{"title":"Pop","description":"","products":[{"product_id":"liza-minnelli-live-in-new-york-1979-red-vinyl-vinyl","title":"Live in New York 1979 (Red Vinyl) [Vinyl]","description":"\u003cp\u003eStart spreading the news: Liza Minnelli's long-lost live album recorded in the very heart of New York, New York is getting the deluxe vinyl and even more deluxe CD treatment from Real Gone Music and Second Disc Records! When the Oscar, Emmy, and Tony-winning superstar (and future Grammy Legend) took the stage at the legendary Carnegie Hall on September 4, 1979, the concert was already a hotly-anticipated event. It would be the first of eleven consecutive shows through September 14 - the longest run in the Hall's history. Not only that, but every show in the five-level, 2,804-seat venue was sold out. (This record stood until 1987, when an artist played three straight weeks of sold-out shows there. That artist? Liza Minnelli.) Liza had the foresight to record the concerts; two years later, in 1981, she began selling the limited release at her live dates. The Live at Carnegie Hall double album preserved Liza's electrifying, roof-raising evening from start to finish, including definitive versions of familiar showstoppers such as John Kander and Fred Ebb's 'Cabaret,' 'But the World Goes 'Round,' and 'Theme From 'New York, New York'' as well as fresh versions of contemporary pop and classic Broadway standards from luminaries including George and Ira Gershwin, Jule Styne and Stephen Sondheim, Barry Manilow, and Melissa Manchester. But, deprived of proper retail distribution, the album never reached a wide audience - until now! Liza Minnelli's Live in New York 1979 (newly titled to avoid confusion with Liza's 1987 Carnegie Hall album) includes 2 LPs housed inside a gatefold jacket featuring the absolutely stunning original cover art by Andy Warhol. The insert has new introductions by both Ms. Minnelli and Great American Songbook champion Michael Feinstein, both of whom served as executive producers for this release, plus photos of the artist and liner notes from reissue producers Joe Marchese and Charles L. Granata. \u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: 2LP Red Vinyl, gatefold jacket, 4-page insert\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Real Gone Music\/Capitol\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Liza Minnelli","offers":[{"title":"Default Title","offer_id":42452602454214,"sku":"HJ5RFA-7TGH-00","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Judy-Garland-Liza-Minnelli--Live-in-New-York-1979-Red-Vinyl-_7JMVX.jpg?v=1779542262"},{"product_id":"death-death-iii-vinyl","title":"Death - III [Vinyl]","description":"Death - Death - III [Vinyl] \u003cbr\u003eBarcode: 781484058311 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eDESCRIPTION\u003cbr\u003eVinyl LP pressing. Archive collection from the proto-Punk band. Death III slams the door on the vault with a powerful set of songs that bring equal amounts of Rock and ethereal soul-searching, in high-fidelity, rich bottomed, studio-grade sound. Alongside songs from 1975, 1976 and 1980, Death III contains 2 songs from 1992, as the Hackney brothers reconvened nearly a decade after they'd stopped playing together. Death III serves as a companion piece of sorts to the a BAND CALLED Death documentary, tracking the band's movement from spiritual young rockers to older and wiser, bruised-but-undefeated brothers, in pure musical terms.\u003c\/p\u003e\u003cp\u003e \u003cbr\u003eTracksCredits\u003cbr\u003e1 Introduction By David\u003cbr\u003e2 North Street\u003cbr\u003e3 Open Road\u003cbr\u003e4 We Are Only People\u003cbr\u003e5 Restlessness\u003cbr\u003e6 Free\u003cbr\u003e7 Yes He's Coming\u003cbr\u003e8 First Snowfall in Detroit\u003cbr\u003e9 We're Gonna Make It\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Death","offers":[{"title":"Default Title","offer_id":42452604977350,"sku":"68FYWR-CRSA-00","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Death-III_zug8P.jpg?v=1779542338"},{"product_id":"roger-daltrey-roger-daltrey-as-long-as-i-have-you-blue-vinyl-import-vinyl","title":"Roger Daltrey - As Long As I Have You (Blue Vinyl) [Import] [Vinyl]","description":"Roger Daltrey - Roger Daltrey - As Long As I Have You (Blue Vinyl) [Import] [Vinyl] \u003cbr\u003eBarcode: 602567524694 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eDESCRIPTION Import pressing on Blue vinyl. As Long as I Have You is the tenth solo album by Roger Daltrey, Universal. 2018. TracksCredits 1 As Long As I Have You 2 How Far 3 Where Is a Man to Go? 4 Get on Out of the Rain 5 I've Got Your Love 6 Into My Arms 7 You Haven't Done Nothing 8 Out of Sight, Out of Mind 9 Certified Rose 10 The Love You Save 11 Always Heading Home\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Roger Daltrey","offers":[{"title":"Default Title","offer_id":42452613431494,"sku":"8B5LWG-R852-00","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Roger-Daltrey-As-Long-As-I-Have-You-Blue-Vinyl-Import_QV67K.jpg?v=1779542629"},{"product_id":"john-mayer-john-mayer-heavier-things-vinyl","title":"John Mayer - HEAVIER THINGS [Vinyl]","description":"John Mayer - John Mayer - HEAVIER THINGS [Vinyl] \u003cbr\u003eBarcode: 888751209213 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eWith the experience of a Grammy-winning, major-label debut under his belt and the requisite pop stardom that goes with it, John Mayer continues forging a steadily impressive musical canon with his third full-length outing, HEAVIER THINGS. Like the introspective musings of fellow, mellow pop singer-songwriters such as Dave Matthews and Jack Johnson, Mayer's songs delve into the subtleties of relationships and their accompanying navel-gazing. \"Bigger Than My Body\" finds him not only on a search for self, but sounding like Matthews with his hint of falsetto, as \"Something's Missing\" does much the same on a bed of swirling guitar and the occasionally chiming chord. As for the fairer sex, there's the requisite pleading found within the confines of the bluesy \"Come Back to Bed,\" and the realization of loving someone with emotional baggage in \"Daughters,\" which stems from childhood issues. All is not entirely dour, however, as this former Berkley School of Music student includes a pair of more up-tempo cuts--\"Clarity,\" the hip-hop-brushed opener featuring jazz great Roy Hargrove and Roots drummer ?uestlove Thompson, and the hook-filled pop nugget \"Only Heart.\" Packed with such emotional heft, it's no wonder John Mayer went with the title HEAVIER THINGS.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Mayer","offers":[{"title":"Default Title","offer_id":42452615725254,"sku":"1POMF9-L0MU-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/John-Mayer-HEAVIER-THINGS_BMKYl.jpg?v=1779542723"},{"product_id":"the-go-gos-the-go-gos-beauty-and-the-beat-lp-vinyl","title":"The Go-Go's - Beauty And The Beat [LP] [Vinyl]","description":"The Go-Go's - The Go-Go's - Beauty And The Beat [LP] [Vinyl] \u003cbr\u003eBarcode: 602508848889 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Go-Go's","offers":[{"title":"Default Title","offer_id":42452628144326,"sku":"U5ABSL-6YLX-00","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/The-Go-Gos-Beauty-And-The-Beat-LP_yhUcM.jpg?v=1779543086"},{"product_id":"alice-coltrane-world-spirituality-classics-1-ecstatic-music-vinyl","title":"WORLD SPIRITUALITY CLASSICS 1: ECSTATIC MUSIC [Vinyl]","description":"\u003cp\u003eThe title of this record is evidenced by the very first notes of opening track \"Om Rama.\" A chorus of chanters armed with hand claps and tambourines light into a Hindu Bhajan, accompanied by Alice Coltrane's whirling Wurlitzer organ as she lays down brooding bass notes with one hand, moves her feet across those pedals with authority, and plays glissandi synth with the other hand -- immediate ecstasy. Then John Panduranga Henderson -- who sang with Ray Charles -- delivers a moaning, gospelized solo as Coltrane vamps on his blues. This isn't common Hare Krishna chanting, folks. This music is compiled from four privately pressed cassettes (Turiya Sings [1982]; Divine Songs [1987]; Infinite Chants [1992], and Glorious Chants [1995]) that Coltrane distributed to members of the Sai Antaram Ashram (which she founded) between 1982 and 1995. Some were recorded in professional studios; all were engineered by Baker Bigsby -- who oversaw the tape transfers here from the masters -- and represent a startling chapter in her musical legacy. The music exists in the space where \"ecstatic\" meets \"heavy.\" Coltrane, known to her followers as Turiyasangitananda (\"the Transcendental Lord's highest song of bliss\"), brought all of her musical history to bear in these pieces, from her beginnings playing piano in the churches of Detroit and the hard bop she played there to Paris and New York, to the vanguard, which she embraced with openness and helped to redefine with a softer, more spacious approach.\u003cbr\u003eThe most amazing aspect of this music is what few have heard before: Coltrane's very deep and physical singing voice; her lead vocals are featured on most of the album, and it's another instrument she commands (though she wouldn't see it that way). On \"Om Shanti,\" she accompanies herself on organ using breath control in an airy, devoted chant. On \"Rama Rama,\" sarod, tablas, and her Oberheim synth add blissful dimensions to her quietly passionate singing. \"Keshavas Murahara\" commences with strings (her chart), Oberheim, and droning organ; her voice emerges as if from smoke, slowly intoning the prayer, dirge-like, but jazz informs her phrasing as the synth winds around her voice. The first half of \"Journey in Satchidananda\" features only her organ and Oberheim. It's droning, bluesy, and heavy -- nearly Gothic. When the Ashram Singers come in and Joshua Spiegelman adds a flute, some light enters. Tamil singer Sairam Iyer solos in his own language, opening the heart of the chant and bringing it home. Harp makes its presence felt on \"Er Ra,\" where Coltrane's playing moves across Eastern and Western modes as her singing emerges in sweet, blues-inflected lines. Luaka Bop did everything right for The Ecstatic Music of Alice Coltrane Turyirasangitananda, from getting full participation from her family to create an amazing package with a great long essay by Ashley Khan, to reminiscences, to excellent sound. This is not just ecstatic music, but cosmic soul music. If you buy one archival recording this year, let this be it. ~ Thom Jurek\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: 2xLP with two booklets of liner notes, w\/ DL\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alice Coltrane","offers":[{"title":"Default Title","offer_id":42452637450438,"sku":"N3LMCX-2XP2-00","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Alice-Coltrane-WORLD-SPIRITUALITY-CLASSICS-1-ECSTATIC-MUSIC_7gmNv.jpg?v=1779543177"},{"product_id":"98-degrees-let-it-snow-vinyl","title":"Let It Snow [Vinyl]","description":"\u003cp\u003eDESCRIPTION\u003cbr\u003eLimited vinyl LP pressing. 2017 holiday release from the vocal quartet comprised of Nick Lachey, Drew Lachey, Justin Jeffre and Jeff Timmons who are renowned for signature R\u0026amp;B-tinged, four-part harmonies. Let It Snow features their original song, co-written by Nick and Drew Lachey, \"Season Of Love,\" along with Christmas classics, \"Let It Snow\" and \"The First Noel.\" 98 Degrees formed in Los Angeles, California, although all of it's members originate from Ohio. Unlike most boy bands, they formed independently and were later picked up by a record label, rather than being assembled by a label or a producer. They have sold over 10 million records worldwide and achieved eight top 40 singles in the U.S.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 12\/1\/2017\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"98 Degrees","offers":[{"title":"Default Title","offer_id":42452637843654,"sku":"VO1U2L-IKGC-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/98-Degrees-Let-It-Snow_ywxsM.jpg?v=1779543216"},{"product_id":"pearl-jam-ten-vinyl","title":"TEN [Vinyl]","description":"\u003cp\u003ePearl Jam: Eddie Vedder (vocals); Mike McCreedy, Stone Gossard (guitar); Jeff Ament (bass); Dave Krusen (drums). Additional personnel: Walter Gray (cello); Rick Parashar (piano, organ, percussion). Engineers: Dave Hills, Don Gilmore, Adrian Moore. Recorded at London Bridge Studios, Seattle, Washington from March to April, 1991. Audio Remixer: Brendan O'Brien . For the twentieth anniversary of their debut Ten -- an event that arrives in 2011 and is being celebrated in 2009, but who's counting? -- Pearl Jam went all out and delivered not one but three reissues, all in increasing levels of lavishness. First off is a standard two-CD set, followed by a triple-disc set that adds a DVD of the band's 1992 performance for MTV Unplugged and then there's a gargantuan, frankly ludicrous, collectors edition that has all that plus four slabs of vinyl containing the two mixes of the album plus a 1992 live show, one cassette that replicates the original demo Eddie Vedder turned in as his audition, and assorted memorabilia that retails for $200.00. All this commotion camouflages the really noteworthy aspect of this anniversary edition: Pearl Jam brought in their longtime producer Brendan O'Brien to remix Ten from the ground up, to strip away the studio affectations of producer Rick Parashar and mixer Tim Palmer that made it a bright, shiny anomaly during the dingy heyday of grunge and make the album sound more liked the rest of the band's work (which O'Brien produced, after all). This isn't full-scale cultural revisionism on the order of George Lucas -- the original album is preserved in remastered form on the first disc -- nor is it akin to the massive reworking of Raw Power that took liberties with the aesthetics of a classic, altering some crucial reasons why it was influential, but rather like a director's cut that's designed to be closer to the artist's original intentions. Since Ten is the odd man out among Pearl Jam's albums -- its shimmering surfaces and gated rhythms too eager to crossover -- this revision also seems logical, bringing it closer to the sound and feel of Vs. and Vitalogy without drastically altering its character. Actually, it's quite arguable that this lean, muscular remix is a marked improvement on the original mix, as it's easier to focus on both the songs and group's interplay. The only room for complaint is that for a deluxe reissue this seems to skimp on the bonus tracks, never bothering to include all the relevant non-LP songs from Ten. It's seems that the logic behind their absence is that they're all available on the compilation Lost Dogs and the bonus material here is all unreleased: a version of \"Brother\" with vocals (an instrumental was on Lost Dogs), early versions of \"Breath and a Scream\" and \"State of Love and Trust\" recorded a year before the Singles soundtrack, and the unreleased \"Just a Girl,\" \"2000 Mile Blues,\" and \"Evil Little Goat.\" Although the latter two sound like the unfinished outtakes they are, it's still nice to have all this material in circulation, but even so it doesn't feel quite right to have a reissue of Ten that misses the B-side \"Yellow Ledbetter,\" a song that received a lot of radio play during the peak of the album's popularity. It also doesn't feel right to have that original demo available only as a cassette in the super-deluxe version of Ten -- or to have the live show only on vinyl, for that matter -- when it would have been easy to expand the set out to three CDs and have this material available for everyone, but in a sense, that's nitpicking: the mad collectors are going to invest in the $200.00 set while the less dedicated will be happy with the remix which is certainly reason enough to justify this entire multi-format project. [A vinyl-only version was also released.] ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pearl Jam","offers":[{"title":"Default Title","offer_id":42452646691014,"sku":"9BOC8M-5BDD-00","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Pearl-Jam-TEN-VINYL-COLLECTIO_Pvomk.jpg?v=1779543234"},{"product_id":"van-halen-van-halen-van-halen-ii-180-gram-vinyl-remastered-vinyl","title":"Van Halen - Van Halen II (180 Gram Vinyl, Remastered) [Vinyl]","description":"Van Halen - Van Halen - Van Halen II (180 Gram Vinyl, Remastered) [Vinyl] \u003cbr\u003eBarcode: 081227954932 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eVan Halen: David Lee Roth (vocals); Eddie Van Halen (guitar); Michael Anthony (bass); Alex Van Halen (drums).\u003cbr\u003eRecorded at Sunset Sound Recorders, Hollywood, California in 1979.\u003cbr\u003eAll tracks have been digitally remastered.\u003cbr\u003eWhile it's tough to follow up a classic, VAN HALEN II comes close to matching the brilliance of the band's debut. Once again, the record begins with a fat bass line from Michael Anthony, and his piercing background vocals are featured on \"You're No Good,\" an explosive cover of the Linda Ronstadt tune.\u003cbr\u003eWhile the group's early material was slightly too heavy for Top 40 airplay, here they take a commercial stab with the brilliant \"Dance the Night Away\" and \"Beautiful Girls.\" \"Somebody Get Me a Doctor\" features the trademark wails of David Lee Roth, and Eddie Van Halen's magical soloing. Alex Van Halen's playing takes a slightly complex turn on \"Outta Love Again\" with some funky drum fills. Eddie shows his versatility with the gorgeous, flamenco-styled solo \"Spanish Fly.\" The band kicks it full throttle once again on \"D.O.A.,\" which accelerates to a mighty finish. \"Women in Love\" features lessons from Mr. Roth on dealing with female fickleness. VAN HALEN II would go on to be a huge success, reaching the U.S. Top 10. This remastered album leaves the band sounding better than ever.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Van Halen","offers":[{"title":"Default Title","offer_id":42452840874182,"sku":"XAYAMN-ESTO-00","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Van-Halen-Van-Halen-II-180-Gram-Vinyl-Remastered_wr6Gb.jpg?v=1779543289"},{"product_id":"van-halen-van-halen-women-children-first-vinyl","title":"Van Halen - WOMEN \u0026 CHILDREN FIRST [Vinyl]","description":"Van Halen - Van Halen - WOMEN \u0026amp; CHILDREN FIRST [Vinyl] \u003cbr\u003eBarcode: 081227954963 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eVan Halen: David Lee Roth (vocals); Eddie Van Halen (guitar); Michael Anthony (bass); Alex Van Halen (drums). All tracks have been digitally remastered. Also available with \"Fair Warning\" on 1 cassette. WOMEN AND CHILDREN FIRST reached #6 in April 1980 and shows a band progressing towards their eventual peak. \"And The Cradle Will Rock\" is one of the album's two radio staples, along with \"Everybody Wants Some.\" These two anthems set the stage for one hell of a rock \u0026amp; roll party album. \"Fools,\" a relatively obscure VH tune, features thumping rhythm, the piercing background vocals of bassist Michael Anthony and some David Lee Roth scatting at the end. Roth declares \"I'm takin' whiskey to the party tonight and I'm lookin' for somebody to squeeze\" in \"Romeo Delight.\" Preferring sneaky licks and heavy riffs, Eddie Van Halen does fit some excellent acoustic work into \"Could This Be Magic\" and \"In A Simple Rhyme.\" WACF shows a hungry, talented rock band delivering the goods. Longtime producer Ted Templeman helps the band achieve their signature sound, producing a fantastic album.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Van Halen","offers":[{"title":"Default Title","offer_id":42452847198406,"sku":"HCBFCU-I2AV-00","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Van-Halen-WOMEN-CHILDREN-FIRST_iQsiT.jpg?v=1779543325"},{"product_id":"john-lennon-john-lennon-some-time-in-new-york-city2lp-vinyl","title":"John Lennon - SOME TIME IN NEW YORK CITY(2LP) [Vinyl]","description":"John Lennon - John Lennon - SOME TIME IN NEW YORK CITY(2LP) [Vinyl] \u003cbr\u003eBarcode: 600753570968 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eWhile Lennon claimed to have always been politically minded, given his working-class upbringing in class-conscious England (\"I've been satirizing the system since my childhood,\" he once mused), rock-pop sensibilities, clever wordplay, or matters of the heart usually took precedence in his musical output. But here Lennon and Yoko, accompanied by New York's Elephant's Memory, sing and scream freely against sexism in \"Woman Is the Nigger Of The World\" and \"Sisters, O Sisters.\" They protest incarceration in \"John Sinclair,\" \"Attica State,\" and \"Born In A Prison,\" colonialism in \"Sunday Bloody Sunday\" and \"The Luck Of The Irish,\" and racism in \"Angela.\"\u003cbr\u003eThe richness of Phil Spector's production fills out the danceable grooves on nearly every track. Also featured is Lennon's paean to his adopted home, \"New York City,\" with allusions to doping clerics and transsexual rockers as well as the highly quotable line, \"What a bad-ass city!\" On the bonus disc, Lennon and Ono get it on with Zappa and the Mothers in live sets from London and New York. 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Additional personnel: George Martin (piano). Recorded at Abbey Road Studios, London, England from July to October 1963. Includes liner notes by Tony Barrow. This is the one that turned the world upside-down. Released as its creators evolved from pop group to phenomenon, WITH THE BEATLES both affirmed promise and proclaimed genius. A slew of memorable Lennon\/McCartney compositions embraced pop at its most multi-faceted, robust, melancholic, excited, and wistful. Their grasp of melody and harmony startled, yet for every unusual chord sequence employed, the Beatles' vigor and sense of purpose remained true. Influences and mentors were acknowledged by a handful of cover versions, but the strength of the album lies in the group's own creations. WITH THE BEATLES freed artists to record their own material, and the course of pop was irrevocably changed.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\/Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Beatles","offers":[{"title":"Default Title","offer_id":42452849492166,"sku":"U726LZ-KUSE-00","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/The-Beatles-WITH-THE-BEATLES09_9equd.jpg?v=1779543381"},{"product_id":"the-beatles-the-beatles-magical-mystery-tour-vinyl-vinyl","title":"The Beatles - Magical Mystery Tour (Vinyl) [Vinyl]","description":"The Beatles - The Beatles - Magical Mystery Tour (Vinyl) [Vinyl] \u003cbr\u003eBarcode: 094638246510 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Beatles: John Lennon (vocals, acoustic \u0026amp; electric guitars, harmonica, piano, harpsichord, organ, clavioline, Mellotron, maracas, tambourine, tape loops); George Harrison (vocals, guitar, violin, harmonica, Hammond organ, timpani, congas, firebell, tambourine, tabla); Paul McCartney (vocals, guitar, flute, recorder, piano, acoustic \u0026amp; electric basses, bongos, congas); Ringo Starr (vocals, drums, maracas, tambourine, finger cymbals, tape loops). Additional personnel includes: Dave Mason (piccolo, trumpet); Philip Jones (trumpet); George Martin (piano); Mal Evans (tambourine); Mick Jagger, Gary Leeds, Keith Richards, Marianne Faithfull, Jane Asher, Patti Harrison, Keith Moon, Graham Nash (background vocals). Recorded at Abbey Road Studios, Olympic Sound Studios, De Lane Lea and Chappell Recording Studios, London, England between November 24, 1966 and November 7, 1967. The U.S. version of the soundtrack for the Beatles' ill-fated British television special embellished the six songs that were found on the British Magical Mystery Tour double EP with five other cuts from their 1967 singles. (The CD version of the record has now been standardized worldwide as the 11 tracks found on the American version.) The psychedelic sound is very much in the vein of Sgt. Pepper's, and even spacier in parts (especially the sound collages of \"I Am the Walrus\"). Unlike Sgt. Pepper's, there's no vague overall conceptual\/thematic unity to the material, which has made Magical Mystery Tour suffer slightly in comparison. Still, the music is mostly great, and \"Penny Lane,\" \"Strawberry Fields Forever,\" \"All You Need Is Love,\" and \"Hello Goodbye\" were all huge, glorious, and innovative singles. The ballad \"The Fool on the Hill,\" though only a part of the Magical Mystery Tour soundtrack, is also one of the most popular Beatles tunes from the era. [A reissue featured a remastered version of the album on 180-gram vinyl.] ~ Richie Unterberger\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\/Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Beatles","offers":[{"title":"Default Title","offer_id":42452849688774,"sku":"Q1YMAF-QDD2-00","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/The-Beatles-Magical-Mystery-Tour-Vinyl_2asFS.jpg?v=1779543401"},{"product_id":"cage-the-elephant-tell-me-im-pretty-vinyl","title":"TELL ME I'M PRETTY [Vinyl]","description":"\u003cp\u003eOn their fourth album, Tell Me I'm Pretty, Kentucky rock band Cage the Elephant still can't shake their influences. Over the course of Cage the Elephant's career, each step along the way has attracted attention for the sounds they incorporated: Nirvana, Beck, the Strokes, Arctic Monkeys, the White Stripes, Pixies. Now, enter the Black Keys. It's no surprise, given that the head Key, Dan Auerbach, produced the album at his Easy Eye Studio in Nashville. Entwined in their Southern-fried rock sound, Auerbach brings an organic production to Tell Me I'm Pretty, reportedly using first takes and scratch vocals. So while the band's sound has softened somewhat -- there's less rollicking fury and the feral edges have been smoothed (most notably on the plaintive beauty \"How Are You True\") -- the fresh depth and grit heard here are reminiscent of Arctic Monkeys' evolution once they hooked up with Josh Homme. As with that relationship, the young band's sound naturally takes on the flavor of the producer's band, and it's mostly for the better. Auerbach's signature Black Keys sound pops up on a few tracks: most notably on first single \"Mess Around,\" which is a perfect El Camino hip-shaker, as well as the stomping \"Punchin' Bag.\" Elsewhere, glimmers of former ferocity briefly pop up, especially on the sneering sleazy album closer \"Portuguese Knife Fight,\" which sounds like \"Down on the Street\" Iggy Pop fronting the aforementioned Arctic Monkeys lads. For fans of the \"old\" Cage, the sparkly twang of \"Trouble\" harks back to their Pixies hero worship heyday: it apes \"Where Is My Mind?\" so expertly it even includes the line \"God don't let me lose my mind.\" Despite the clear connections, it's not completely derivative. Cage the Elephant are maturing and their songs have a new heft to them, which may drive away some old diehards but will certainly attract new followers. ~ Neil Z. Yeung\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 12\/18\/2015\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cage The Elephant","offers":[{"title":"Default Title","offer_id":42452852310214,"sku":"45G7NL-UQ2O-00","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Cage-The-Elephant-TELL-ME-IM-PRETTY_C2xSm.jpg?v=1779543474"},{"product_id":"barry-gibb-barry-gibb-greenfields-the-gibb-brothers-songbook-vol-1-2-lp-vinyl","title":"Barry Gibb - Greenfields: The Gibb Brothers' Songbook (Vol. 1) [2 LP] [Vinyl]","description":"Barry Gibb - Barry Gibb - Greenfields: The Gibb Brothers' Songbook (Vol. 1) [2 LP] [Vinyl] \u003cbr\u003eBarcode: 602435138848 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Barry Gibb","offers":[{"title":"Default Title","offer_id":42452891828422,"sku":"UCLLVB-2EKS-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Barry-Gibb-Greenfields-The-Gibb-Brothers-Songbook-Vol-1-2-LP_6Xn9U.jpg?v=1779543691"},{"product_id":"foo-fighters-foo-fighters-medicine-at-midnight-140-gram-black-vinyl-printed-sleeve-12x12-insert-vinyl","title":"Foo Fighters - Medicine At Midnight (140 Gram Black Vinyl | Printed Sleeve | 12'x12\" Insert) [Vinyl]","description":"Foo Fighters - Foo Fighters - Medicine At Midnight (140 Gram Black Vinyl | Printed Sleeve | 12'x12\" Insert) [Vinyl] \u003cbr\u003eBarcode: 194397883619 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eMedicine at Midnight is the new album from Foo Fighters, and packs nine new songs into a tight-ass 37 minutes. This collection includes the smoldering new single, “Shame Shame.” Medicine at Midnight is produced by Greg Kurstin and Foo Fighters, and is the band’s 10th album.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFoo Fighters are Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett, Pat Smear, and Rami Jaffee.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Foo Fighters","offers":[{"title":"Default Title","offer_id":42452891893958,"sku":"9JX39W-BBXE-00","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Foo-Fighters-Medicine-At-Midnight-140-Gram-Black-Vinyl-Printed-Sleeve-12x12-Insert_gkkPD.jpg?v=1779543730"},{"product_id":"weezer-weezer-ok-human-black-vinyl-vinyl","title":"Weezer - Ok Human (Black Vinyl) [Vinyl]","description":"Weezer - Weezer - Ok Human (Black Vinyl) [Vinyl] \u003cbr\u003eBarcode: 075678645853 \u003cbr\u003e\u003cbr\u003e\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" style=\"width: 83.6543%;\" width=\"100%\"\u003e\r\n\t\u003ctbody\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd align=\"left\" class=\"catalogtextlevel03\" style=\"width: 37.7608%;\" valign=\"top\" width=\"50%\"\u003e\u003cb\u003eSide A\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\u003ctd align=\"left\" class=\"catalogtextlevel03\" style=\"width: 45.8935%;\" valign=\"top\" width=\"50%\"\u003e\u003cb\u003eSide B\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\t\u003ctr\u003e\r\n\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 37.7608%;\" valign=\"top\"\u003e\r\n\t\t\t\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"\u003e\r\n\t\t\t\t\u003ctbody\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"96%\"\u003eAll My Favorite Songs\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"96%\"\u003eAloo Gobi\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"96%\"\u003eGrapes Of Wrath\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e04\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"96%\"\u003eNumbers\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e05\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"96%\"\u003ePlaying My Piano\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e06\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" valign=\"top\" width=\"96%\"\u003eMirror Image\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\u003c\/tbody\u003e\r\n\t\t\t\u003c\/table\u003e\r\n\t\t\t\u003c\/td\u003e\r\n\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 45.8935%;\" valign=\"top\"\u003e\r\n\t\t\t\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" style=\"width: 84.1969%;\" width=\"100%\"\u003e\r\n\t\t\t\t\u003ctbody\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 4%;\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e01\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 80.1969%;\" valign=\"top\" width=\"96%\"\u003eScreens\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 4%;\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e02\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 80.1969%;\" valign=\"top\" width=\"96%\"\u003eBird With A Broken Wing\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 4%;\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e03\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 80.1969%;\" valign=\"top\" width=\"96%\"\u003eDead Roses\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 4%;\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e04\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 80.1969%;\" valign=\"top\" width=\"96%\"\u003eEverything Happens For A Reason\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 4%;\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e05\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 80.1969%;\" valign=\"top\" width=\"96%\"\u003eHere Comes The Rain\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\t\u003ctr\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 4%;\" valign=\"top\" width=\"4%\"\u003e\u003cb\u003e06\u003c\/b\u003e\u003c\/td\u003e\r\n\t\t\t\t\t\t\u003ctd class=\"catalogtextlevel03\" style=\"width: 80.1969%;\" valign=\"top\" width=\"96%\"\u003eLa Brea Tar Pits\u003c\/td\u003e\r\n\t\t\t\t\t\u003c\/tr\u003e\r\n\t\t\t\t\u003c\/tbody\u003e\r\n\t\t\t\u003c\/table\u003e\r\n\t\t\t\u003c\/td\u003e\r\n\t\t\u003c\/tr\u003e\r\n\t\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 02\/12\/2021\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weezer","offers":[{"title":"Default Title","offer_id":42452892156102,"sku":"8M88UG-YB19-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Weezer-Ok-Human-Black-Vinyl_2wCvv.jpg?v=1779543803"},{"product_id":"real-estate-real-estate-atlas-vinyl","title":"Real Estate - ATLAS [Vinyl]","description":"Real Estate - Real Estate - ATLAS [Vinyl] \u003cbr\u003eBarcode: 887828032013 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eJersey-bred indie rock golden boys Real Estate arrived in the late 2000s with a subdued approach to guitar rock that stripped away all unnecessary clutter and presented their tuneful songs in a manner as attractive and steadfast as primary colors, spring days, comfort food, or any of life's basic staples. Free of gimmicks, pretense, and artifice, their tunes tapped into the insular, college-aged melancholia of the Clean or Yo La Tengo's soft summer-night pulsations, later moving into a markedly Go-Betweens-steeped phase on their more sophisticated 2011 album, Days. With third full-length Atlas, Real Estate grow even further into the sound they've been spinning for themselves, mellowing more while they become more nuanced in both playing and production. Beginning with \"Had to Hear,\" the band's sound is decidedly signature, based on chiming chords and lilting vocals from songwriter Martin Courtney, lead guitar from Matt Mondanile that wanders between psychedelic curiosity and airy punctuation, and the surefooted rhythm section of drummer Jackson Pollis and bassist Alex Bleeker. All these elements feel increasingly familiar and confident. Their songs have always resided somewhere between head-in-the-clouds lightheartedness and day-dreamy nostalgia, but the ten songs that make up Atlas seem more mature, more deliberate, and lacking some of the carefree naivet? of earlier work. \"Past Lives\" ruminates on the strange feelings of returning to the neighborhood streets where the narrator spent his youth, while \"Crime\" relates a relationship in peril to something more harrowing and malicious. The upbeat \"Talking Backwards\" folds some of the nostalgic melancholia into a gorgeously produced pop song about long-distance communication breakdowns as bright and straightforward as Luna in their prime. The album was recorded in part at Wilco's Chicago studio the Loft, and the production is less hazy and more suited to the band's increasingly clear-headed melodies and expanded sounds, filled out with understated organ and keys from Matt Kallman this time around. Even seemingly buffering tracks like the Mondanile-penned instrumental \"April's Song\" (more in line with his solo compositions for Ducktails) and the Yo La Tengo\/Galaxie 500-modeled \"How Might I Live,\" sung by bassist Bleeker, seem to have a considered place in the album's flow. The songs float by quickly, not giving all of their secrets away at first listen. As Real Estate continue to grow into their own vision of pop, they take their place in a history of classic American indie bands, falling naturally in line behind the groups that influenced them as they add to the conversation with each subsequent album. ~ Fred Thomas\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP + MP3 DL Card\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Real Estate","offers":[{"title":"Default Title","offer_id":42456575803590,"sku":"YY47AB-7Y6K-00","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Real-Estate-ATLAS_Fj0yv.jpg?v=1779544007"},{"product_id":"sam-smith-sam-smith-in-the-lonely-hour-bonus-tracks-import-vinyl","title":"Sam Smith - In The Lonely Hour (Bonus Tracks) [Import] [Vinyl]","description":"Sam Smith - Sam Smith - In The Lonely Hour (Bonus Tracks) [Import] [Vinyl] \u003cbr\u003eBarcode: 602438807925 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eTrack Listings\u003cbr\u003eDisc 1\u003cbr\u003e1Money On My Mind\u003cbr\u003e2Good Thing\u003cbr\u003e3Stay With Me\u003cbr\u003e4Leave Your Lover\u003cbr\u003e5I'm Not the Only One\u003cbr\u003e6I've Told You Now\u003cbr\u003e7Like I Can\u003cbr\u003e8Life Support\u003cbr\u003e9Not in That Way\u003cbr\u003e10Lay Me Down\u003cbr\u003e11Restart\u003cbr\u003e12Latch\u003cbr\u003e13La La La\u003cbr\u003e14Make It to Me\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sam Smith","offers":[{"title":"Default Title","offer_id":42456883298502,"sku":"86KA4A-JCGR-00","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Sam-Smith-In-The-Lonely-Hour-Bonus-Tracks-Import_LCNDl.jpg?v=1779545342"},{"product_id":"the-carpenters-the-carpenters-lovelines-remastered-180-gram-vinyl-vinyl","title":"The Carpenters - Lovelines (Remastered) (180 Gram Vinyl) [Vinyl]","description":"The Carpenters - The Carpenters - Lovelines (Remastered) (180 Gram Vinyl) [Vinyl] \u003cbr\u003eBarcode: 602557405309 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eTrack Listings\u003cbr\u003eDisc 1\u003cbr\u003e1Lovelines\u003cbr\u003e2Where Do I Go from Here?\u003cbr\u003e3The Uninvited Guest\u003cbr\u003e4If We Try\u003cbr\u003e5When I Fall in Love\u003cbr\u003e6Kiss Me the Way You Did Last Night\u003cbr\u003e7Remember When Lovin' Took All Night\u003cbr\u003e8You're the One\u003cbr\u003e9Honolulu City Lights\u003cbr\u003e10Slow Dance\u003cbr\u003e11If I Had You\u003cbr\u003e12Little Girl Blue\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Carpenters","offers":[{"title":"Default Title","offer_id":42456968331462,"sku":"HFM97I-JO9N-00","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/The-Carpenters-Lovelines-Remastered-180-Gram-Vinyl_4od6f.jpg?v=1779545612"},{"product_id":"the-carpenters-the-carpenters-voice-of-the-heart-remastered-180-gram-vinyl-vinyl","title":"The Carpenters - Voice of the Heart (Remastered) (180 Gram Vinyl) [Vinyl]","description":"The Carpenters - The Carpenters - Voice of the Heart (Remastered) (180 Gram Vinyl) [Vinyl] \u003cbr\u003eBarcode: 602557531121 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eTrack Listings\u003cbr\u003eDisc 1\u003cbr\u003e1Now\u003cbr\u003e2Sailing On the Tide\u003cbr\u003e3You're Enough\u003cbr\u003e4Make Believe It's Your First Time\u003cbr\u003e5Two Lives\u003cbr\u003e6At the End of a Song\u003cbr\u003e7Ordinary Fool\u003cbr\u003e8Prime Time Love\u003cbr\u003e9Your Baby Doesn't Love You Anymore\u003cbr\u003e10Look to Your Dreams\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Carpenters","offers":[{"title":"Default Title","offer_id":42457082560710,"sku":"ZW3UP3-ALNJ-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/The-Carpenters-Voice-of-the-Heart-Remastered-180-Gram-Vinyl_zcmj9.jpg?v=1779546042"},{"product_id":"david-byrne-st-vincent-love-this-giant-vinyl","title":"LOVE THIS GIANT [Vinyl]","description":"\u003cp\u003eDavid Byrne and St.Vincent's Annie Clark are both artists with wide-ranging appetites for diverse sounds and collaboration, so perhaps it was inevitable that they would work together. 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Love This Giant's lead single \"Who\" sets the tone for the rest of the album, giving equal time to their vocals and world-questioning perspectives and spiking them with jagged guitar and arty brass arrangements. ~ Heather Phares\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP standard Jacket\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"David Byrne \/ St Vincent","offers":[{"title":"Default Title","offer_id":42458188939462,"sku":"F57DM7-D1ZH-00","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/David-Byrne-St-Vincent-LOVE-THIS-GIANT_7Vi9r.jpg?v=1779546279"},{"product_id":"david-bowie-david-bowie-live-santa-monica-72-vinyl","title":"David Bowie - LIVE SANTA MONICA 72 [Vinyl]","description":"David Bowie - David Bowie - LIVE SANTA MONICA 72 [Vinyl] \u003cbr\u003eBarcode: 825646113743 \u003cbr\u003e\u003cbr\u003e\u003cp\u003ePersonnel: David Bowie (vocals, guitar); Mick Ronson (guitar, bass, background vocals); Mike Garson (keyboards); Trevor Bolder (bass); Mick \"Woody\" Woodmansey (drums).\u003cbr\u003eRecorded live at the Santa Monica Civic Auditorium, Santa Monica, California on October 20, 1972.\u003cbr\u003eOnly available in bootleg versions before this 2008 EMI release, LIVE SANTA MONICA '72 presents David Bowie in full glam-rock grandeur completely inhabiting his outlandish Ziggy Stardust persona as he leads his Spiders from Mars through a fierce set that draws heavily from HUNKY DORY and, not surprisingly, THE RISE \u0026amp; FALL OF ZIGGY STARDUST. In addition to cherry-picking many of the finest tunes from Bowie's early era (most notably a thunderous extended version of \"The Width of a Circle\"), the set also finds the erstwhile Davy Jones covering Jacques Brel (a wistful take on \"My Death\" that nods to key Bowie influence Scott Walker) and the Velvet Underground (a faithful version of \"Waiting for the Man\"). Easily one of the best Bowie concert albums available, LIVE SANTA MONICA '72 is ideal for Ziggy acolytes and glam disciples.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"David Bowie","offers":[{"title":"Default Title","offer_id":42458261061830,"sku":"QCTN2W-ZQZZ-00","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/David-Bowie-LIVE-SANTA-MONICA-72_SWNoZ.jpg?v=1779546533"},{"product_id":"selena-gomez-selena-gomez-revelacion-deluxe-colored-vinyl-import-vinyl","title":"Selena Gomez - Revelacion [Deluxe Colored Vinyl] [Import] [Vinyl]","description":"Selena Gomez - Selena Gomez - Revelacion [Deluxe Colored Vinyl] [Import] [Vinyl] \u003cbr\u003eBarcode: 602435764665 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Selena Gomez","offers":[{"title":"Default Title","offer_id":42458274529478,"sku":"ELVBN3-CAB9-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Selena-Gomez--Revelacion-Deluxe-Colored-Vinyl-Import_KDBRO.jpg?v=1779546587"},{"product_id":"the-b-52s-the-b-52s-wild-planet-vinyl","title":"The B-52's - Wild Planet [Vinyl]","description":"The B-52's - The B-52's - Wild Planet [Vinyl] \u003cbr\u003eBarcode: 603497852727 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe B-52s: Cindy Wilson (vocals, guitar, keyboards); Kate Pierson (vocals, keyboards, keyboard bass); Fred Schneider (vocals); Ricky Wilson (guitar); Keith Strickland (drums).\u003cbr\u003eRecorded at Compass Point Studios, Nassau, Bahamas in April 1980.\u003cbr\u003eAlso available with THE B-52S on 1 cassette.\u003cbr\u003eIf you have any doubt that WILD PLANET was intended as the ultimate in new-wave party albums, just turn your attention to the opening \"Party Out of Bounds.\" The song sums up everything that's great about the B-52s, the kitschy, minimalist dance band that somehow managed to overcome its primitive musicianship and crank out a big pile of hit records. On one level, the track is an exuberant invitation to cut loose; on another, it's a slightly veiled homage to S\u0026amp;M, set to an irresistible beat and edgy guitar track.\u003cbr\u003eWILD PLANET's next eight tracks continue along the same lines. The B-52s keep the dance beats coming while amusing any party people who take care to pay attention to the group's witty, oddball lyrics. \"Runnin' Around,\" \"Private Idaho,\" and \"Strobe Light\" are the other standout tracks here, but nearly every song has something to recommend it. Casual fans may want to skip WILD PLANET and the band's equally impressive eponymous debut album and jump directly to TIME CAPSULE, an 18-track best-of package. 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With a beautiful 80-page booklet, and purporting to have 46 unreleased tracks, further inspection actually reveals less than meets the eye, at least for collectors.The problem is that real collectors have already heard most of this material, and not only through bootleg sources. Many of the previously unreleased tracks are just new mixes of live tracks that were issued as part of Stages, Live at Monterey, and Lifelines. Also included is a new mix of the \"Gloria\" single. While the sound quality is somewhat better (handled by the expert Eddie Kramer), the new mixes do not differ substantially from the earlier versions. With the inclusion of virtually all of In the West, and a few quality tracks from Rainbow Bridge and Crash Landing (without the wretched mid-'70s overdubs), The Jimi Hendrix Experience almost seems like a shelf-clearing exercise, taking care of the leftover tracks that fans have been clamoring for en masse.The real highlights of the set are the early studio outtakes, presumably from the cache that Chas Chandler withheld from Alan Douglas for so many years. Interestingly, one of the most enjoyable aspects of these studio outtakes is the control room banter that takes place. There isn't a ton of it, but there are some highly enjoyable moments. At the end of \"Purple Haze,\" Hendrix starts to giggle and throws in \"Mary Had a Little Lamb.\" The version of \"Third Stone From the Sun\" has Chandler and Hendrix's recording of the spoken bits used on the song, tacked on to the beginning. It's great to hear Hendrix cracking up throughout their interstellar conversation.Another moment subtly hints at the frictions that were to end up dissolving the Chandler-Hendrix partnership. After seven minutes of take 21 of \"Bold As Love,\" Hendrix is heard to say, \"let's try it one more time, alright?\" to which Chas Chandler dejectedly replies \"oooohh.\"The book itself is wonderful; all tracks are fully documented and annotated, with lots of photos, many previously unpublished. There are also recording studio log sheets, newspaper articles, poster\/flyers, and Hendrix's handwritten lyrics reproduced. All in all, The Jimi Hendrix Experience is a fine addendum to the Hendrix legacy, but not the place to start; this is a set for someone who already has the studio albums and can't get enough of his genius. The disappointment a hardcore collector might feel at having heard most of this material already should be outweighed by the beautiful, warm sound achieved by Eddie Kramer and the general high quality of the package. ~ Sean Westergaard\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jimi Hendrix Experience","offers":[{"title":"Default Title","offer_id":42458286358726,"sku":"ETET24-O4AV-00","price":157.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Jimi-Hendrix-Experience-The-Jimi-Hendrix-Experience-Boxset_tCYAc.jpg?v=1779546759"},{"product_id":"dead-can-dance-dead-can-dance-vinyl","title":"DEAD CAN DANCE [Vinyl]","description":"\u003cp\u003eOn the evidence of this, the band's first record, Dead Can Dance can clearly be seen as a \"Goth\" group in the vein of Bauhaus, et al. 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Marshall continued work on new material for years but was displeased with it, save for a set of mumbling-in-a-bucket hip-hop blues, A New Place 2 Drown, credited to his off-stage name. The Ooz, the artist's second King Krule album, surfaced -- or is that seeped out? -- five years after the first one. Compared to the debut, the songwriting is more refined and the sounds are more disparate, resulting in a sort of controlled chaos, a scuzzy mix of nervy neo-rockabilly projectiles, howling dirges, and noodling dive-lounge tunes. It's further distinguished with saxophonist Ignacio Salvadores' writhing bleats, continually in support of Marshall's scraggly guitar work and variety of voices, as liable to sound like his slumped natural self as an exaggeration of growling punks like the Clash's Paul Simonon or the Ruts' Malcolm Owen. Clear references are made to Marshall's previous full-lengths, and repeated allusions to water -- as in sinking -- as well as blue as a color and feeling, are likewise threaded throughout. Damp, suffocating city streets are never distant. When Marshall retreats to physical solitude, he can't leave his head -- not even with a prescription, a situation related in a whirling frenzy of insomniac agitation titled, naturally, \"Emergency Blimp.\" Marshall is just as expressive and evocative when he keeps it guttural; \"She smoked me whole and blows out Os,\" over decayed, dispirited bossa nova, passes like a wisp but could be the album's emotional center. Details that seem to provide levity -- \"Man this band that's playin', is playing fucking trash\" among them -- have a way of heightening the sense of inescapable dread. 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There are few artists capable of writing about religion, war, race, politics, and life with such ferocity and global commercial success. 'Pride (In The Name Of Love)', an elegy for Martin Luther King, was a breakout hit, and every track--wrapped in the Edge's impressionistic guitar splashes--reveals a quartet hungry for the world stage. 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Downing (guitar); Ian Hill (bass); Les Binks (drums).Principally recorded live at Koseinenkin Hall and Nakano Sunplaza Hall, Tokyo, Japan in 1979. Includes liner notes by Judas Priest.Digitally remastered by Jon Astley.The first real transatlantic breakthrough for Judas Priest came with this most unforgiving of live albums. Playing on their early success in the Far East, Judas Priest recorded a handful of shows in Tokyo on the back of their Hell Bent For Leather album. Their magnanimous success there made for a brutal and excited showing of live favourites that translated as a riotous success with the Japanese. Their inspired cover versions of Joan Baez's \"Diamonds And Rust\" and Fleetwood Mac's \"Green Manalishi,\" as well as such gruelling standards as \"Exciter\" and \"Ripper\" made for a convincing sweatpit of a show. 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Old comrade Paul White produces two-thirds of the tracks, lending gnarled, sometimes clanging and blasting rhythms that complement Brown's elevated levels of dread and anxiety and slightly reduced amount of vulgar mischief. Brown spends most of his time looking darkly inward. In that berserk yet lucid high pitch, he raps about being more desperate to score than his clients: \"Slice your tomato if you owe us for the lettuce\/Runnin' through the D sorta like Jerome Bettis.\" He depicts himself as a vice-addled, teeth-grinding paranoiac with no soul or hope, and that summarizes only the first three cuts. The outward-looking material is just as biting. In \"Today,\" the track that most exemplifies the album's title, Brown pithily specifies observed struggles and atrocities -- hustling to pay for diapers, the dodging of bullets from murderous civilians and authority, the prison-industrial complex -- as he references OutKast. No such dread is in \"Dance in the Water,\" the album's only true break from the hellscapes. Over the brawling tribal Pulsallama rhythm that it takes to dance to what he has to live through, Brown paraphrases Parliament's \"Aqua Boogie\" as he outlines a new workout plan -- minus a proposition, one technically clean enough to be applied by youngsters. Guest appearances are kept to a judicious few. Kendrick Lamar provides a verse and the hook on \"Really Doe,\" a knocking Black Milk production that also features Ab-Soul and Earl Sweatshirt. Brown's meeting with Cypress Hill's B-Real is expectedly pinched and faded. Most symbiotic is \"From the Ground Up,\" decaying funk with Kelela in dreamlike Janet Jackson mode. Even with its outside input, Atrocity Exhibition is Danny Brown at his least diluted, almost unrelentingly grim and completely engrossing. ~ Andy Kellman\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 10\/28\/16\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2xLP, printed inner sleeves in 5mm spine sleeve and download card\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Danny Brown","offers":[{"title":"Default Title","offer_id":42458356613318,"sku":"TZCY7U-324U-00","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Danny-Brown-ATROCITY-EXHIBITION_NeqJq.jpg?v=1779547092"},{"product_id":"camila-cabello-camila-cabello-camila-vinyl","title":"Camila Cabello - Camila [Vinyl]","description":"Camila Cabello - Camila Cabello - Camila [Vinyl] \u003cbr\u003eBarcode: 889854722210 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe debut solo album by singer Camila Cabello, the eponymously titled Camila, is a warmly produced set of romantic pop punctuated by several rhythmically infectious Latin-influenced tracks informed by her Cuban heritage. Notably, Camila comes roughly two years after Cabello's much publicized departure from the all-female pop ensemble Fifth Harmony. While her exit begged some concerns (Was she a self-centered diva? Or just a singer with an abundance of personality and creative drive?), the release of several pre-album singles, most notably the deliciously steamy, piano-driven \"Havana\" (featuring rapper Young Thug), largely turned audiences in her favor. Purportedly, the reaction was so favorable it cause Cabellod (who was born in Cuba and raised in Miami) and her producers (Frank Dukes, Jarami, Skrillex, and others) to delay the album's release, adding songs that better reflected the Latin vibe of \"Havana.\" Whatever the case, it worked, and there are several other Latin-inflected songs here, including the sultry, electronica-tinged, dancehall-ready \"She Loves Control,\" and the buoyantly percussive, steel drum-flavored \"Inside Out,\" in which Cabello sings briefly in Spanish. Along with the aforementioned \"Havana,\" these are easily the most potent songs on the album, and showcase Cabello's effusively resonant voice and playful charisma. Elsewhere, cuts like the R\u0026amp;B-tinged anthem \"All These Years\" and the yearning, singer\/songwriter-esque \"Consequences\" are emotionally resonant, lyrical songs that stick with you. There are also some nice, upbeat pop moments like the euphoric opener \"Never Be the Same,\" with its falsetto pre-chorus and deftly placed Afro-Cuban drum sample. Similarly engaging is the steamy late-album banger \"Into It,\" in which Cabello wryly coos to her would-be paramour, \"Add up the things I wanna do to you, it's infinite\/I mean...if you're into it.\" With tracks as contagious as \"Into It\" and \"Havana,\" it's hard to imagine even the most resolute Fifth Harmony devotee not getting into it. 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Schuldiner's playing has improved immensely since Scream Bloody Gore, as have his compositional skills. He writes strange, dissonant, harmonized guitar lines and is one of the few death metal songwriters who changes moods and textures over the course of an album; Human's second half is actually almost subdued by death metal standards. ~ Steve Huey\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Death","offers":[{"title":"Default Title","offer_id":42458386006214,"sku":"06LXFJ-3G8U-00","price":18.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Death-HUMAN_T5fhC.jpg?v=1779547166"},{"product_id":"50-cent-50-cent-get-rich-or-die-tryin-vinyl","title":"50 Cent - Get Rich Or Die Tryin [Vinyl]","description":"50 Cent - 50 Cent - Get Rich Or Die Tryin [Vinyl] \u003cbr\u003eBarcode: 606949354411 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"50 Cent","offers":[{"title":"Default Title","offer_id":42458392101062,"sku":"4T5819-L8LW-00","price":40.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/50-Cent-Get-Rich-Or-Die-Tryin_qwims.jpg?v=1779547203"},{"product_id":"kurt-vile-smoke-ring-for-my-halo-vinyl","title":"SMOKE RING FOR MY HALO [Vinyl]","description":"\u003cp\u003ePhilly-based singer\/songwriter Kurt Vile lit up the indie rock radar in 2009 with his cynical, lo-fi, classic rock-meets-N.Y.C. proto-punk Matador debut. Fans of the visceral, D.I.Y. fuzz-folk that dominated Childish Prodigy may be taken aback by the production upgrade on Smoke Ring for My Halo, but the cleaner sound doesn't mean that the floors aren't still filthy. Channeling everyone from the Dead to Mellow Gold-era Beck to Lou Reed, Vile comes off as malcontent, but there's an oddball warmth behind his laconic sneer that echoes the late slacker comedian Mitch Hedberg; for every \"I wanna write my whole life down\/burn it there to the ground\" (\"On Tour\"), there's an \"If it ain't workin', take a whiz on the world\" (\"Runner Ups\"). Sweeter and a little more soulful than Prodigy, Halo leans harder on the urban folk side of Vile's disposition (the album opens with a straight-up love song), but tracks like the churning \"Puppet to the Man\" and \"Society Is My Friend\" pick up where Prodigy stompers like \"Freak Train\" and \"Overnight Religion\" left off. Vile's guitar work remains predictably strong, especially on the fingerpicked \"Peeping Tomboy\" and the shimmery title cut, but it's his efforltess, serpentine melodies and amiable, burnout wisdom that keep the listener so enthralled. In an age where angst is delivered with the subtlety of a laser light show, it's nice to hear some good, old-fashioned, smokin'-and-drinkin'-cheap-beers-on-the-porch-with-your-friends-style pessimism. [The two-disc, deluxe edition of Smoke Ring for My Halo adds six bonus cuts to the set, including \"The Creature\", \"It's Alright\", \"Life's a Beach\", \"Laughing Stock\", \"Downbound Train\" and \"(so outta reach)\". ~ James Christopher Monger\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP standard Jacket\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kurt Vile","offers":[{"title":"Default Title","offer_id":42458473791686,"sku":"FMUUJI-NKAI-00","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Kurt-Vile-SMOKE-RING-FOR-MY-HALO_AT5V7.jpg?v=1779547332"},{"product_id":"calvin-harris-dua-lipa-calvin-harris-dua-lipa-one-kiss-12-single-import-vinyl","title":"Calvin Harris \u0026 Dua Lipa - One Kiss (12\" Single) [Import] [Vinyl]","description":"Calvin Harris \u0026amp; Dua Lipa - Calvin Harris \u0026amp; Dua Lipa - One Kiss (12\" Single) [Import] [Vinyl] \u003cbr\u003eBarcode: 190758624211 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Calvin Harris \u0026 Dua Lipa","offers":[{"title":"Default Title","offer_id":42458545225926,"sku":"66LP91-PWH1-00","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Calvin-Harris-Dua-Lipa-One-Kiss-12-Single-Import_a6NZx.jpg?v=1779547478"},{"product_id":"katy-perry-katy-perry-witness-exlp-vinyl","title":"Katy Perry - WITNESS (EX\/LP) [Vinyl]","description":"Katy Perry - Katy Perry - WITNESS (EX\/LP) [Vinyl] \u003cbr\u003eBarcode: 602557675535 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eKaty Perry achieved maturation with Prism, the 2013 album anchored on the self-empowerment anthem \"Roar\" and the club smash \"Dark Horse.\" Considering how \"Roar\" scored the closing stages of Hillary Clinton's 2016 campaign, it would've seemed like a logical move for Perry to build upon its adult alternative affirmation but she's instead chosen to use \"Dark Horse\" as a blueprint for Witness, the long-awaited 2017 successor to Prism. Perhaps Perry shifted her approach after \"Rise,\" the \"Roar\"-alike written for the 2016 Olympics that she also performed at that year's Democratic National Convention, failed to crack the Top Ten, perhaps she always planned to construct this album with electronic beats and synths, but Witness is so slick with synths it seems slippery. Arriving on the heels of Prism, a record littered with AAA crossover ballads, the dance-heavy Witness feels like a bit of a shock. The album is filled with songs where Perry attempts to address big cultural issues while walking a musical cutting edge. These conflicting desires surface on a tune as effervescent as \"Chained to the Rhythm\" -- the only track here that could be called that, although \"Pendulum\" comes close -- and a song as somnolent as \"Bigger Than Me,\" the second of two ballads on the record and the one that addresses the fallout of the 2016 presidential election. Despite some sociological broad strokes, Perry generally keeps her focus personal -- and usually romantic, although \"Swish Swish\" plays like a swipe at another superstar -- a decision that, when married to aggressive EDM-pop, makes Witness feel very different than Prism. ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Katy Perry","offers":[{"title":"Default Title","offer_id":42458718830790,"sku":"XRBVR5-7RKG-00","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Katy-Perry-WITNESS-EXLP_hikao.jpg?v=1779547820"},{"product_id":"taylor-swift-fearless-platinum-ed-vinyl","title":"FEARLESS PLATINUM ED [Vinyl]","description":"\u003cp\u003eTaylor Swift abandons any pretense that she's a teen on her second album, FEARLESS--which isn't to say that she suddenly tarts herself up, running away from her youth in a manner that's all too familiar to many teen stars. Swift's maturation is deliberate and careful, styled after the crossover country-pop of Shania Twain and Faith Hill before they turned into divas. Despite the success of her self-titled 2006 debut, there's nothing at all diva-like about Swift on FEARLESS: she's soft-spoken and considerate, a big sister instead of a big star. Nowhere is this truer than on \"Fifteen,\" a kind warning for a teen to watch her heart sung from the perspective of a woman who's perhaps twice that age--a sly trick for the 18-year-old Swift. There may be a hint of youthfulness to her singing but that's the only hint of girlishness here; her writing--and she had a hand in penning all 13 tracks here, with six of them bearing her solitary credit--is sharply, subtly crafted and the music is softly assured, never pushing its hooks too hard. Like many country-pop albums of the 2000s, the pop heavily outweighs the country--there aren't fiddles here, there are violins--yet the production never feels garish, a crass attempt at a crossover success. It's small-scale and sweetly tuneful, always seeming humble even when the power ballads build to a big close. 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They return because this is an exceptional band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, and Wynton Kelly -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes and chords before the tape rolled, and then the band improvised. The end results were wondrous, filled with performances that still crackle with vitality. Few albums of any genre manage to work on so many different levels, but Kind of Blue does. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collection. ~ Stephen Thomas Erlewine\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":42459086749894,"sku":"M4RVOG-MJGG-00","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Miles-Davis-KIND-OF-BLUE-MONO-VINYL_dqAJh.jpg?v=1779547982"},{"product_id":"nine-inch-nails-nine-inch-nails-pretty-hate-machine-2010-remastered-edition-2-lps-vinyl","title":"Nine Inch Nails - PRETTY HATE MACHINE (2010 Remastered Edition) (2 Lp's) [Vinyl]","description":"Nine Inch Nails - Nine Inch Nails - PRETTY HATE MACHINE (2010 Remastered Edition) (2 Lp's) [Vinyl] \u003cbr\u003eBarcode: 602527567822 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eNine Inch Nails: Trent Reznor (vocals, various instruments). Additional personnel includes: Richard Patrick (guitar); Chris Vrenna (drums). Although Nine Inch Nails mastermind Trent Reznor became the poster boy for industrial rock in the early 1990s, his '89 debut, PRETTY HATE MACHINE, actually has a stronger foothold in '80s synth-pop. The guitar-heavy opener, \"Head Like a Hole,\" is the most aggressive track on the album and proved to be the signature song for Reznor's initial breakthrough, but much of the disc sounds like Depeche Mode in a particularly bad mood. All of the tracks on PRETTY HATE MACHINE are based on synthesizer lines and programmed beats, with other elements--such as the distinctive bass on \"Sanctified\" and sampled explosions on \"That's What I Get\"--filling out the sound. Despite Reznor's morose lyrics, a number of HATE MACHINE's finest moments are energetic dance tunes, particularly \"Down in It\" and the surging \"Sin.\" Oddly enough, Reznor's fiercer--and seemingly less accessible--subsequent work (the BROKEN EP and THE DOWNWARD SPIRAL) led directly to his mainstream success, but PRETTY HATE MACHINE reveals where the Nine Inch Nails aesthetic started out.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 12\/07\/2010\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nine Inch Nails","offers":[{"title":"Default Title","offer_id":42459169849542,"sku":"PCPGAY-PJ9E-00","price":40.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Nine-Inch-Nails-PRETTY-HATE-MACHINE_Q3Dbe.jpg?v=1779548375"},{"product_id":"the-wallflowers-the-wallflowers-bringing-down-t2lp-vinyl","title":"The Wallflowers - BRINGING DOWN T(2LP) [Vinyl]","description":"The Wallflowers - The Wallflowers - BRINGING DOWN T(2LP) [Vinyl] \u003cbr\u003eBarcode: 602547654731 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Wallflowers: Jakob Dylan (vocals, guitar); Michael Ward (guitar); Rami Jaffee (piano, Hammond B-3 organ, organ); Greg Richling (bass); Mario Calire (drums).\u003cbr\u003eAdditional personnel: Jay Joyce, Leo Le Blanc, Fred Tackett, Michael Penn, Gary Louris, Mike Campbell, Don Heffington, Sam Phillips, T-Bone Burnett, Adam Duritz, Kevin Patrick Warren, Jon Brion, Stephen Bruton, Tobi Miller, David Rawlings, Matt Chamberlin.\u003cbr\u003eEngineers: Toby Wright, Neal Avron, Jon Schiff, Tom Lord-Alge.\u003cbr\u003eRecorded at Sunset Sound, Groove Masters, O'Henry Studios, House Of Blues West and Brooklyn Studios, Los Angeles, California.\u003cbr\u003e\"6th Avenue Heartache\" was nominated for 1997 Grammy Awards for Best Rock Song and Best Rock Performance By A Duo Or Group With Vocal. \"One Headlight\" won the 1998 Grammy Award for Best Rock Performance By A Duo Or Group With Vocal. \"The Difference\" was nominated and \"One Headlight\" won the 1998 Grammy for Best Rock Song.\u003cbr\u003eOn BRINGING DOWN THE HORSE, The Wallflowers refine their roots-rock and bring their considerable talents into focus. Now it's clear what distinguishes them from the rest of the roots-rock pack, and it's not just their convincing vintage musical chops. Singer\/songwriter Jakob Dylan (son of Bob) has developed a knack for elliptical, imagistic lyrics that still convey urgent emotions. The intriguing collection of songs Dylan wrote for BRINGING DOWN THE HORSE catalogs the disillusionment and frustration he sees in himself and around him.\u003cbr\u003eAdam Duritz, Michael Penn and Sam Phillips are among a star-studded group of guests here, but their contributions are tastefully understated, never distracting the listener from the band's signature sound. One of the most distinctive pieces of that sound is the organ work of Rami Jaffee, whose style combines elements of Charles Hodges' playing for Al Green with Al Kooper's seminal work with Jakob Dylan's dad. 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It focuses on Francis' sci-fi fascination and lacks any Kim Deal songs; even her backing vocals are far and few between. Yet the band sounds revitalized on Trompe le Monde, as if it were planned as their last hurrah. The raucous \"Distance Equals Rate Times Time\" and the explosive cover of the Jesus and Mary Chain's \"Head On\" are fairly straightforward, but the lyrics remain quirky on \"Planet of Sound,\" a song about a Martian who lands on Earth, and \"Palace of the Brine,\" a tribute to sea monkeys and Utah's Salt Lake. He even disses hipsters and pretentious students -- basically, the Pixies' fan base -- with nasty little digs like \"Subbacultcha\"'s \"I was wearing eyeliner\/She was wearing eyeliner\" and \"U-Mass\"' \"It's eduuucaaationaal!\" Musically, \"Trompe le Monde\"'s psychedelic sheen and \"Alec Eiffel\"'s atmospheric keyboards prove that the Pixies' sound wasn't defined by Steve Albini-style rawness. There's also more emotional depth: \"The Sad Punk\" features the strangely poignant bridge \"And evolving from the sea\/Would not be too much time for me\/To walk beside you in the sun,\" and \"Letter to Memphis\" is a heartfelt, if cryptic, love song. Though Trompe le Monde doesn't sound quite like the Pixies' other work, Come on Pilgrim's spooky beginnings, Surfer Rosa's abrasive assault, Doolittle's deceptively accessible punk-pop, and Bossanova's spacy sonics helped make Trompe le Monde a rousing swan song and a precursor to alternative rock's imminent success. Whether that means their music remained pure or they missed their chance to cash in is debatable; either way, the Pixies are one of America's greatest, most influential bands. ~ Heather Phares\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP 180g standard Jacket\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pixies","offers":[{"title":"Default Title","offer_id":42459181711558,"sku":"YNPR9F-IN9O-00","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Pixies-TROMPE-LE-MONDE_9Vx6x.jpg?v=1779548454"},{"product_id":"the-steeldrivers-the-steeldrivers-reckless-lp-vinyl","title":"The Steeldrivers - Reckless [LP] [Vinyl]","description":"The Steeldrivers - The Steeldrivers - Reckless [LP] [Vinyl] \u003cbr\u003eBarcode: 888072057555 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eThe Steeldrivers may play traditional bluegrass, but they do it with a style that's informed by outlaw country and rock \u0026amp; roll attitude. Mike Henderson, who plays mandolin, resophonic guitar, and harmonica and also co-writes the majority of the band's original tunes, was one of the founders of the Dead Reckoning label, an alt-country label that released some of the best non-Nashville country albums of the '90s. That maverick approach is evident in the sounds the Steeldrivers generate here. The tempos on Reckless are more varied than those on their self-titled debut, but even the slower tracks pack the big emotional punch that bluegrass fans love, the kind of feeling that used to make country music dangerous. Case in point: \"Guitars, Whiskey, Guns and Knives,\" a midtempo romp that manages to celebrate and caution against excess at the same time, with quite a bit of dark humor. Chris Stapleton sings lead with a powerful low tenor that's equal parts country and bluegrass. \"Ghosts of Mississippi\" takes us down to the crossroads at midnight with Richard Bailey playing haunted bluesy banjo to complement the dark harmonies of Henderson and Stapleton. \"Good Corn Liquor\" is a brooding tale of moonshine and marginal living. A good man turns to illegal activity to save his family only to die at the hands of an overzealous sheriff. The tune is delivered with a deadpan grace that intensifies its message. On the brighter side there's \"Higher Than the Wall,\" an ode-to-true-love song cast in the mode of a jailhouse song. Fiddler Tammy Rogers joins Henderson and Stapleton on the high harmonies, and while the tempo is measured, the message is uplifting. Rogers' hot fiddling, Bailey's banjo, and Stapleton's vocal add a jubilant sense to \"Angel of the Night\" that's intensified by the hint of ragtime in the rhythm bassist Mike Fleming lays down. \"Where Rainbows Never Die\" takes a clear-eyed look at mortality with a spiritual, rather than religious, feel. 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So if Hynes' time with Test Icicles represents early teenage angst, and Lightspeed Champion is the melancholic bewilderment of the early twenties, then surely Blood Orange is the assured, almost full-blown, adult? Not quite. Although the quest for personal discovery never truly ends, there comes a time when we stop looking inward and begin to question our place in the wider picture, fraught with injustice, prejudice, and peers who are just as lost. The struggle with identity and its interaction with the world is perfectly captured within the 17 tracks of Freetown Sound; often confusing, with multiple overlapping thoughts, the album charts a parallel course through Hynes' personal reflections on race and gender, and his impetus to call out the obstacles shared by all those who consider themselves outsiders.\u003cbr\u003eHynes' reflection is far-reaching, going all the way back to the capital of Sierra Leone's complex history -- where his father was born -- for its thematic roots. The complex tapestry is woven from the present, though, \"Augustine\" being a fine example of this as Hynes discusses his parents, his current situation, and the effect that Christianity has had on all of their lives. He quotes Saint Augustine, references Trayvon Martin, and even sings in Krio toward the end; that's all achieved in less than five minutes. Considering that the album clocks in at around an hour, it's easy to imagine the overall density. There are so many ideas, guest appearances, and samples that Hynes transcends the concept of a personal record; Freetown Sound is the closest you'll get to being Devont? Hynes' mind, body, and soul. Such a complex experience makes the first listen challenging; the first half of the album swims past in a woozy, yet harmonious, deluge of expressions, thoughts, and feelings. Initially, latching onto something concrete proves difficult, but around halfway the picture becomes a little more focused. \"Hands Up\" and \"Hadron Collider\" mark the change; the latter track, with its standout guest vocal from Nelly Furtado, shines in particular.\u003cbr\u003eThere are so many collaborators here, but none really stand out like Samantha Urbani or Skepta did on Cupid Deluxe. They instead seem to represent the circle of influence and influencers present in Hynes' life; there's always been an argument that identity is a reflection of the company you keep. The number of guests present, whether with full vocals or just short clips, only goes to show how far Hynes has expanded his sphere in the last three years. The record is so personal that the only one able to understand every layer is Hynes himself. As a result, Freetown Sound can come across as weighty, indecipherable chaos to some. 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