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But, in many ways, it's importance goes beyond it's sheer classic status as a single in it's own right.In retrospect, it shows the duo of Erick Sermon and Parrish Smith as pioneers in production, creating a funk-based sound that helped to provide a blueprint for artists on the other side of the country. In 1987\/88, most West Coast rap still adhered to an East Coast audio blueprint. By 1989, they were leaning as heavily on Zapp and Roger Troutman samples as EPMD were on this single.The foundations of the track are interesting, with a snatch of Juice's much-plundered 'Catch a Groove' (which has popped up everywhere from The Beastie Boys to Kings of Pressure) overlaid with big chunks of Kool \u0026amp; The Gang's 'Jungle Boogie' and Zapp's irrepressible 'More Bounce to the Ounce'. 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