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Cooder, coproducido con su hijo Joachim (que también contribuye con la batería y la percusión), toma el control; toca guitarras, bajo, banjo, mandolina y teclados en un programa de ocho versiones y tres excelentes temas originales. \u003cbr\u003eCooder abre con una versión íntima del éxito gospel de los Pilgrim Travelers de los años 50, \"Straight Street\". Con banjo y mandolina, sostenidos por sus rellenos de guitarra eléctrica y la caja de Joachim, Cooder presenta evidencia de las dificultades de su protagonista para vivir \"... en Broadway, justo al lado de la casa del mentiroso...\" antes de encontrar consuelo en la luz de Dios. El coro de acompañamiento (con el fallecido Terry Evans) se desliza y se balancea, subrayando cada sílaba. Cooder no necesita testificar vocalmente, la letra y su guitarra lo hacen. \"Shrinking Man\" es una canción original llena de metáforas conmovedoras con un estridente y blues country pisado al estilo de una banda de jarras eléctricas. La canción original \"Gentrification\" ofrece una sátira social mordaz adornada con capas de guitarras acústicas y eléctricas tocadas al estilo de la alta vida nigeriana con kalimba, campanas y silbatos; sus letras humorísticas están llenas de verdad. Las interpretaciones de Cooder de \"Everybody Ought to Treat a Stranger Right\" y \"Nobody's Fault But Mine\" de Blind Willie Johnson resuenan con convicción y determinación. El himno de Alfred Reed \"You Must Unload\" cuenta con la participación de Robert Francis Commagere en el bajo y Aubrey Haynie en el violín. Le dan color a su voz profética al llamar a cuentas a los poderosos, codiciosos y decadentes. El tema que da título al disco es tradicional. Cooder lo convierte en un blues country sucio y eléctrico, que se completa con un homenaje a la interpretación de pedal steel guitar de la leyenda del country Ralph Mooney. El banjo, la mandolina y las cajas crean un marco para el estridente \"I'll Be Rested When the Roll Is Called\" de Blind Roosevelt Graves, mientras que \"Harbor of Love\" de Carter Stanley ha sido recontextualizado como una melodía country gospel suave, conmovedora y pictórica. \"Jesus and Woody\", del propio Cooder, es una tierna alegoría cantada desde el punto de vista del primero, mientras le pide al legendario cantante de folk que se siente y toque para él mientras reflexiona sobre el pecado, el fascismo y el sueño de un mundo mejor. Este hubiera sido un buen lugar para detenerse, pero Cooder tiene otro tema rockero que ofrecer en el tradicional tema de iglesia \"In His Care\", donde los ritmos entrecruzados y el andar gospel se encuentran con el rock \u0026amp; roll de raíces rebeldes. Su dependencia del gospel aquí ilumina su compromiso con la igualdad. Prodigal Son es otro acto de intención comprometida de uno de los mayores guardianes y proveedores de la música estadounidense. 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Actually, in the numbers gathered together here the investigative guitar man dedicated himself more or less to almost forgotten music. Historically informed, yet not adhering to the original instrumental ensemble, this ostensibly antiquated music enjoys a brilliant renaissance. Just like in an album of charming black and white photographs, the old-fashioned style shines out brightly, such as in “Big Band Bill”, which (hardly by accident) is modelled on the jaunty swing of Django Reinhard, but does not imitate him. Cooder’s slightly acidic-sounding guitar mixes homogeneously with the delightfully rustic sound of the tuba and a bluegrass mandolin (“Face To Face…”). The typical Caribbean rattle of the marimba enters into a pleasant dialogue with the warped sound of the slide guitar. Folksy bliss in three-four time (“Happy Meeting In Glory”) stands confidently on a par with the merry, self-willed saxophone (“In A Mist”) and with the poetic, dreamy and meditative guitar (“Flashes”). And just listen to how the classic number “Davenport Blues” – with its emphasis on the woodwinds – grooves along with the vibraphone and tingly inner parts. This sound is both filled with the spirit of Bix Beiderbecke and, based loosely on Mingus, will sooth the Jelly Roll Morton-soul of its fans.\u003c\/p\u003e\n\u003cp\u003eThis Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.\u003cbr\u003e\nAll royalties and mechanical rights have been paid.\u003c\/p\u003e\n\u003cp\u003eRecording: 1977 at Amigo Studios, North Hollywood, by Lee Herschberg \u0026amp; Douglas Decker\u003cbr\u003e\nProduction: Ry Cooder \u0026amp; Joseph Byrd\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003e1LP 180g 33rpm\u003c\/li\u003e\n\t\u003cli\u003estandard sleeve\u003c\/li\u003e\n\t\u003cli\u003einsert\u003c\/li\u003e\n\u003c\/ul\u003e BSK 3197 -Artist-Ry Cooder\u003cul\u003e\n\u003cli\u003eReleased: 9\/30\/19\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ry Cooder","offers":[{"title":"Default Title","offer_id":44690483445958,"sku":"C6WSIP-K4TF-DZ","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/ry-cooder-jazz_p3ClH.jpg?v=1762345565"},{"product_id":"into-the-purple-valley-import","title":"Into The Purple Valley [Import]","description":"\u003cp\u003eCooder slides on into his second studio album with classic style. 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Expansive and unbiased, Cooder plays an ironic game made up of wordless irregular phrases, which promise the listener something new and ultimately circle in an infinite loop. Cooder's need to prove himself, moderated by his veneration for the past, helps to create a completely original work that will prove rewarding for the adventurous listener. This Speakers Corner reissue LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http:\/\/www. Pure-analogue. #com. All royalties and mechanical rights have been paid. 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The album opens with the traditional title track and Lawrence Wilson's \"\"Crow Black Chicken\"\" from the late 1920s - both pieces are interpreted with just the right balance of personality and respect. He lends a dark irony to the \"\"Rally 'Round The Flag\"\", which is chauvinistic from today's point of view, with his slow sad piano played by Randy Newman and his slide guitar, while the guitar arrangement in the style of Joseph Spence conveys a feeling of hope and courage to the \"\"Comin' In On A Wing And A Prayer\"\". On four of the ten tracks, Cooder steps back from the microphone, leaving it to Sleepy John Estes in his own \"\"President Kennedy\"\" instead.Among the instrumental pieces, \"\"Dark End Of The Street\"\" stands out, Cooder realizes that in order to do justice to James Carr's definitive version, the only option is his own remorseful slide guitar. 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Released in 1976, this groundbreaking album captures Cooder at his most adventurous, blending gospel, Tex-Mex, Hawaiian, folk, and blues into one seamless, soul-stirring whole. Long before 'world music' was a genre, Cooder was already building the bridges - connecting sounds, cultures, and traditions with unmatched taste and precision.What makes Chicken Skin Music so extraordinary is the joy in the playing. Cooder's slide guitar glides effortlessly alongside Flaco Jimenez's accordion, Gabby Pahinui's slack-key stylings, and gospel-choir harmonies that lift every track skyward. Songs like 'He'll Have to Go,' 'Stand by Me,' and 'Always Lift Him Up \/ Kanaka Wai Wai' radiate warmth and humanity, revealing Cooder's rare gift for honoring tradition while reinventing it in his own unmistakable voice.Few records sound this alive, this inclusive, or this downright moving. It's Ry Cooder at his most inspired.A roots music tapestry combining Hawaiian, gospel, conjunto, folk and blues!Part of the Acoustic Sounds 40 SeriesReleasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds!180-gram 45 RPM double LPMastered from the original master tapePressed at Quality Record PressingsTip-on old style gatefold double pocket jacket by Stoughton Printing\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLP 1 Side A\u003c\/li\u003e\n\u003cli\u003ethe Bourgeois Blues\u003c\/li\u003e\n\u003cli\u003eI Got Mine\u003c\/li\u003e\n\u003cli\u003eLP 1 Side B\u003c\/li\u003e\n\u003cli\u003eAlways Lift Him Up\u003c\/li\u003e\n\u003cli\u003eHe'll Have to Go\u003c\/li\u003e\n\u003cli\u003eLP 2 Side A\u003c\/li\u003e\n\u003cli\u003eSmack Dab in the Middle\u003c\/li\u003e\n\u003cli\u003eStand By Me\u003c\/li\u003e\n\u003cli\u003eLP 2 Side B\u003c\/li\u003e\n\u003cli\u003eYellow Rose\u003c\/li\u003e\n\u003cli\u003eChloe\u003c\/li\u003e\n\u003cli\u003eGoodnight Irene\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088102172\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.2.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Ry Cooder","offers":[{"title":"Default Title","offer_id":47582981456070,"sku":"190291867","price":87.99,"currency_code":"USD","in_stock":true}]},{"product_id":"paris-texas-ost-2lp-180g-45rpm-lp","title":"PRE-ORDER: Paris, Texas (ost\/2lp\/180g\/45rpm) [LP]","description":"\u003cp\u003eReleased in 1985, the Paris, Texas soundtrack by Ry Cooder blends slide guitar and minimalist music to reflect the film's emotional depth. The iconic track 'Paris, Texas' helped the album earn critical acclaim, including a BAFTA for Best Film Music. Cooder's score perfectly captured the film's themes of isolation and redemption.It's been more than four decades since the film was awarded the 1984 Palme d'Or at it's acclaimed Cannes Film Festival debut. The film's mystifying personae and desolate neo-western vistas have lost none of their original intrigue, thanks in large part to Ry Cooder's iconic soundtrack - a defining showpiece by a slide guitar savant.Recorded over three days, his music plays a pivotal mood-setting role, providing a plangent underpinning for German director Wim Wenders' postcard renderings of Americana.Cooder's soul-stirring soundtrack to the 1985 film Part of the Acoustic Sounds 40 SeriesReleasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds!180-gram 45 RPM double LPMastered from the original master tapePressed at Quality Record PressingsTip-on old style gatefold double pocket jacket by Stoughton Printing\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLP 1 Side A\u003c\/li\u003e\n\u003cli\u003eParis, Texas\u003c\/li\u003e\n\u003cli\u003eBrothers\u003c\/li\u003e\n\u003cli\u003eNothing Out There\u003c\/li\u003e\n\u003cli\u003eLP 1 Side B\u003c\/li\u003e\n\u003cli\u003eCancion Mixteca\u003c\/li\u003e\n\u003cli\u003eNo Safety Zone\u003c\/li\u003e\n\u003cli\u003eHouston in Two Seconds\u003c\/li\u003e\n\u003cli\u003eLP 2 Side A\u003c\/li\u003e\n\u003cli\u003eShe's Leaving the Bank\u003c\/li\u003e\n\u003cli\u003eon the Couch\u003c\/li\u003e\n\u003cli\u003eLP 2 Side B\u003c\/li\u003e\n\u003cli\u003eI Knew These People\u003c\/li\u003e\n\u003cli\u003eDark Was the Night\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753088102271\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Analogue Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.2.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Ry Cooder","offers":[{"title":"Default Title","offer_id":47582999085254,"sku":"190290507","price":87.99,"currency_code":"USD","in_stock":true}]}],"url":"https:\/\/paladinvinyl.com\/es\/collections\/artist-ry-cooder.oembed","provider":"Paladin Vinyl","version":"1.0","type":"link"}