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In 1946, Frantz came to NYC from his native Port-au-Prince, Haiti with the ambition to compose a distinctly Haitian classical guitar music, to fuse the European classical tradition with Haitian folk elements as Heitor Villa-Lobos had done with his native Brazil's and as Béla Bartók had done with Hungarian folk songs. His three recordings, Haitian Folks Songs (1953), Haitian Dances (1954) and Haitiana (1969) were released on Folkway Recordings (and since reissued by Smithsonian Folkways) and his compositions have been covered by artists worldwide including the song \"Merci bon dieu\" by Harry Belafonte.In effort to preserve Frantz's musical legacy, Marc edited a collection of Casseus' solo guitar compositions, and performed those same pieces on his 1993 album \"Marc Ribot Plays Solo Guitar Works of Frantz Casseus\". This remastered and expanded edition, with three additional bonus tracks recorded in 2020, marks the first time Marc's interpretations of this work is available on vinyl. 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The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Over a forty-year career, Ribot has released twenty-five albums under his own name and been a beacon of New York’s downtown\/experimental music scene, leading a series of bands including Los Cubanos Postizos and Ceramic Dog. Since his work with Tom Waits on 1985’s Rain Dogs album, though, he is best known to the world as a sideman, playing on countless albums by the likes of Elvis Costello, John Mellencamp, Norah Jones, the Black Keys, and Robert Plant and Alison Krauss’ Grammy-winning collaboration Raising Sand.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWe Are Soldiers in the Army\u003c\/li\u003e\n\u003cli\u003eBella Ciao (Goodbye Beautiful)\u003c\/li\u003e\n\u003cli\u003eSrinivas\u003c\/li\u003e\n\u003cli\u003eHow To Walk In Freedom\u003c\/li\u003e\n\u003cli\u003eRata de dos Patas\u003c\/li\u003e\n\u003cli\u003eThe Militant Ecologist (based on Fischia II Vento)\u003c\/li\u003e\n\u003cli\u003eThe Big Fool\u003c\/li\u003e\n\u003cli\u003eAin't Gonna Let Them Turn Us Round\u003c\/li\u003e\n\u003cli\u003eJohn Brown\u003c\/li\u003e\n\u003cli\u003eKnock That Statue Down\u003c\/li\u003e\n\u003cli\u003eWe'll Never Turn Back\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 045778760411\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Epitaph\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.21.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Marc Ribot","offers":[{"title":"Default Title","offer_id":45456546234566,"sku":"443595","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/3812509.jpg?v=1768510478"},{"product_id":"map-of-a-blue-city-cd","title":"Map Of A Blue City [CD]","description":"\u003cp\u003eMap Of A Blue City is a Music CDs from Marc Ribot\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 05\/23\/2025\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Marc Ribot","offers":[{"title":"Default Title","offer_id":45519852798150,"sku":"C7YTJV-XUA6-NP","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/marc-ribot-map-of-a-blue-city_BTYzf.jpg?v=1770497364"},{"product_id":"pre-order-hurry-red-telephone-lp","title":"Pre-Order: Hurry Red Telephone [LP]","description":"\u003cp\u003eFor more than four decades, guitarist Marc Ribot has made a career out of refusing to stay in one place, moving restlessly between jazz, rock, No Wave, singer\/songwriter, solo guitar, music for film, Cuban music, and free improvisation, all while leaving an unmistakable imprint on everything he touches. With Hurry Red Telephone, Ribot returns with his first all-instrumental album since 2014's highly-lauded Live at the Village Vanguard, which featured drummer Chad Taylor and the late bassist Henry Grimes. It reunites him with Taylor in an eponymously-named band recorded over two separate sessions: one with tenor saxophonists James Brandon Lewis and Brian Settles with bassists Hilliard Greene; and another with alto saxophonist Briggan Krauss and bassist Sebastian Steinberg (a veteran of Shrek and other Ribot experiments of the early 1990's). Featuring four original compositions by Ribot alongside two by Haitian guitarist and composer Frantz Casséus - Ribot's guitar teacher and an enduring musical influence - the performances reveal all of Ribot's best qualities, by turns volatile, lyrical, abrasive, humorous, and soulful.The band takes it's name from a verse from the poem \"\"Several Tremendous\"\" by Richard Siken, which depicts the poet's efforts to rebuild his ability to write and speak after a stroke robbed him of both. It's an apt metaphor for Ribot's pursuit of a language that reconstructs the music from the ground up. The quartet format gives Ribot and his cohorts the freedom to do just that, continuing the improvisational conversation Ribot and Chad Taylor had begun, while at the same time paying homage to the guitarist's No Wave and free jazz background. Bass and drums provide propulsion and resistance while Lewis, Settles, and Krauss - some of the most remarkable saxophonists on the scene - add their highly individual voices to the exchange. The music is composed, but never contained; it's structures are launchpads for improvisation. 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Bass and drums provide propulsion and resistance while Lewis, Settles, and Krauss - some of the most remarkable saxophonists on the scene - add their highly individual voices to the exchange. The music is composed, but never contained; it's structures are launchpads for improvisation. 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