{"title":"Progressive Rock","description":"\u003cp\u003eProgressive rock featuring ambitious compositions, extended arrangements, technical playing and influences from classical, jazz and experimental music.\u003c\/p\u003e\u003cp\u003eShop Progressive Rock on vinyl, CD and cassette at Paladin Vinyl, including new releases, reissues, catalog favorites and harder-to-find titles.\u003c\/p\u003e","products":[{"product_id":"pink-floyd-pink-floyd-the-piper-at-the-gates-of-dawn-vinyl","title":"Pink Floyd - The Piper At The Gates Of Dawn [Vinyl]","description":"Pink Floyd - Pink Floyd - The Piper At The Gates Of Dawn [Vinyl] \u003cbr\u003eBarcode: 194398596112 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pink Floyd","offers":[{"title":"Default Title","offer_id":42458309591238,"sku":"28XCUU-C6BU-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Pink-Floyd-The-Piper-At-The-Gates-Of-Dawn_kGDax.jpg?v=1779546855"},{"product_id":"primus-primus-tales-from-the-punchbowl-2-lp-vinyl","title":"Primus - Tales From The Punchbowl [2 LP] [Vinyl]","description":"Primus - Primus - Tales From The Punchbowl [2 LP] [Vinyl] \u003cbr\u003eBarcode: 602557670417 \u003cbr\u003e\u003cbr\u003e\u003cp\u003ePrimus: Larry Lalonde (guitar, 6-string banjo); Les Claypool (4-string , 6-string, fretless \u0026amp; acoustic basses, bass banjo); Tim \"Herb\" Alexander (drums).\u003cbr\u003e\"Wynona's Big Brown Beaver\" was nominated for a 1996 Grammy Award for Best Hard Rock Performance.\u003cbr\u003eThis is an Enhanced CD, which contains regular audio tracks and multimedia computer files.\u003cbr\u003ePrimus: Larry Lalonde (guitar, 6-string banjo); Les Claypool (4- \u0026amp; 6-string, fretless \u0026amp; acoustic basses, bass banjo); Tim \"Herb\" Alexander (drums).\u003cbr\u003e\"Wynona's Big Brown Beaver\" was nominated for a 1996 Grammy Award for Best Hard Rock Performance.\u003cbr\u003ePrimus continues down its path of the quirky song. Bass phenom Les Claypool and his cohorts have previously Frizzle Fried, Sucked, and Sailed The Seas Of Cheese. Now, it seems, they have been to the Punchbowl, and have lived to tell its Tales. If you could take an element of Doctor Seuss, add some Fishbone and a bit of Tom Waits, you'd probably get something very strange, totally unlike Primus--but probably the nearest thing possible. They have harnessed the all-mighty powers of weirdness, and have made them their own: \"It's alright,\" they say, \"don't fear the worm.\"\u003cbr\u003ePrimus' strength lies in their ability to mix and mask the frivolousness that comes from their peculiarity with seriously dangerous music. This is loud funk, heavy funk, driving, grooving, smelly funk. Your body will move, your brain will smile. The threesome can sound like a singular voice or a multitude of synchronous twists. Each member is a stunning instrumentalist. Yet as phenomenal as their individual abilities are, what really sets them apart is the monster group groove and cohesive chemistry. TALES FROM THE PUNCH BOWL is prime Primus.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Primus","offers":[{"title":"Default Title","offer_id":42459223261382,"sku":"0FB7M9-EA7M-00","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Primus-Tales-From-The-Punchbowl-2-LP_FA2DM.jpg?v=1779548593"},{"product_id":"rush-rush-power-windows-lpdc-vinyl","title":"Rush - POWER WINDOWS LP+DC [Vinyl]","description":"Rush - Rush - POWER WINDOWS LP+DC [Vinyl] \u003cbr\u003eBarcode: 602547118288 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eRush: Geddy Lee (vocals, synthesizer, bass pedals, bass); Alex Lifeson (acoustic \u0026amp; electric guitars); Neil Peart (drums, acoustic \u0026amp; electronic percussion).\u003cbr\u003eAdditional personnel includes: Anne Dudley, Andrew Jackman (conductor); Andy Richards (keyboards, programming); Jim Burgess (programming).\u003cbr\u003eAfter the success of its 1984 synth-driven album, GRACE UNDER PRESSURE, Rush continued in the same direction for its follow-up, POWER WINDOWS. Although the trio had made a name for itself originally with hard-edged prog-rock, Rush began embracing new wave sounds by the mid '80s. 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Now in 2024 with their 15th studio album, Messages from the Spliff Bunker, the ultimate retro band gets more authentic:\u003cbr\u003e+ regular weight black vinyl\u003cbr\u003e+ no tip-on jacket\u003cbr\u003e+ double vinyl LP for less than the cost of a single LP these days\u003cbr\u003eA true 1970s-era experience!\u003c\/p\u003e\u003cp\u003e‚ÄúThe missing link between a live show at Ronnie Scott‚Äôs and the Fillmore West‚Äù \u003c\/p\u003e\u003cp\u003eOn this new double vinyl album Messages from the Spliff Bunker - Mushroom is: \u003c\/p\u003e\u003cp\u003ePat Thomas - Drum Kit Center, Percussion. Marc Weinstein - Drum Kit Right, Percussion\u003cbr\u003eDavid Brandt - Drum Kit Left, Vibraharp, Gongs, Timbales, Concert Bass Drum, Friction Percussion, Likembe\u003cbr\u003eNed Doherty - Electric Bass \u003cbr\u003ePaul Hoaglin - Rickenbacker 365 OS Electric Guitar\u003cbr\u003eMatt Cunitz - Hammond C-3 Organ, Clavinet, VAKO Orchestron, Yamaha YC-45D Organ, Korg MS-10, Korg Mono\/Poly, Moog MultiMoog, Mellotron 4-Track, Sleigh Bells, Prayer Bells\u003cbr\u003eErik Pearson - Flute, Tenor Saxophone\u003c\/p\u003e\u003cp\u003eIllustrations by Marc Weinstein\u003cbr\u003eLP designed by Darryl Norsen\u003c\/p\u003e\u003cp\u003eA1. looking for adventure   \r A2. one ton anvil  \r B1.  I‚Äôm ok, you‚Äôre not ok \r B2. don‚Äôt hate me because I‚Äôm beautiful    \r C1. Marc moved to Buffalo    \r D1. in dreams begin responsibilities  \r D2. 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Continuing a tradition that began more than a decade earlier, Rush follows its 12th (!) studio album with a live one, A SHOW OF HANDS. The album draws almost exclusively from the third chapter of Rush's life, 1982-89, stressing the notion that their newer material was just as important as their classics. By this time they had eschewed the typical guitar trio sound for one that emphasized layers and texture. Amazingly, they were able to reproduce their studio albums live without taking extra musicians on the road or playing along with sequencers. Although they didn't physically play every instrument, every sound heard live was triggered by Geddy, Alex and Neil using whatever appendage was available. A SHOW OF HANDS includes all of Rush's mid-'80s hits: \"The Big Money,\" \"Subdivisions,\" \"Distant Early Warning\" and \"Time Stand Still,\" which featured 'Til Tuesday's Aimee Mann singing backup on a giant video screen. Also included is \"Witch Hunt\" from MOVING PICTURES and A FAREWELL TO KINGS' \"Closer To the Heart.\" Of course no Rush concert would be complete without a drum solo, and \"The Rhythm Method\" shows why Neil Peart is considered one of the best rock drummers ever.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rush","offers":[{"title":"Default Title","offer_id":43689919512774,"sku":"P418S1-Q5QW-00","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Rush-A-SHOW-OF-HANDS-2LP_41Tun.jpg?v=1762278411"},{"product_id":"rush-rush-permanent-waves-lp-vinyl","title":"Rush - PERMANENT WAVES LP+ [Vinyl]","description":"Rush - Rush - PERMANENT WAVES LP+ [Vinyl] \u003cbr\u003eBarcode: 602547118073 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eRush: Geddy Lee (vocals, synthesizers, bass); Alex Lifeson (guitar); Neil Peart (drums, percussion).\u003cbr\u003eAdditional personnel includes: Hugh Syme (piano).\u003cbr\u003eAll tracks have been digitally remastered.\u003cbr\u003eFalling somewhere in between heavy metal and AOR, Rush were one of the success stories of the period from 1976 to 1986--all the more surprising because few Canadians manage to break out from the land of the maple leaf in this area of music. Much of their following idolized Alex Lifeson, who was a guitar hero with the technical ability of a Page or a Beck. Occasionally Neil Peart's lyrics leave a little to be desired: \"the shifting shafts of shining, weave the fabric of their dreams . . .\" Jon Anderson from Yes was afflicted with the same condition of pretentiolyricitus. 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The music was developed for a year or so before we made contact with Jinian. The reason was to try to keep IBs expression basically, but that Jinian would have a free hand when it comes to vocal melodies, vocal harmonies, and lyrics of course.\u003c\/p\u003e\u003cp\u003eA1. Rise  A2. part 1; Dream of Light  A3. part 2; Trigger Finger  A4. Sign of the Times  B1. Avalon  B2. Lifetimes  B3. Bord Afraid  B4. 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They have clearly found their style and showcase an album filled with catchy hooks, singable melodies, strong grooves and blistering guitar solos. Mixing genres and taking inspiration from a wide array of styles including progressive rock, jazz rock, fusion, AOR and pop has resulted in eight powerful tracks.\u003c\/p\u003e\u003cp\u003eProduced with meticulous attention to details, the album has a crystal-clear modern sound that truly is supermassive.\u003c\/p\u003e\u003cp\u003eAlthough most music is written by brothers Arild Broter and Oyvind Broter, contribution to the writing process by long-time member guitarist Stephan Hvinden and new\u003cbr\u003emembers Robin Lovoy (sax) and Are Nerland (bass) makes this very much a band project with the group in focus. Despite this there are room for some guest appearances, including the great Roine Stolt on the track \"Clockwork\". On working with Roine Stolt, bandleader Arild Br¯ter says: \"Having Roine Stolt on our new album is absolutely a dream come true. No other musician inspired me more when I first started to write music. All I wanted was for my songs to sound like his. Even though our music has changed a lot since then, Roine and The Flower Kings has always been a true inspiration for the band. I am both proud and very grateful to have one of my absolute favourite guitar players on our new album!\"\u003c\/p\u003e\u003cp\u003e01. Breaking Protocol (A. Broter \/ O. Broter \/ R. Lovoy)\r 02. Confusion (A. Nerland)\r 03. Clockwork (A. Broter \/ O. Broter \/ R. Lovoy)\r 04. Are We There Yet? (A. Broter)\r 05. Time Out (A. Broter \/ O. Broter)\r 06. Little Nellie (A. Broter \/ O. Broter \/ S. Hvinden)\r 07. Doppelmayr (A. Broter \/ O. Broter)\r 08. WTG (A. 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Up until now primarily known as bass player \u0026amp; founding member of death pop vanguards Makthaverskan, Krook has composed four tracks of ethereal beauty, in the sanctity of her own home.\u003c\/p\u003e\u003cp\u003eLimitation is the mother of invention and recording from a flat in Masthugget in Gothenburg, Sweden, narrows the possibilities even more. Recording her vocals on her phone \u0026amp; making all instrumentals in GarageBand on an iPad - Krook has succeeded in making a big sound from small means.\u003c\/p\u003e\u003cp\u003eUniquely her own, while still honoring the inspirations. Kate Bush · Hounds Of Love-era, Anna Domino, 90s era Talk Talk, This Mortal Coil \u0026amp; Julee Cruise. Music youll need to take out your furniture before listening, for it to even fit in the room its occupying.\u003c\/p\u003e\u003cp\u003eMilitary Arms is available physically on a black vinyl 12 \u0026amp; digitally through all streaming.\u003c\/p\u003e\u003cp\u003eIt will be forerun by the double-single Find Me on the 15th of February, containing the B-side track I Keep On You which will not be available on the full-EP release.\u003c\/p\u003e\u003cp\u003e1. FIND ME\r 2. MILITARY ARMS\r 3. AWAKE, AT LEAST\r 4. 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As strange a project as this might seem, there's an overall sense of cohesiveness to it and it's absolutely of this time. Two songs have lyrics by Oscar Hammerstein; the music for one is by Jerome Kern, the other by Richard Rodgers. Leiber and Stoller provided lyrics for 'I who have nothing', originally an Italian tune. Three Italian songs are at the core of the album, written (and originally performed) by Fabrizio de Andre, Luigi Tenco and Piero Ciampi. The two tango pieces were composed by Astor Piazzolla. Finally, there are two classical songs, respectively by Faure and Mahler. In Peter's own words'. 'This collection seems to fit together as a group, not least because most of these songs are to do with measures of dislocation, of loss, of some kind of imagined or anticipated future which didn't arrive. I was unfamiliar with several of these songs before I began this project. One discovery led on to another in some kind of paper trail. 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Knekklectric, hailing from Alesund and Bergen, Norway, build upon their quite unique signature sound; playful and grand progrock\/fusion and pop. But this time the arrangements are bigger and more intricate, and the lyrics are darker.\u003c\/p\u003e\u003cp\u003e1. Angra pa\r 2. Alt blir verre\r 3. 1992\r 4. Muknado\r 5. Rod bil\r 6. Beksvart gull\r 7. 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Pastoralia was recorded and produced in its entirety by Jordsj¯ between March and November 2020, in the basement of Bj¯rnerud Farm in VÂler, ÿstfold. Thematically, the album is based on dreams, a longing for freedom and the fictional place Pastoralia  where every day is like tropical nights in Nothern Norway, where the forest people dance around campfires.\u003cbr\u003eThe band consists of multiinstrumentalist HÂkon Oftung (Tusm¯rke, Black Magic) and drummer Kristian Fr¯land, with guest appearanced by Ola Mile Bruland (Actionfredag), HÂkon Knutzen, Vilde Mortensen Storesund, Mats Lemjan, Christian Meaas Svendsen and ≈sa Ree (MEER, Tusm¯rke, Wobbler)\u003c\/p\u003e\u003cp\u003e1. Prolog\r 2. Skumring I Karesuando\r 3. Mellom Mj¯durt, Marisko og S¯stermarihÂnd\r 4. Pastoralia\r 5. Fuglehviskeren\r 6. Beitemark\r 7. Vettedans\r 8. 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This form presents the pieces as individual songs rather than the continuous screen-style of the CD version. That's not to say that these, too are not enigmatic and shadowy. 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Fingers Pointing At The Moon, the band's debut album is a contemporary concept album. Chris Lapsa, the album's main composer, collaborated with Cornish based visual artist, Roger Thorp (U2, The Clash etc) to create a filmic narrative for the album. This will serve as a backdrop to the live music, using imagery to enhance the listening experience. The band received the prestigious accolade of Robert Wyatt guesting on Fingers Pointing At The Moon's 11 minute opening track 'Mortalman'. The album has been well received, evoking positive feedback from industry icons.\u003c\/p\u003e\u003cp\u003e1. Mortalman\r 2. Home\r 3. I See Through You\r 4. Conversations In My Head\r 5. Justify\r 6. Home (slight return)\r 7. It Only Takes A Second\r 8. Funny Farm\r 9. 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Spanning a musical journey from minimalist mellotron passages to full on rock tempest, Pastoralia is a must for any fan of Scandinavian prog, but also a gem to be discovered by the novice.\u003cbr\u003eJordsj¯ is a duo from Oslo, Norway inspired by Olivier Messiaen, (German) Popol Vuh and Anthony Braxton, via Scandinavian folklore and jazz to early British prog. \"Pastoralia\" is their third studio album, which sees the band travelling further into jazzy, progressive musical landscapes. \"Pastoralia\" was recorded and produced in its entirety by Jordsj¯ between March and November 2020, in the basement of Bj¯rnerud Farm in VÂler, ÿstfold. Thematically, the album is based on dreams, a longing for freedom and the fictional place \"Pastoralia\"  where every day is like tropical nights in Nothern Norway, where the forest people dance around campfires.\u003cbr\u003eThe band consists of multiinstrumentalist HÂkon Oftung (Tusm¯rke, Black Magic) and drummer Kristian Fr¯land, with guest appearanced by Ola Mile Bruland (Actionfredag), HÂkon Knutzen, Vilde Mortensen Storesund, Mats Lemjan, Christian Meaas Svendsen and ≈sa Ree (MEER, Tusm¯rke, Wobbler)\u003c\/p\u003e\u003cp\u003e1. Prolog\r 2. Skumring I Karesuando\r 3. Mellom Mj¯durt, Marisko og S¯stermarihÂnd\r 4. Pastoralia\r 5. Fuglehviskeren\r 6. Beitemark\r 7. Vettedans\r 8. 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Alas, due to all the covid-19 restrictions, a normal tour or normal shows wasnt a reality. Instead, the band went into Subsonic Society Studio in Oslo, where they recorded their last studio albums, to perform an acoustic set streamed in the early autumn of last year. \u003cbr\u003eAs the band explains:\u003cbr\u003e2020 has been a difficult year for us all. With our new album, \"A Day at the Beach\", out in June we had planned to tour and play live for all our fans and friends but it was not to be. Still, we wanted to do something special that would keep us connected to our fans and also to say thanks for everyones support in these trying times. Doing this acoustic session allowed us to revisit songs from the new album and a few old ones as well. A new challenge for sure but a fun and inspiring experience. \u003cbr\u003eIn addition to acoustic versions of 3 songs from Day At The Beach and the classics \"Colours\" and \"Sounds That I Hear\", this release includes the previously unreleased song \"Come on In\". \u003cbr\u003eBoth cd and vinyl come with a DVD featuring the original streamed session\u003c\/p\u003e\u003cp\u003e1. Machines and Men (A Day at the Beach)\r 2. Sunsets (A Day at the Beach)\r 3. Into the Unknown (A Day at the Beach)\r 4. Come on In (previously unreleased)\r 5. Colours (Identity  cd\/vinyl only)\r 6. 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Cole (steel guitar); Duncan McKay (keyboards); John Leach (cimbalom, kantele); Hilary Wetern, Smokey Parsons, Tony Rivers, John Perry, Stuart Calver, The English Choral and The New Philharmonia Chorus (background vocals).\u003cbr\u003eRecorded at Abbey Road Studios in London, England.\u003cbr\u003eConducted by Andrew Powell.\u003cbr\u003eAlan Parsons delivered a detailed blueprint for his Project on their 1975 debut, Tales of Mystery and Imagination, but it was on its 1977 follow-up, I Robot, that the outfit reached its true potential. Borrowing not just its title but concept from Isaac Asimov's classic sci-fi Robot trilogy, this album explores many of the philosophies regarding artificial intelligence -- will it overtake man, what does it mean to be man, what responsibilities do mechanical beings have to their creators, and so on and so forth -- with enough knotty intelligence to make it a seminal text of late-'70s geeks, and while it is also true that appreciating I Robot does require a love of either sci-fi or art rock, it is also true that sci-fi art rock never came any better than this. Compare it to Jeff Wayne's War of the Worlds, released just a year after this and demonstrating some clear influence from Parsons: that flirts voraciously with camp, but this, for all of its pomp and circumstance, for all of its overblown arrangements, this is music that's played deadly serious. Even when the vocal choirs pile up at the end of \"Breakdown\" or when the Project delves into some tight, glossy white funk on \"The Voice,\" complete with punctuations from robotic voices and whining slide guitars, there isn't much sense of fun, but there is a sense of mystery and a sense of drama that can be very absorbing if you're prepared to give yourself over to it. The most fascinating thing about the album is that the music is restless, shifting from mood to mood within the course of a song, but unlike some art pop there is attention paid to hooks -- most notably, of course, on the hit \"I Wouldn't Want to Be Like You,\" a tense, paranoid neo-disco rocker that was the APP's breakthrough. It's also the closest thing to a concise pop song here -- other tunes have plenty of hooks, but they change their tempo and feel quickly, which is what makes this an art rock album instead of a pop album. 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That time spent in the trenches was clearly not wasted, as the group displays an unprecedented level of tightness here in their writing, arrangements, and performance. This is something of a concept album, the theme being the hypocrisy and self-deception inherent in modern American society. The songs that tackle this concept most directly are James Young's bristling rocker \"Miss America,\" Dennis DeYoung's appropriately grandiose-sounding title tune, and \"Superstars,\" Tommy Shaw's evisceration of the rock star life.\u003cbr\u003eSome of the most effective songs here are Shaw's inspirational \"Fooling Yourself,\" the more obscure, moody tunes \"Castle Walls\" and \"Man in the Wilderness,\" and DeYoung's epic tale of interstellar experiences \"Come Sail Away,\" which would become one of the most loved songs in the band's catalog. 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CD 2 and LPs 2 and 3 consist of bonus, unreleased live content. These live tracks come from three stops on the Permanent Waves World Tour 1980: Manchester Apollo, Manchester, England; Hammersmith Odeon, London, England; and Kiel Auditorium, St. Louis, Missouri. Permanent Waves is the band’s first of many iconic visits to Le Studio recording studio in Morin Heights, Quebec which has been nicknamed Rush’s Abbey Road Studios. This super deluxe edition package includes a 20-page 5”x7” notepad as a collectible item, reproduced from a newly discovered piece of Le Studio letterhead. Two tour programs are also included in this package: the official 1980 World Tour program and the very rare, unofficial The Words \u0026amp; Pictures Vol II UK-only tour program. The super deluxe edition box set is rounded out with a 40-page hard cover book with unreleased photos and exclusive liner notes, 3 collectible band member replica backstage laminates, a 24”x36” poster and 3 Neil Peart handwritten lyric sheets. Permanent Waves is the band's seventh studio album, originally released on January 14th, 1980. It was recorded at Le Studio, Morin Heights, Quebec, and mixed at Trident Studios in London. The tracks were laid down just shy of four weeks, in part attributed to the idyllic working conditions of Morin Heights. The album marks a transition from long, conceptual pieces, into a more accessible, radio-friendly style. \"The Spirit Of Radio\" is one of the most commercial songs Rush has ever produced, containing sever The waving man in the background of the album cover is actually Hugh Syme, the band's long time design collaborator. Rush - Permanent Waves 40th Anniversary Deluxe Edition Vinyl 3 LPs \u0026amp; 2 CDs FEATURES: Deluxe Edition 3 LP 180 gram Vinyl 2 CDs Gatefold jacket 40 -page hardcover book Permanent Waves 40th Anniversary Deluxe Edition BONUS ITEMS Official Permanent Waves World Tour 1980 Program The Words \u0026amp; Pictures Volume II - U.K. Tour Program 3 Neil Peart Handwritten Lyric Sheet Lithos 3 Band Member Backstage Laminates Le Studio 20-page Notepad Double-sided 24\"x36\" Poster Permanent Waves 40th Anniversary Deluxe Edition TracksCredits - Disc 1 - 1 The Spirit of Radio 2 Freewill 3 Jacob's Ladder 4 Entre Nous 5 Different Strings 6 Natural Science - Disc 2 - 1 Beneath, Between \u0026amp; Behind (Live in Manchester) 2 By-Tor \u0026amp; the Snow Dog (Live in London) 3 Xanadu (Live in London) 4 The Spirit of Radio (Live in Manchester) 5 Natural Science (Live in Manchester) 6 The Trees (Live in Manchester) 7 Cygnus X-1 (Live in London) 8 Cygnus X-1 Book II (Live in London) 9 Closer to the Heart (Live in Manchester) 10 Jacob's Ladder (Live in Missouri) 11 Freewill (Live in London) - Disc 3 - 1 The Spirit of Radio 2 Freewill 3 Jacob's Ladder - Disc 4 - 1 Entre Nous 2 Different Strings 3 Natural Science - Disc 5 - 1 Beneath, Between \u0026amp; Behind (Live in Manchester) 2 Beneath, Between \u0026amp; Behind (Live in Manchester) By-Tor \u0026amp; the Snow Dog (Live in London) 3 Xanadu (Live in London) - Disc 6 - 1 The Spirit of Radio (Live in Manchester) a Passage to Bangkok (Live in Manchester) 2 Natural Science (Live in Manchester) 3 A Passage to Bangkok (Live in Manchester) 4 The Trees (Live in Manchester) - Disc 7 - 1 Cygnus X-1 (Live in London) 2 Cygnus X-1 Book II (Live in London) - Disc 8 - 1 Closer to the Heart (Live in Manchester) 2 Jacob's Ladder (Live in Missouri) 3 Freewill (Live in London)\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rush","offers":[{"title":"Default Title","offer_id":43799584178374,"sku":"N2R7R5-TCFV-00","price":200.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Rush-Permanent-Waves-40th-Anniversary-Super-Deluxe-Edition_nODUw.jpg?v=1762292776"},{"product_id":"atomic-rooster-in-hearing-of-vinyl","title":"In Hearing Of [Vinyl]","description":"\u003cp\u003eMuch less bombastic than the band's earlier releases, In Hearing Of is almost funky at times, with \"The Devil's Answer\" sounding like a meeting between Memphis soul and British rock. 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