{"title":"Cool Jazz","description":null,"products":[{"product_id":"bill-evans-bill-evans-bill-evans-trio-64-verve-acoustic-sounds-series-lp-vinyl","title":"Bill Evans - Bill Evans - Trio '64 (Serie de sonidos acústicos Verve) [LP] [Vinilo]","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Fecha de publicación: 27\/08\/2021\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Bill Evans","offers":[{"title":"Default Title","offer_id":42459362099398,"sku":"U0AE2F-QWZF-00","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/Bill-Evans-Bill-Evans-Trio-64-Verve-Acoustic-Sounds-Series-LP_AxsGM.jpg?v=1779548894"},{"product_id":"art-pepper-art-pepper-artworks-vinyl","title":"Obras de arte de Pepper en vinilo","description":"\u003cp\u003e PistasCréditos\u003cbr\u003e 1 Luna de invierno\u003cbr\u003e 2 Cuerpo y alma\u003cbr\u003e 3 Tal vez el año que viene\u003cbr\u003e 4 Blues en la noche\u003cbr\u003e 5 'Alrededor de la medianoche\u003cbr\u003e 6 Imaginación\u003cbr\u003e 7 Sobre el arcoiris\u003cbr\u003e 8 ¿Por qué tenemos miedo?\u003cbr\u003e 9 Todas las cosas que eres\u003cbr\u003e 10 Llueva o haga sol\u003cbr\u003e 11 Te me subes a la cabeza\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 28\/07\/2023\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Art Pepper","offers":[{"title":"Default Title","offer_id":42740396294342,"sku":"V23JDD-FUGH-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/artworks_RNFDf.jpg?v=1779561502"},{"product_id":"ben-webster-ben-webster-soulville-verve-acoustic-sounds-series-lp-vinyl","title":"Ben Webster - Soulville (Serie de sonidos acústicos Verve) [LP] [Vinilo]","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 26\/01\/2024\u003c\/li\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 26\/01\/2024\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Ben Webster","offers":[{"title":"Default Title","offer_id":43091350749382,"sku":"MKJKJR-8K9B-00","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/ben-webster-soulville-verve-acoustic-sounds-series-lp_Zpm6z.jpg?v=1779573114"},{"product_id":"toots-thielemans-captured-alive-vinyl","title":"Toots Thielemans - Capturado vivo [Vinilo]","description":"\u003cp\u003eEl maestro de jazz de la NEA, Toots Thielemans, es considerado por muchos como el armonicista de jazz más destacado. Se puede decir con seguridad que antes de él, la armónica en el jazz simplemente no se usaba, y a Thielemans se le puede atribuir el mérito de legitimar el instrumento en el género. Nacido en Bruselas, Bélgica, en 1922, Theileman se destacó tocando el acordeón cuando era un niño pequeño, antes de empezar a tocar la guitarra cuando era un adolescente después de escuchar a Django Reinhart. En el camino, aprendió a tocar la armónica como pasatiempo. En 1948, durante una visita a los EE. UU., tocó la guitarra con un grupo de jazz en un pequeño club de Nueva York y fue \"descubierto\". Pronto le siguieron compromisos con figuras como Benny Goodman, Charlie Parker, Miles Davis, Oscar Peterson, Dizzy Gillespie, Quincy Jones y más. Según cuenta la historia, en respuesta a una restricción del sindicato de músicos, a Thielemans se le prohibió tocar la guitarra en un concierto. Así que sacó su armónica. El resto, como dicen, es historia. Continuó teniendo una larga y prolífica carrera con el instrumento, tanto como líder de banda como músico de sesión. Con su sonido único, se convirtió en un referente para las bandas sonoras de películas en la década de 1970 (El prestamista, Cowboy de medianoche). Quizás lo más notable es que Thielemans es conocido inconscientemente por generaciones por haber tocado la melodía del famoso tema final de Barrio Sésamo. Organizada como una sesión puramente de jazz, la cita aquí presenta de forma destacada a una joven Joanne Brackeen al piano. Es quizás la presencia de Brackeen lo que hace que este set sea tan interesante. Como intérprete de vanguardia, proporciona el vehículo para que Thielemans explore ideas más avanzadas. El álbum cubre una amplia gama de material, incluidos dos originales de Brackeen, junto con estándares de Coltrane, Ellington, Mercer y Mancini.\u003c\/p\u003e \u003cp\u003eA1. Días de vino y rosas A2. Nunca te lo dije A3. Doctora Bonita A4. Airegin B1. Imágenes B2. Sueño despierto B3. Pasos gigantes B4. Dormitar\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Nota de manejo: **Por favor, espere 72 horas adicionales para el envío de este artículo.**\u003c\/li\u003e\n\n\u003cli\u003e Detalle del formato: LP Vinilo 180g\u003c\/li\u003e\n\n\u003cli\u003e Detalle del formato: LP Vinilo 180g\u003c\/li\u003e\n\n\u003cli\u003e Identificación interna: JITRE\u003c\/li\u003e\n\n\u003cli\u003e Lanzamiento: 1\/12\/23\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Lanzamiento: 1\/12\/23\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Toots Thielemans","offers":[{"title":"Default Title","offer_id":43682211954886,"sku":"9W0AKD-EYDH-2V","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/toots-thielemans-captured-alive_9DHJP.jpg?v=1762277878"},{"product_id":"art-pepper-art-pepper-art-pepper-meets-the-rhythm-section-contemporary-acoustic-sounds-series-stereo-vinyl","title":"Art Pepper - Art Pepper Meets The Rhythm Section [Serie de Sonidos Acústicos Contemporáneos] [Estéreo] [Vinilo]","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 24\/02\/2023\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Art Pepper","offers":[{"title":"Default Title","offer_id":43690357784774,"sku":"J5DMJT-3BM4-00","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/art-pepper-art-pepper-meets-the-rhythm-section-contemporary-acoustic-sounds-series-stereo_FF8R1.jpg?v=1762278558"},{"product_id":"lee-konitz-tenorlee-vinyl","title":"Lee Konitz - Tenorlee [Vinilo]","description":"\u003cp\u003e Como sugiere el título, en la grabación Tenorlee, Lee Konitz, el gran saxofonista estadounidense, toca exclusivamente en el tenor. Fue una decisión espontánea y un homenaje a su querido amigo, el saxofonista All-Star de Lighthouse, Richie Kamuca, que había fallecido pocos días antes de que Konitz entrara al estudio para estas sesiones.\u003c\/p\u003e \u003cp\u003eKonitz se formó clásicamente con el clarinete, pero se pasó al saxofón de jazz tras enamorarse de Lester Young. En 1945, con 18 años, Konitz ya actuaba profesionalmente. Grabó nada menos que 150 álbumes como líder de banda a lo largo de su larga y célebre carrera. Tocó y grabó con todo tipo de músicos, desde Dave Brubeck, Charles Mingus, Ornette Colman, Elvin Jones y Gerry Mulligan hasta Elvis Costello, Brad Mehldau y Charlie Haden. Entre 1948 y 1950, fue miembro del grupo de Miles Davis y participó en las grabaciones que finalmente se recopilarían y publicarían como Birth of The Cool.\u003c\/p\u003e\n\u003cp\u003e Con un trío que incluía al ex alumno de Lighthouse All-Star Jimmy Rowles al piano y a Michael Moore al bajo, Kontiz repitió canciones antiguas y conocidas. La intención era dejar que las melodías surgieran como sólo pueden hacerlo los músicos de jazz bien afinados y con cierta experiencia. Cabe destacar Lady Be Good, en la que Konitz y Rowles citan el solo de Lester Young de la grabación de 1936 con Count Basie.\u003c\/p\u003e \u003cp\u003eDe 1978, originalmente bajo el sello Choice, este álbum ha sido remasterizado y se presenta aquí tal como lo pretendía el artista, con su título original, orden de canciones y carátula del álbum, por primera vez desde su lanzamiento original.\u003c\/p\u003e\n\u003cp\u003e Remasterizado por Alex McCollough en True East Mastering. Edición en vinilo por Jeff Powell en Take Out Vinyl.\u003c\/p\u003e\n\u003cp\u003e A1. Te recuerdo A2. Alondra A3. Gracias por el recuerdo A4. Eres demasiado hermosa B1. Un puñado de estrellas B2. Nocturno de otoño B3. Mandarina B4. 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Durante casi diez años se concentró exclusivamente en las presentaciones en vivo. Este álbum, Music for People, Birds, Butterflies and Mosquitoes, marcó su regreso al estudio después de una pausa autoimpuesta.\u003c\/p\u003e\n\u003cp\u003e Giuffre, conocido por desarrollar formas de jazz que permitían la libre interacción entre los músicos, comenzó su carrera como arreglista para la big band de Woody Hermans a finales de los años 40. Tocando principalmente el saxofón, se convirtió en una figura central de la escena cool jazz de la Costa Oeste de los años 50, con el Lighthouse All Stars en Hermosa Beach, California. A finales de los años 50, comenzó a trabajar dentro de diferentes configuraciones del formato de trío, en lo que él llamaba jazz folk basado en el blues. Un excelente ejemplo es su pieza \"The Train and the River\", que apareció en la famosa película del concierto del Festival de Jazz de Newport de 1958, Jazz On A Summers Day.\u003c\/p\u003e \u003cp\u003eEl trío se completa con batería y bajo, y Giuffre alterna sin problemas entre saxofón tenor, clarinete, flauta y flauta baja. Las doce composiciones originales siguen el estilo característico de Giuffre. Las exploraciones melódicas tienen un aire oriental y se interpretan en tonos suaves con una calidad casi de música de cámara.\u003c\/p\u003e\n\u003cp\u003e De 1973, originalmente bajo el sello Choice, este álbum ha sido remasterizado y se presenta aquí tal como lo pretendía el artista, con su título original, orden de canciones y carátula del álbum, por primera vez desde su lanzamiento original.\u003c\/p\u003e\n\u003cp\u003e Remasterizado por Alex McCollough en True East Mastering. Edición en vinilo por Jeff Powell en Take Out Vinyl.\u003c\/p\u003e\n\u003cp\u003e A1. Danza del mosquito A2. Danza nocturna A3. Canción de flauta A4. Canto eterno A5. El pájaro A6. La espera B1. La mariposa B2. El canto B3. La luz de la luna B4. Derviche B5. Fénix B6. 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Grabado en Columbia 30th Street Studios, Nueva York, Nueva York el 25 de junio, 1 de julio y 18 de agosto de 1959. Incluye notas de Dave Brubeck y Steve Race. TIME OUT de Dave Brubeck se sitúa junto a KIND OF BLUE de Miles Davis como una de las pocas obras maestras del jazz avanzado que ha conseguido un gran éxito comercial. De hecho, la popularidad generalizada de TIME OUT, con su ambiente de tonos fríos, su estilo suave y sus elementos tomados de la música clásica, ayudó a convertir el jazz moderno en un fenómeno generalizado. Puede que la omnipresente \"Take Five\" esté sobreutilizada, pero eso no disminuye la alegría de sus complejos ganchos melódicos, sus solos perfectamente ejecutados o el ritmo oscilante de su firma de 5\/4. \"Blue Rondo a la Turk\" combina Mozart, swing fresco y el estilo de piano de orientación clásica del propio Brubeck, y la etérea y delicada \"Everybody's Jumpin'\" muestra el esplendor lírico del saxofonista Paul Desmond. 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Grabado en All Souls Unitarian Church, Washington, DC el 13 de febrero de 1962. Publicado originalmente en Verve (V6-8432). Incluye notas de portada de la edición original de Dom Cerulli. Personal: Stan Getz (saxofón tenor); Charlie Byrd (guitarra); Gene Byrd (guitarra, bajo); Keter Betts (bajo); Buddy Deppenschmidt, Bill Reichenbach (batería). Productor: Creed Taylor. Productor de la reedición: Michael Lang. Grabado en Pierce Hall, All Souls Unitarian Church, Washington, DC el 13 de febrero de 1962. Publicado originalmente en Verve (8432). Incluye notas de portada de John Litweiler y Dom Cerulli. Remasterizado digitalmente con tecnología de 20 bits por Suha Gur (Polygram Studios). Forma parte de la serie Verve Master Edition. El álbum que lanzó el ahora clásico \"Desafinado\" Jazz Samba de Jobim se publicó en 1962, en los primeros días de la locura de la bossa nova en Estados Unidos y antes de que la música perdiera su encanto por culpa de los clichés. 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that has Ronnell Bright really opening up on the keys, in ways you don’t always hear on his material with singers. This session took place in a certain euphoria on Thursday of Corpus Christi, and you can feel the joy and dynamics in music. The other players in the trio are Richard Davis on bass and the English drummer Art Morgan.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRonnell Bright (Piano)\u003cbr\u003e\r\nRichard Davis (Bass)\u003cbr\u003e\r\nArt Morgan (Drums)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSide A\u2028\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eR and R Groove\u003c\/li\u003e\r\n\t\u003cli\u003eJohnny Pate’s Blues\u003c\/li\u003e\r\n\t\u003cli\u003eThings Ain’t What They Used To Be\u003c\/li\u003e\r\n\t\u003cli\u003eSail’ Em\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThe Champ\u003c\/li\u003e\r\n\t\u003cli\u003eEasy 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A mythic LP and one of the best recorded in France!!!\u003c\/p\u003e\r\n\r\n\u003cp\u003eJohn Lewis (Piano)\u003cbr\u003e\r\nSacha Distel (Guitar)\u003cbr\u003e\r\nBarney Wilen (Tenor Saxophone)\u003cbr\u003e\r\nPierre Michelot (Bass) Tracks A1, A2 \u0026amp; A3 \/ Percy Heath (Bass) Tracks B1, B2 \u0026amp; B3.\u003cbr\u003e\r\nConnie Kay (Drums) Tracks A1, A2 \u0026amp; A3 \/ Kenny Clarke (Drums) Tracks B1, B2 \u0026amp; B3.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eI Cover The Waterfront (Johnny Green) 6’45\u003c\/li\u003e\r\n\t\u003cli\u003eDear Old Stockholm (Trad) 6’01\u003c\/li\u003e\r\n\t\u003cli\u003eAfternoon in Paris (John Lewis) 9’21\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eAll The Things You Are (Jerome kern – Oscar Hammerstein) 5’12\u003c\/li\u003e\r\n\t\u003cli\u003eBags’ Groove (Milt Jackson) 6’08\u003c\/li\u003e\r\n\t\u003cli\u003eWillow Weep For Me (Ann Ronnell) 9’33\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRe-mastered from a copy of the mono master tapes.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003eCut by Ray Staff at Air Mastering Studio in London.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003e180 gr vinyl pressed in Marciac, France by Garcia \u0026amp; Co using the Metal Mothers from Pallas.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003eFacsimile reissue with flipback sleeve using the original photo by JC Bernath.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003eDouble insert using an original photo by JC Bernath from 1956.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003eEach record has been visually checked to prevent defects.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Sam Records\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Lewis \u0026 Sacha Distel","offers":[{"title":"Default Title","offer_id":44192455622854,"sku":"5Q4WG4-2Z1B-00","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/afternoon-in-paris_tAkCt.jpg?v=1762314649"},{"product_id":"lester-young-le-dernier-message-de-lester-young-vinyl","title":"Le Dernier Message De Lester Young [Vinyl]","description":"\u003cp\u003eLester Young (Tenor Saxophone)\u003cbr\u003e\r\nRené Urtreger (Piano)\u003cbr\u003e\r\nJimmy Gourley (Guitar)\u003cbr\u003e\r\nJamil Nasser (Bass)\u003cbr\u003e\r\nKenny Clarke (Drums)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eLady Be Good 3’36\u003c\/li\u003e\r\n\t\u003cli\u003eBack Home Again In Indiana 2’48\u003c\/li\u003e\r\n\t\u003cli\u003eI Can’t Get Started With You 3’15\u003c\/li\u003e\r\n\t\u003cli\u003eI Didn’t Know What Time It Was 4’20\u003c\/li\u003e\r\n\t\u003cli\u003eThree Little Words 4’18\u003c\/li\u003e\r\n\t\u003cli\u003ePennies From Heaven 3’21\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eTea For Two 3’31\u003c\/li\u003e\r\n\t\u003cli\u003eI Cover The Waterfront 3’49\u003c\/li\u003e\r\n\t\u003cli\u003eA. B. Blues 3’14\u003c\/li\u003e\r\n\t\u003cli\u003eThere’ll never Be Another You 3’39\u003c\/li\u003e\r\n\t\u003cli\u003eAlmost Like Being In Love 4’01\u003c\/li\u003e\r\n\t\u003cli\u003eLullaby Of Birdland 3’43\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRe-mastered from the original master tapes.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003e180 gr vinyl pressed by Optimal in Germany using the Metal Mothers from Pallas.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003eFacsimile reissue using the original photos on front and back by Herman Leonard.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003eDouble insert using an original photo by JP Leloir.\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003eEach record has been visually checked to prevent defects.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003e12” LP : March 4th, 1959 – Barclay Studio, Paris.\u003cbr\u003e\r\nOriginal LP issue: Barclay 84.069.\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIn January 1959, Lester Young was in Paris for a series of concerts at the famous Blue Note Club. He plays with Rene Urtreger on piano, Kenny Clarke on drums, Jimmy Gourley on guitar and Jamil Nasser on bass. On March the 4th, 1959, Eddie Barclay decides to record Lester at Studio Barclay, which will be his last album. This legendary recording session is poignant and moving in line with the from Coleman Hawkins ‘Sirius’ and the last recording of Billie Holiday. Lester Young is reduced but the grace and genius are still there! \u2028Some days later, March 15, 1959, Lester succumb at the Alvin hotel, a few hours after arriving in New York. A heart attack had just one defeat all musicians nicknamed ‘Prez’, The President.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Sam Records\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lester Young","offers":[{"title":"Default Title","offer_id":44192794869958,"sku":"A6M82C-BE1R-00","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/le-dernier-message-de-lester-young-lp-bonus-10-inch-vinyl_zhCC9.jpg?v=1762315282"},{"product_id":"the-modern-jazz-quartet-the-modern-jazz-quartet-1957-cologne-gurzenich-concert-hall-vinyl","title":"THE MODERN JAZZ QUARTET - 1957 Cologne, Gurzenich Concert Hall [Vinyl]","description":"THE MODERN JAZZ QUARTET - THE MODERN JAZZ QUARTET - 1957 Cologne, Gurzenich Concert Hall [Vinyl] \u003cbr\u003eBarcode: 4049774780066 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITFE\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eReleased: 5\/24\/19\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"THE MODERN JAZZ QUARTET","offers":[{"title":"Default Title","offer_id":44193224032454,"sku":"7PNU6H-JRFX-0B","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/the-modern-jazz-quartet-1957-cologne-gurzenich-concert-hall_bvUf0.jpg?v=1762315861"},{"product_id":"art-pepper-art-pepper-the-complete-at-ronnie-scotts-june-1980-vinyl","title":"Art Pepper - The Complete... At Ronnie Scott'S June 1980 [Vinyl]","description":"Art Pepper - Art Pepper - The Complete... At Ronnie Scott'S June 1980 [Vinyl] \u003cbr\u003eBarcode: 5060149621011 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eArt Pepper was booked to appear at Ronnie Scott’s during the last two weeks of June 1980 with his accompanying trio. The London booking was a success from the very beginning. Word soon spread amongst the London jazz fraternity and arrangements were made to record the quartet before the Ronnie Scott’s booking ended. The recording was being done for Mole Jazz, a record shop in King’s Cross, London.\u003c\/p\u003e\n\u003cp\u003eMole had come into being when three dedicated jazz enthusiasts – Ed Dipple, Pete Fincham and Graham Griffiths – decided to establish a shop designed solely for selling jazz records, new and second-hand. The Art Pepper recordings were to provide the first release issued by Mole namely, Blues For The Fisherman. A second album from these recordings, True Blues was released the following year.\u003c\/p\u003e\n\u003cp\u003eFor some years the two Mole Jazz albums have been unavailable to collectors but now the entire recordings made on the two nights at Ronnie’s are presented, a total of 25 performances complete with dialogues by Art Pepper between several of the tunes.\u003c\/p\u003e\n\u003cp\u003eThe location of the original master tapes was discovered to be with Laurie Pepper, Art’s widow. She had never played these master tapes and to her surprise they contained nearly five hours of music and dialogues. These tapes were made available to Pure Pleasure. These were then skillfully edited \u0026amp; mastered by Ray Staff to produce seven vinyl albums containing the original eight tracks from the two Mole LPs \u0026amp; adding an extra seventeen performances never previously available. By Alun Morgan\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003e7xLP box set including 16 page booklet with new notes by Alun Morgan and four interviews with Art Pepper,by Les Tomkins from 1979, 1980 \u0026amp; 1981\u003c\/li\u003e\n\t\u003cli\u003eRecorded by Tri-Arts Associates Limited for \u003cspan class=\"caps\"\u003eTAA\u003c\/span\u003e\/Mole Record Productions, 27\/28th June 1980\u003c\/li\u003e\n\u003c\/ul\u003e PPAN012 -Artist-Art Pepper\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eReleased: 7\/25\/18\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 7LP Box Set Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Pepper","offers":[{"title":"Default Title","offer_id":44258651144390,"sku":"B5U20G-H9Z2-9R","price":193.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/art-pepper-the-complete-at-ronnie-scotts-june-1980_at6TS.jpg?v=1762325167"},{"product_id":"bill-evans-jim-hall-bill-evans-jim-hall-undercurrent-vinyl","title":"Bill Evans \u0026 Jim Hall - Undercurrent [Vinyl]","description":"\u003cp\u003ePersonnel: Bill Evans (piano); Jim Hall (guitar).Recorded at Soundmakers, New York, New York on April 24 and May 14, 1962. Originally released on United Artists (1500). Includes liner notes by David Rosenthal.All tracks have been digitally remastered.Occasionally during UNDERCURRENT one expects the other shoe to drop: the growl of a bass entering in half time, wire brushes falling patiently into place on a sizzle cymbal. It never happens, and that's ultimately the allure of this duet record. The pleasure of these eight cuts (two of them previously unreleased, all of them recorded over two days in the spring of 1962 in New York) lies in the sense of overhearing a private conversation between two particularly thoughtful people.The tunes are mostly standards, and they conjure a noirish, rainy-night aesthetic. There are a few exceptions, though--the blues come gleaming through on the limber \"I'm Getting Sentimental Over You\" and the more reflective \"Romain.\" The kickoff tune, \"My Funny Valentine,\" is the set's cooker. Evans pecks out the melody, encouraged by Hall's deft counterlines. As Hall's solo gets under way Evans provides a pointillistic background that grows in intensity, urging on the guitarist, who replies with increasing heat before passing things off to Evans and getting into some spirited comping of his own.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 9\/15\/2017\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bill Evans \u0026 Jim Hall","offers":[{"title":"Default Title","offer_id":44269156335814,"sku":"Y9VFFS-XBVN-00","price":17.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/Bill-Evans-Jim-Hall-Undercurrent_0W6d7.jpg?v=1762325697"},{"product_id":"dave-brubeck-trio-featuring-gerry-mulligan-blues-roots-vinyl","title":"Blues Roots [Vinyl]","description":"\u003cp\u003eAlthough this is a blues-oriented set, there is plenty of variety in tempos and grooves. The 1968 Quartet featured the leader\/pianist, baritone saxophonist Gerry Mulligan, bassist Jack Six and drummer Alan Dawson. The repertoire on this LP ranges from “Limehouse Blues” (which is not really a blues) to “Things Ain’t What They Used to Be” and several originals.\u003c\/p\u003e\n\u003cp\u003eThese songs are average for 1968, but the soloing is remarkable and the musicians here are some of the best. “Journey” is a remarkably beautiful piano ballad, while “Blues Roots” narrowly rises above in it’s epic scope, and over-the-top ending. It’s probably my favourite song here. But, “Broke Blues” is also exceptional. This one, along with “Cross Ties” and “Blues Roots”, are fairly progressive, drawing as much from post bop as blues and traditional Jazz, pushing toward avante-garde. By G.Skate\/S Yannow\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003e180 gram LPx1 standard sleeve\u003c\/li\u003e\n\u003c\/ul\u003e PPAN CS9749 -Artist-Dave Brubeck Trio featuring Gerry Mulligan\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dave Brubeck Trio featuring Gerry Mulligan","offers":[{"title":"Default Title","offer_id":44288589201606,"sku":"TX2DFO-TGJ3-EF","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/dave-brubeck-trio-featuring-gerry-mulligan-blues-roots_REu8B.jpg?v=1762329207"},{"product_id":"modern-jazz-quartet-pyramid-vinyl","title":"Pyramid [Vinyl]","description":"\u003cp\u003eWith such a tight group as the \u003cspan class=\"caps\"\u003eMJQ\u003c\/span\u003e is is impossible to single out individual musicians which probably accounts for their long lived success.\u003c\/p\u003e\n\u003cp\u003eThis is a strong recording from the Modern Jazz Quartet, with inventive versions of John Lewis’ “Vendome,” Ray Brown’s “Pyramid,” Jim Hall’s “Romaine,” and Lewis’ famous “Django,” along with cooking jams on “How High the Moon” and “It Don’t Mean a Thing.” The \u003cspan class=\"caps\"\u003eMJQ\u003c\/span\u003e had become a jazz institution by this time, but they never lost their creative edge, and their performances (even on the remakes) are quite stimulating, enthusiastic, and fresh. Scott Yanow\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEvery track is a gem, the stand out track being “Django” (recorded many times; is this the definitive version? I think so). The title track (written by Ray Brown) is “Pyramid” (11 min) which is also a pearl.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRecorded at Music Inn, Lennox in August 1959.\u003c\/li\u003e\n\u003c\/ul\u003e PPAN SD1325 -Artist-Modern Jazz Quartet\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eReleased: 7\/25\/18\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Modern Jazz Quartet","offers":[{"title":"Default Title","offer_id":44303454699718,"sku":"DLFR7B-QZTN-2F","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/modern-jazz-quartet-pyramid_dvwch.jpg?v=1759806454"},{"product_id":"lee-konitz-inside-hifi-vinyl","title":"Inside Hifi [Vinyl]","description":"\u003cp\u003eThis excellent recording features altoist Lee Konitz with two separate quartets during 1956. Either guitarist Billy Bauer or pianist Sal Mosca are the main supporting voices in groups also including either Arnold Fishkind or Peter Ind on bass and Dick Scott on drums. The most unusual aspect to the set is that on the four selections with Mosca, Konitz switches to tenor, playing quite effectively in a recognizable cool style. The overall highlights of this enjoyable album are “Everything Happens to Me,” “All of Me,” and “Star Eyes,” but all eight performances are well played and swinging.                         Scott Yannow\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe introduction of Konitz’s tenor during this period is emblematic of this. His premiere tenor recordings on ’56’s Lee Konitz Inside Hi-Fi document how Konitz first translated the refinements of his alto conception to the larger horn, even on would-be barn burners as “Indiana” (which also features an excellent solo by pianist Sal Mosca), and began to apply the tenor’s capacity for broader, bolder strokes to such fine alto performances as the bluesy “Cork ‘N’ Bib.” The contrasts between Konitz’s alto and tenor are well-represented on “Kary’s Trance,” which includes choruses on both horns; the track is also one of guitarist Billy Bauer’s finest.\u003cbr\u003e\nBill Shoemaker\u003c\/p\u003e\n\u003cp\u003eA recent convert to Lee Konitz, the more I hear the more I like. Though he went on to record right up to the present day, the 50’s recordings are remarkably fresh, with his alto’s long fluid lines and swinging turns in direction. His alto has a refreshing lightness and his opening alto duet here with guitarist Billy Bauer on “Kary’s Trance” is a surprising sheer delight. Unusually, Konitz also picks up the tenor sax on several tracks for the first time, yielding a record with an additional layer of interest. The selling point for me, however, was the cover. For any audiophiles out there (yes you Guy! ) the artifice of Konitz, photographed through capacitors, valves and wires in Rudy Van Gelder’s recording studio, is the ultimate Jazz Audiophile image.\u003cbr\u003e\nLondonJazzCollector\u003c\/p\u003e  PPAN-SD1258 -Artist-Lee Konitz\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lee Konitz","offers":[{"title":"Default Title","offer_id":44303464497350,"sku":"Q4FD4J-8FPM-MQ","price":38.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/lee-konitz-inside-hifi_6D823.jpg?v=1759806511"},{"product_id":"modern-jazz-quartet-the-sheriff-vinyl","title":"The Sheriff [Vinyl]","description":"\u003cp\u003eRecorded in 1963, The Sheriff features the Modern Jazz Quartet in fine swinging form. The program is not as sharply focused as on some of the earlier Atlantic releases, but it is compelling nonetheless. There are four originals by pianist John Lewis, including the fleeting, bluesy title cut, and the moody, spacious “In a Crowd” — originally composed for the 1961 film A Milanese Story. Its stepped-up time signature and series of phrases played by Milt Jackson grounds the tune in blues, but Lewis’ solo feels more like a solo trumpet breezing through the center. The set includes Heitor Villa-Lobos’ “Bachianas Brasileiras,” a classical piece the quartet first performed with guitarist Laurindo Almeida. Bassist Percy Heath is stellar here, playing both arco and pizzicato and alternately moving the work forward with deftness and precision. Lewis and Jackson engage in gorgeous counterpoint throughout. It’s knotty, but exotic and beautiful. Another Latin-based work here is Luiz Bonfa’s brilliant “Carnival,” which closes the set. Jackson’s melodic interplay with Connie Kay’s brushwork is subtle and rich, moving through a series of verses before Jackson takes it to the blues in his solo. Lewis keeps the pulse as Heath underscores the backbeat.\u003c\/p\u003e\n\u003cp\u003eThom Jurek\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003ePressed on 180gm vinyl\u003c\/li\u003e\n\t\u003cli\u003eRe-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\u003c\/ul\u003e PPAN SD11414 -Artist-Modern Jazz Quartet\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Modern Jazz Quartet","offers":[{"title":"Default Title","offer_id":44303509487814,"sku":"XZWGOP-X1L7-TM","price":38.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/modern-jazz-quartet-the-sheriff_GygUY.jpg?v=1759806653"},{"product_id":"lee-konitz-gerry-mulligan-konitz-meets-mulligan-vinyl","title":"Konitz Meets Mulligan [Vinyl]","description":"\u003cp\u003eO.K., so it’s mono. And, for much of the recording, Mulligan’s quartet seems simply to be backing Konitz. But hang on, this is a marvelous little gem. Mulligan on the bariton, Konitz on alto, and – yes – Chet Baker on trumpet. How can you pass this up?\u003c\/p\u003e\n\u003cp\u003eBut this is more than an artefact.\u003c\/p\u003e\n\u003cp\u003eThis is jazz at its spontaneous and inventive best. Konitz, freed from Stan Kenton, has all sorts of new ideas about these old standards. And, for many of the cuts, as Lee explores the possibilities, you can hear Mulligan purring far in the background (mono, remember), and, every once in a while, moving to the foreground to make a few statements of his own. These two jazz minds talk to each other, tease each other,support and – in a gentle way – challenge each other.\u003c\/p\u003e\n\u003cp\u003eAnd, of course, in a few cuts, Baker’s sweet trumpet announces itself and joins the two sax players in their explorations. The now-unheralded but extremely deft Carson Smith takes on most of the bass responsibilities, and provides – along with Larry Bunker on drums – a solid stage for Baker, Mulligan, and Konitz to swing on.\u003c\/p\u003e\n\u003cp\u003eMulligan, Konitz, and Baker, of course, went their separate ways, Konitz and Mulligan to long and brilliant careers, Baker to a briefer, tragic, but still shining career. This, then, was a moment in time, and is now your chance to catch these giants sharing a stage, playing for and with one another, showing admiration and affection for each other’s talents and ideas.\u003c\/p\u003e\n\u003cp\u003eMono – so what? This is a treasure from the vaults of Pacific Jazz.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eMono Recording\u003c\/li\u003e\n\t\u003cli\u003eRecording: January 1953 at The Haig, Los Angeles, by Richard Bock\u003c\/li\u003e\n\u003c\/ul\u003e PPAN PJ38 -Artist-Lee Konitz \u0026amp; Gerry Mulligan\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eReleased: 7\/25\/18\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lee Konitz \u0026 Gerry Mulligan","offers":[{"title":"Default Title","offer_id":44303523971270,"sku":"JKKLX1-59C4-BS","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/lee-konitz-gerry-mulligan-konitz-meets-mulligan_c1vYL.jpg?v=1759806674"},{"product_id":"stan-getz-captain-marvel-vinyl","title":"Captain Marvel [Vinyl]","description":"\u003cp\u003eOne of the more remarkable aspects of Stan Getz’s 1972 masterpiece is just how organic he was able to keep the sound. The band surrounding Getz on this Columbia date was led by Chick Corea with his Return to Forever (electric) bassist Stanley Clarke, drummer Tony Williams, and Brazilian master percussionist Airto. With the exception of Clarke, all the rest had played with Miles Davis in his then-experimental electric bands. Corea’s Return to Forever was just getting itself off the fusion ground, while Williams had been with John McLaughlin and Larry Young in Lifetime on top of his experience with Davis. But make no mistake, this is a Stan Getz record, his gorgeous tenor tone furiously and fluidly playing through all of Corea’s difficult changes on Corea’s Latin carnival jam, “La Fiesta,” and shapeshifting his way through mode changes on “Five Hundred Miles High.”\u003c\/p\u003e\n\u003cp\u003eThe nucleus for the bedrock of Return to Forever was in the Getz laboratory of extended complex harmony and a strict adherence to melodic improvisation. Billy Strayhorn’s “Lush Life” is the space in which Getz teaches the band about dynamic, texture, and ambience — he even has Clarke bowing his bass. This band, combining as it did the restlessness of electric jazz with Getz’s trademark stubbornness in adhering to those principles that made modern jazz so great, made for a tension that came pouring out of the speakers with great mutual respect shining forth from every cut — especially the steamy Latin-drenched title track. Captain Marvel is the finest recording Getz made in the 1970s. \u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\/ by Thom Jurek\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eLP x 1 standard sleeve\u003c\/li\u003e\n\t\u003cli\u003eRecorded: March 3, 1972 in A\u0026amp;R Studios, New York\u003c\/li\u003e\n\u003c\/ul\u003e PPAN 32706 -Artist-Stan Getz\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stan Getz","offers":[{"title":"Default Title","offer_id":44303528329414,"sku":"UJSRA8-FXFA-KR","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/stan-getz-captain-marvel_vGGeI.jpg?v=1759806688"},{"product_id":"jim-hall-concierto-vinyl","title":"Concierto [Vinyl]","description":"[[Release Detail]]\u003cp\u003eJim Hall’s Concierto was arguably the greatest LP in the history of \u003cspan class=\"caps\"\u003eCTI\u003c\/span\u003e and possibly a masterpiece. With two legendary players in the frontline, trumpeter Chet Baker and Paul Desmond, Hall interprets standards and engaging originals. A master of melody who never wastes notes, the centerpiece for this release is Hall’s interpretation of one movement from Rodrigo’s “Guitar Concerto,” arranged by Don Sebesky.\u003c\/p\u003e\n\u003cp\u003eNew tracks include alternate takes of “You’d Be So Nice to Come Home To” and “Rock Skippin’,” plus “Unfinished Business,” an incomplete track that fades following Desmond’s solo just as Hall starts to play (This song is actually “La Paloma Azul,” a Mexican folk tune played by Paul Desmond while with the Dave Brubeck Quartet about a decade earlier, also known as “The Blue Dove”). Ken Dryden\u003c\/p\u003e[[Release Description]]\u003cp\u003eJim Hall’s Concierto was arguably the greatest LP in the history of \u003cspan class=\"caps\"\u003eCTI\u003c\/span\u003e and possibly a masterpiece. With two legendary players in the frontline, trumpeter Chet Baker and Paul Desmond, Hall interprets standards and engaging originals. A master of melody who never wastes notes, the centerpiece for this release is Hall’s interpretation of one movement from Rodrigo’s “Guitar Concerto,” arranged by Don Sebesky.\u003c\/p\u003e\n\u003cp\u003eNew tracks include alternate takes of “You’d Be So Nice to Come Home To” and “Rock Skippin’,” plus “Unfinished Business,” an incomplete track that fades following Desmond’s solo just as Hall starts to play (This song is actually “La Paloma Azul,” a Mexican folk tune played by Paul Desmond while with the Dave Brubeck Quartet about a decade earlier, also known as “The Blue Dove”). Ken Dryden\u003c\/p\u003e \u003cp\u003e• Recorded at Van Gelder Studios 16th \u0026amp; 23rd April 1975\u003cbr\u003e\n• Recording engineer: Rudy Van Gelder\u003cbr\u003e\n• Produced by Creed Taylor\u003c\/p\u003e PPAN 6060 -Artist-Jim Hall\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jim Hall","offers":[{"title":"Default Title","offer_id":44303614640326,"sku":"EHZRNB-AYUF-OM","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/jim-hall-concierto_byfWk.jpg?v=1759806946"},{"product_id":"bill-evans-jim-hall-undercurrent-vinyl","title":"Undercurrent [Vinyl]","description":"[[Release Detail]]\u003cp\u003eThis is the first of two superb albums recorded by Bill Evans, and guitarist Jim Hall, and it was recorded over two sessions in April and May 1962. Arrangements simply for piano and guitar are rare in Jazz, and it is even more seldom that the results are truly inspiring and as musically worthwhile as in this case. It is usual for intuitive musical relationships to develop over a number of years, but here we find two musicians who clearly shared an immediate understanding.  Both men are on absolute top form here – Bill Evans was on fire throughout the early and mid sixties, and after the tragic death of his previous musical partner, virtuoso bass player Scott Le Faro (at the age of 23), he was searching for new directions.\u003c\/p\u003e\n\u003cp\u003eJim Hall is a guitarist of tremendous skill and powerful technique, with a highly developed rhythmic and harmonic sense that shines through on this album. What is so special about the performances here is an almost telepathic anticipation of where the music is heading – both musicians contribute equally, and there is a constant exchange of ideas, each reacting to the other with apparent ease, whatever the mood.\u003c\/p\u003e\n\u003cp\u003eThis is a brilliant jazz album, of great depth and tremendous atmosphere, and both players express some exceptional ideas. Highly recommended. Dominic L Brown\u003c\/p\u003e[[Release Description]]\u003cp\u003eThis is the first of two superb albums recorded by Bill Evans, and guitarist Jim Hall, and it was recorded over two sessions in April and May 1962. Arrangements simply for piano and guitar are rare in Jazz, and it is even more seldom that the results are truly inspiring and as musically worthwhile as in this case. It is usual for intuitive musical relationships to develop over a number of years, but here we find two musicians who clearly shared an immediate understanding.  Both men are on absolute top form here – Bill Evans was on fire throughout the early and mid sixties, and after the tragic death of his previous musical partner, virtuoso bass player Scott Le Faro (at the age of 23), he was searching for new directions.\u003c\/p\u003e\n\u003cp\u003eJim Hall is a guitarist of tremendous skill and powerful technique, with a highly developed rhythmic and harmonic sense that shines through on this album. What is so special about the performances here is an almost telepathic anticipation of where the music is heading – both musicians contribute equally, and there is a constant exchange of ideas, each reacting to the other with apparent ease, whatever the mood.\u003c\/p\u003e\n\u003cp\u003eThis is a brilliant jazz album, of great depth and tremendous atmosphere, and both players express some exceptional ideas. Highly recommended. Dominic L Brown\u003c\/p\u003e \u003cp\u003e• Re-mastering by: Ron McMaster\u003cbr\u003e\nat Capitol Studios\u003cbr\u003e\n• Recorded at Sound Makers, \u003cspan class=\"caps\"\u003eNYC\u003c\/span\u003e, May 14, 1962\u003c\/p\u003e PPAN UAJS15003 -Artist-Bill Evans \u0026amp; Jim Hall\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bill Evans \u0026 Jim Hall","offers":[{"title":"Default Title","offer_id":44303633547462,"sku":"TAADKC-7K85-QD","price":59.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/bill-evans-jim-hall-undercurrent_gOj5N.png?v=1759807019"},{"product_id":"jimmy-giuffre-western-suite-vinyl","title":"Western Suite [Vinyl]","description":"\u003cp\u003eIn late 1957, jazz saxophonist, clarinetist, composer, and iconoclast Jimmy Giuffre broke up the original Jimmy Giuffre 3 with Ralph Pena and Jim Hall. In early 1958, for a recording session, he formed a new trio without a rhythm section. For the album “Trav’lin’ Light”, his new trio included Hall on guitar and the underrated trombone giant Bob Brookmeyer. For a year, they gigged together up and down the West Coast and played summer festivals, recorded, and even played clubs in New York.\u003c\/p\u003e\n\u003cp\u003eThey became a trio of adventurous musicians for whom form was not an obstacle to creativity. As the year wound down, Giuffre wanted to document the trio once more, sensing its life was coming to an end. He composed the four-movement “Western Suite” with the trio’s strengths in mind, as a way of documenting how they had come together as a band during that year. The piece itself stands as a crowning achievement in a career that included discovering the talents of Steve Swallow and Paul Bley and making the truly revolutionary recording “Free Fall” for Columbia three years later. The roots of that thinking lie in this set. Jim Hall’s playing was dark, funky, ambiguous, sounding like drums and voices all at the same time — particularly in the fourth movement. Brookmeyer became the pace setter. His lines were played as stage settings for the other two players to dialogue and narrate against. Giuffre, ever the storyteller, advanced the improvisation angle and wrote his score so that each player had to stand on his own as part of the group; there were no comfort zones. Without a rhythm section, notions of interval, extensions, interludes, and so on were out the window. He himself played some of his most restrained yet adventurous solos in the confines of this trio and within the form of this suite. It swung like West Coast jazz, but felt as ambitious as Copland’s “Billy The Kid”.\u003c\/p\u003e\n\u003cp\u003eThe record is filled out with two other tunes, one of Eddie Durham’s, “Topsy”, and the final moment of mastery this band ever recorded, the already classic “Blue Monk”. The easy stroll of the front line with Brookmeyer’s trombone strutting New Orleans’ style is in sharp contrast to Giuffre’s clarinet playing. Which carries the bluesy melody through three harmonic changes before he solos and then plays three more. Hall keeps it all on track, and somehow the piece sounds very natural this way, though unlike “Monk”, there are no edges here — everything is rounded off. This is as solid as any of the earlier or later Jimmy Giuffre 3 records, and two notches above “Trav’lin’ Light” in that it reveals a fully developed sense of the responsibilities, possibilities, and freedoms of reinventing jazz for the trio.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRecording: 1958 by Heinz Kubicka, Herb Kaplan, and Tom Dowd\u003c\/li\u003e\n\u003c\/ul\u003e PPAN SD1330 -Artist-Jimmy Giuffre\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jimmy Giuffre","offers":[{"title":"Default Title","offer_id":44303665103046,"sku":"W5EU5Y-0UYR-GV","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/jimmy-giuffre-western-suite_70Q5k.jpg?v=1759807086"},{"product_id":"chet-baker-strings-chet-baker-strings-vinyl","title":"Chet Baker \u0026 Strings [Vinyl]","description":"\u003cp\u003eThis release offers a unique glimpse of a young Chet Baker in a quintet setting, complemented by a nine-piece string section. Utilizing the uniquely modern arrangements of Johnny Mandel, Marty Paich, Jack Montrose, and Shorty Rogers, this interaction of “West Coast cool” with primordial elevator music escapes many — if not indeed all — of the potential sonic pitfalls such a marriage might suggest. In the truest sense of the word augmentation, the string arrangements provide the desired opulence sans the heavy-handed or syrupy residual effects.\u003c\/p\u003e\n\u003cp\u003ePerhaps most inspiring about this outing is the success with which Baker and crew are able to thrive in this environment, providing subtle insight into the quintet’s ability to simultaneously adapt and explore. “Love Walked In” incorporates a trademark volley of interaction between Baker and Sims. “Love” contains what is arguably the most successful implementation of the string section, as well as some stellar soloing by Freeman. In fact, his contributions to this particular recording rank among his finest with Baker and company. The same enthusiasm can likewise be applied to “A Little Duet for Zoot and Chet.” Not only are Sims and Baker in top flight, but the string arrangement swings irresistibly as well. The easygoing and otherwise winding strings support the cool bop like a kite in a March breeze — light, airy, and conspicuous only in altitude. Lindsay Planer\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eMono recording\u003c\/li\u003e\n\t\u003cli\u003e180 gram LP x 1 standard sleeve\u003c\/li\u003e\n\t\u003cli\u003eRecorded Dec 30, 1953 – Dec 31, 1953\u003c\/li\u003e\n\u003c\/ul\u003e PPAN CL549 -Artist-Chet Baker \u0026amp; Strings\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Chet Baker \u0026 Strings","offers":[{"title":"Default Title","offer_id":44303700885702,"sku":"2KJ2RY-M97D-R2","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/chet-baker-strings-chet-baker-strings_1LNk9.jpg?v=1759807222"}],"url":"https:\/\/paladinvinyl.com\/es\/collections\/jazz-cool.oembed?page=6","provider":"Paladin Vinyl","version":"1.0","type":"link"}