{"title":"09\/18\/2026","description":null,"products":[{"product_id":"pre-order-nutcracker-unwrapped-winter-tales-from-around-lp","title":"Pre-Order: Nutcracker Unwrapped - Winter Tales From Around [LP]","description":"\u003cp\u003eThe new album of saxophonist Asya Fateyeva, with the Staatsphilharmonie Rheinland-Pfalz, presents a brand-new version of the hit Nutcracker by Tchaikovsky, arranged by composer Wolf Kerschek. 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Renowned for their virtuosictechnical demands and psychological depth, the sonatas are considered a cornerstone of the 20th-century piano repertoire. The famous \"War Sonatas\" (Nos. 6, 7, and 8) are among his most significant and powerful works.Acclaimed pianist Carlo Grante is celebrated for his vast repertoire, commanding technique, and scholarly interpretations. A prolific recording artist, he is particularly renowned for making the first-ever complete recordingof Domenico Scarlatti's keyboard sonatas performed by a single pianist. In addition to Scarlatti, his recordings cover a vast spectrum of composers, from established masters like Mozart, Chopin, Liszt, and Brahms to lesser known composers and contemporary figures like Busoni and Godowsky. 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Raised in Dallas, Texas, but having worked throughout the Los Angeles music scene for almost a decade, Max Naseck, joined by guitarist Brandon Bae and drummer Julian Allen, brings his new trio project to life. After chasing this sound and style of playing for several years, Appropriately given the name \"The Left Hand of God\" by some of his musical peers, Max takes the classic soul jazz trio setting of holding down both the bass and melody elements and moves them to a unique combination of funky Moog synth (Key bass) and a Wurlitzer 200A electric piano. This 45 provides a fresh yet retro sound that is sure to leave listeners grooving and locked in.\u003c\/p\u003e\u003cp\u003eFrom the first notes and tight 4-on-the-floor rhythm, \"Monkey Part 2\" kicks off the A-side with a unique psychedelic blend of soul, funk, and a touch of disco. 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To confuse the performance of darkness with it's actual weight. Hidden Fires Burn Hottest, the new album from San Francisco-based post-black metal band Bosse-de-Nage, sidesteps this entirely. It's the group's most fully realized work yet, precisely because it refuses to be pinned down.Bosse-de-Nage have been working with The Flenser for over fifteen years. They were one of the first bands the label ever partnered with and have the longest active relationship in the label's history. But unlike most bands who build momentum through constant touring and visibility, Bosse-de-Nage has largely existed apart from the music world's usual machinery. They've evolved on their own terms, in relative isolation, allowing the work to develop without outside pressure or influence. What began rooted in black metal anonymity has mutated into something that actively defies categorization. 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For the first time, lyricist Bryan Manning wrote everything in advance, creating a surplus to pull from rather than working under deadline pressure. The difference shows.Coming off Further Still, an album built on constraint and economy, Bosse-de-Nage sought the opposite: sprawl, strangeness, fewer rules. Space for ideas to develop without rushing them. Dynamics that move through quiet as much as noise. Presence earned through atmosphere instead of volume. The record even includes \"Mementos,\" which might be considered the first love song the band has ever written.Nothing here coheres into a theme. These are pieces pulled from low moments and private feelings made public through sound. The band has never been interested in positivity, in music that resolves cleanly or offers comfort. But bleakness doesn't mean humorlessness. There's something darkly funny running through much of it, even when it shouldn't be.Hidden Fires Burn Hottest doesn't explain itself. 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He has received numerous awardsand honors, including the rare Jan Johansson Prize, the Swedish Radio Guldkatten Award, and The Royal Swedish Academyof Music's Grand Prize. His solo album Alone became a cult classic and was named Record of the Year in all categoriesworldwide in 1991. #https:\/\/ecmrecords. #com\/artists\/anders-jormin\/New York legend Chris Speed is a tenor saxophonist, clarinetist, and composer. His work spans widely rooted in jazz, yetextending into various forms of folk, classical, and rock music. Speed is associated with a wide range of ensembles and hasbeen a prominent and influential voice in jazz and improvised music for over three decades. #https:\/\/www. #chrisspeed. com\/Pianist and composer Simon Toldam is one of Scandinavia's most exciting and acclaimed musicians. He has released 17albums, five of which have won Danish Music Awards, including Orchestra of the Year 2021 and Best Album 2019. 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Above the door there was a painting by Helgi which inspired Sveinn Ludvik deeply; he had the sense it was very somber in it's mood-a naked woman with her back turned. Moved by the scene he wrote Tranquility. Later, when discussing the piece with Helgi and admiring the tragic impact of the naked woman in the picture, Sveinn was shocked to discover that the painting, in fact, was of bananas and oranges.Veronique Vaka Jacques, a Canadian-Icelandic composer and trained classical cellist, grounds her work in the geology and topography of Iceland. In Ofdune (track 9), a map of North Iceland serves as groundwork, with the geographical details of a descending river abstractly translated into the work's time progression, using the river's path through hills and valleys as a loose blueprint. 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It started a phenomenal run of success which has included two BRIT Awards, three Grammy nominations, a Silver Clef, eight ARIA Awards, seven million sales of her debut album 'Left of the Middle', and a #1 for 'Counting Down The Days'. Recent times have seen her back in the spotlight, having performed alongside Olivia Rodrigo. It's the perfect time for a new chapter, which starts with the news that she will release her new album 'Algorithm'. She launches the record with it's lead single 'Upside Down'. 'Algorithm' finds Natalie Imbruglia in a new era: one of empowerment, freedom and creative fulfillment. The Australian-British pop icon's first album in five years is a tour de force, a deeply personal record to remind us precisely why we fell in love with her in the first place. It comes as the cultural zeitgeist shifts and pop edges back towards the dancefloor, it's direction feeling in tune with the sophisticated pop, disco and house leanings of Robyn. 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