{"title":"Recently Restocked","description":"","products":[{"product_id":"steve-miller-steve-miller-brave-new-world-vinyl","title":"Steve Miller - Brave New World [Vinyl]","description":"Steve Miller - Steve Miller - Brave New World [Vinyl] \u003cbr\u003eBarcode: 602567239031 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eSteve Miller Band: Steve Miller (vocals, guitar, harmonica); Lonnie Turner (bass, vocals); Ben Sidran, Nicky Hopkins (keyboards); Tim Davis (drums, vocals). 1969's BRAVE NEW WORLD is the album that not only fully integrates the blues-rock stomp and hazy trippiness of CHILDREN OF THE FUTURE and SAILOR, but also adds a newfound pop gloss. Indeed, elements of this album would reappear throughout Miller's stratospherically successful mid-'70s commercial heyday: the slyly humorous centerpiece rocker \"Space Cowboy\" was name-checked on \"The Joker,\" and the main riff of \"My Dark Hour\" (a studio collaboration between Miller and Paul McCartney) would later reappear as the intro to the huge hit \"Fly Like An Eagle.\" BRAVE NEW WORLD also benefits heavily from the contributions of famed British keyboardist Nicky Hopkins. Acid rockers like \"Can't You Hear Your Daddy's Heartbeat\" and \"Got Love 'Cause You Need It\" are wisely kept to the 2:30 mark, saving them from getting bogged down in the monotonous jamming that ruined so many albums of the period, while forward-looking experiments like the noise-rock interludes on the title track give the album a freshness that belies its recording date.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Steve Miller","offers":[{"title":"Default Title","offer_id":42452620017862,"sku":"X0GL1E-2DIG-00","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Steve-Miller-Brave-New-World_I0GMN.jpg?v=1779542815"},{"product_id":"atreyu-atreyu-suicide-notes-and-butterfly-kisses-lp-vinyl","title":"Atreyu - Suicide Notes And Butterfly Kisses [LP] [Vinyl]","description":"Atreyu - Atreyu - Suicide Notes And Butterfly Kisses [LP] [Vinyl] \u003cbr\u003eBarcode: 888072459373 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Atreyu","offers":[{"title":"Default Title","offer_id":42456657723590,"sku":"7PXWNW-FT6V-00","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Atreyu-Suicide-Notes-And-Butterfly-Kisses-LP_QaqI5.jpg?v=1779544217"},{"product_id":"creed-creed-my-own-prison-lp-vinyl","title":"Creed - My Own Prison [LP] [Vinyl]","description":"Creed - Creed - My Own Prison [LP] [Vinyl] \u003cbr\u003eBarcode: 888072441194 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Creed","offers":[{"title":"Default Title","offer_id":42456864129222,"sku":"MVX9IT-D0RO-00","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Creed-My-Own-Prison-LP_vy8FQ.jpg?v=1779545146"},{"product_id":"mobb-deep-mobb-deep-infamy-20th-anniversary-edition-2-lps-vinyl","title":"Mobb Deep - Infamy: 20th Anniversary Edition (2 Lp's) [Vinyl]","description":"Mobb Deep - Mobb Deep - Infamy: 20th Anniversary Edition (2 Lp's) [Vinyl] \u003cbr\u003eBarcode: 664425146912 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: 2LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mobb Deep","offers":[{"title":"Default Title","offer_id":42457086329030,"sku":"HN6LIR-0CEX-00","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Mobb-Deep--Infamy-20th-Anniversary-Edition-2-Lps_jnC1F.jpg?v=1779546061"},{"product_id":"the-chemical-brothers-the-chemical-brothers-no-geography-2-lp-vinyl","title":"The Chemical Brothers - No Geography [2 LP] [Vinyl]","description":"The Chemical Brothers - The Chemical Brothers - No Geography [2 LP] [Vinyl] \u003cbr\u003eBarcode: 602577286919 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Chemical Brothers","offers":[{"title":"Default Title","offer_id":42458278920390,"sku":"2PVE2Q-EXGQ-00","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/The-Chemical-Brothers-No-Geography-2-LP_FfkpE.jpg?v=1779546686"},{"product_id":"kenny-burrell-kenny-burrell-midnight-blue-blue-note-classic-vinyl-edition-lp-vinyl","title":"Kenny Burrell - Midnight Blue (Blue Note Classic Vinyl Edition) [LP] [Vinyl]","description":"Kenny Burrell - Kenny Burrell - Midnight Blue (Blue Note Classic Vinyl Edition) [LP] [Vinyl] \u003cbr\u003eBarcode: 602435799087 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kenny Burrell","offers":[{"title":"Default Title","offer_id":42458470547654,"sku":"Z2R29W-WH5H-00","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Kenny-Burrell-Midnight-Blue-Blue-Note-Classic-Vinyl-Edition-LP_TkKv0.jpg?v=1779547277"},{"product_id":"primus-primus-tales-from-the-punchbowl-2-lp-vinyl","title":"Primus - Tales From The Punchbowl [2 LP] [Vinyl]","description":"Primus - Primus - Tales From The Punchbowl [2 LP] [Vinyl] \u003cbr\u003eBarcode: 602557670417 \u003cbr\u003e\u003cbr\u003e\u003cp\u003ePrimus: Larry Lalonde (guitar, 6-string banjo); Les Claypool (4-string , 6-string, fretless \u0026amp; acoustic basses, bass banjo); Tim \"Herb\" Alexander (drums).\u003cbr\u003e\"Wynona's Big Brown Beaver\" was nominated for a 1996 Grammy Award for Best Hard Rock Performance.\u003cbr\u003eThis is an Enhanced CD, which contains regular audio tracks and multimedia computer files.\u003cbr\u003ePrimus: Larry Lalonde (guitar, 6-string banjo); Les Claypool (4- \u0026amp; 6-string, fretless \u0026amp; acoustic basses, bass banjo); Tim \"Herb\" Alexander (drums).\u003cbr\u003e\"Wynona's Big Brown Beaver\" was nominated for a 1996 Grammy Award for Best Hard Rock Performance.\u003cbr\u003ePrimus continues down its path of the quirky song. Bass phenom Les Claypool and his cohorts have previously Frizzle Fried, Sucked, and Sailed The Seas Of Cheese. Now, it seems, they have been to the Punchbowl, and have lived to tell its Tales. If you could take an element of Doctor Seuss, add some Fishbone and a bit of Tom Waits, you'd probably get something very strange, totally unlike Primus--but probably the nearest thing possible. They have harnessed the all-mighty powers of weirdness, and have made them their own: \"It's alright,\" they say, \"don't fear the worm.\"\u003cbr\u003ePrimus' strength lies in their ability to mix and mask the frivolousness that comes from their peculiarity with seriously dangerous music. This is loud funk, heavy funk, driving, grooving, smelly funk. Your body will move, your brain will smile. The threesome can sound like a singular voice or a multitude of synchronous twists. Each member is a stunning instrumentalist. 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Mike Henderson, who plays mandolin, resophonic guitar, and harmonica and also co-writes the majority of the band's original tunes, was one of the founders of the Dead Reckoning label, an alt-country label that released some of the best non-Nashville country albums of the '90s. That maverick approach is evident in the sounds the Steeldrivers generate here. The tempos on Reckless are more varied than those on their self-titled debut, but even the slower tracks pack the big emotional punch that bluegrass fans love, the kind of feeling that used to make country music dangerous. Case in point: \"Guitars, Whiskey, Guns and Knives,\" a midtempo romp that manages to celebrate and caution against excess at the same time, with quite a bit of dark humor. Chris Stapleton sings lead with a powerful low tenor that's equal parts country and bluegrass. \"Ghosts of Mississippi\" takes us down to the crossroads at midnight with Richard Bailey playing haunted bluesy banjo to complement the dark harmonies of Henderson and Stapleton. \"Good Corn Liquor\" is a brooding tale of moonshine and marginal living. A good man turns to illegal activity to save his family only to die at the hands of an overzealous sheriff. The tune is delivered with a deadpan grace that intensifies its message. On the brighter side there's \"Higher Than the Wall,\" an ode-to-true-love song cast in the mode of a jailhouse song. Fiddler Tammy Rogers joins Henderson and Stapleton on the high harmonies, and while the tempo is measured, the message is uplifting. Rogers' hot fiddling, Bailey's banjo, and Stapleton's vocal add a jubilant sense to \"Angel of the Night\" that's intensified by the hint of ragtime in the rhythm bassist Mike Fleming lays down. \"Where Rainbows Never Die\" takes a clear-eyed look at mortality with a spiritual, rather than religious, feel. 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Formed in Georgia in the early '90s with principal songwriter\/lead vocalist Ed Roland at the helm, Collective Soul delivered some of the best melodic modern rock hits of the '90s. 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On his fourth album, Ellison not only peels away layers from his sound but organizes his tracks into a gracefully flowing sequence. The producer once again draws from numerous instrumentalists and vocalists, from Brainfeeder associates Stephen \"Thundercat\" Bruner and Austin Peralta to the likes of Erykah Badu and Thom Yorke. Bruner has the most presence. His tremulous basslines are on nine of the album's 18 tracks, and his spaced-out, quasi-oracular vocals poke through on occasion, such as on an 80-second track that is titled after a natural psychedelic compound and references the title of Ellison's 2010 EP. True to Flying Lotus form, Bruner's voice, as well as those of everyone else, is made to sound phantasmal rather than spotlit. While much of the material on Ellison's previous three albums came across like brief and isolated ideas with an impact unaffected by the shuffle function, the shorter pieces here act more like true connectors or proper set-ups\/interludes. The 12 minutes from \"See Thru to U\" through \"Only if You Wanna\" make for the album's least divisible section. It begins with lithe and slightly unsettling pattering and closes with a futuristic, organic-synthetic jazz trio piece. Somewhere in the middle, there's \"The Nightcaller,\" the closest the album gets to dancefloor funk like Cosmogramma's \"Do the Astral Plane\" -- that is, until the last minute, when the gliding\/chugging beat stammers and switches to a delirious strut. For all the elegiac and turbulent moments, several tracks, including the majestically wistful \"Getting There\" and the cascading \"Until the Colours Come,\" are gorgeously starry and even lullaby-like, laced with ear-perking flourishes. And then there's the alien critter voice on \"Putty Boy Strut,\" and the bizarrely bleak and comical \"Electric Candyman,\" featuring Yorke, which arouses some serious cognitive dissonance by provoking thoughts of Tony Todd and Beyonc? 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(Demo) [2015 Remaster] - By A-Ha 6 Presenting Lily Mars (Rendezvous Demo) - By A-Ha - Disc 7 - 1 Take on Me (Single Version) [2015 Remaster] - By A-Ha 2 Take on Me (1984 Single Mix) [2015 Remaster] - By A-Ha 3 Stop! and Make Your Mind Up (2015 Remaster) - By A-Ha 4 Take on Me (1985 Single Mix) [2015 Remaster] - By A-Ha 5 Take on Me (Instrumental) [2015 Remaster] - By A-Ha 6 The Sun Always Shines on T.V. (Single Mix) [2015 Remaster] - By A-Ha - Disc 8 - 1 The Sun Always Shines on T.V. (Extended Version #1) [2015 Remaster] - By A-Ha 2 Driftwood (2015 Remaster) - By A-Ha 3 The Sun Always Shines on T.V. (Extended Version #2) [2015 Remaster] - By A-Ha - Disc 9 - 1 The Sun Always Shines on T.V. 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Lead by acclaimed guitarist and vocalist Ripley Johnson, Rose City Band are some of the best players in contemporary rock: pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg, bassist Dewey Mahood (aka Plankton Wat), drummer Dustin Dybvig, and features Sanae Yamada of Moon Duo on Synthesizer. At its inception Rose City Band focused on what songwriter Johnson calls ‚Äúporch music‚Äù. Recorded largely at Center for Sound, Light, and Color Therapy in Portland and mixed by John McEntire, Garden Party features guest appearances by Moon Duo bandmates John Jeffrey on drums and Sanae Yamada on synths, as well as Rose City Band live performers Hasenberg on keyboards and Walker on pedal steel. With the musicians in his life in mind, Ripley‚Äôs porch has opened up for each player to step into. 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Engineers include: Christopher Fogel, Glen Ballard. Recorded at Westlake Studios and Signet Sound, Hollywood, California. JAGGED LITTLE PILL won the 1996 Grammy Awards for Album Of The Year and Best Rock Album. \"You Oughta Know\" won the Grammys for Best Rock Song and Best Female Rock Vocal Performance. \"You Oughta Know\" was also nominated for Song Of The Year, and Alanis Morissette was nominated for Best New Artist. \"Ironic\" was nominated for the 1997 Grammy Award for Record Of The Year. With exuberant vocal gymnastics, Alanis Morissette offers chilling monologues from an outspoken and aggressive young performer. Her straight-for-the-jugular lyrical stance is given ample room to flex its muscles, and because of that very fact, JAGGED LITTLE PILL is indeed a tricky swallow. Pushed into the public eye by the scathing single \"You Oughta Know,\" Morissette's American debut (she had two Canadian releases as a teen popster) lives up to its title. 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Additional personnel: Frank De Lamora, Enrique Santiago (programming). Recorded at Groovemaster Studios, Chicago, Illinois. Alternative metal exploded during the late '90s thanks to groundwork laid by groups like Nine Inch Nails, White Zombie, and Rage Against the Machine, and as record companies scrambled to find the next Korn or Limp Bizkit, the genre became clogged with legions of similar-sounding bands, all trying to find just the right blend of low, heavy guitar riffs, rap-metal, industrial, and intense aggression. Often, those attempts could result in sounds that seemed too calculated and self-consciously cobbled together to feel natural; plus, inventive production was frequently employed to disguise many songs' lack of memorable hooks. The Sickness, the first entry by Chicago's Disturbed in the alt-metal sweepstakes, thankfully avoids those common pitfalls, turning in a mixture of raw, gut-level metal and industrial\/electronic backing that feels logical and integrated. 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