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It all began with a misunderstanding. In the early 1980s Frank Zappa came across an entry on \"Zappa\" in the New Grove Dictionary, only to discover it concerned an obscure 18th-century Milanese composer of almost the same name. Convinced he had found an ancestor, Frank investigated Francesco Zappa and in 1984 devoted an entire album to him (his 42nd) - saving him from oblivion and, as he proudly noted, producing his first recording in over 200 years. Some forty years later, that misunderstanding inspired this Il Pomo d'Oro project: a recording adventure bringing together Francesco's galant music, Frank's 'contemporary' works for string quintet, and some original compositions, where all hierarchies are abandoned. Giovanni Sollima, a native of Palermo like Frank's family, brings his own sound world in dialogue with both Zappas. Vanni Moretto, a Milanese like Francesco and a leading expert on 18th-century Milanese music, imagines a posthumous revenge: what if Francesco had rewritten Frank's music? He does precisely that, composing a sinfonia concertante to match Francesco's own. On Wild Love the two friends serve Francesco entirely - Giovanni Sollima as cellist, Vanni Moretto as music director - ensuring that Francesco Zappa is at last rediscovered, restored, and no longer anyone's phantom.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3760195736005\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Arcana Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.9.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Giovanni Sollima","offers":[{"title":"Default Title","offer_id":45933379813574,"sku":"223910207","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4520479-3614339.jpg?v=1781305650"},{"product_id":"pre-order-the-bridge-cd","title":"Pre-Order: The Bridge [CD]","description":"\u003cp\u003eThe Bridge is the purest version of Tobe Nwigwe as a creative. 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It is also because of Dave's passing that 'Danceteria' simply has to be the last Soft Cell album, as Marc explains: 'There can be no more recordings of Soft Cell without Dave, it would not be possible. 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I think the sparseness aptly reflects the solitude that is required of that kind of healing--although there are of course a couple songs that required a team to put together and feel right.”\u003c\/p\u003e\r\n\u003cp\u003eFrom the very beginning, fans have fallen in love with Jensen McRae for the sharp, evocative and clear-eyed songwriting. \"The most profound choices of my life often felt like things I did before I was ready to do, and I had to grow into them,” says McRae. Her songs have a way of giving shape to these leaps, cliff jumps and trust falls, and on her 2025 album, I Don’t Know How But They Found Me!, Jensen McRae went further than ever, evolving from a promising young artist to a fully grown songwriter and star.\u003c\/p\u003e\r\n\u003cp\u003eAn avid journaler, McRae has been breathlessly documenting her existence since she was 18. Her first album, Are You Happy Now?, was a mission statement for the artist who grew up an automatic outsider: a Black Jewish girl from Los Angeles, hellbent on making folk music in spite of the world's attempts to box her into other, more stereotypically Black genres. McRae looked to her songwriting heroes (Alicia Keys, Carole King, James Taylor, Stevie Wonder) to build a sonic world all her own. As her audience grew and with myriad doors began unlocking, it \"became the record of my coming-of-age. But it was a quiet coming-of-age, one that mostly took place inside my own head.\"\u003c\/p\u003e\r\n\u003cp\u003eNext, I Don’t Know How But They Found Me! took place against the backdrop of romantic turbulence and McRae's rapidly growing audience. \"I had never been in love before,\" McRae said. \"Not really. And then I had two life-altering relationships back to back in my early twenties. This album was primarily an exploration about how love and intimacy knock the wind out of you, can take your legs out from under you.\" She has also had multiple viral moments, including in the run up to writing I Don’t Know How But They Found Me!, when McRae posted a solo verse and chorus online, little more than a piece of a demo, and it took off. Covers, duets, and an avalanche of new fans followed (including the likes of Justin Bieber, Stormzy, and Dan Nigro to name a few); the song was the beginning of \"Massachusetts\", which would become her first Dead Oceans release.\u003c\/p\u003e\r\n\u003cp\u003eMcRae ventured to North Carolina to record I Don't Know How But They Found Me! with Brad Cook (Waxahatchee, Suki Waterhouse, Bon Iver), also enlisting the help of Hippo Campus's Nathan Stocker on guitar, Bon Iver's Matthew McCaughan on drums, and her younger brother, Holden McRae, on keys. \"It felt like summer camp. None of us wanted to leave,\" McRae said. \"It was such a joyous ten days of pure creative expression.\" In the process, I Don't Know How But They Found Me! found its footing--a vibrating, urgent collection of songs moored by razor-sharp lyrical specificity and timeless pop melodies.\u003c\/p\u003e\r\n\u003cp\u003eThe unusual title of her second album? Taken from a line in McRae's favorite film, Back to the Future. A key protagonist survives a hail of bullets, and the image resonated with McRae. “I really connected with the idea that I could've easily collapsed beneath the weight of what happened to me, but I didn't. 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It presents two complementary sides of their work: an instrumental, atmospheric record and a second segment with guest appearances by established MCs. Blue Sky Black Death combines dense, cinematic soundscapes, with classic hip-hop rhythms; the first half of the album makes use of live-played instruments, drawn-out melodies, and carefully layered samples, that leaves room for reflection. The second half pairs their sonic backdrops with MC features, putting beats and rhymes in a well-balanced harmony. Contributors include Jus Allah, Guru, A-Plus, Pep Love, Rob Sonic, and The Holocaust, allowing the album to showcase both the duo's instrumental production craft and their collaborative skills. The arrangements range from sparse piano passages to orchestral flourishes. The release marks the beginning of a career in which the duo further developed their characteristic melancholic, cinematic sound earning them recognition. 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