{"title":"Shoegaze","description":"\u003cp\u003eShoegaze built from layered guitars, dense effects, buried vocals and the dreamy collision of noise, melody and atmosphere.\u003c\/p\u003e\u003cp\u003eShop Shoegaze on vinyl, CD and cassette at Paladin Vinyl, including new releases, reissues, catalog favorites and harder-to-find titles.\u003c\/p\u003e","products":[{"product_id":"cocteau-twins-blue-bell-knoll-180-gram-vinyl-digital-download-card-vinyl","title":"Blue Bell Knoll (180 Gram Vinyl, Digital Download Card) [Vinyl]","description":"\u003cp\u003eTracksCredits\u003cbr\u003e1 Blue Bell Knoll\u003cbr\u003e2 Athol-Brose\u003cbr\u003e3 Carolyn's Fingers\u003cbr\u003e4 For Phoebe Still a Baby\u003cbr\u003e5 The Itchy Glowbo Blow\u003cbr\u003e6 Cico Buff\u003cbr\u003e7 Suckling the Mender\u003cbr\u003e8 Spooning Good Singing Gum\u003cbr\u003e9 A Kissed Out Red Floatboat\u003cbr\u003e10 Ella Megalast Burls Forever\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 07\/15\/2014\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP standard Jacket\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cocteau Twins","offers":[{"title":"Default Title","offer_id":42603653660870,"sku":"5VT03C-U5XW-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/cocteau-twins-blue-bell-knoll-180-gram-vinyl-digital-download-card_Gi3sX.jpg?v=1779556070"},{"product_id":"cocteau-twins-milk-kisses-vinyl","title":"Milk \u0026 Kisses [Vinyl]","description":"\u003cp\u003eReleased in March 1996, Milk \u0026amp; Kisses is the eighth and final studio album by Cocteau Twins. 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Featuring the singles ‘Tishbite’ and ‘Violaine’ and fan favourites such as ‘Serpentskirt’ and ‘Treasure Hiding’, the album is a cathartic listen too with MOJO saying in a glowing review that the album’s title “accurately intimates its soothing, healing powers.” Ultimately, Milk \u0026amp; Kisses also proved to be their swan song, bringing the curtain down on 14 years of wonder to leave an incredible legacy that new generations continue to discover to this day.\u003cbr\u003e\r\n\u003cbr\u003e\r\n4AD are delighted to announce that they’re working with the band on reissuing both Four Calendar Café and Milk \u0026amp; Kisses in the United States, with CD and black vinyl editions of both titles coming out on January 12th 2024. 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Lead singer and songwriter Sonia Weber communicates subdued desires and secret grievances in the grand tradition of emo and pop-punk and rock n roll in general making the Portland, OR bands infectious debut LP Sleeping Lessons is a collection of lullabies for the pop masochist. And like all great, emotional music, these ten dynamic songs are resonant because theyre unmistakably human.\u003c\/p\u003e\u003cp\u003eAlien Boy takes its name from a Wipers song, but elsewhere the groups PNW lineage is felt in a mordant grit gleaned from Team Dresch and early Heatmiser. It sets the tone for Weber to mix her deep-seated love of early 2000s generational touchstones with a Britpop frostiness to brilliant and totally unique results. From the tremolo dives and Stone Roses references on Ride-y opener Somewhere Without Me, to the sun-kissed, power-pop bliss of 600 Days. 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The Goth\/ethereal duo of vocalist Renee Mendoza and guitarist Alex Chesney had built a long, strange and mostly undocumented legacy prior to that release, and Never Really Been Into It extends the tale back even further: ten songs, sketched out in the late 90s, most of which were never completed and remained unheard until now. This wouldve been our first full-length, reflects vocalist Renee Mendoza, if we had any idea what we were doing [back then].\u003c\/p\u003e\u003cp\u003eRescued from a shoebox of ephemera from the bands earliest days, when Mendoza and guitarist Alex Chesney drifted out of high school and into the uncertainties of early adulthood, these songs were the product of a band whose members had nothing but time and ambition, influence and desire to transcend their humble beginnings. Pieced together and re-recorded over a five-month period in 2013 by Renee Mendoza in her home studio, from mere stems and forgotten takes preserved on decades-old minidisc recordings, the songs on Never Really Been Into It reflect disquiet, uncertainty, hope and numbing, absolute beauty, along teenage obsessions with The Cocteau Twins, The Cure, and perhaps the Projekt Records roster, refracted through the lens of latter-day experience  pristine musicianship, gorgeous vocals, cryogenically frozen until now. Had these songs been properly released when initially conceived, Ashrae Fax would have no doubt found themselves in the midst of the upswell of ethereal pop bands of the 90s (The Underflowers, Ultracherry Violet, The Curtain Society). 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Kazuashita was produced by DeGraw after recording sessions across several New York studios and art spaces, the band worked with drummer Ryan Sawyer (who met the band through the Boredoms BOADRUM project) and Jorge Elbrecht (who worked on additional production and mixing duties) and features a cover image from photographer David Benjamin Sherry.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP Red standard Jacket\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gang Gang Dance","offers":[{"title":"Default Title","offer_id":43713018298566,"sku":"Q49137-E3K5-VI","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/gang-gang-dance-kazuashita-color-vinyl_8olkt.jpg?v=1762281569"},{"product_id":"red-red-eyes-red-red-eyes-horology-vinyl","title":"Red Red Eyes - Horology [Vinyl]","description":"Red Red Eyes - Red Red Eyes - Horology [Vinyl] \u003cbr\u003eBarcode: 5055869505406 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eUK duo Red Red Eyes release their debut long player, packed with cinematic drones and intricate twangs; a stylish shoegaze noir, or a Broadcast \/ Morricone \/ Gainsbourg soundtrack to an episode of Black Mirror. Red Red Eyes are Laura McMahon and Xavier Watkins. While playing together in psychedelic outfit Violet Woods, they started working on McMahons songs, evoking the atmospheres of their shared cinematographic interests. The result is often dark and hypnotic, with McMahons soft vocals being echoed by Watkins delicate guitar. Their first tape was released on Cambridges Meadows records in 2017. Horology was completed later that year, and was quickly snapped up by Londons Wiaiwya records (home of the Leaf Library, Freschard, the Great Electric and many many more). If you like the idea of Tracey Thorn fronting the Banshees, Insides at their dreamiest, Pale Saints at their droniest, Lush at their spookiest, or Strawberry Switchblade at their most melancholy, then this might just be the album of your summer!\u003c\/p\u003e\u003cp\u003e1. Empty Land 2. Untold 3. Low Light 4. Under 5. In Between Birds And Wine 6. Control 7. The Watch Ticks On 8. Wildfires 9. 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Described playfully by its maker as druggy music by sober people, Shana Falanas Darkest Light is as full of mystery, contrast, and paradox as the title would suggest. The Kingston, New York songwriter and record maker works her own deep niche in the psych-rock, shoegaze, and ethereal punk neighborhood. On Darkest Light, she converts all that weird, magical, and occasionally nasty energy into authentic messages of personal empowerment, rebirth, and redemption.  \u003cbr\u003e \u003cbr\u003eRIYL: The Black Angels, PJ Harvey, Alvvays, Black Belt Eagle Scout\u003c\/p\u003e\u003cp\u003e1. Go Higher\r 2. Everyone Is Gonna Be Okay\r 3. Darkest Light\r 4. Stripped\r 5. Right Now Is All We Know\r 6. Come On Over\r 7. Who We Are\r 8. Come And Find Me\r 9. 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Then there are some others that were never really a part of that other great music press construct, The Scene That Celebrates Itself, in the case of The Telescopes and their fantastic 1991 single ‘Flying’, and Spirea X’s ‘Chlorine Dream’ from the same year – both are indicative of the post-rave psychedelia that coloured everything at the time and fit perfectly within the Shoegaze scene at the time.\u003c\/p\u003e\n\u003cp\u003eOnce we get to 1992, there’s a bit of a gap in the chronology as shoegaze was all too hastily dismissed in the country that birthed it, ignored in favour of grunge and then Britpop, the feedback fading away along with the bands that made it. But something amazing happened. when the s-word was used elsewhere in the world, rather than having negative connotations, it was merely a descriptive term. So, the flame was kept burning in the most unlikely places, waiting for everyone else to catch up once again. It’s no surprise, then, that there are bands on this compilation from America (Ringo Deathstarr, Beach House), Australia (Lowtide, Flyying Colours), Sweden (Echo Ladies) and everywhere in between.\u003c\/p\u003e\n\u003cp\u003eSince the turn of the century, successive generations have returned to the sound, taking it to new and exciting places. Thanks to the internet and streaming and listening to music without context the echo got louder and louder. The original scene may have morphed into a myriad of things, from acoustic Americana to ambient techno and post-rock (as evidenced by Mogwai, who appear here with ‘Kids Will Be Skeletons’), but it was only a matter of time before things came full circle. However it was Slowdive’s reunion six years later that finally made people sit up and take notice. There were scores to settle, too. The backlash Slowdive had faced the first time around went beyond mere music criticism into outright hatred. Their return and self-titled album from 2017 somehow managed to be their best yet and one of the finest examples of the genre to date. It brought in yet another generation of fans – the likes of bdrmm and Horsegirl, both included here, weren’t even born when Slowdive first existed, they were discovering them anew.\u003c\/p\u003e\n\u003cp\u003eSo, it’s fitting that this compilation begins with ‘Slowdive’s opener, ‘Slomo’. Neil Halstead and Christian Savill’s chiming guitars seemingly awakening from a 22-year slumber as the song gradually comes into focus. This was more than just a rebirth; it was a reaffirmation that this hard to define genre is here to stay.\u003c\/p\u003e\n\u003cp\u003eAnd that is why we are here now, all these years later, listening to a compilation that joins the dots between all of this stuff, from the beginning to the present day. 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