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Renowned for their virtuosictechnical demands and psychological depth, the sonatas are considered a cornerstone of the 20th-century piano repertoire. The famous \"War Sonatas\" (Nos. 6, 7, and 8) are among his most significant and powerful works.Acclaimed pianist Carlo Grante is celebrated for his vast repertoire, commanding technique, and scholarly interpretations. A prolific recording artist, he is particularly renowned for making the first-ever complete recordingof Domenico Scarlatti's keyboard sonatas performed by a single pianist. In addition to Scarlatti, his recordings cover a vast spectrum of composers, from established masters like Mozart, Chopin, Liszt, and Brahms to lesser known composers and contemporary figures like Busoni and Godowsky. Many contemporary composers have dedicated works to Grante, including Bruce Adolphe (Chopin Dreams), Roman Vlad (Opus Triplex), and Michael Finnissy.Praised for his technical mastery and profound musicianship, Fabio Luisi, the former Principal Conductor of the Metropolitan Opera, described Carlo Grante as \"one of the most astonishing artists I have ever known and worked with.\" Vienna's Die Presse dubbed him \"a knight of the piano, without blemish and without fear.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 017685131127\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music \u0026amp; Arts Program\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Carlo Grante","offers":[{"title":"Default Title","offer_id":45459563643078,"sku":"50940305","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4469939-3473489.jpg?v=1768587703"},{"product_id":"pre-order-songs-cd","title":"Pre-Order: Songs [CD]","description":"\u003cp\u003eMezzo-soprano Ester Pavlu has chosen four of the two dozen individual songs and song cycles that the world-famous Czech composer Antonin Dvorak (1841-1904) wrote during his lifetime. Ester Pavlu's magnificent voice as well as her and her convincing stage presence make her one of the most promising mezzo-sopranos of the current generation, who wins the admiration of audience and critics both on domestic stages and abroad. 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Featuring their signature song 'Retribution' and including the works from their four-month consecutive digital releases, the album contains a total of 11 tracks. Armed with 'heavy bass and catchy melodies,' the band leads listeners into 'ruin' through their most intense and powerful songs yet. LISTEN: https:\/\/youtu. Be\/cNBL1CUFro8?si=jsLoBclz6U7xkD6OTracklist:01. RUIN - Prologue -02. Retribution03. #daybreak04. Hallucination05. Devoured Hope06. #so I die07. BLESSING08. HellFier09. Delete10. Phoenix11. 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They released their debut EP 'Inthrovvvert' in 2018 and kicked off their live performances on April 21 of the same year at 'Record Store Day Lombok 2018. 'The band name 'The Dare' is derived from the Sasak word Dedare, meaning 'girl. ' Their name embodies the spirit of redefining girlhood as something brave and bold. Influenced heavily by the riot grrrl movement of the '90s, their music expresses resistance against gender discrimination, prejudice, and stereotypes-while also celebrating the joy of being a woman. Their sound is deeply inspired by indie pop bands from the K Records and Sarah Records scenes, as well as artists featured on the legendary C86 compilation-especially Heavenly and Tiger Trap. Growing up watching Japanese anime, the members also cite influences from theme songs like JUDY AND MARY's 'Sobakasu' (Rurouni Kenshin) and Hysteric Blue's 'Grow Up' (Ghost Stories), as well as Japanese punk and pop-punk bands like Shonen Knife and PiGGiES. In Indonesia's indie scene, The Dare commands a devoted following. Their limited-edition vinyl releases sell out instantly, and their packed live shows testify to their status as one of the most important indie pop bands in the region. Their latest EP, '369 Days' (2025), is a powerful work that touches on themes of life and death, love for those dearest, loss, and hope. The EP opens with the beachy instrumental 'White Sand' (A1), followed by pure sing-along guitar pop tracks like 'Sunburn' (A2) and 'Slanky Fools' (A3). Side B continues with the sparkling melancholy of 'Yes Sir!' (B1), the Dolly Mixture-inspired 'BLA BLA BLAH' (B2), the catchy, surf-tinged indie rock of 'Hello Mama' (B3), and more. With a total of eight tracks, this landmark release blends indie pop and twee pop with touches of riot grrrl, pop punk, surf, and tropical vibes-ready to take this Lombok-born girl group to the world stage. For fans of... Dolly Mixture, Drizzly. , The Drums, Go Sailor, Grrrl Gang, Heavenly, Sobs, Teenage Fanclub, Tennis, Tiger Trap, and more. The DareRiri (Vo\/Gt), Yollan (Gt), Meiga (Ba), and Desita (Dr) - a four-piece girl group from Lombok Island, Indonesia. Formed in 2017, their indie pop sound is influenced by K Records, Sarah Records, C86, Heavenly, Tiger Trap, and more. Beloved in the Indonesian indie scene, their limited releases sell out immediately and their shows are always packed. They've released three EPs to date: 'Inthrovvvert' (2018), 'Women Who Sailed The World' (2021), and '369 Days' (2025). LISTEN: https:\/\/open. Spotify. com\/album\/57F9gACfYCIkHMxjHVDxbhTracklist:1. White Sand2. Sunburn3. Slanky Fools4. Days5. Yes Sir!6. BLA BLA BLAH7. Hello Mama8. 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Boult's commitment to the symphony, which he described as very near to his heart, never wavered, and he conducted it over 60 times from the 1918 concerts right through to 1973. The Daily Telegraph described Boult's conducting of this performance from the 1971 Proms as 'quietly authoritative.. which held one's attention throughout'. Martin Cotton, in his booklet note, states that the performance is closer to his 1952 recording when the composer was present with a greater sense of flow than his EMI recording of the same year. 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Composed for the unusual combination of two cellos, these pieces showcase Boccherini's versatility, moving from Mediterranean warmth to the elegance of Viennese classicism. 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His winning combination of tonal sumptuousness, clear interpretative focus, musical humility and effortless technical poise across a broad repertoire remains unmatched to this day. When Oistrakh played, one felt there was nothing coming between the composer and the listener... He combined fingers of steel with a heart of gold.\" The Strad magazine\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: I. Allegro Ma Non Troppo (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: II. Larghetto (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: I. Allegro\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: II. Largo\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: III. Rondo Alla Polacca\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: I. Allegro Non Troppo (Cadenza By J. Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: I. Allegro\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: II. Andante\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: III. Vivace Non Troppo\u003c\/li\u003e\n\u003cli\u003eAdagio for Violin and Orchestra in E Major, K. 261\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: II. Adagio Di Molto\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: III. Allegro Ma Non Tanto\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: I. Allegro Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: II. Scherzando\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: III. Intermezzo\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: IV. Andante\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: V. Rondo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: II. Andante\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro Energico\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: III. Presto\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: I. Allegro Maestoso\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: III. Presto\u003c\/li\u003e\n\u003cli\u003eRondo for Violin and Orchestra in B-Flat Major, K. 269\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: I. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: I. Allegro (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: II. Andante Cantabile (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: III. Rondeau - Andantino Grazioso - Allegro Ma Non Troppo (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": I. Allegro Aperto (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": II. Adagio (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": III. Rondeau. 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The box also includes the famous Mozart\/Da Ponte trilogy (Don Giovanni, Le nozze di Figaro and Così fan tutte), starring Thomas Hampson, works by Bruckner, Johann Strauss and Brahms, as well as four albums by Dvorak (his major symphonies and his piano concerto)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: IV. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: IV. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: I. Molto presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: III. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: I. Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: II. Andantino con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: IV. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: I. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: II. Andante moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: IV. Finale. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": I. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": III. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": II. Andante (Alternate Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": I. Adagio - Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: I. Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: III. Primo tempo\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: II. Andante\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: III. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": I. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: II. Andante di molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: III. Finale. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": III. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": II. Andante cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": IV. Molto allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: I. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: II. Andante\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eFantasy for Two Pianos\u003c\/li\u003e\n\u003cli\u003ePing-Pong\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": II. Larghetto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": III. Allegretto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: II. Andante\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: III. Allegro assai\u003c\/li\u003e\n\u003cli\u003eCosì fan tutte, K. 588 Complete Opera\u003c\/li\u003e\n\u003cli\u003eDon Giovanni, K. 527: Complete Opera\u003c\/li\u003e\n\u003cli\u003eLe nozze di Figaro, K. 492: Complete Opera\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 1: Chor. \"Schon weichet dir, Sonne\"\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 1: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 2: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 3: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 4: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 5: Chor. \"Gottheit, über alle mächtig!\"\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 5: Interlude - Solo von Sethos und Chor \"Ihr Kinder des Staubes, erzittert und bebet\"\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Sinfonia\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Duetto. \"Signor Poeta mio\" (Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Recitativo. \"Non dubitar, verrò\" (Eleonora)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Aria. \"Là tu vedrai chi sono\" (Eleonora)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Trio. \"Cari oggetti\" (Eleonora, Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Aria. \"Via largo, largo, largo\" - Recitativo. \"Voi non piangete, o perfidi?\" (Tonina, Poeta, Ma\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Cavatina. \"Cucuzze! Che concorso\" (Tonina)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Finale. \"Se questo mio pianto il cor non ti tocca\" (Eleonora, Tonina, Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Ouvertüre\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Ariette. \"Da schlägt die Abschiedsstunde\" (Madame Herz)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Rondo. \"Bester Jüngling! Mit Entzücken\" (Mademoiselle Silberklang)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Terzett. \"Ich bin die erste Sängerin\" (Madame Herz, Mademoiselle Silberklang, Monsieur Vogelsan\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Vaudeville. \"Jeder Künstler strebt nach Ehre\" (Madame Herz, Mademoiselle Silberklang, Monsieur\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: II. Largo cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: IV. Finale. Presto ma non troppo\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": II. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": III. Menuetto. Moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: I. Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: II. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: III. Adagio cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": I. Adagio cantabile - Vivace assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": IV. Finale. Allegro di molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: I. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: IV. Finale. Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": IV. Finale. Vivace assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 97 in C Major, Hob. I:97: I. Adagio - V\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5026854176208\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Nikolaus Harnoncourt","offers":[{"title":"Default Title","offer_id":45760640155846,"sku":"162300868","price":139.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4510123-3570187.jpg?v=1777059917"},{"product_id":"pre-order-mozart-syms-35-36-38-41-remastered-hybrid-sacd-cd","title":"PRE-ORDER: Mozart Syms 35-36 38-41 (Remastered - Hybrid Sacd) [CD]","description":"\u003cp\u003eHerbert von Karajan, the emblematic conductor of the post-war years, did not record Mozart's final six symphonies as a group until September 1970 - in EMI sessions presided over by French producer Michel Glotz, a close friend and colleague. There are some subtle inflections to the Karajan-Berlin sound here: we hear the Philharmoniker's usual silken texture, wonderfully enveloping and accomplished, but here it is more luminous, less sombre and untamed than in the DG recordings. This is nonetheless a fully symphonic Mozart, not deprived of urgency, but with a serious-minded and dignified radiance. Supple and organic, the phrases are steeped in the legato for which Karajan was famed. His introductions are solemn and noble (Nos. 36 and 39), his Andantes and Adagios take a metaphysical turn, and his Menuettos are envisaged almost as interludes - to astonishing effect in Symphony No. 36 - but it is in the finales (the 'Haffner', G minor and 'Jupiter') that Karajan is at his most irresistible. These recordings have just been remastered in HD 192\/24 from the original tapes for the SACD release.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": I. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": I. Adagio - Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": II. Andante cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": IV. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": III. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: IV. Allegro assai\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5026854655178\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Herbert Karajan Von","offers":[{"title":"Default Title","offer_id":45760642384070,"sku":"162267868","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4510125-3570189.jpg?v=1777059923"},{"product_id":"pre-order-bruckner-syms-4-7-remastered-hybrid-sacd-cd","title":"Pre-Order: Bruckner: Syms 4 \u0026 7 (Remastered - Hybrid Sacd) [CD]","description":"\u003cp\u003eThese recordings exemplify Karajan's mastery of the expansive forms and forces of late Romanticism. Two Bruckner symphonies recorded in 1970 and 1971 show just how much the orchestra's musical signature had changed since the recordings of the 1950s. The pitch had historically always been a little higher in Berlin, but under Karajan's leadership the orchestra lightened it's palette, finding a balance in the medium high range that was absolutely foreign to the Germanic tradition. In Berlin, Karajan was drawing straight lines, unbending verticals, clear designs, smooth slopes - building his orchestra up layer by layer, developing the sound he was after, aided by the supreme legato playing of his string section. In addition, any soloistic leanings had been eliminated: the Philharmonic now played as a single instrument, and when the recordings of the 1970s were released more than one music-lover compared it to an organ. Absolute harmony was achieved in the above-mentioned Bruckner symphonies Nos. 4 and 7, the sheer perfection of whose sound is almost unearthly. Newly remastered in 192kHz\/24-bit from original tapes by Circé Studio\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": I. Bewegt, nicht zu schnell (1881 Haas Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": II. Andante, quasi allegretto (1881 Haas Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": III. Scherzo. Bewegt - Trio. Nicht zu schnell (1881 Haas Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": IV. Finale. Bewegt, doch nicht zu schnell (1881 Haas Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in E Major, WAB 107: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in E Major, WAB 107: IV. Finale. 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