{"title":"Charles Mingus","description":null,"products":[{"product_id":"charles-mingus-mingus-remastered-vinyl","title":"Charles Mingus - Mingus (Remasterizado) [Vinilo]","description":"\u003cp\u003e En el momento de esta grabación, Mingus había estado trabajando regularmente con el cuarteto sin piano de Eric Dolphy, Ted Curson y Dannie Richmond. El mismo grupo participó en el lanzamiento de Candid de 1960, Charles Mingus Presents Charles Mingus. El álbum de Mingus, también grabado ese año, incluye una canción, \"Stormy Weather\", grabada con ese mismo cuarteto, y dos canciones grabadas con un grupo más grande que incluía piano y trompetas adicionales.\u003c\/p\u003e\n\u003cp\u003e Cabe destacar que \"MDM (Monk Duke \u0026amp; Me)\" ocupa la mayor parte de este álbum. La pieza consta de tres temas entrelazados: \"Main Stem\" de Duke Ellington, \"Straight, No Chaser\" de Thelonious Monk y \"Fifty First Street Blues\" de Mingus.\u003c\/p\u003e\n\u003cp\u003e Lanzado en 1961 y grabado en el otoño de 1960 por Candid A\u0026amp;R y el productor Nate Hentoff en Nola Penthouse Sound Studios.\u003c\/p\u003e \u003cp\u003eEl LP incluye notas extraordinarias escritas por Hentoff, que brindan un contexto y una perspectiva que se suman a la experiencia de escuchar estas magníficas interpretaciones.\u003c\/p\u003e\n\u003cp\u003e A1. MDM 19:52 B1. Tiempo tormentoso 13:25 B2. 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La secuela de Incarnations, que se ubicó en el Top 40 de CIMS para el RSD Black Friday 2023. Vinilo de 180 g remasterizado por Bernie Grundman.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 20\/04\/2024\u003c\/li\u003e\n\n\u003cli\u003e Detalle del formato: 1LP 180G\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 20\/04\/2024\u003c\/li\u003e\n\n\u003cli\u003e Código EAN: 708857331338\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Etiqueta: Cándido\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Charles Mingus","offers":[{"title":"Default Title","offer_id":43838697832646,"sku":"P427B3-XJOY-00","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/reincarnations-rsd-04-20-2024_KCbxc.jpg?v=1762303222"},{"product_id":"charles-mingus-charles-mingus-mingus-mingus-mingus-mingus-mingus-verve-acoustic-sounds-series-lp-vinyl","title":"Charles Mingus - Mingus Mingus Mingus Mingus Mingus (Serie Verve Acoustic Sounds) [LP] [Vinilo]","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 24\/09\/2021\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Charles Mingus","offers":[{"title":"Default Title","offer_id":43838872584390,"sku":"KQHPWY-M3NJ-00","price":41.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Charles-Mingus-Mingus-Mingus-Mingus-Mingus-Mingus-Verve-Acoustic-Sounds-Series-LP_KqKW0.jpg?v=1762303487"},{"product_id":"charles-mingus-mingus-at-the-bohemia-vinyl","title":"Charles Mingus - Mingus en Bohemia [Vinilo]","description":"\u003cp\u003e Pistas\u003cbr\u003e 1 monje saltador\u003cbr\u003e 2 Serenata en Azul\u003cbr\u003e 3 Discusión sobre percusión\u003cbr\u003e 4 Canción del trabajo\u003cbr\u003e 5 de septiembre\u003cbr\u003e 6 Todas las cosas que eres [C#]\u003cbr\u003e 7 Monje saltador [versión alternativa]\u003cbr\u003e 8 Todas las cosas que eres [C#][Toma alternativa]\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Fecha de publicación: 03\/03\/2009\u003c\/li\u003e\n\n\u003cli\u003e Fecha de publicación: 03\/03\/2009\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Charles Mingus","offers":[{"title":"Default Title","offer_id":43847679180998,"sku":"QI3Y3D-ZKYP-ZR","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/charles-mingus-mingus-at-the-bohemia_e6hMQ.jpg?v=1762304028"},{"product_id":"charles-mingus-incarnations-vinyl","title":"Charles Mingus - Encarnaciones [Vinilo]","description":"\u003cp\u003e La música que Charles Mingus y su grupo grabaron durante sus emblemáticas sesiones de 1960 para Candid Records produjo tres de los álbumes de jazz más venerados de la época. INCARNATIONS es una nueva obra maestra cuidadosamente ensamblada a partir de material inédito y poco conocido de esas sesiones que se yergue orgullosamente en el canon de obras maestras de Mingus.\u003c\/p\u003e \u003cp\u003eTodos los temas que aparecen aquí, menos uno, pertenecen a las sesiones que Mingus y el productor Nate Hentoff organizaron el 11 de noviembre de 1960. La fecha se dividió en dos mitades: una, una fecha dirigida exclusivamente por Mingus, con una banda de seis integrantes que se expandió hasta convertirse en un octeto para dos temas adicionales, y otra, una reunión parcial de un colectivo que se había reunido en oposición al Newport Jazz Festival de George Wein el pasado julio. (Ese colectivo, que se hacía llamar The Jazz Artist Guild, lanzaría el álbum Newport Rebels, en Candid en 1961).\u003c\/p\u003e\n\u003cp\u003e Cabe destacar aquí la única pista grabada durante las sesiones de Mingus del 20 de octubre de 1960. Es una pista inédita titulada \"All The Things You Are (All.)\". Encontrada en una cinta que contenía material de ambas fechas del otoño de 1960, la pieza tiene sus raíces en una interpretación de Art Tatum de \"All the Things You Are\", que Mingus había grabado antes en varios entornos.\u003c\/p\u003e \u003cp\u003eCon la participación de Booker Ervin, Eric Dolphy, Charles McPherson, Ted Curson, Lonnie Hillyer, Roy Eldridge, Jimmy Knepper, Britt Woodman, Tommy Flanagan, Paul Bley, Dannie Richmond y Jo Jones. Con audio restaurado y remasterizado por Bernie Grundman y notas de portada de Hank Shteamer, colaborador de Pitchfork y New York Times, este álbum es imprescindible para cualquier fan de Mingus.\u003c\/p\u003e\n\u003cp\u003e A1. Bugs (Toma 3) A2. R\u0026amp;R (Toma 1) B1. All The Things You Are (Todas) *Inédito B2. Reincarnation Of A Love Bird (2.ª versión, toma 1) B3. 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Although Mingus’ small-group recordings are the ones most often cited as his premier works, this album does, in fact, rank at the top of his oeuvre and compares favorably with the finest large-ensemble jazz recordings by anyone, including Ellington.\u003c\/p\u003e\n\u003cp\u003eThe pieces had been brewing over the years, one from as far back as 1939, and had been given more or less threadbare performances on occasion, but this was his first chance to record them with a sizable, well-rehearsed orchestra. Still, there were difficulties, both in the recording and afterward.\u003c\/p\u003e\n\u003cp\u003eThe exact personnel is sketchy, largely due to contractual issues, several arrangers were imported to paste things together, making the true authorship of some passages questionable, and Macero (as he did with various Miles Davis projects) edited freely and sometimes noticeably. The listener will happily put aside all quibbles, however, when the music is heard. From the opening, irresistible swing of “The Shoes of the Fisherman’s Wife Are Some Jiveass Slippers” to the swirling depths of “The I of Hurricane Sue,” these songs are some of the most glorious, imaginative, and full of life ever recorded. Each piece has its own strengths, but special mention should be made of two. “Adagio Ma Non Troppo” is based entirely on a piano improvisation played by Mingus in 1964 and issued on Mingus Plays Piano. Its logical structure, playful nature, and crystalline moments of beauty would be astounding in a polished composition; the fact that it was originally improvised is almost unbelievable.\u003c\/p\u003e\n\u003cp\u003e“Hobo Ho,” a holy-roller powerhouse featuring the impassioned tenor of James Moody, reaches an incredible fever pitch, the backing horns volleying riff after riff at the soloists, the entire composition teetering right on the edge of total chaos. Let My Children Hear Music is a towering achievement and a must for any serious jazz fan. Included is the essay that accompanied the album. That essay, covering enormous territory, reads like an inspired Mingus bass solo and should be sought out by interested listeners. 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Born on a  military base in Nogales, Arizona in 1922 and raised in Watts, California, his earliest musical influences came from the church—choir and group singing—and from “hearing Duke  Ellington over the radio when [he] was eight years old.” His early professional experience,  in the 40s, found him touring with bands like Louis Armstrong, Kid Ory and Lionel Hampton.  Mingus’ career has spanned three-decades and he collaborated with other jazz legends such  as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock.  Mingus’ compositions retain the hot and soulful feel of hard bop, drawing heavily from black  gospel music and blues, while sometimes containing elements of Third Stream, free jazz,  and classical music. Because of his brilliant writing for midsize ensembles, and his catering  to and emphasizing the strengths of the musicians in his groups, Mingus is often considered  the heir of Duke Ellington. From the 1960s until his death in 1979 at age 56, Mingus remained  in the forefront of American music. When asked to comment on his accomplishments,  Mingus said that his abilities as a bassist were the result of hard work but that his talent  for composition came from God. He died in Mexico on January 5, 1979, and his wife, Sue  Graham Mingus, scattered his ashes in the Ganges River in India. Both New York City and  Washington, D.C. honored him posthumously with a “Charles Mingus Day.”\u003c\/p\u003e\n\u003cp\u003eOriginally recorded on January 19, 1974, Mingus At Carnegie Hall was released as  a 1LP that only featured 2 long tracks (“C Jam Blues” and “Perdido”) from the concert; one  track per LP side, and features Jon Faddis, Charles McPherson, John Handy, George Adams,  Rahsaan Roland Kirk, Hamiet Bluiett, Don Pullen, and Dannie Richmond. Yet the original  concert in January of ‘74 included 2 hours of performances, but nearly 70+ minutes were  left on the cutting room floor. With jazz music on the decline in the US in the 1970s, Atlantic  Records was probably concerned about releasing a 3LP set at a higher price point that only  the most ardent fans would purchase at the time. Well, after 47 years and in honor of this  year’s Black Music Month, Run Out Groove has righted the course of this ship, issuing the complete 1974 Mingus At Carnegie Hall album with over 72 minutes of unreleased  material and putting the original running order of the concert in correct sequence. The deluxe 3LP set features never-before-seen photos taken by original photographer Gal Costa  and new liner notes by Jazz historian and producer, Michael Cuscuna.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003e72 minutes of unreleased  material\u003c\/li\u003e\n\t\u003cli\u003eFeatures never-before-seen photos taken by original photographer Gal Costa\u003c\/li\u003e\n\t\u003cli\u003eNew liner notes by Jazz historian and producer, Michael Cuscuna\u003c\/li\u003e\n\u003c\/ul\u003e ROGV-134 -Artist-Charles Mingus\u003cul\u003e\n\u003cli\u003eReleased: 7\/8\/21\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 3LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Charles Mingus","offers":[{"title":"Default Title","offer_id":44303431368902,"sku":"O2LNTX-NJM0-JM","price":54.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/charles-mingus-mingus-at-carnegie-hall-deluxe-edition_4gOZm.jpg?v=1759806414"},{"product_id":"charles-mingus-east-coasting-vinyl","title":"East Coasting [Vinyl]","description":"\u003cp\u003eCharles Mingus is usually known for his wild, soulful and avant-garde compositions. “East Coasting” is mellow by comparison, but it still cooks on a musical level. The Mingus touches are there; the trombone, drummer Danny Richmond and of course the dark emotional undercurrent looms large, too. The personnel are all Mingus regulars, except for pianist Bill Evans, who would not be described as “soulful” in the traditional sense, but his introverted and sensitive style works well with Mingus’s music. His playing on “West Coast Ghost” (the album’s stand-out track) and “Celia” are two examples of Evans’ ability to understand an artist’s musical vision and play accordingly in his own beautifully original style.\u003c\/p\u003e\n\u003cp\u003e“East Coasting” sounds like the prototypical 1950s jazz recording. It’s something one would hear in an attic converted to a bedroom where an artist or lonely soul might live. It’s what a lot of people might believe Jazz would or should sound like. Highly recommended to Jazz lovers and perhaps more importantly- to young people who have just been blown away by Kerouac’s novel “On the Road” and have become interested in exploring Jazz. “East Coasting” will allow them to get a taste of lost creative America. S. 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Hybrid Stereo SACD Mastered by Kevin Gray at Cohearent Audio from the original analog tape direct to DSD! Mingus taps blues and roots sources for a joyous swinging outing! AllMusic marks Charles Mingus' Blues \u0026amp; Roots as a rejoinder to the critical carping that the virtuoso bass player and accomplished jazz pianist and bandleader and his evocative music 'somehow didn't swing enough.' For this album Mingus turned to the earthiest and earliest sources of black musical expression - blues, gospel, and old-time New Orleans jazz. The resulting album ranks arguably as Mingus' most joyously swinging outing. Recorded in 1959 and released in 1960, Blues \u0026amp; Roots' birth was explained by Mingus in the album's liner notes: 'This record is unusual-it presents only one part of my musical world, the blues. A year ago, Nesuhi Ertegun suggested that I record an entire blues album in the style of 'Haitian Fight Song' (in Atlantic LP 1260), because some people, particularly critics, were saying I didn't swing enough. He wanted to give them a barrage of soul music: churchy, blues, swinging, earthy. I thought it over. I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing. So I agreed.' Anyone who had heard 'Haitian Fight Song' shouldn't have been surprised that such an album was well within Mingus' range. Mingus boosts the complexity of the music by assembling a nine-piece outfit and arranging multiple lines to be played simultaneously - somewhat akin to the Dixieland ensembles of old, but with an acutely modern flavor. That modern flavor is reinforced and enhanced by the lush Analogue Productions reissue treatment that gives this new version more depth, richer sonic execution and acute audio clarity, particularly in the higher frequencies. Expert mastering from the original master tape by Kevin Gray at Cohearent Audio direct to DSD makes this Hybrid Stereo SACD sound incredible. There's no question of Mingus' firm grounding in the basics on Blues \u0026amp; Roots, writes AllMusic, nor of his deeply felt affinity with them. Whether the music is explicitly gospel-based - like the groundbreaking classic 'Wednesday Night Prayer Meeting' - or not, the whole album is performed with a churchy fervor that rips through both the exuberant swingers and the aching, mournful slow blues. 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