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Se remontaba hasta 1984, y la mayor parte de sus canciones procedían de mediados de los noventa en adelante. Más de dos tercios del material nunca se había escuchado cuando se publicó originalmente en 2006 y tenía 30 canciones recién grabadas. Orphans también incluía varias canciones que encontraron un lugar en un álbum de Waits por primera vez. Entre ellas se encontraban interpretaciones únicas de Waits de canciones de talentos tan diversos como The Ramones, Daniel Johnston, Kurt Weill \u0026amp; Bertolt Brecht y Leadbelly. Estas tomas descartadas, rarezas y el material inédito se agruparon por separado en temas y se denominaron Brawlers, Bawlers y Bastards. Y ahora estos títulos se lanzarán individualmente. Brawlers es una colección de blues estridente y ritmos atrevidos de juke-art. Bawlers es una colección de baladas celtas y country, valses, canciones de cuna, piano y canciones líricas clásicas de Waits. 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También es el disco que coquetea más peligrosamente con los clichés, lleno como está de su trillado inventario de imágenes del lado oscuro de la cultura americana: trenes, cárceles, bares, etc. Sin embargo, el secreto del espectáculo de Waits es lo bien que utiliza estos referentes culturales que deberían estar cansados; por lo menos, suena más cómodo en el papel de un saltador de vagones de carga que recitando la canción popular de Oriente Medio arrancada de los titulares \"Road to Peace\". Sin duda, ayuda el hecho de que continúa oponiéndose a la vieja tendencia de las carreras de rock de una limpieza cada vez mayor, envolviendo estas canciones en una producción sucia y áspera que evita que el gorjeo de Big Bopper de \"Lie to Me\" o la versión de garaje de 12 compases de los Ramones de \"The Return of Jackie and Judy\" suenen como una exhibición de House of Blues.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Fecha de publicación: 15\/06\/2018\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Rock\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":43799232381126,"sku":"M0LPT8-NJ6H-00","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Tom-Waits-Brawlers_ptPCd.jpg?v=1762291361"},{"product_id":"tom-waits-early-years-2-vinyl","title":"Tom Waits - AÑOS TEMPRANOS 2 [Vinilo]","description":"\u003cp\u003e Grabado en Los Ángeles, California en 1971. \u003cbr\u003eAl igual que su predecesor, The Early Years, Vol. 2 consta de demos grabados por Tom Waits en 1971, dos años antes de que lanzara su álbum debut, Closing Time. \"Hope I Don't Fall in Love With You\", \"Ol' 55\", \"Grapefruit Moon\" y \"Old Shoes\" aparecieron más tarde en ese álbum, mientras que \"Shiver Me Timbers\", \"Diamonds on My Windshield\" y \"Please Call Me Baby\" aparecieron en el segundo álbum de Waits, The Heart of Saturday Night, en 1974. El lanzamiento de los dos álbumes de Early Years demuestra que el mejor material inicial de Waits llegó a sus lanzamientos habituales: el material inédito, aunque interesante, no es tan bueno. Y dado que los álbumes de Waits no fueron sobreproducidos, la principal diferencia entre estas versiones y las conocidas es que las conocidas son mejores. 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Rolling Stone included this 1974 LP in their \"500 Greatest Albums of All Time\" in admiration of it's bewitching blend of after-hours hipster jazz, ageless acoustic- piano songs and intimate introductions to the lonely \"ghosts of Saturday night.\" the song of that title joins New Coat of Paint; Shiver Me Timbers; Diamonds on My Windshield; (Looking for) the Heart of Saturday Night; Semi Suite, and more of his early best!\u003cbr\u003eTracks\u003cbr\u003e1 New Coat of Paint\u003cbr\u003e2 San Diego Serenade\u003cbr\u003e3 Semi Suite\u003cbr\u003e4 Shiver Me Timbers\u003cbr\u003e5 Diamonds on My Windshield\u003cbr\u003e6 (Looking for) the Heart of a Saturday Night\u003cbr\u003e7 Fumblin' with the Blues\u003cbr\u003e8 Please Call Me, Baby\u003cbr\u003e9 Depot, Depot\u003cbr\u003e10 Drunk on the Moon\u003cbr\u003e11 The Ghosts of Saturday Night (After Hours at Napoleone's Pizza House)\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 12\/20\/2024\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":44303455322310,"sku":"J59DN3-1CI1-TC","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/tom-waits-the-heart-of-saturday-night-anniversary-edition-180-gram-raspberry-beret-colored-vinyl-limited-edition_ELsn6.jpg?v=1762329801"},{"product_id":"tom-waits-under-the-covers-vinyl","title":"Under The Covers [Vinyl]","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":44317393682630,"sku":"7BPAHM-9B2W-00","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Tom-Waits-Under-The-Covers_Iaqbk.jpg?v=1762331917"},{"product_id":"tom-waits-real-gone-in-amsterdam-volume-1-import-2-lps-vinyl","title":"Real Gone In Amsterdam: Volume 1 [Import] (2 Lp's) [Vinyl]","description":"\u003cp\u003eVol. 1 of the spectacular radio broadcast of Tom Waits' Real Gone Tour! Waits' only album to date to feature absolutely no piano on any of its tracks, Waits beatboxed on the opening track, Top of the Hill, and most of the album's songs begin with his' “vocal percussion\" improvisations. 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As he did on that 1992 album, Waits gets in touch with his inner Captain Beefheart on REAL GONE. Instead of employing arrangements that merely suggest the accompaniment of a FAT ALBERT-style junkyard band, Waits actually sounds like he's hooting and hollering in the middle of a Salvation Army scrapyard, albeit one populated by junkmen with an inherent simpatico for his medium.The absence of piano is significant--Waits's jazzy harmonic underpinning is entirely dismantled here, leaving only the most basic, blues-oriented structures atop which Waits hangs his distinctive poetic imagery, at once surreal and highly detailed. There's an overwhelming sense of darkness (\"How's It Gonna End,\" \"Dead and Lovely\"), but there are also moments of pure unfettered glee \"Metropolitan Glide,\" \"Shake It\"), which are often goosed along by Waits's son Casey on turntables and percussion. A perennial romantic, Waits does let in a little melodic sunshine on the poignant closing ballad, \"Day After Tomorrow,\" but for the most part, REAL GONE is a deliriously wild ride.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":44317548150982,"sku":"Z7FQV8-AVJA-00","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Tom-Waits-REAL-GONE-REMIXED-AND-REMASTERED_ehiRe.jpg?v=1762332229"},{"product_id":"blue-valentine-cd","title":"Blue Valentine [CD]","description":"\u003cp\u003eDigitally remastered edition. Blue Valentine is a big departure from earlier Waits albums. Trading the piano for the guitar, Waits is getting rawer and bluesier and title track is a great example of this. Waits is in transition here, so you also get a stunning orchestrated rendition of Gershwin's \"Somewhere\", and the beautiful piano ballad, \"Kentucky Ave.\", but you also get the juke joint swagger of \"Romeo Is Bleeding\" and \"Whistlin' Past the Graveyard\". This is also the record that contains one of Waits' most popular songs ever, \"Christmas Card from A Hooker in Minneapolis\". Tom Waits is a critically acclaimed singer-songwriter, musician, composer and actor. His deep distinctive gravelly voice was described by critic Daniel Durchholz as sounding as though \"it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car\". 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This album also contains some of Waits most popular ballads, including “Jersey Girl” which was famously a hit for Bruce Springsteen. “On the Nickle” is a moving song about the homeless people who lived on 5th street in downtown LA, and “Ruby’s Arms” is a beautiful song with a lovely Bach-like melody.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeartattack And Vine\u003c\/li\u003e\n\u003cli\u003eIn Shades\u003c\/li\u003e\n\u003cli\u003eSaving All My Love For You\u003c\/li\u003e\n\u003cli\u003eDowntown\u003c\/li\u003e\n\u003cli\u003eJersey Girl\u003c\/li\u003e\n\u003cli\u003e\u0026amp;#39;til The Money Runs Out\u003c\/li\u003e\n\u003cli\u003eOn The Nickel\u003c\/li\u003e\n\u003cli\u003eMr. Siegal\u003c\/li\u003e\n\u003cli\u003eRuby\u0026amp;#39;s Arms\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 045778757114\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Epitaph\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.14.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":45455679520966,"sku":"28227","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/3812486.jpg?v=1768499301"},{"product_id":"bawlers-remastered","title":"Bawlers [Remastered]","description":"\u003cp\u003e\u003cspan\u003eThe collection of 56 songs went far beyond a simple career retrospective. It dipped back as far as 1984 with the bulk of it’s songs hailing from the mid-nineties onward. Over 2\/3 of the material had never been heard when originally released in 2006 and had 30 newly recorded songs. Orphans also featured a number of songs finding a home on a Waits’ album for the first time. They included Waits’ unique interpretations of songs by such diverse talents as The Ramones, Daniel Johnston, Kurt Weill \u0026amp; Bertolt Brecht and Leadbelly. These outtakes, rarities and the previously unreleased material were separately grouped into themes and named, Brawlers, Bawlers, and Bastards. And now these titles will be released individually. Brawlers is a collection of raucous blues and full-throated juke joint stomps Bawlers is a collection of Celtic and country ballads, waltzes, lullabies, piano and classic lyrical Waits’ songs Bastards is a collection of experimental music and strange tales.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBend Down The Branches (Remastered)\u003c\/li\u003e\n\u003cli\u003eYou Can Never Hold Back Spring (Remastered)\u003c\/li\u003e\n\u003cli\u003eLong Way Home (Remastered)\u003c\/li\u003e\n\u003cli\u003eWidow's Grove (Remastered)\u003c\/li\u003e\n\u003cli\u003eLittle Drop Of Poison (Remastered)\u003c\/li\u003e\n\u003cli\u003eShiny Things (Remastered)\u003c\/li\u003e\n\u003cli\u003eWorld Keeps Turning (Remastered)\u003c\/li\u003e\n\u003cli\u003eTell It To Me (Remastered)\u003c\/li\u003e\n\u003cli\u003eNever Let Go (Remastered)\u003c\/li\u003e\n\u003cli\u003eFannin Street (Remastered)\u003c\/li\u003e\n\u003cli\u003eLittle Man (Remastered)\u003c\/li\u003e\n\u003cli\u003eIt's Over (Remastered)\u003c\/li\u003e\n\u003cli\u003eIf I Have To Go (Remastered)\u003c\/li\u003e\n\u003cli\u003eGoodnight Irene (Remastered)\u003c\/li\u003e\n\u003cli\u003eThe Fall Of Troy (Remastered)\u003c\/li\u003e\n\u003cli\u003eTake Care Of All My Children (Remastered)\u003c\/li\u003e\n\u003cli\u003eDown There By The Train (Remastered)\u003c\/li\u003e\n\u003cli\u003eDanny Says (Remastered)\u003c\/li\u003e\n\u003cli\u003eJayne's Blue Wish (Remastered)\u003c\/li\u003e\n\u003cli\u003eYoung At Heart (Remastered)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 045778754922\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Epitaph\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.22.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":45455780184262,"sku":"81039","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/3788668.jpg?v=1768500685"},{"product_id":"blue-valentine-remastered-lp","title":"Blue Valentine [Remastered LP]","description":"\u003cp\u003e\u003cspan\u003eBlue Valentine (1978) is a big departure from earlier Waits albums. Trading the piano for the guitar, Waits is getting rawer and bluesier and the title track is a great example of this. Waits is in transition here, so you also get a stunning orchestrated rendition of Gershwin’s “Somewhere”, and the beautiful piano ballad, “Kentucky Ave.”, but you also get the juke joint swagger of “Romeo Is Bleeding” and “Whistlin’ Past the Graveyard”. 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Small Change is a masterpiece that contains some of Waits' best early work. Classic jazz, Tin Pan Alley, and Stephen Foster filtered through Tom's unique worldview and lyrical genius. Heartbreaking, hilarious and always vivid, songs like \"Step Right Up\", \"Tom Traubert's Blues\", \"I Wish I Was in New Orleans\", \"The Piano Has Been Drinking\", and \"Invitation to the Blues\" are all classics that have influenced generations of songwriters since. Recorded with a live orchestra and featuring jazz legend Shelly Manne on drums, Small Change is a classic and stands as one of Tom Waits most popular recordings. Tom Waits is a critically acclaimed singer-songwriter, musician, composer and actor. His deep distinctive gravelly voice was described by critic Daniel Durchholz as sounding as though \"it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car\". 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Digitally remastered edition. Closing Time is the debut record by Tom Waits and it foreshadows the distinctly lyrical storytelling and original blending of jazz, blues and folk styles that would come to be associated with the artist. Waits performs enduring classics of his career such as Ol' 55 (covered by the Eagles), the heartbreaking \"Martha\" and the gentle acoustic folk of \"I Hope I Don't Fall In Love With You\". Produced and arranged by former Lovin' Spoonful member Jerry Yester, Closing Time was the first of seven of Waits' major releases by Asylum. 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Opening with the instrumental \"Cinny's Waltz\" and featuring some new standards like \"Muriel\" and \"I Never Talk To Strangers\", his dramatic duet with Bette Midler, this album gets into some of Waits' most ambitious storytelling ever. Foreign Affairs also features the jazzy, colorful \"Jack and Neil\" and the sweeping, dramatic \"Potters Field\" as well as classic Waits ballads \"Burma Shave\" and \"Sight for Sore Eyes\". Tom Waits is a critically acclaimed singer-songwriter, musician, composer and actor. His deep distinctive gravelly voice was described by critic Daniel Durchholz as sounding as though \"it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car\". 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