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Few could have known that this, Madlib's solo debut, would be just the first album in a rich catalog of music spanning from hip-hop to jazz, with wild experimentation and collaborations with MF DOOM \u0026amp; J Dilla. The identity of Quasimoto himself was a bit of a mystery - maybe he was Madlib, maybe he wasn't. Maybe it's none of our business. In fact, Madlib created Quasimoto as someone to rap on his beats for his own private listening while living in Oxnard and Santa Barbara in the 1990s. 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Roman Candle is now remastered for the re-release by Roger Seibel (SAE) and Larry Crane, editor of Tape Op Magazine and archivist for Elliott's family. Roman Candle had quite an impact on Slim Moon, Kill Rock Stars'founder: \"In 1994, I had been asked to be on this five-person solo-act tour called Pop Chord with Tammy Watson, Carrie Akre, Sean Croghan and Elliott Smith. The first night at the Crocodile in Seattle, I didn't pay too much attention and people talked all thru Elliott's set. Sean Croghan got up next and said \"all of you people who just talked through Elliott's set are bummed because you just missed something very, very special.\" The next night of the tour, at The Bottom Of The Hill in San Francisco, I listened very closely to Elliott's set, and it was basically one of those lifechanging moments. Instead of watching the rest of the performers, I went out to the tour van and popped Roman Candle into the player, and listened to it on endless repeat for the rest of the evening and beyond. It completely blew my mind. 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Will’s first love, rendered in the vivid teenage viscera of stolen gin, bruised shins, and weird sex, was an event documented like a snapshot in time. Twin Fantasy is deeply, truly adored. The album has been downloaded over 33k times on Bandcamp, where the comments left by fans feel like testimonials. Legions of reverent listeners carve rituals out of it: sobbing over “Famous Prophets,” making out to “Cute Thing,” dancing their asses off as “Bodys” climbs higher, higher. The distortion hardly matters. You can hear him just fine. You can hear everything. And you can feel everything: his hope, his despair, his wild overjoy. You might be imagining an extended diary entry, an angsty transmission from a bygone LiveJournal set to power chords and cranked to eleven. You would be wrong. Twin Fantasy is not a monologue. Twin Fantasy is a conversation. You know, he sings, that I’m mostly singing about you. This is Will’s greatest strength as a songwriter: he spins his own story, but he’s always telling yours, too. Between nods to local details - Harper’s Ferry, The Yellow Wallpaper, the Monopoly board collecting dust in his back seat - he leaves room for the fragile stuff of your own life, your own loves. From the very beginning, alone in his bedroom, in his last weeks of high school, he knew he was writing anthems. Someday, he hoped, you and I might sing these words back to him. Twin Fantasy: Mirror to Mirror will be available on colored vinyl for the first time ever, only the second ever vinyl pressing of the album. 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As drummer Sam Frederick stamps out an enormous beat and chords - strummed by Cody Millet, Scott Ayotte, and Chris Hoffman - clamor around him, Holden sings, \"I called in sick from your funeral \/ tradition of closure made it feel impossible...\/ I should have never kept my word to you \/ Not a cry not a sound \/ Might've learned how to swim but never taught how to drown \/You said remember me for me, I need to set my spirit free.\"\u003cbr\u003e\n\u003cbr\u003e\nBy making political statements through personal explorations, The Hotelier has not only make a uniquely political record, but also a subtler, more successful one.\u003c\/div\u003e\n        \n        \u003cul\u003e\n          \u003cli\u003e\n\u003cstrong\u003eArtist:\u003c\/strong\u003e The Hotelier\u003c\/li\u003e\n          \u003cli\u003e\n\u003cstrong\u003eLabel:\u003c\/strong\u003e Dreams Of Field\u003c\/li\u003e\n          \u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/li\u003e\n          \u003cli\u003e\n\u003cstrong\u003eFormat detail:\u003c\/strong\u003e LP, Evergreen Vinyl\u003c\/li\u003e\n          \u003cli\u003e\n\u003cstrong\u003eRelease date:\u003c\/strong\u003e 2025-09-05\u003c\/li\u003e\n        \u003c\/ul\u003e","brand":"The Hotelier","offers":[{"title":"Default Title","offer_id":47333769085126,"sku":"634457220683","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/201374763475.jpg?v=1789828394"},{"product_id":"car-seat-headrest-teens-of-denial-vinyl","title":"Teens Of Denial [Vinyl]","description":"\u003cdiv class=\"redeye-blurb\"\u003eWith Teens of Denial, his first real “studio” album with an actual band, Will Toledo moves from bedroom pop to something approaching classic rock grandeur and huge (if detailed and personal) narrative ambitions, with nods to the Cars, Pavement, Jonathan Richman, Wire, and William Onyeabor. Teens of Denial refracts Toledo’s particular, personal story of one difficult year through cultural touchstones such as the biography of Frank Sinatra, the evolution of the Me Generation as seen in Mad Men and elsewhere, plus elements of eastern and western theology. The whole thing flaunts a kind of conceptual, lyrical, and musical ambition that has been missing from far too much 21st-century music. Horns, keyboards, and elegant instrumental interludes set off art-garage moments; vivid vocal harmonies follow punk frenzy. The selfish captain of the capsized cruise liner in the Mediterranean in 2013 becomes a metaphor for struggles of the individual in society, as experienced by one hungover young man on the verge of adulthood. The album was produced by Steve Fisk (Nirvana, Beat Happening, Soundgarden) at his studio in Seattle, July-September 2015. 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