. Keb' Mo' engages with a compelling mix of tradition and modernity, the headliner refraining from any attempt at assuming an artificial personality and instead basing his reputation on quality songs. As such, Mo's material resonates with deep, mellow vibes and extraordinary National steel guitar work, which complements his fluid, acoustic finger-picking and soulful strumming. Mo' occasionally teams with an ensemble. But this record is mostly all about the basics: guitar, voice, and harmonica. Tunes such as 'Victims of Comfort' and 'Angelina' testify on behalf of his phenomenal country-blues songwriting; his covers of Robert Johnson's 'Come On In My Kitchen' and 'Kindhearted Woman Blues' speak to his reverence for the past. Shuffles, ballads, dance songs-Mo nails them all. Keb' Mo' remains one of the finest blues albums made in the post-Stevie Ray Vaughan era. Don't miss this American gem that so many have since tried to copy. 1\/2' \/ 15 IPS \/ Dolby SR to DSD 64 to analog console to lathe Tracklist: Side A: 1. Every Morning 2. Tell Everybody I Know 3. Love Blues 4. Victims of Comfort 5. Angelina 6. Anybody Seen My Girl? 7. She Just Wants to Dance Side B: 8. Am I Wrong? 9. 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Originally released in 1966, Miles Smiles is largely responsible for the feat. The piles of evidence lay within the thrills, adventurousness, and curiosities staked to every composition. At once accessible and unpredictable, songs reflect an ever-changing mentality, an edgy mood, and a triumphant will-with each corner the band rounds serving as a new opportunity to integrate and interact, anticipate and respond, investigate open spaces and establish if not fully lock into contagious, broad, striding grooves. Music would never again be the same. Neither will experiencing Miles Smiles once you hear this definitivesounding analog reissue. Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 33RPM SuperVinyl LP takes the landmark effort into rarified sonic territory. Davis and company play against coal-black backgrounds that serve to illuminate every detail, texture, and nuance. Superb separation and plentiful air allow instruments to fully blossom, effectively taking you into Columbia's 30th Street Studio to watch the legendary combo transpire before your eyes. The brilliance of Ted Macero's original production springs forth from every passage. Never before has this standard-setting record burst with as much palpable verve, energy, and spirit. Experience it as how Davis and company heard it go down on the studio floor! 1\/4' \/ 15 IPS Dolby SR Analog Remix Master DSD 256 Analog Console Lathe Numbered 180g 33RPM SuperVinyl LP NUMBERED SPECIAL EDITION Track List Side One: 1. Orbits 2. Circle 3. Footprints Side Two: 4. Dolores 5. Freedom Jazz Dance 6. 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Filled with harmonious performances that reflect the definition of it's title - a place at which ideas, products, and culture are freely traded - Caravanserai marks the start of Carlos Santana's foray into the jazz-fusion territory that would inform his career for the better part of the next two decades. Inspired by Miles Davis' pioneering period work, and aiming to discover and develop inner peace within a musical realm, the guitarist sets off on a quest to find his equivalent of the spiritual dimensions John Coltrane channels on A Love Supreme. 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Jones' Production: Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI As a Singer, Nelson Never Better: Gets Inside the Phrasing, Lyrics, and Emotions of Songs 'Why be predictable?,' Willie Nelson asked Columbia Records executive Nick Blackburn, after the latter resisted the Red Headed Stranger's decision to make an album of classic pop tunes. Talk about outlaw country. Cutting against the genre's traditions and Music Row conventions, Nelson's Stardust remains a genius-level creation as well as the icon's most commercially successful release, a truly gorgeous record infused with ultimate respect for composers and lyrics and many of the finest performances of his career. It is a quintessential part of any catalog. Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this Silver Label LP dazzles with dead-quiet surfaces, tube-like warmth, and an enhanced soundstage. Further exposing the delicate touches abounding in Stax legend Booker T. Jones' production, this edition brings out the textured kernels of Nelson's voice - and the deep-seeded dignity, austerity, devotion, grit, sensitivity, grace, and plaintiveness within it. His brilliant phrasing throughout is on par with that of Frank Sinatra and Ray Charles, two giants that influenced this project and his willingness to pair with strings and small combo to wondrous effect. Having met Jones while living in Malibu, Nelson established a relationship with the musician that extended to roles as producer, arranger and band mate. Jones' superior knowledge of the American Songbook comes through via the material's economy of scale and sympathetic approach. Acoustic guitar arpeggios, contrasting breaks, bluesy harmonicas, glowing organs, R\u0026amp;B-tinged horns, brushed drums, and relaxed bass lines trickle throughout the songs, all distinguished by Nelson's intimate timbre and absolutely astonishing vocal expressiveness. In redefining and reimagining standards such as Irving Berlin's 'Blue Skies,' Hoagy Carmichael's 'Georgia On My Mind,' and the age-old 'All of Me' - all of which landed in the Top 5 of the Country singles chart - Nelson wedded together pop, country, jazz, folk, and blues in a manner in which no artist had ever before done. He gained considerable rewards for his exquisite efforts: Stardust sold more than five million copies and, incredibly, stayed on the Country album charts for more than ten years. This is a record no one should be without. Hear the definitive analog pressing. 1\/2' \/ 30 IPS analog copy to analog console to lathe Track Listing: 1. Stardust 2. Georgia On My Mind 3. Blue Skies 4. All of Me 5. 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These uplifting reasons - to say nothing about the gorgeous songwriting, meticulous production, and watershed performances - attest to why it is more relevant than ever in our current climate. Music, Bridge over Troubled Water simultaneously suggests and proves, heals all wounds and lifts all boats. The seminal effort Rolling Stone named the 51st Greatest Album of All Time reaches illustrious sonic and emotional heights on Mobile Fidelity's 180g SuperVinyl 33RPM LP. Pressed on MoFi SuperVinyl and strictly limited to 4,000 numbered copies, this ultra-hi-fi collector's edition brings you closer to music that picks up where the duo's Bookends leaves off. You'll enjoy deep-black backgrounds and pointillist details. Seemingly every note, breath, and movement is reproduced with exquisite accuracy, clarity, and balance. Each rotation benefits from SuperVinyl's ultra-low noise floor and superb groove definition. The best-selling record in the U.S. for several years running and winner of six Grammy Awards - including nods for Record of the Year, Album of the Year, Song of the Year, and Best Engineered Recording - Bridge over Troubled Water endures as a staple of accessible sophistication, angelic elegance, effortless singing, unhinged ambition, and therapeutic spirit. While it would turn out to be the final studio set for a duo surrounded by creative and personal disagreement, Simon and Garfunkel's collaborative ethos and soaring harmonies - combined with reflective narratives centered on the American experience, friendship, romance, and farewells - combine to turn the 11-track work into a paean to resolution, reconciliation, calm, and balance. Home to the legendary title track graced by Garfunkel's pacifying solo lead vocals as well as the equally famous folk ballad 'The Boxer,' Peruvian-based 'El Condor Pasa,' upbeat 'Cecilia,' and rock 'n' rolling 'Baby Driver,' Bridge over Troubled Water remains as renowned for it's musical diversity as it's lyrical poignancy. Moving beyond the templates they'd perfected on four prior albums, Simon and Garfunkel embrace a then-unimaginable swath of styles. Rock, pop, gospel, country, R\u0026amp;B, South American, and jazz strains course throughout the songs, each sparked with bold experiments yet grounded in a well-orchestrated melange of melody, rhythm, and classicism that makes everything personal, familiar, and warm. Not for nothing is Bridge over Troubled Water one of the finest-sounding albums ever made. Featuring instrumentation helmed by members of Los Angeles' fabled Wrecking Crew as well as multiple choral and string sections, songs took hundreds of hours to complete and involved pioneering recording techniques. Evoking both Phil Spector's live'Wall of Sound' approach as well as inventive effects, Bridge over Troubled Water is a triumph of texture, atmosphere, and architecture. Our audiophile edition brings the record's unique traits to the fore. Whether the reverberation generated by Garfunkel's cassette recorder on 'Cecilia,' echoing drums captured in a corridor heard throughout 'The Boxer,' automobile noises peppering 'Baby Driver,' layer upon layer of voices dotting 'The Only Boy Living in New York,' or echo-chamber percussion on the title track, details comes through with stunning accuracy, clarity, and dimensionality. In every regard, Bridge over Troubled Water exudes genius. 1\/4' \/ 15 IPS analog master to DSD 256 to analog console to lathe Numbered 180g 33RPM SuperVinyl LP LIMITED EDITION OF 4,000 Track List Side One: 1. Bridge Over Troubled Water 2. El Condor Pasa 3. Cecilia 4. Keep the Customer Satisfied 5. So Long, Frank Lloyd Wright Side Two: 1. The Boxer 2. Baby Driver 3. The Only Boy Living in New York 4. Why Don't You Write Me 5. Bye Bye Love 6. 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Commercially and creatively, the painstaking efforts paid off. Recorded over the span of 18 months, the triple-platinum album spawned four hit singles and put Fleetwood Mac back at the center of mainstream conversation. It's demands also ultimately forced it's primary architect, guitarist-singer Lindsey Buckingham, to leave the group shortly after it's completion. Was it all worth it? A thousand times 'yes.' Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180g 45RPM 2LP set of Tango in the Night presents the 1987 record in audiophile sound for the first time. Everything co-producers Buckingham and Richard Dashut sought to instill in the music - the exacting tones, gauzy textures, plush atmospherics, shifted harmonics, unique pitches, pristine acoustics, biting rhythms - can now be heard with elevated accuracy, range, depth, and detail. Made under challenging circumstances, Tango in the Night is as much a universe of sound as it is an album. This reissue conveys that sonic spectrum in exhaustive manners that go beyond prior editions by playing with a combination of transparency, imaging, openness, and dynamics that provides uncanny insight into the meticulously layered vocal and instrumental tracks. Equally important, it also amplifies your connection to the elaborate melodies, contagious hooks, and airy highs that account for the album's ageless pop brilliance. As for the wondrous array of percussive accents, synthesizer elements, interlaced guitars, and lush chrouses - all seemingly occupying the exact right place amid the soundstages and taking on shapes and forms that lend them a living, breathing quality? If your audio system is up to the task, the realism, presence, and warmth of Mobile Fidelity's collectible edition will have you considering Tango in the Night from a new perspective - one that puts it's lavish, gorgeous creations on a par with those from Rumours and Tusk. Unlike those records, Tango in the Night began from a more individualistic perspective in that it sprang from what originally was intended to become a Buckingham solo effort. Instead, it remains the final album credited to the peak Fleetwood Mac lineup involving Buckingham, Stevie Nicks, Chrstine McVie, Mick Fleetwood, and John McVie. Though the participation of all the members varies from track to track, the cohesive arrangements and alchemic production on Tango in the Night suggest a unity that remains on a par with the band's other landmark works. Largely constructed from laborious methods that involved recording at half speed to achieve the desired sonics and tonal nuances, piecing together verses and choruses to attain seamless synchronicity, and Buckingham using a Fairlight CMI synthesizer\/workstation in visionary ways, the songs pair electronic and acoustic elements to radiant effect. Tango in the Night also possesses light dance structures that resulted in several tunes being recast as dance mixes on extended-play singles. 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'Everybody wants some!,' he declares before immediately querying, 'Baby, how 'bout, you?' Roth and the rest of Van Halen already knew the answer. The quartet further confirmed it's status as America's leading rock band and principal party starters on Women and Children First while heading in harder, heavier directions with thrilling songs that Rolling Stone scribe David Fricke rightly deemed 'works of high-volume art.' Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP set of the triple-platinum effort ensures demand for the 1980 record has never been higher.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 01\/10\/2025\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/28\/2025\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/07\/2025\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/07\/2025\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/28\/2025\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Van Halen","offers":[{"title":"Default Title","offer_id":44515511435462,"sku":"WX49H9-85GV-00","price":133.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/women-and-children-first-mofi-supervinyl-2lp-180g-limited-edition_Xc6w6.jpg?v=1762340569"},{"product_id":"miles-davis-black-beauty-miles-davis-at-fillmore-westmfsl-2xvinyl-vinyl","title":"Black Beauty (Miles Davis At Fillmore West)(MFSL 2xVINYL) [Vinyl]","description":"\u003cp\u003eTracklist: A. 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For their final act, they created Sketches of Spain, a peak moment in each legend's legacy. The transformative record weds Spanish themes, lush orchestrations, romantic timbres, and Davis' lyrical methods in a tender ceremony. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a like-minded partner to help draw out tones, shades, and textures. Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed 'a work of unparalleled grace and lyricism' by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken 'jazz in a new direction,' Sketches of Spain remains universallyrenowned. Part of Mobile Fidelity's Miles Davis restoration series, the 1960 landmark has been afforded the ultimate white-gloves treatment for it's 65th anniversary. Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing, this UltraDisc One-Step 33RPM 180g LP set dramatically expands the soundstages and eradicates a prior dryness that many critics found inhibitive to the record's enjoyment. You'll hear the full-range extension of woodwinds, strings, and percussion, all of which come alive with superior definition and detail amid ultra-quiet backgrounds. Sonically, the results are as breathtaking as the music, and a personal invitation to pull up a chair and enjoy what went down at Columbia 30th Street Studio decades ago in New York City. 1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHE Numbered Limited Edition UD1S 180g 33RPM LP Box Set NUMBERED LIMITED EDITION OF 5,000 Track List Side One: 1. Concierto de Aranjuez 2. Will o' the Wisp Side Two: 1. The Pan Piper 2. Saeta 3. 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As the original working title for Bitches Brew, the instruction and invitation resonates to this day as the best way to approach a record that shattered conventions, altered music history, and, more than 50 years later, still sounds far ahead of it's time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's UltraDisc One-Step 180g 2LP vinyl box set. Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly numbered and limited, this definitive reissue enhances every element of a double album that established new possibilities for studio recording techniques. You'll hear wider and deeper soundstages, more separation between instruments, and a drastically broadened dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it. Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves that were later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism. Compositions stretch across jet-black backgrounds and paint abstract canvases on par with those of Axis: Bold As Love and Abraxas. Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve. Bitches Brew also boasts visionary artwork. By design, the lavish packaging and gorgeous presentation of the UD1S Bitches Brew pressing befit such extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense is spared. Aurally and visually, it exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything surrounding the album, from the images to the finishes. 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The instruction that begins Parliament's Mothership Connection prepares you for an ecstatic journey and establishes the setting for a cosmic trip into galaxies populated with galactic grooves, joyous vibes, cheeky humor, and streetwise slang. This is nearly 39 minutes of some of the best, sweatiest, most enthusiastic funk devised — all laid down by an all-star band bolstered by Bernie Worrell, Bootsy Collins, Fred Wesley, and Maceo Parker. A perfect storm of creativity, chemistry, and composition overseen by leader George Clinton, the 1975 effort ties together Parliament's then-burgeoning blend of bulbous funk, psychedelic soul, rule-breaking rock, science-fiction fantasy, and Afrofuturism themes in seamless fashion. Having spawned three iconic singles, the record later proved a massive influence on the West Coast hip-hop movement that swept through popular culture in the '90s.\u003cbr\u003e\r\n\u003cbr\u003e\r\nSourced from the original analog master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180g 45RPM 2LP presents Mothership Connection in audiophile sound for the first time. Parliament's benchmark benefits from the wide groove space by playing with tauter bass, enhanced definition, and more realistic presence than prior editions. Everything from the brassiness of the horns to the crisp slap of the snare to the fleshy snap of handclaps comes across in full-range perspective. On this reissue, the band's dynamics, hooks, and hip-shaking verve practically explode. No matter where you turn, Mothership Connection grabs and holds your attention. A whole lotta rhythm goin' 'round, indeed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eVarious Original Masters:\u003cbr\u003e\r\nRecord One, Sides One\/Two: 1\/4'' 30 IPS analog master to DSD 256 to analog console\u003cbr\u003e\r\nRecord Two, Sides Three\/Four: 1\/4'' 15 IPS analog master to DSD 256 to analog console\u003cbr\u003e\r\n\u003cbr\u003e\r\nNumbered 180g 45RPM Vinyl 2LP\u003cbr\u003e\r\nNUMBERED SPECIAL EDITION\u003c\/b\u003e\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cbr\u003e\r\nSide One:\u003cbr\u003e\r\nP. 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King's Live at the Regal Easygoing Portrait of Down-Home Soul Singer Coming Into His Own and Establishing an Indelible Bond Between Performer and Audience Mastered from the Original Master Tapes: Mobile Fidelity Takes You Inside the Famed Venue and Let's You Be a Part of the Event on par with the most treasured concert albums of the 60s and 70s, Bill Withers' transformative Live at Carnegie Hall is a forgotten classic - an easygoing portrait of an a down-home soul artist coming into his own in front of an audience eager to share every moment of his brilliance. Soothing with subtlety, charming with calmness, and healing with a vocal timbre as relaxing as his grooves, Withers uses the stage to expand the range of favorites and engage in dialog with the crowd. Distinguished with sonics that restore the performances' balance and improve the soundstaging, this reissue takes you inside the venue. Mastered from the original master tapes and pressed on 180g 2 LP at RTI, Mobile Fidelity's 180g 2 LP set of this extraordinary 1973 record provides a transparent view of Withers' relaxing timbre and the subtle grooves underlining his arrangements. Characteristics ranging from the tension of the guitars, funky bends of the bass, whisper-soft coo of the formal strings, airiness of the backing harmonies, and sharpness of the snare drum emerge with utmost clarity and lifelike presence. Moreover, aspects that really make this concert document unique - the energetic crowd, Withers and his band's willingness to extend arrangements, and the undeniable communicative bond between the performer and his fans - are brought into fuller relief. While most live albums give you the sense of what transpired, Mobile Fidelity's reissue allows it to seem that what you're hearing and sensing is happening right now, in the moment. You are as much a participant as listener. For this reason and more, Live at Carnegie Hall ranks with James Brown's Live at the Apollo and B.B. King's Live at the Regal. No small claims, but the proof is in the grooves. The antithesis of the sweaty R\u0026amp;B shouter that prowls the edge of stages, Withers deals in mellowness and vulnerability, qualities that come to fore. The songs here span soul, blues, and folk and often times, contain elements of all three styles. Live at Carnegie Hall also deals with serious subject matter with unflinching honesty and simple directness. Companionship, poverty, war, maturity, family, and love all crop up within Withers' tunes, yet the messages are never overly cumbersome or preachy. Credit goes to his easygoing style and relatable lyrics, not to mention a tight-as-a-vice band that on this night is simply 'on.' 'One more time?' Withers asks in response to a request for another stanza during 'Use Me,' and like the snap of fingers, his musicians are right back on cue, the crowd clapping along on every beat. This classic, as well as the instantly familiar 'Ain't No Sunshine,' poignant 'Grandma's Hands,' and all-time favorite 'Lean on Me' are delivered with utmost soulfulness, passion, and electricity. Few, if any, live albums demonstrate such a bond between the crowd and artist as Live at Carnegie Hall. You'll definitely want to be there. 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Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Another Side of Bob Dylan is all that and more.  As part of it's Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog stereo edition of Another Side of Bob Dylan ever produced. Be there as the Minnesota native spends the evening of June 9, 1964 in Columbia's Studio A and, displaying an openness he'd never before revealed in a formal environment, lays down the songs that compromise his fourth album.  Featuring minimal editing, Another Side of Bob Dylan is naked, truthful, and whimsical. Mobile Fidelity's reissue illuminates the artist's condition - he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection - with microscopic accuracy. Indeed, Dylan's slightly woozy and completely playful state related to his having downed a handful of bottles of Beaujolais during the sessions.  The uninhibited joie de vive is discernable in the rattling piano lines on 'Black Crow Blues, ' seemingly subconscious ramble of the hysterical folk rhyming of 'Motorpsycho Nightmare, ' bluesy dream sequencing throughout 'I Don't Believe You, ' and intentionally out-of-tune yodeling during 'All I Really Want to Do.' On a majority of the prized set, Dylan let's his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security. And so the apparently autobiographical and self-aware 'My Back Pages, ' one of the earliest examples of Dylan's immersion into symbolist prose and abstract metaphor, remains controversial for it's on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant release - an essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. As an indelible piece of art, it succeeds in masquerading obvious meaning while simultaneously forcing listeners to question their own actions. Quintessential Dylan. As is the trifecta of relationship-themed compositions that closes the record, as well as the eternal 'Chimes of Freedom, ' the standard that journalist Paul Williams dubbed Dylan's 'Sermon on the Mount.' It's inseparable conjunction of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signaled that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness, making Another Side of Bob Dylan that much more mysterious, unequivocal, and requisite. Given the sonic and artistic merit of this album, we anticipate huge demand. 1\/2' \/ 30 IPS analog remix master to DSD 64 to analog console to lathe Track Listing:1. All I Really Want to Do2. Black Crow Blues3. Spanish Harlem Incident4. Chimes of Freedom5. I Shall Be Free, No. 106. To Ramona7. Motorpsycho Nightmare8. My Back Pages9. I Don't Believe You 10. Ballad in Plain D11. 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Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a melange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.You know you're in the presence of sonic greatness as soon as the first few seconds of the opening 'Tunnel of Love' pass, as the introductory passage built on organ and piano - new additions to Dire Straits' palette - intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity SACD is alone worth the price of admission. Crisp, rich, and balanced, the sound brings Knopfler's Fender Vibrolux and Music Man HD130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.The album's power isn't lost on Iovine, who later told Rolling Stone: 'The right people were in the room together. 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It stands as a hard-bop benchmark - a summation of the styles that came before it's creation, an immersion into the period's cutting-edge strains, and a hint of the modalism that would follow. The record remains ageless, it's fundamental cool epitomized by first-rate arrangements and astonishing performances of pensive ballads, bebop classics, and pop standards.Part of Mobile Fidelity's Miles Davis SuperVinyl reissue series, Round About Midnight resonates with newfound palpability and emotionalism on the label's 180g 33RPM SuperVinyl LP. Sourced from the original master tapes and housed in a Stoughton jacket, this numbered-edition collectible traces the individual paths each musician takes in contributing to the whole - from pianist Red Garland's left hand weaving counter-melodic chords to Coltrane infusing a tune with forward, harmony-defying patterns to the extent that iconic pianist Cecil Taylor declared 'Coltrane's what you hear on that record' the first time he heard the album. Indeed, the music sounds cohesive, immediate, and involving. Ballads are warm, lush, gentle, illuminated; upbeat pieces bounce, snap, and energize. The high ceilings at Columbia's 30th Street Studio doubtlessly add to the sonic awe. This is hipness personified.1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHENumbered 180g 33RPM SuperVinyl LPNUMBERED SPECIAL EDITIONTrack ListSide One:1. 'Round Midnight2. Ah-Leu-Cha3. All of YouSide Two:1. Bye Bye Blackbird2. Tadd's Delight3. 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The strategy paid off as the 1991 album entered the Billboard 200 album chart at No. 1 and sold more than 25 million copies worldwide by September 1994. That number is now closer to 40 million copies worldwide. Featuring 14 songs, Dangerous contains a bevy of hit singles, including 'Black or White,' 'In the Closet,' 'Remember the Time,' 'Jam,' and 'Heal the World.' The release of each of the album's nine singles was accompanied by it's own unique Michael Jackson short film, all of which were ultimately included on Dangerous: The Short Films, which was released in 1993.Sourced from the original masters and housed in mini-LP-style gatefold packaging, Mobile Fidelity's numbered-edition hybrid SACD presents Dangerous in audiophile-quality sound for the first time. Jackson's signature vocals come across with incredible transparency and presence. As does the fullness of his range and highest reaches of his falsetto. 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A transliterate reference to the migration of the prophet Mohammad in the seventh century, the term to Mitchell symbolized the sensation of 'leaving the dream, no blame' - or, 'running away, honorably.' Largely written as Mitchell traveled alone across the United States and came to terms with her own mental, emotional, and physical health, the sparsely arranged Hejira is the sound of starting over; embracing change; meditating on the divide between free will and possession; channeling the colors, looks, and feelings of landscapes seen and imagined. The 1976 work - deemed the 133rd Greatest Album of All Time by Rolling Stone - also features Mitchell diving into the deep end of the jazz spectrum and partnering on several songs with virtuosic bassist and fellow sonic cosmonaut Jaco Pastorius. 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The timeless music and expert arrangements are about the only things smoother than the powder-blue suits sported by The Spinners on the cover of their resplendent self-titled 1972 record. The band's first album for Atlantic after departing Motown, Spinners ranks as an all-time soul classic - a filler-free set boasting immaculate harmonies, sweet melodies, and impeccably matched vocals. Thom Bell's flawless production puts it all over the top. Yielding an ideal balance of lushness and grit, the collaboration between the Detroit-based group and studio veteran yielded a record that birthed the celebrated Philadelphia Sound. Now, you can finally experience it in audiophile-grade sonics. Mastered from the original tapes and pressed at RTI, Mobile Fidelity's numbered limited-edition 180g LP of Spinners presents the quintet's magnum opus with pristine detail, soothing warmth, and involving emotionalism. Free of previously constraining ceilings, highs soar to their intended heights. Each singer's voice can be distinctly heard amidst the expert mix. Superb dynamics, soundstaging, and imaging highlight Bell's gorgeous orchestrations as well as The Spinners' pillow-soft mellifluousness. Backing instrumentation, ranging from rolling bass lines and punctual horns to swaying strings and crisp high-hat beats, unfolds with reference-caliber purity and transparency. 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The iconic composer\/trumpeter steps into the role of sideman on the 1958 set, one of just a handful of times he'd make such a move after the calendar passed the mid-1950s. Yet evaluating Somethin' Else strictly on Davis' involvement misses the big picture. Plain and simple, Adderley's jubilant work remains a jazz landmark due to the chemistry of it's Hall of Fame personnel, enthusiasm of it's participants, and sophistication of it's arrangements - not to mention the reference-grade production and inclusion of the definitive renditions of two jazz standards.Sourced from the original analog master tapes and housed in a mini-LP-style gatefold sleeve, Mobile Fidelity's numbered-edition hybrid SACD pays tribute to the record's merit and includes the bonus track 'Allison's Uncle.' This collector's edition provides a clear, transparent, ultra-dynamic, and up-close view of a cornerstone effort that witnesses Adderley and Davis sharing horn duty alone for the only time in their fabled careers - an arrangement that occurred as a result of Adderley having joined Davis' sextet a year prior.That vibrancy reveals itself openly on a reissue that provides full-range reproduction of an ensemble that also includes pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey. Each and every snare hit, downbeat, and cymbal splash registered by the latter take on realistic proportions, blooming and decaying as they would in front of you on a stage. Jones' foundational bass lines register with uncommon depth and palpability, the litheness of the strings and fullness of the instrument epitomizing rhythm. Stellar, too, are the surefooted 88s. Sublime in scale, tonality, and attack, with the delineation such you can practically separate the white and black keys in your mind. As for that liquid interplay between Adderley and Davis? Lifelike in timbre, naturalism, purity, and presence.For reasons that extend far beyond the outstanding playing and flawless repertoire, Somethin' Else is a record you'll always want to watch and hear come together. As veteran critic Bob Blumenthal observed writing about the album four decades after it's release: 'The instant rapport achieved by the quintet is thus the product of much shared and common history, though the tensile strength that they create throughout created a totally unique feeling that can be attributed to the sensitive musicianship of all concerned, including the supposedly hard bopping leader and drummer.' Such emotion courses throughout every passage, and no where more obviously than on 'Autumn Leaves' and 'Love for Sale.'The interpretations of the Johnny Mercer and Cole Porter songs, respectively, on Somethin' Else have long been considered part of jazz's alluring mystique. Adderley and Davis bring contrasting approaches to the table yet sound of a singular mind on 'Autumn Leaves,' with the latter's muted trumpet and the headliner's lush alto saxophone dovetailing into a performance that endures as a blueprint for expression, counterpoint, sophistication, fluidity, and linearity. Blues, melody, and romance pour from their horns. Their bandmates, picking up on the intimate vibe and calm mood - as well as on the spry, head-over-heels spirit of 'Love for Sale' - join in on the conversation with sharp economy and float-on-air roundedness.Not to undersell the other three numbers, all deserving of five-star status. Twelve measures in length, the title track offers a slow burn in swing. Written by Adderley's brother, Nat, the 12-bar 'One for Daddy-O' transmits funk flavors. 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