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Great early versions of classic Hurley songs such as Automatic Slim \u0026amp; The Fatboys, Drivin' Wheel, Ghost Woman Blues, Watchin' The Show and The Portland Water that come off for the most part better than later releases of these songs. Hurley is backed up by 'The Fatboys' - not the rotund hip hop crew from the film 'Disorderlies' but rather a bunch of not so fat nice guys in Vermont who played mostly for the local dairy farmers (Later they were known as 'Sheriff Mocus \u0026amp; the Deranged Cowboys'). A laid back countryish album sure to please the hard core Hurley fan \u0026amp; casual listener too. Deep \u0026amp; breezy. 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Spare, warm, haunting home recordings of tracks that became staples later in his career. You can follow the leaps and twists in songwriting and guitar playing as Hurley grows into the artist we know today. 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Side two starts out with two newer compositions - just Michael on guitar \u0026amp; vocals. The record ends with a stunning version of Tea Song (which Michael originally wrote \u0026amp; recorded way back in 1963).A sustained feeling of loss \u0026amp; need for redemption haunts this record. 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