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Satie takes pride of place on the album with such pieces as the three Gymnopédies and the seven Gnossiennes, while Cage is represented by five pieces and a work attributed to him following it's rediscovery amongst the papers of his disciple James Tenney - whose musical homage to Satie also features in the programme. Chamayou recorded the album at the state-of-the-art Miraval Studios in Provence, which inspired him to take an experimental approach: \"I thought we should do something a little different - and I thought of Erik Satie. This was an opportunity to get really intimate with the piano... 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His programme embraces a diversity of eras and musical cultures: Chopin, Liszt, Grieg and, of course, Brahms through Balakirev, Lyapunov, Alkan, Bonis, Busoni, Janácek, Martinu and Villa-Lobos to Helmut Lachenmann and a world premiere, Bryce Dessner's Song for Octave. \"The lullaby's place is halfway between dream and reality,\" says Chamayou, \"There is that special moment as you are falling asleep and you experience all kinds of emotions.\" A satisfying recital that will also enrich digital playlists, Good Night! #has been recorded in Dolby Atmos immersive sound.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 190295242435\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Erato\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Bertrand Chamayou","offers":[{"title":"Default Title","offer_id":45455700164806,"sku":"39667","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/3858866-2608699.jpg?v=1768499480"},{"product_id":"cage2-cd","title":"Cage2 [CD]","description":"\u003cp\u003eCAGE2 is the title of Bertrand Chamayou's new album - he calls it the twin brother of his most recent Letter(s) to Erik Satie - both recorded at the Miraval studios. CAGE² is also the title of a performance Bertrand Chamayou conceived with dancer and choreographer Élodie Sicard, featuring 12 pieces composed by John Cage for prepared piano, in the period between 1940 and 1945. John Cage wrote all the pieces of this album for dance solos: for the American dancer Syvilla Fort, for dancers and choreographers such as Valérie Bettis, Wilson Williams, Pearl Primus, Jean Erdman, but also for the terrific Merce Cunningham. 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Siloti for Piano)\u003c\/li\u003e\n\u003cli\u003eA la manière de... Ravel, Op.17b, Book 2: No. 4 Almanzor ou le mariage d'Adelaïde\u003c\/li\u003e\n\u003cli\u003eLe Tombeau de Couperin, M. 68: I. Prélude\u003c\/li\u003e\n\u003cli\u003eLe Tombeau de Couperin, M. 68: II. Fugue\u003c\/li\u003e\n\u003cli\u003eLe Tombeau de Couperin, M. 68: III. Forlane\u003c\/li\u003e\n\u003cli\u003eLe Tombeau de Couperin, M. 68: IV. Rigaudon\u003c\/li\u003e\n\u003cli\u003eLe Tombeau de Couperin, M. 68: V. Menuet\u003c\/li\u003e\n\u003cli\u003eLe Tombeau de Couperin, M. 68: VI. 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An album of solo piano music, it ranges from Ravel's own transcriptions of La Valse and extracts from Daphnis et Chloé - both, of course, spectacular orchestral works - to Chamayou's own transcriptions of vocal works by the composer, and to pieces that pay tribute to Ravel. Five of these are by composers of the past - Arthur Honegger, Joaquín Nin, Alexandre Tansman, Xavier Montsalvatge and Ricardo Viñes (the pianist who championed the music of Ravel, Debussy and other major figures in the early 20th century), and three by composers of our own time - Betsy Jolas, Salvatore Sciarrino and Frédéric Durieux.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e3 Chansons, M. 69: No. 2, Trois beaux oiseaux du paradis (Transcr. 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Chamayou for Piano)\u003c\/li\u003e\n\u003cli\u003ePour tous ceux qui tombent\u003c\/li\u003e\n\u003cli\u003eLa valse, M. 72b\u003c\/li\u003e\n\u003cli\u003e4 Hommages pour le piano: No. 1, Menuet spectral (A la mémoire de Maurice Ravel)\u003c\/li\u003e\n\u003cli\u003eElegía a Maurice Ravel\u003c\/li\u003e\n\u003cli\u003eSignets, hommage à Maurice Ravel\u003c\/li\u003e\n\u003cli\u003e3 Pièces pour piano: No. 2, Hommage à Ravel\u003c\/li\u003e\n\u003cli\u003eSuite pour piano de Daphnis et Chloé, M. 57c: Scène de Daphnis et Chloé\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732601230\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Erato\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.23.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bertrand Chamayou","offers":[{"title":"Default Title","offer_id":45455937536198,"sku":"162996","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4410262-3332182.jpg?v=1768502694"},{"product_id":"saint-saens-piano-concertos-nos-2-5-pieces-for-solo-piano-cd","title":"Saint-saens: Piano Concertos Nos. 2 \u0026 5 Pieces for solo piano [CD]","description":"\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePiano Concerto No. 2 in G minor, Op. 22: I. 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It includes not only the oft-performed works such as Le tombeau de Couperin, and the Pavane pour une infante defunte but also lesser-known gems such as the pieces written in the styles of Borodin and Chabrier respectively, and the early Serenade grotesque.  The album is a tour de force and promises to be a major landmark in his discography.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJeux D'eau, M. 30\u003c\/li\u003e\n\u003cli\u003ePavane Pour Une Infante Defunte, M 19\u003c\/li\u003e\n\u003cli\u003eA la Maniere de Chabrier, M 63\u003c\/li\u003e\n\u003cli\u003eMiroirs, M. 43: I. Noctuelles\u003c\/li\u003e\n\u003cli\u003eMiroirs, M. 43: II. Oiseaux Tristes\u003c\/li\u003e\n\u003cli\u003eMiroirs, M 43: III Une Barque Sur L'ocean\u003c\/li\u003e\n\u003cli\u003eMiroirs, M. 43: IV. 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Written in 1944, it is a monumental, mystical and iridescent sequence of 20 gazes or contemplations on the infant Jesus. Messiaen once wrote that \"The drama of my life is that I have written religious music for an audience that has no faith.\" Bertrand Chamayou feels that the Vingt Regards \"is a mystical rather than a religious experience... It arouses the same kind of awe as walking into a magnificent cathedral or seeing a glorious sunset. You feel that time stops.\" Chamayou first played the work in 2008, Messiaen's centenary year, but it has been part of his life since he was nine years old. \"It was revelation... I think I can say that the Vingt Regards has played a role in shaping the way I play, the sound I produce and my approach as an interpreter.\" To complement this two-hour landmark of the repertoire, Chamayou has also recorded five short musical tributes to Messiaen, written in the years following his death in 1992. 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There is a strong connection between them: Cage considered Satie a source of inspiration. Satie takes pride of place on the album with such pieces as the three Gymnopédies and the seven Gnossiennes, while Cage is represented by five pieces and a work attributed to him following it's rediscovery amongst the papers of his disciple James Tenney - whose musical homage to Satie also features in the programme. Chamayou recorded the album at the state-of-the-art Miraval Studios in Provence, which inspired him to take an experimental approach: \"I thought we should do something a little different - and I thought of Erik Satie. This was an opportunity to get really intimate with the piano... 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