{"title":"Fusion","description":null,"products":[{"product_id":"herbie-hancock-live-at-yumiuri-land-open-east-theatre-2lp-vinyl","title":"Herbie Hancock - En vivo en el Yumiuri Land Open East Theatre (2 LP) [Vinilo]","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 05\/05\/2023\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Herbie Hancock","offers":[{"title":"Default Title","offer_id":42654988370118,"sku":"0RCX8T-M4D5-00","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/products\/live-at-yumiuri-land-open-east-theatre-2lp_kZkom.jpg?v=1779557734"},{"product_id":"jahari-massamba-unit-yhwh-is-love-vinyl","title":"Unidad Jahari Massamba - YHWH es AMOR [Vinilo]","description":"\u003cp\u003e Madlib y Karriem Riggins son Jahari Massamba Unit, una colaboración entre dos faros de la música moderna unidos por una pasión inquebrantable por superar los límites de la música tradicional. Jahari Massamba Unit, que comenzó como una amistad genuina y una admiración mutua por el oficio del otro, se convirtió en un proyecto con Sin reglas ni pautas. El resultado es una fusión extraordinaria de creatividad, una aceptación de la libertad artística y un testimonio de lo que la música puede ser cuando se le da la oportunidad de ir más allá de las convenciones.\u003c\/p\u003e\n\u003cp\u003e 1. Rubato Love 2. Stomping Gamay 3. Otis‚Äô Tambourine 4. ALL THINGS... 5. Anointed Soul 6. Karriem‚Äôs Bolero 7. JMU‚Äôs Voyage 8. Six 8ight (Interludio) 9. The Clappers Cousin 10 . Massamba Afundance 11. e11even (Interludio) 12. CON EL AMOR DE YHWH. 13. Boppin‚Äô 14. 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Con sus actuaciones electrizantes y su innovadora mezcla de jazz fusión, el grupo produjo una serie de álbumes que establecieron el estándar de excelencia en el jazz contemporáneo.\u003c\/p\u003e\n\u003cp\u003e Con una formación central de músicos virtuosos (John Patitucci en el bajo, Dave Weckl en la batería, Eric Marienthal en el saxofón y Frank Gambale en la guitarra), el grupo creó un sonido dinámico y electrizante que llegó a definir el estilo de jazz fusión. Su talento musical colectivo se exhibió plenamente en cada álbum, ya que combinaron a la perfección composiciones complejas con improvisaciones cautivadoras.\u003c\/p\u003e \u003cp\u003eDespués de lanzar cinco álbumes legendarios en un lapso de 6 años (ahora disponibles a través de Candid Records en todas las plataformas de transmisión, CD y el box set de vinilo The Complete Studio Recordings 1986-1991), Corea, siempre interesado en expandir el alcance de su trabajo, se dedicó a una miríada de otros proyectos musicales.\u003c\/p\u003e\n\u003cp\u003e Compilado y completado por Corea antes de su muerte en febrero de 2021, este increíble e inédito álbum de grabaciones en vivo con la Elekteric Band original reunida, fue capturado durante las paradas de la gira en 2016, 2017 y 2018.\u003c\/p\u003e\n\u003cp\u003e Producido por Corea con el ingeniero de grabación original de Elektric Band, Bernie Kirsch, y masterizado por Bernie Grundman, el LP de vinilo de 3 discos y el CD de 2 discos incluyen notas detalladas de Corea y de todos los miembros de Elektric Band. Es un capítulo final apropiado, imprescindible para cualquier fan de este grupo dinámico y revolucionario.\u003c\/p\u003e \u003cp\u003eA1. Partículas cargadas A2. Danza del trance B1. CTA C1. Jocelyn - La comandante C2. Bajo la máscara D1, Ished D2. Alan Corday E1. 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Un colectivo musical amorfo formado por Rich Machin y Duke Garwood, con un elenco de músicos itinerantes reunidos de la talla de Soulsavers, Spiritualized, Stereolab y Julian Cope. Grabado en directo a lo largo de una semana, no hubo empalmes de tomas, ya que eso habría ido en contra del concepto. En ocasiones, el grupo realizó una edición en directo en la que tomaban secciones de diferentes tomas, pero se mantuvo la intención original de crear un disco en el que todo se grabara en directo. El resultado es un disco potente y lleno de matices que seduce tanto como encanta. A lo largo de seis temas, el álbum pasa del lánguido y lisérgico ritmo de apertura The Last Opium Den (On Earth) a los beatíficos, casi baleares, ritmos perezosos de The Bible Black. En otros lugares, las vistas cinematográficas iniciales de Shades of Gemini pronto dan paso a algo mucho más amenazador y empapado en whisky. Finalmente, el último disco, Utopia \u0026amp; Visions, lleva las visiones electrónicas post-punk de Talk Talk al territorio del dub cósmico sin complejos. Así que, aunque el espíritu viajero del jazz sustenta el disco, Machin se muestra desafiante al afirmar que The Quiet Temple no es un álbum de jazz. \"No creo que sea un disco de jazz\", afirma. \"También tiene muchas cosas krautrock. Para mí, además de la influencia de Alice Coltrane, es a partes iguales Velvet Underground y Harmonia. También hay mucho rock psicodélico y otros elementos\".\u003c\/p\u003e \u003cp\u003e1. El último fumadero de opio (en la Tierra) 2. La Biblia negra 3. Sombras de Géminis 4. Clasificación X 5. El tema de Noé 6. 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El septeto está formado por John Carroll Kirby en los teclados, Tracy Wannomae en los instrumentos de viento, Logan Hone en los instrumentos de viento, Nick Mancini en el vibráfono, John Paul Maramba en el bajo, David Leach en la percusión y Deantoni Parks en la batería.\u003c\/p\u003e\n\u003cp\u003e Septet sigue al debut en solitario de Kirby para Stones Throw llamado My Garden y al álbum ambiental recientemente prensado en vinilo titulado Conflict, ambos lanzados en 2020. Este nuevo disco agrega otra dimensión a la refinada propensión de Kirby a crear un estado de ánimo inolvidable.\u003c\/p\u003e \u003cp\u003eLado A 1. Rainmaker 2. P64 By My Side 3. Sensing Not Seeing Lado B 4. Swallow Tail 5. Weep 6. Jubilee Horns Lado C 7. The Quest of Chico Hamilton 8. Nucleo (Boy From the Prebiotic Birth) Lado D 9. Sensing Dub 10. Jubilee Dub 11. 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Es un mundo sonoro que se nutre de sus ecos ancestrales y capta el pulso de una ciudad al borde de la evolución. Este disco colaborativo de doce temas es el producto de dos fuerzas magnetizadas que casi deberían repelerse: el productor, compositor y teclista Joe Armon-Jones y el productor\/DJ Maxwell Owin. En la vanguardia de la escena al sur del río, recurren a diferentes instintos, diferentes disciplinas, diferentes fortalezas, y las unen para crear algo que es a la vez desafiante y sorprendentemente fresco. Entre los artistas invitados que aparecen en el disco se encuentran Lex Amor, Shabaka Hutchings, Fatima, Rocks FOE, O the Ghost, Mala, Maysia Osu y YUIS.\u003c\/p\u003e \u003cp\u003eArchetype se encuentra en un punto intermedio entre el club y el dormitorio, tanto comunitario como íntimo, algo común en el mundo de jazz, soul e improvisación de Joe y en el de Maxwell, de los sonidos en expansión del continuo hardcore, desde el jungle hasta el dubstep y el Drill. El dúo quedó fascinado por las filosofías que unen estos mundos subculturales. Después de su proyecto debut de 2017, Idiom, el dúo ha ido viento en popa habiendo producido, escrito y colaborado con artistas como Ezra Collective, Greentea Peng, Nubya Garcia, Oscar Jerome y Moses Boyd. El paisaje sonoro de Archetype abarca casi seis años, su comienzo indistinto del final de Idiom, pero requirió una suspensión de la realidad que solo el encierro podría traer para que el proyecto tomara forma propia.\u003c\/p\u003e \u003cp\u003eA1. Arquetipo (hazaña. O the Ghost) A2. Oda 2 Reverb A3. 4Seasons (hazaña. Rocks FOE) B1. Ragos Garage (hazaña. Shabaka Hutchings) B2. Pena (hazaña. Lex Amor) B3. No me des la vuelta (hazaña. Fátima) C1. Perdido en la función C2. Sigo adelante C3. Bicicleta de pedales D1. Sísifo (hazaña. O the Ghost) D2. Ikigai (hazaña. Mala, Marysia Osu y YUIS) D3. 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La conexión entre estos tres álbumes es estrecha, ya que el lanzamiento de 1987, Shrimp Boats, recopiló grabaciones inéditas tanto de la sesión de 1979 para Plum and Cherry como de la sesión de 1980 para Deeper in Black. Estos dos raros discos han sido cuidadosamente remasterizados a partir de sus cintas originales y vuelven a imprimirse por primera vez en más de 40 años. Shrimp Boats y Plum and Cherry capturan la extraordinaria química musical que existía entre el pianista Lionel Pillay y el saxofonista tenor Basil Coetzee a fines de la década de 1970. Los álbumes Shrimp Boats y Cherry ocupan cada uno una cara entera de vinilo, y ambos son viajes musicales exquisitos que duran 25 minutos cada uno. Mientras que Shrimp Boats era una reinvención instrumental de la popular canción de 1951 de la cantante estadounidense Jo Stafford, Cherry se inspiró en Abdullah Ibrahim a instancias del productor Rashid Vally, que quería emular el éxito de la famosa canción que había ayudado a lanzar su sello discográfico independiente As-Shams\/The Sun en 1974. El éxito de Ibrahim, Mannenberg, también contó con la participación de Basil Coetzee y fue esta grabación de jazz sudafricano de zeitgeist la que dio origen a su nombre artístico. Capturando la gracia y la vitalidad de la vida de la clase trabajadora en los suburbios de la ciudad, Cherry canaliza el tipo de groove relajado de Ciudad del Cabo que Abdullah Ibrahim, grabando como Dollar Brand, introdujo al jazz sudafricano en la década de 1970. 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Con la nueva formación del guitarrista Mike Miller, el bajista Jimmy Earl y el baterista Gary Novak, y el saxofonista Eric Marienthtal (el único miembro de la primera iteración de la Elektric Band), Corea abordó esta ambiciosa aventura de la misma manera que había hecho todo a lo largo de su carrera, ampliando los límites de lo que es el jazz moderno.\u003cbr\u003e\n\u003cbr\u003e\r \nCon material escrito para estos músicos específicos en mente, Corea reunió a este grupo de músicos notablemente flexibles en Mad Hatter Studios en Los Ángeles. Grabado casi en su totalidad en vivo en las primeras tomas, el álbum se destaca por su enfoque de \"menos es más\" en el estilo particular de Corea de composición que fusiona géneros. Aunque el enfoque puede haber estado más en el piano acústico que en los sintetizadores, se aplica la misma competencia, espontaneidad, ejecución impecable y asombrosa exhibición de talento que caracterizan los cinco primeros álbumes de Elektric Band.\u003cbr\u003e\n\u003cbr\u003e\n Cabe destacar aquí la inclusión de la canción “Final Frontier”, originalmente lanzada exclusivamente en las ediciones japonesa y europea. Esta canción desenfrenada es la única del disco en la que Corea toca un sintetizador. Escrita como respuesta a “Got A Match”, del álbum The Chick Corea Elektric Band de 1986, es un espectáculo de ritmo rápido para que los músicos se estiren y el tipo de canción que ejemplifica la fusión de jazz que Corea y sus grupos llegaron a definir.\u003c\/p\u003e\n\n\u003cul\u003e\n\n \u003cli\u003eFecha de lanzamiento: 28\/06\/2024\u003c\/li\u003e\n\n\u003cli\u003e Código EAN: 708857330713\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Etiqueta: Cándido\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Chick Corea Elektric Band II","offers":[{"title":"Default Title","offer_id":43885876969670,"sku":"50I168-24GI-00","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/paint-the-world_jeStU.jpg?v=1762304268"},{"product_id":"chick-corea-elektric-band-light-years-2lp-vinyl","title":"Chick Corea Elektric Band - Light Years (2 LP) [Vinilo]","description":"\u003cp\u003e Para el segundo trabajo de The Elektric Band, Chick Corea (el venerado ganador de 27 premios Grammy y maestro de jazz del National Endowment for the Arts) entró al estudio con Dave Wekl en la batería, John Patitucci en el bajo y dos nuevos músicos que solidificarían la formación clásica de la banda, el guitarrista Frank Gambale y el saxofonista Eric Marienthal.\u003cbr\u003e\n\u003cbr\u003e\n Con una producción más intensa que su predecesor, Light Years contiene varias pistas impulsadas por secuencias, el intento de Corea de llegar a un público más amplio con un tipo de música más compacta, más funky y eminentemente más comunicativa que la que había grabado en The Chick Corea Elektric Band de 1986.\u003cbr\u003e\n\u003cbr\u003e\r \nLa canción principal, fresca e irreprimiblemente pegadiza, es un excelente ejemplo de las aspiraciones más comerciales de Corea para el álbum, con Patitucci marcando un ritmo potente y funky con algunas líneas de bajo contundentes (un sabor distintivo de la época) y el punzante saxo alto de Marienthal pavoneándose por encima. Esta canción orientada al ritmo no solo captó la atención de los oyentes, sino que también ganó un Grammy a la Mejor Interpretación Instrumental de R\u0026amp;B en la 31.ª edición anual de los Premios Grammy.\u003cbr\u003e\n\u003cbr\u003e\n Originalmente lanzado en GRP Records en 1987, el álbum también contiene las propuestas de jazz contemporáneo de ensueño de “Second Sight” y “The Dragon”, “Time Track”, impulsada por secuencias, “Flamingo”, con Carlos Ríos en la guitarra y, el electrizante tour de force techno, altamente complejo cierre, “Kaleidoscope”.\u003cbr\u003e\n\u003cbr\u003e\n Producido por Corea, con su socio de ingeniería de muchos años, Bernie Kirsch, el álbum presenta notas detalladas del escritor de jazz Bill Milkowski, que brindan contexto y notas técnicas explícitas a la experiencia de escucha.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 19\/07\/2024\u003c\/li\u003e\n\n \u003cli\u003eCódigo EAN: 708857330317\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Etiqueta: Cándido\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Chick Corea Elektric Band","offers":[{"title":"Default Title","offer_id":43954771853510,"sku":"UYDFHI-X81I-00","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/light-years-2lp_JtoVG_8a06918f-0377-471b-9a81-71f9aa19db34.jpg?v=1762304460"},{"product_id":"patrice-rushen-prelusion-jazz-dispensary-top-shelf-series-vinyl","title":"Patrice Rushen - Prelusion (Serie de primera calidad de Jazz Dispensary) [Vinilo]","description":"\u003cp\u003ePrelusion es el álbum debut del icónico artista discográfico Patrice Rushen, publicado originalmente en Prestige Records en 1974. El álbum zigzaguea sin esfuerzo entre el post-bop y el jazz fusión, y cuenta con contribuciones del legendario saxofonista Joe Henderson. Reeditado en vinilo por primera vez en 50 años como parte de la serie Top Shelf de Jazz Dispensary, el álbum fue cortado a partir de las cintas analógicas originales por Kevin Gray, prensado en vinilo de 180 gramos en RTI y empaquetado en una funda plegable.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 23\/08\/2024\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 23\/08\/2024\u003c\/li\u003e\n\n\u003cli\u003e Código postal: 888072593084\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Patrice Rushen","offers":[{"title":"Default Title","offer_id":44034012610758,"sku":"LNTP6O-LE8K-00","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/prelusion-jazz-dispensary-top-shelf-series_4EKmr.jpg?v=1762305415"},{"product_id":"chick-elektric-band-corea-eye-of-the-beholder-vinyl","title":"Chick Elektric Band Corea - El ojo del observador [Vinilo]","description":"\u003cp\u003e Cuando Chick Corea, el venerado ganador de 27 premios Grammy y maestro del jazz del National Endowment for the Arts, entró en Mad Hatter Studios en Los Ángeles para grabar el tercer álbum con su Elektric Band, la formación ya se había consolidado gracias a las constantes giras del año anterior. Dedicado a su padre Armando, un trompetista que dirigió una banda de Dixieland en Boston en los años 30 y 40, Eye of the Beholder reflejó una intensificación de la interpretación en conjunto y una mayor exhibición de la destreza individual en solitario de estos consumados músicos.\u003c\/p\u003e \u003cp\u003eCon esta grabación de cinco estrellas y sonido fresco, queda claro que Corea estaba más abierto a mostrar la fuerza colectiva y el virtuosismo individual de la banda. El grupo se desata, sin lugar a dudas, en temas como “Cascade, Part II”, “Trance Dance” y el asombroso “Amnesia”. Hay incursiones experimentales en el tipo de música ambiental y atmosférica que Brian Eno fue pionero en “Cascade, Part 1” y puede ser la declaración musical más profunda de la colección, a la par de los puntos culminantes anteriores de Corea, “Beauty”.\u003c\/p\u003e\n\u003cp\u003e Lanzado originalmente en GRP Records en 1988, el álbum es un hito para Corea y sus compañeros de Elektric Band.\u003c\/p\u003e\n\u003cp\u003e A1. Universo natal A2. Niño eterno A3. Pasado olvidado A4. Pasaje B1. Belleza B2. Cascada, parte 1 B3. Cascada, parte 2 C1. Danza del trance C2. Ojo del observador D1. Ezinda D2. Amnesia\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 20\/09\/2024\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Detalle del formato: sobrecubierta desplegable de 2 LP\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\u003cli\u003e Nota de manejo: **Por favor, espere 72 horas adicionales para el envío de este artículo.**\u003c\/li\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 20\/09\/2024\u003c\/li\u003e\n\n \u003cli\u003eDetalle del formato: sobrecubierta desplegable de 2 LP\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Chick Elektric Band Corea","offers":[{"title":"Default Title","offer_id":44069827084486,"sku":"3T53XB-WTGC-6G","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/chick-elektric-band-corea-eye-of-the-beholder_6j7sD_1bc7515f-a732-473a-b45e-7ae9f7d94077.jpg?v=1762305791"},{"product_id":"herbie-hancock-herbie-hancock-flood-red-vinyl","title":"Herbie Hancock - Flood (Red) [Vinyl]","description":"Herbie Hancock - Herbie Hancock - Flood (Red) [Vinyl] \u003cbr\u003eBarcode: 664425144611 \u003cbr\u003e\u003cbr\u003e\u003cp\u003e\"This live outing from Herbie Hancock was recorded in Tokyo in July of 1975. Backed up by The Headhunters, Hancock runs through selections from his albums Head Hunters, Thrust and Man-Child - that last project still being months away from release at the time of this recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\nGet On Down now presents this pivotal live recording as a double LP in a red vinyl pressing.\"\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 10\/11\/2024\u003c\/li\u003e\n\u003cli\u003eUPC: 664425144611\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Get on Down\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Herbie Hancock","offers":[{"title":"Default Title","offer_id":44143166619846,"sku":"B38TUX-MEWE-00","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/flood-red_TLiDo.jpg?v=1762306460"},{"product_id":"nucleus-snakehips-etcetera-vinyl","title":"Snakehips Etcetera [Vinyl]","description":"\u003cp\u003eThe distinctive rolling grooves, growling basslines and blasting horns of Snakehips Etcetera combined to present Nucleus’s most energetic record. First released on Vertigo in 1975, original copies of Snakehips Etcetera are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.\u003c\/p\u003e\n\u003cp\u003eGenius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.\u003c\/p\u003e\n\u003cp\u003eUnder bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”\u003c\/p\u003e\n\u003cp\u003eWith all restraint out the window, 1975’s pimped-up Snakehips Etcetera is the outrageous – in both cover art and sound – follow-up to the brooding Under The Sun. It’s perhaps not one for the jazz purists! It finds Nucleus pared down to a core group of six, with Carr, Bob Bertles (sax), Ken Shaw (guitar), Geoff Castle (keys), Roger Sutton (bass) and Roger Sellers (drums) comprising the collective. Snakehips Etcetera reflects a period where the compositions start to become a little more direct and less-cerebral in comparison to some of Nucleus’ previous releases. And why would we begrudge them some fun? This one rocks, swings and funks with no little soul. And more than a little jazzy sleaze. Clearly, they were having a good time.\u003c\/p\u003e\n\u003cp\u003eThe album has a real live, jamming feel to it, no surprise given the extent to which they were touring at the time. The band is tight and grooving throughout, none more so than on Bob Bertles’s effervescent opener, \"\"Rat’s Bag\"\". So darn funky it stings, it’s an infectious gem full of punchy clean lines over a killer bassline from Sutton. The thick, driving jazz-rock of \"\"Alive And Kicking\"\" is exactly that. It has a very improvisational feel, but an inspired one at that and features a wailing guitar solo from Ken Shaw that simply slays. The funky \"\"Rachel’s Tune\"\" is amazing, bringing you back to Canterbury days with its fuzzed-out organ solos to close out Side A.\u003c\/p\u003e\n\u003cp\u003eOpening up Side B, the cool psychedelic title track unfolds slowly and sensually over its ten-plus minutes. A stoned soul stew of sorts, each member of the crew gets their chance to shine over Sellers’s steady drums. The melodic funk fusion of \"\"Pussyfoot\"\" pairs Carr with Bertles on ace solo flute for a bright, springy melody. This one really gleams over shuffling drums. Changing the pace to close out this memorable set, the particularly cool \"\"Heyday\"\" is a reflective, sober tune which reinforces the sumptuous Nucleus palette, the acoustic guitar and bass high in the mix to make the neck snap, the horns elegantly blasting to help you swoon.\u003c\/p\u003e\n\u003cp\u003eThis Be With edition of Snakehips Etcetera has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston’s cut at \u003cspan class=\"caps\"\u003eAIR\u003c\/span\u003e Studios to weave their usual magic with these wonderful recordings. The striking, lascivious sleeve has been restored in all its seductive\/ridiculous beauty.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003ePressed on 140g black vinyl\u003c\/li\u003e\n\t\u003cli\u003eRemastered from the original Vertigo Master Tapes for this edition by Simon Francis\u003c\/li\u003e\n\t\u003cli\u003eOriginal sleeve replicated in fine detail\u003c\/li\u003e\n\u003c\/ul\u003e BEWITH128LP -Artist-Nucleus\u003cul\u003e\n\u003cli\u003eReleased: 3\/10\/23\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nucleus","offers":[{"title":"Default Title","offer_id":44178044747974,"sku":"57Y9R2-XT1H-IB","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/nucleus-snakehips-etcetera_vkKe1.jpg?v=1762307100"},{"product_id":"ian-carr-with-nucleus-labyrinth-vinyl","title":"Labyrinth [Vinyl]","description":"\u003cp\u003eLabyrinth is dark, brooding, beat-heavy, melancholic mood music courtesy of Ian Carr and the Nucleus crew. A favourite of Madlib, it goes without saying that this is one magnificent record. Originally released on Vertigo in 1973, Labyrinth was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.\u003c\/p\u003e\n\u003cp\u003eGenius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.\u003c\/p\u003e\n\u003cp\u003eUnder bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.\u003c\/p\u003e\n\u003cp\u003eAt this point Carr had parted ways with guitarist Alan Holdsworth and as a result the Nucleus sound found itself returning to the core elements of groove and melody. Carr had become bolder and more self-confident in his compositions and it shows in the sheer ambition of Labyrinth. Composed by Carr, and with lyrics written by his wife Sandy, Labyrinth was the result of a commission from the Park Lane Group and funded by the Arts Council of Great Britain. Originally a live performance by an augmented Nucleus, some of the expanded cast were brought back for the recording sessions, including vocalist Norma Winstone. So as the front cover of the finished album says, this is literally “Nucleus Plus”.\u003c\/p\u003e\n\u003cp\u003eLabyrinth is presented as a suite, based on the ancient Greek legend of the Minotaur with musical instruments representing the various elements of the mythology. According to the LP’s original sleeve notes, the bass clarinet represents the tragic element, the trumpet represents the heroic element and the voice represents the human element. The rest of the musicians represent the two societies of Athens and Crete and their comments on the story as it unfolds.\u003c\/p\u003e\n\u003cp\u003eThe album opens with the experimental, sumptuously dissonant “Origins”. Teasing strands of atmospheric bass clarinet introduce the first theme before swiftly fading out with a startling blast of staccato fanfares and big drums. Heavy. The album soon finds its rhythm as it alights on the spell-binding and groove-friendly “Bull-Dance”, showing off the best Nucleus has to offer: subtle trumpet melodies, compelling rhythms, a psych-rock vibe and tight soloing. And of course there’s Norma Winstone’s stunning wordless vocals, that also take the lead in the next track “Ariadne”, a spacey-jazz song with beautiful piano, flute and clarinet, and the only recognisable lyrics on the album. You might recognise a snatch of it being looped by Madlib on Quasimoto’s “Astro Travellin”. The first part of the improvised “Arena” closes out the first side of the album, a short experimental piece with piano and horns.\u003c\/p\u003e\n\u003cp\u003eOver on the flip-side, the powerful second part of “Arena” introduces a new theme. It swiftly builds, with vocal melodies, piano and horns all pronounced over the thick drums snapping your neck. It comes on like an alternate take on “Bull-Dance”, noisier, with a looser rhythm. The triumphant, shuffling Latin-jam “Exultation” leans on more scintillating vocals from Winstone, and a chunky counter melody from the rhythm section. It’ll get you moving.\u003c\/p\u003e\n\u003cp\u003eThe final track, the haunting, twelve minute “Naxos”, is an incredible way to close out this remarkable record. A circling bass guitar loop inspiring the group to a meditative psychedelic jazz rock improvisation in a silent, Miles kind of way, with a great flugelhorn solo from Carr and an ace synth climax.\u003c\/p\u003e\n\u003cp\u003eThis Be With edition of Labyrinth has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. Another great Keith Davis sleeve has been restored in all its airbrushed Golden Age of comics, gatefold splendour. Complete with Minotaur of course.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eGatefold sleeve\u003c\/li\u003e\n\t\u003cli\u003eRemastered from the original tapes\u003c\/li\u003e\n\t\u003cli\u003e2022 re-issue, 140g vinyl\u003c\/li\u003e\n\u003c\/ul\u003e BEWITH103LP -Artist-Ian Carr’s Nucleus\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eReleased: 3\/18\/22\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"IAN CARR WITH NUCLEUS","offers":[{"title":"Default Title","offer_id":44178050973894,"sku":"LJKDOS-9LYD-80","price":48.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/ian-carr-with-nucleus-labyrinth_qNIap.jpg?v=1762307121"},{"product_id":"nucleus-under-the-sun-vinyl","title":"Under The Sun [Vinyl]","description":"\u003cp\u003eUnder The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.\u003c\/p\u003e\n\u003cp\u003eGenius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.\u003c\/p\u003e\n\u003cp\u003eUnder bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has stayed relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.\u003c\/p\u003e\n\u003cp\u003eUnder The Sun opens with the crisp, medium tempo “In Procession”. It’s a typically inventive Carr track with layers of dramatic, riff-led themes and repeating brass blasts. Bryan Spring’s “The Addison Trip” is a moody funk piece, with Kieran White guesting on wordless vocals. Roger Sutton contributes some fine bass guitar on this track, particularly the great solo at around the two minute mark. The excellently-named cool, jazzy ballad “Pastoral Graffiti” paints bucolic pictures with its mellow sonics, plaintive horns and Bob Bertles’ flute.\u003c\/p\u003e\n\u003cp\u003eSutton’s superb, bass-driven “New Life” brings a different dynamic. Horns, guitar and electric piano swirl over the head-nod bass motif and a killer Ken Shaw guitar solo. A false fade out halfway through brings in a new bass riff that’s picked up by the whole ensemble as Carr wah-wah noodles over the top. It’s full-on. The gorgeous, laidback “A Taste of Sarsaparilla” is exactly that – closing out the first side with a cute blast of what is to come over on the killer flip.\u003c\/p\u003e\n\u003cp\u003eThe whole of Under The Sun’s second side is a suite of three “Themes” written by Ian Carr. The uptempo first theme “Sarsaparilla” is comfortably one of Nucleus’ best. What would’ve been a cluttered mess in the hands of most is instead an effortless lesson in clarity and zing. Between Geoff Castle’s electric piano solo, the relentless funky drumming and more wild wah-wah trumpet from Carr, Nucleus show you how it’s done.\u003c\/p\u003e\n\u003cp\u003eThe languid groove of second theme “Feast Alfresco” is much more typical of “classic” Nucleus and sounds like something that might’ve been on Roots. A Bertles baritone solo and a guitar solo from Shaw weave around the core, serpentine brass theme.\u003c\/p\u003e\n\u003cp\u003eThe darker “Rites of Man”, the third and final theme, is a slow build to a solid bass and electric piano riff, shored up by some tricky brass. Carr takes the theme even further and there’s still plenty of room for soloing from all corners of the Nucleus. As usual, the dynamic Sutton\/Spring, bass\/drums duo is holding down the rhythm for the rest to jam around.\u003c\/p\u003e\n\u003cp\u003eThis Be With edition of Under The Sun has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The bleak, rain-dappled cover matches the melancholic vibe of the record and has been restored as the finishing touch to this long overdue re-issue.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRemastered from the original tapes\u003c\/li\u003e\n\t\u003cli\u003e2022 re-issue, 140g vinyl\u003c\/li\u003e\n\u003c\/ul\u003e BEWITH104LP -Artist-Nucleus\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eReleased: 3\/18\/22\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nucleus","offers":[{"title":"Default Title","offer_id":44178065359046,"sku":"YAR2KY-9NVK-RG","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/nucleus-under-the-sun_f3kG9.jpg?v=1762307159"},{"product_id":"azymuth-light-as-a-feather-blue-vinyl-vinyl","title":"Light As A Feather (Blue Vinyl) [Vinyl]","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Azymuth","offers":[{"title":"Default Title","offer_id":44178084659398,"sku":"CIG3YF-0A38-52","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/azymuth-light-as-a-feather-blue-vinyl_8ii7u.jpg?v=1762307183"},{"product_id":"neil-ardley-ian-carr-don-rendell-greek-variations-vinyl","title":"Greek Variations [Vinyl]","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"NEIL ARDLEY, IAN CARR, DON RENDELL","offers":[{"title":"Default Title","offer_id":44178094031046,"sku":"HLH9XQ-4K6M-3R","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/neil-ardley-ian-carr-don-rendell-greek-variations_DMX72.jpg?v=1762307230"},{"product_id":"ian-carr-with-nucleus-solar-plexus-vinyl","title":"Solar Plexus [Vinyl]","description":"\u003cp\u003eWhat a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.\u003c\/p\u003e\n\u003cp\u003eGenius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.\u003c\/p\u003e\n\u003cp\u003eUnder bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.\u003c\/p\u003e\n\u003cp\u003eWe’ll let Ian describe this one: \"\"I wrote Solar Plexus’ last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I \u0026amp; I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. \u003cspan class=\"caps\"\u003eCHANGING\u003c\/span\u003e \u003cspan class=\"caps\"\u003eTIME\u003c\/span\u003e and \u003cspan class=\"caps\"\u003eSPIRIT\u003c\/span\u003e \u003cspan class=\"caps\"\u003eLEVEL\u003c\/span\u003e explore the first theme and \u003cspan class=\"caps\"\u003eBEDROCK\u003c\/span\u003e \u003cspan class=\"caps\"\u003eDEADLOCK\u003c\/span\u003e and \u003cspan class=\"caps\"\u003eTORSO\u003c\/span\u003e explore the second one. \u003cspan class=\"caps\"\u003eSNAKEHIPS\u003c\/span\u003e \u003cspan class=\"caps\"\u003eDREAM\u003c\/span\u003e tries to fuse both themes. (The title is a reference to the famous dancer ‘Snakehips’ Johnson).\"\"\u003c\/p\u003e\n\u003cp\u003eSolar Plexus features the same lineup as Elastic Rock and We’ll Talk About It Later, but they’re augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It’s more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.\u003c\/p\u003e\n\u003cp\u003eThe haunting synth-and-bass soundscape \"\"Elements I and II\"\" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of \"\"Changing Times\"\". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic \"\"Bedrock Deadlock\"\" features the brooding majesty of Jenkins’ oboe and Clyne’s mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular \"\"Spirit Level\"\" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.\u003c\/p\u003e\n\u003cp\u003eThe breezy soul of \"\"Torso\"\" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track \"\"Snakehips’ Dream\"\" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it’s a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We  could easily listen to this all day long.\u003c\/p\u003e\n\u003cp\u003eThis Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston’s cut at \u003cspan class=\"caps\"\u003eAIR\u003c\/span\u003e Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003ePressed on 140g black vinyl\u003c\/li\u003e\n\t\u003cli\u003eRemastered from the original Vertigo Master Tapes for this edition by Simon Francis\u003c\/li\u003e\n\t\u003cli\u003eOriginal gatefold sleeve replicated in fine detail\u003c\/li\u003e\n\u003c\/ul\u003e BEWITH127LP -Artist-Nucleus\u003cul\u003e\n\u003cli\u003eReleased: 3\/10\/23\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"IAN CARR WITH NUCLEUS","offers":[{"title":"Default Title","offer_id":44182248784070,"sku":"MJMXIV-MCKO-EC","price":46.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/ian-carr-with-nucleus-solar-plexus_Wy3vQ.jpg?v=1762307680"},{"product_id":"nucleus-alleycat-vinyl","title":"Alleycat [Vinyl]","description":"\u003cp\u003eCome for the leopard, stay for the stone cold jams. Yet another thrilling, funky-prog jazzy-rock fusion beauty from Ian Carr’s Nucleus. Originally released on Vertigo in 1975, Alleycat was never re-pressed so those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.\u003c\/p\u003e\n\u003cp\u003eGenius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.\u003c\/p\u003e\n\u003cp\u003eUnder bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has stayed relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.\u003c\/p\u003e\n\u003cp\u003eAlleycat was the last Nucleus album recorded for the Vertigo label. Released in 1975, it was again meticulously produced by Jon Hiseman and is every bit as sinuous as anything else the group had recorded. As far as riff-laden accidental cop-funk goes, there’s so much energy coursing through the music that at times it sounds like a live recording. It’s pretty unbeatable.\u003c\/p\u003e\n\u003cp\u003eUptempo opener “Phaideaux Corner” is a funk-flavoured opus with a groove that simply swaggers. This trademark Roger Sutton piece benefits from Trevor Tomkins’s percussive expertise and some excellent sax and keyboard soloing. Check out Geoff Castle on squelchy, stabbing Moog duties. Ian Carr’s elegantly laidback title track is a lengthy suite of magisterial themes. Typically complex, it still gets you hooked and is just riddled with the funk. Carr builds up his initially “straight” trumpet solo with later use of echo to mesmeric effect. And there’s some excellent wah-wah guitar shredding by Ken Shaw too. Nice.\u003c\/p\u003e\n\u003cp\u003eThe second side opens with the killer “Splat” and finds Nucleus really ripping it up. A fat, funky bass guitar riff introduces us to the track and stays with us until the end. The often mangled bass groove is pushed along by rattling drums and percussion, dropping out for some restful moments of spacey calm, and along the way picking up some lengthy keyboard noodling by Castle. So so good.\u003c\/p\u003e\n\u003cp\u003eThe cool “You Can’t Be Sure” is a gentle jam with Shaw on 12-string acoustic guitar, together with Carr’s muted trumpet and some marvellous fretless work from Sutton for extra colour. The album closes with Bob Bertles’ galloping “Nosegay”, written perhaps as a response to some of the faster Mahavishnu Orchestra pieces. It’s an example of well crafted jazz-rock that doesn’t compromise any of its jazziness, yet it still very definitely rocks.\u003c\/p\u003e\n\u003cp\u003eThis Be With re-issue of Alleycat has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The cool AF cover – that leopard was just a cat before he heard Nucleus, you know – has been restored as the finishing touch to this long overdue re-issue.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRemastered from the original tapes\u003c\/li\u003e\n\t\u003cli\u003e2022 re-issue, 140g vinyl\u003c\/li\u003e\n\u003c\/ul\u003e BEWITH105LP -Artist-Nucleus\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eReleased: 3\/18\/22\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nucleus","offers":[{"title":"Default Title","offer_id":44182253404358,"sku":"SJ3VRI-OCQB-9G","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/nucleus-alleycat_MBwVI.jpg?v=1762307720"},{"product_id":"herbie-mann-glory-of-love-vinyl","title":"Glory Of Love [Vinyl]","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Herbie Mann","offers":[{"title":"Default Title","offer_id":44182275915974,"sku":"AZ5T5L-ZJGF-UV","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/herbie-mann-glory-of-love_2Lwf4.jpg?v=1762307806"},{"product_id":"dave-harrington-group-dave-harrington-group-become-alive-vinyl","title":"Dave Harrington Group - 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