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Through a series of improvised jam sessions in the ground floor of Nidia's home, the hybridization of their music became an obvious path-born from a shared desire to reveal to attentive listeners the strength of this human and musical encounter. This first chapter, released on ZZK Records-a label renowned for uncovering South American gems (Son Rompe Pera, Nicola Cruz, La Yegros...)-is carried by the singular writing and timbre of Nidia Góngora. Across the tracks, each element of the ensemble finds it's rightful place: the power of Colombian Pacific percussion and the poetry of the marimba de chonta catch us around a savory guitar riff never far from West Africa; the strength of the voices is heightened by layers of electronic textures; while drums interlock with bass keys to provide a double engine for the eponymous vessel, Nuevos Ríos. 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Drawing inspiration from late '90s club culture - the kind of grooves you might have heard on a Wednesday night at Kenny and Luke's influential Space nights at Bar Rhumba - the track channels the spirit and energy of pivotal outfits such as Fresh \u0026amp; Low or Soul Capsule. Tight, bouncing drums, shuffling hi-hats and sweeping synths combine for a driving, stripped back burner. Flipping to the B-side, 'Crispy Pancakes' takes a sharp turn into mutant disco territory. A crunchy kick, tight 808 hats and driving analog percussion form the backbone, while a looped live bass sample adds the raw energy. When the drop lands, the track dives deep with arpeggiated synth lines and unmistakable Underground Resistance-style pads, delivering an uplifting and euphoric moment primed for peak-time floors. Closing out the EP, 'Far Side' lowers the tempo for a sublime slice of deep disco house. Rich in samples, layered percussion and textured FX, it's a track designed for warm-ups, wind-downs, or those moments when the dancefloor drifts inward. Hypnotic and immersive, this is one to get lost in. Once again, Jimpster delivers deeply musical club music, effortlessly weaving together different sounds and influences. 'Bassic Rollers' is four tracks of sublime goodness - timeless, deep, and unmistakably crafted by a true master of the genre.Tracklisting:A1. Out And AboutA2. Heads DownB1. Crispy PancakesB2. 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Born in 1875, Guido Alberto Fano emulated the model of his teacher Martucci in pursuing a multi-faceted career as composer, conductor, pianist and teacher. At the age of 30 he became director of the conservatoire in Parma before transferring, in 1916, to the Sicilian city of Palermo. A year later he wrote this powerful and turbulent Piano Quintet, which sets out in a broad, contented and Brahmsian vein of expression before venturing into more troubled and chromatically contemporary harmonies, to which a finale brings resolution via a noble chorale theme. At the Quintet's climax, this theme soars over the texture on a solo trumpet, in a stroke of instrumental imagination which anticipates Honegger's Second Symphony by two decades - and indeed the 45-minute Quintet has the dimensions of a 'veiled symphony' in the manner of Brahms's early chamber works and sonatas. Wistful, major-minor Brahmsian motifs and harmonies still permeate the String Quartet which Fano composed in 1941 - another distinctively 'wartime' work - but whether through age or experience they are suffused with a late-style radiance which brings the style of the Quartet closer to Richard Strauss and Debussy. The Ensemble Mark Rothko is a flexible line-up of Italian musicians who specialising in reviving forgotten chamber works of the late 19th and early 20th century. 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Comprised of seven solo flute pieces, the album offers a concentrated snapshot of Deák's musical world-one shaped by classical training, experimentation, improvisation, and folk influences.The project began taking shape in 2021, as Deák moved away from the polished ideals of classical performance toward a more personal and exploratory approach. Early fragments only revealed their meaning in front of an audience, whose responses encouraged her to continue developing the material. With over 15 years of musical experience, Deák combines technical precision with a willingness to embrace vulnerability and chance.Breathing lies at the heart of Brisk. More than a functional necessity, it becomes an expressive and structural force. Through close listening, breath feels tactile and intimate, placing the performer almost within reach. Techniques such as circular breathing, overblowing, harmonics, singing while playing, and wind tones allow the flute to unfold into multiple voices, while percussive key clicks provide a steady rhythmic pulse.Deák foregrounds sounds often excluded from classical music-breathy tones, unstable pitches, squeaks, and audible inhalations-treating them as essential expressive tools. This focus reflects her long-term exploration of the flute's physical and expressive limits and connects directly to her ongoing solo practice, The Breathing Project, of which Brisk is a distilled release.Active across classical, contemporary, jazz, and experimental scenes, Deák has collaborated with ensembles including Konstmusik-systrar and the VENI ensemble, and performed at festivals such as Norbergfestival and Ung Nordisk Musik.Across it's seven pieces, Brisk balances immediacy and rigor, inviting focused listening while remaining open and bodily. 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In this edition, Christian Zacharias brings every intimate and exuberant moment to life with unparalleled sensitivity. Listeners will be captivated by the lyrical depth and poetic nuance of each movement.ClarityRecorded in the historic Salle Metropole with MDG's signature audiophile approach, this release delivers an immersive, natural sound. Newly remixed and mastered for Super Audio CD, every note resonates with clarity, depth, and spatial precision. The result is a listening experience that feels both immediate and timeless.SynergyZacharias' long-standing partnership with the Orchestre de Chambre de Lausanne shines throughout these performances. The orchestra provides an attentive, finely balanced accompaniment, allowing the pianist's interpretation to flourish. This synergy transforms every passage into a vivid, emotionally engaging musical dialogue.LegacyOriginally recorded in 2003, this edition preserves the freshness and brilliance of the original sessions. It is a milestone in MDG's Preziosa series, offering a rare combination of historical insight, artistic excellence, and technical mastery. 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Living and working in the Soviet Union, he was constantly caught between personal artistic expression and the demands of a highly restrictive political system. His music often reflects this tension, combining sharp irony, deep tragedy, and moments of bleak humor. Among his chamber works, the two piano trios hold a special place, offering an intimate window into his emotional world at two very different stages of his life.Shostakovich's Piano Trio No.1 in C minor, Op.8, was composed in 1923, when he was only sixteen years old. Despite his youth, the trio already shows remarkable maturity. Written in a single movement, it reveals a lyrical and introspective character, strongly influenced by late Romantic traditions. Long, singing melodies and rich harmonies dominate the work, especially in the piano part. More than twenty years later, in 1944, Shostakovich composed the Piano Trio No.2 in E minor, Op.67, one of his most powerful chamber works. Written during World War II and dedicated to the memory of his close friend Ivan Sollertinsky, the trio confronts themes of death, grief, and suffering. It's four movements range from haunting stillness to violent intensity. The final movement is particularly striking, incorporating Jewish musical elements that suggest both mourning and bitter irony, possibly alluding to the atrocities of the Holocaust.Also included are the 7 Romances on Poems by Alexander Blok, a vocal cycle for soprano, violin, cello, and piano in which each piece explores a different instrumental combination - from duos to the full ensemble. In these Romances, music becomes inward speech - whispered, often suspended over silence. Blok's poems, filled with dreamlike visions and disturbing symbols, become the very fabric of the composition: each word, each image, finds it's sonic counterpart in a language of subtle timbres, controlled dissonance, and unresolved tension. The result is a cycle of miniature music-theatre scenes in which the voice and instruments do not merely accompany, but engage in dialogue.Played with great intensity and commitment by the Trio Kanon and soprano Irina Dubrovskaya.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758969321\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Trio Kanon","offers":[{"title":"Default Title","offer_id":45620354613446,"sku":"123432689","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4498118-3540813.jpg?v=1773347426"},{"product_id":"pre-order-greatest-hits-wonder-uk-lp","title":"Pre-Order: Greatest Hits - Wonder (Uk) [LP]","description":"\u003cp\u003eThe album Greatest Hits - Wonder is more than a collection - it is a musical journey, bringing together the 10 most treasured songs Invisible Hands Music releases that have touched hearts worldwide. Invisible Hands Music is proud to have enjoyed a dynamic and enduring partnership with Libera, spanning six acclaimed studio albums distributed across more than 200 territories. Each song on embodies the passion, artistry, and collaboration that have driven remarkable achievements - from multiple No.1 chart positions to \"Album of the Week\" features in major markets including the UK, Japan, and the USA. 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Comprised of seven solo flute pieces, the album offers a concentrated snapshot of Deák's musical world-one shaped by classical training, experimentation, improvisation, and folk influences.The project began taking shape in 2021, as Deák moved away from the polished ideals of classical performance toward a more personal and exploratory approach. Early fragments only revealed their meaning in front of an audience, whose responses encouraged her to continue developing the material. With over 15 years of musical experience, Deák combines technical precision with a willingness to embrace vulnerability and chance.Breathing lies at the heart of Brisk. More than a functional necessity, it becomes an expressive and structural force. Through close listening, breath feels tactile and intimate, placing the performer almost within reach. Techniques such as circular breathing, overblowing, harmonics, singing while playing, and wind tones allow the flute to unfold into multiple voices, while percussive key clicks provide a steady rhythmic pulse.Deák foregrounds sounds often excluded from classical music-breathy tones, unstable pitches, squeaks, and audible inhalations-treating them as essential expressive tools. This focus reflects her long-term exploration of the flute's physical and expressive limits and connects directly to her ongoing solo practice, The Breathing Project, of which Brisk is a distilled release.Active across classical, contemporary, jazz, and experimental scenes, Deák has collaborated with ensembles including Konstmusik-systrar and the VENI ensemble, and performed at festivals such as Norbergfestival and Ung Nordisk Musik.Across it's seven pieces, Brisk balances immediacy and rigor, inviting focused listening while remaining open and bodily. 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Bach \u0026 C.P.E. Bach: Organ [CD]","description":"\u003cp\u003eA quartet of German Baroque masters at their most daring and outlandish, exploring the harmonic quirks of mean-tone temperament on the organ.Manuel Tomadin has assembled an impressive library of Baroque-era albums on Brilliant Classics, including critically acclaimed surveys of Bach and comprehensive documents of the surviving output of lesser-known names such as Christian Erbach and Vincent Lubeck. 'A very attractively conceived and well-executed Bach organ recital disc,' noted Fanfare of Manuel Tomadin's diverse recital (95786): 'All recital discs should be this thoughtfully conceived and well done; cordially recommended.'In the same vein, this new recording leads the listener through both unfamiliar and well-known names and works, drawing out the original meaning of the term Baroque as 'the broken pearl' - something strange and exquisite. At a time before the 'even-tempered' system of tuning homogenised the spaces between different intervals - some of them being narrower or wider than others in what is known as 'mean-tone' temperament - composers such as Buxtehude might exploit those idiosyncrasies to produce harmonies which were deliberately awkward or dissonant. Manuel Tomadin has chosen the Praeludium in E BuxWV141, the Praeludium in F sharp minor BuxWV146 and a chorale prelude, Nun bitten wir den heiligen Geist BuxWV208, to illustrate this point. The most unfamiliar name here is Johann Heinrich Buttstett (1666-1727) - Capellmeister in the central-German town of Erfurt - who defended conservative theories of musical evolution as a writer and teacher, but also produced works which sound quite radical for their time, such as an extensive Praeludium and Canzona in D minor.JS Bach is represented here by a pair of organ preludes and fugues (BWV534 in F minor and BEV547 in C major) from his Weimar period - relatively early in his career, but no less experimental for that. The search for harmonic extremes was continued by the most radically inventive of his sons, Carl Philipp Emanuel, and Manuel Tomadin demonstrates this continuity with the chorale prelude 'Ich ruf zu dir'. 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It's majestic sound and historical significance continue to attract musicians, scholars, and visitors from around the world.The program presents works by Johann Sebastian Bach, in connection with Bach's predecessors, composers who influenced and inspired him: Girolamo Frescobaldi (Capriccio XI), Nicholaus Bruhns (Praeludium in E minor), Dietrich Buxtehude (Ciacona in E minor), and Georg Bohm (Choralvorpsiel, Preludium in C major). A beautifully compiled program, offering a journey over the musical path which ultimately led to the towering genius of Johann Sebastian Bach!Organist, composer, and conductor, Nicola Dolci has an active international concert career, both as a soloist and as an organist, conductor, and continuo player with various European ensembles. He is professor of Organ at the Pontifical Institute of Sacred Music in Rome and at the \"Scuola Diocesana di musica Santa Cecilia\" in Brescia. 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