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Nacida en 1934, The Queen Of The Organ, como se la conocía, comenzó su larga carrera discográfica con Prestige Records en 1958. Aquí, en su último trabajo, tenemos una sólida colección de melodías interpretadas con el estilo simpático y subrayado característico de Scott.\u003c\/p\u003e \u003cp\u003eEl set tiene una variedad de estados de ánimo: el contagioso alboroto y alegría de Carnival, el maravilloso tributo a Art Blakey titulado Shades of Bu, y la canción principal A Walkin' Thing, que Scott interpreta en profundidad. También hay una versión con swing de Remember de Irving Berlin, el DB Blues verdaderamente funky. Probablemente lo más destacado sea la versión ultra lenta y con aires de himno de When a Man Loves a Woman de Scott. En primer lugar, Scott era una pianista de formación y cabe señalar que hacia el final de su vida gravitó más hacia ese instrumento. Pero aquí, Scott vuelve a la forma, lo que hace que esta grabación sea agridulce.\u003c\/p\u003e\n\u003cp\u003e Grabado en 1992 en el famoso estudio Van Gelder en Englewood Cliffs, Nueva Jersey, y diseñado por Rudy Van Gelder. Esta grabación ha sido remasterizada por el legendario ingeniero de masterización Bernie Grundman.\u003c\/p\u003e \u003cp\u003eA1. Carnaval (Canción de la Independencia de Panamá) 4:07 A2. Blues de DT 6:06 B1. Una cosa que camina 10:43 B2. Cuando un hombre ama a una mujer 3:52 C1. ¿Qué hace cantar a Harold? 4:13 C2. Sombras de bu 6:52 D1. ¿Cómo voy a saberlo? 8:37 D2. 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Es un cambio de perspectiva musical y cultural notable que lleva al oyente consigo. Explotando con una energía casi caótica, este álbum es una gran banda sonora para una fiesta que está a punto de salirse de control. ¡Deja de lado lo analógico!\u003c\/p\u003e\n\u003cp\u003e No hay sol ¿Qué está pasando? Misericordia Misericordia de mí (La ecología) Te amo Sí, lo hago Llévame chica, estoy listo Mi chica ¿Hacia dónde va? 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El hecho de que no lo sean es el resultado de los problemas de distribución del sello Black Jazz; lo atestigua el hecho de que las copias originales de ambos discos para el sello alcanzan precios de cientos de dólares, si es que se pueden encontrar. Mirage es su segundo álbum (1973), el último que hicieron juntos; cuenta con la misma formación con base en Chicago y centrada en la AACM que el primero, con la notable incorporación del bajista Rufus Reid en un par de temas. Jazz espiritual, free jazz, soul jazz, jazz fusión, lo que sea... The Awakening toma todos esos hilos comunes a la música afroamericana de principios de los años 70 y, como cualquier gran conjunto, los teje en una hermosa prenda sonora que es mayor que la suma de sus partes. The Mirage es un poco menos político\/panafricano que Hear, Sense and Feel, su predecesor, que definitivamente le debe algo de su estilo a las raíces de Art Ensemble of Chicago\/AACM de la banda; este disco es un poco más abstracto, un poco más variado en sus estados de ánimo y colorido de texturas, pero no menos poderoso y transportador. Nuestro lanzamiento Real Gone representa la primera vez que Mirage se ha reeditado en LP; viene recientemente remasterizado (por Mike Milchner en Sonic Vision) y con nuevas notas de portada de Pat Thomas. Un disco para descubrir, saborear y atesorar.\u003c\/p\u003e \u003cp\u003eLado uno 1. Modo para DD 2. La última frontera 3. Solo un poco de paz Lado dos 1. Slinky 2. Mirage 3. Gloria al sol 4. 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DJ Harrison produjo y tocó casi todos los instrumentos del disco, lo que lo convierte en un tributo verdaderamente personal a sus héroes musicales. Shades of Yesterday está compuesto por algunas de las canciones favoritas de Harrison, que representan recuerdos entrañables de su crianza en Richmond, Virginia, así como de su camino hasta convertirse en músico. El álbum incluye varias reinterpretaciones de canciones de The Beatles, Stevie Wonder, Ohio Players, Donald Fagen y muchos más.\u003c\/p\u003e\n\u003cp\u003e A1. Eras demasiado bueno para ser verdad A2. Galaxia A3. IGY A4. Lil Birdie A5. Contusión A6. Cosa dulce y pegajosa B1. Rayos de luna de ébano B2. Juntos B3. El mañana nunca se sabe con Chris Manak B4. LAnthropofemme B5. 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Los ingredientes de este cóctel embriagador incluyen una gran dosis de los estilos de jazz de órgano de los años 60 de Jimmy Smith y Baby Face Willette; una pizca del ágil soul de Booker T. \u0026amp; The MG's y The Meters; y una pizca de Motown, Stax Records, blues y una guitarra cósmica al estilo de Jimi Hendrix. Es una mezcla de soul y jazz que llega directo al corazón y a la cabeza y hace que el cuerpo sude. La banda cuenta con el organista Delvon Lamarr, un músico virtuoso autodidacta, con un oído perfecto que aprendió jazz por sí mismo y ha sido capaz de tocar sin esfuerzo una multitud de instrumentos. En la guitarra está el dinámico Jimmy James, que se mueve con facilidad entre la guitarra chanking al estilo de Steve Cropper, la interpretación principal de un rock ácido volcánico y un jazz sinuoso al estilo de Grant Green. De Reno, Nevada, llega el baterista Dan Weiss (también del poderoso colectivo de soul y funk The Sextones). 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Finalmente disponible en vinilo, el fragmento casi perfecto de jazz funk y soul de Grant Green, Live at Club Mozambique, remasterizado y renderizado en la Motor City. La banda de Grant Green había estado tocando una serie de fechas en vivo en el Club Mozambique de Detroit (antes de que se convirtiera en un legendario club de baile masculino) cuando esta sesión se grabó en vivo en dos frías noches de enero de 1971. El potente batería Idris Muhammad y la estrella del tenor conmovedor Houston Person fueron traídos para complementar la banda actual de Green con Ronnie Foster en el órgano y Clarence Thomas en saxofón soprano y tenor y el productor de Blue Note, Francis Wolff, grabó. Sin embargo, este tesoro nunca se publicó y (conjeturas aparte) permaneció en las bóvedas de Blue Notes durante 35 años antes de un lanzamiento en CD en 2006. Con un sonido increíblemente fresco y en vivo, sería difícil encontrar un sello más real de Grant Green en la cima de su carrera. 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Desde las lacas cortadas en el estudio en el torno de corte Neumann VMS-70 hasta el vinilo de 180 gramos prensado en el pasillo, cada paso del proceso se prueba en las instalaciones con estándares exigentes. Esa es la manera de Detroit y la razón por la que el legado musical del código de área 313 sigue siendo amado en todo el mundo. 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On Eric Johnson’s “Manhattan,” he shows a command of Wes Montgomerystyle thumbed octaves. He creates an infectious groove with wah-wah rhythm guitar bubbling underneath his soulful reading of the gospel-flavored ’70s R\u0026amp;B anthem\u003c\/p\u003e\n\u003cp\u003e“(Every Time I Turn Around) Back in Love Again,” while his earthy soloing on a gorgeous reading of “Girl Talk,” the Neal Hefti\/Bobby Troup vehicle for Count Basie, is a blue-tinged thing of beauty. But for straightforward, real-deal blues, nothing here surpasses Upchurch’s loping, down-home “She’s Alright.”\u003c\/p\u003e\n\u003cp\u003eHis unaccompanied rendition of “St. Louis Blues” is another guitaristic highlight, showcasing what Upchurch calls his stride guitar technique: incorporating bass, chords and melody lines simultaneously, a la Joe Pass. The prolific studio guitarist covers a lot of basses and blows his own horn in fine style on his Evidence debut.\u003c\/p\u003e\n\u003cp\u003e- Bill Milowski\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003ePressed on 180g Black Vinyl\u003c\/li\u003e\n\t\u003cli\u003eRe-mastering by: Cicely Baston at Alchemy\/Air Mastering, London\u003c\/li\u003e\n\t\u003cli\u003eRecorded at The Bakery Recording Studio, North Hollywood, 2001\u003c\/li\u003e\n\t\u003cli\u003eRecording engineers: Andy Waterman \u0026amp; Glen Fujiwara\u003c\/li\u003e\n\t\u003cli\u003ePersonnel: Phil Upchurch, guitar, harmonica on “She’s Allright” \/ David Arnay, piano \/ Kevin Axt, bass  \/ Vince Wilburn Jr., drums\u003c\/li\u003e\n\u003c\/ul\u003e EVD22222 -Artist-Phil Upchurch\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phil Upchurch","offers":[{"title":"Default Title","offer_id":44303430811846,"sku":"VB641M-MKWH-N8","price":70.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/phil-upchurch-tell-the-truth_uSd4e.jpg?v=1759806403"},{"product_id":"weldon-irvine-time-capsule-vinyl","title":"Time Capsule [Vinyl]","description":"\u003cp\u003eThe sublime Time Capsule remains Weldon Irvine’s most fully realized and influential recording. A supremely talented multi-instrumentalist and composer, Irvine had a musical vision that was unerringly soulful, spiritual, and funky. Assembled as a kind of musical scrapbook documenting the thought patterns and belief systems of the early ‘70s, it nevertheless boasts a surprising vitality and timelessness thanks to luminous funk grooves that anticipate the latter-day emergence of acid jazz. Irvine also rhymes over several tracks, further cementing his influence on successive generations of hip-hop. A profoundly righteous spirituality winds through all eight of Time Capsule’s performances, assaying both the affection (“Soul Sisters”) and anger (“Watergate”) vying for control of post-Woodstock America. Irvine’s searing keyboard and piano playing further capture the moment in question, deftly balancing between beatitude and bitterness. For fans of funk, soul and jazz, it doesn’t get much better than this 1973 classic.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eFor fans of funk, soul and jazz, it doesn’t get much better than this 1973 classic.\u003c\/li\u003e\n\t\u003cli\u003e180 gram LP\u003c\/li\u003e\n\u003c\/ul\u003e NM-1002 -Artist-Weldon Irvine\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weldon Irvine","offers":[{"title":"Default Title","offer_id":44303453880518,"sku":"VCFH7W-VBW9-WU","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/weldon-irvine-time-capsule_5ZbG6.jpg?v=1759806446"},{"product_id":"lonnie-liston-smith-visions-of-a-new-world-vinyl","title":"Visions Of A New World [Vinyl]","description":"\u003cp\u003ePianist Lonnie Liston Smith began his true professional career with Pharoah Sanders and then moved on to the very electric Miles Davis band before embarking on his own journey — one that took him deep into the waters of pop music and disco by the late ’70s. On Visions of a New World, Smith, accompanied by his working unit the Cosmic Echoes, digs deeper into the soul-jazz vein that he had begun exploring on Expansions and Funk Extraction in 1973 and 1974, respectively. In 1975, Smith was looking for a smoother, more soulful groove than he had displayed previously. Elements of the earlier band are in evidence: Vocalist Donald Smith is still on board, as are Dave Hubbard and Cecil Bridgewater on horns. Reggie Lucas even helps out on guitar in one or two places, and Ray Armando helps the percussion section. Despite these fiery players, the music here is strictly a late-night seduction\/meditation groove. Tracks like the opener, “A Chance for Peace,” keep the funk in mid-tempo while rounding off the edges, but “Love Beams” sounds exactly like its name. “Colours of the Rainbow” is a duet between Donald and Lonnie on keyboard and vocals, and “Devika” is the first place where the groove exceeds the mood. Latin rhythms, loosely woven horn lines, funky backbeats, and a slinky melody bring the whole thing up a couple of notches. The only other place the album heats up is on the final two tracks: the second part of the title suite — when Donald Smith stops singing — and “Summer Nights,” when the concentration is on pure movement and sweaty, shimmering late-night funk.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRecorded in 1975 at Electric Lady Studios\u003c\/li\u003e\n\u003c\/ul\u003e BDL1-1196 -Artist-Lonnie Liston Smith\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/14\/20\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lonnie Liston Smith","offers":[{"title":"Default Title","offer_id":44303455060166,"sku":"R9TWDE-YVTV-HD","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/lonnie-liston-smith-visions-of-a-new-world_NPpa1.jpg?v=1759806456"},{"product_id":"wendell-harrison-tribe-get-up-off-your-knees-vinyl","title":"Get Up Off Your Knees [Vinyl]","description":"\u003cp\u003eSaxophonist Wendell Harrison has lived by a standard philosophy for his 50-plus-year career: One must have complete self-autonomy. Both his music and business dealings reflect this. Besides being a legend on the Detroit jazz scene and mentoring up-and-coming musicians through his non-profit organization Rebirth Inc., he co-founded the Tribe Records label in the 1970s, which produced a magazine and many classic albums.\u003c\/p\u003e\n\u003cp\u003eHarrison is continuing Tribe’s legacy—this time around with a group of rising jazz musicians from the Motor City such as drummer Louis M. Jones \u003cspan class=\"caps\"\u003eIII\u003c\/span\u003e, trumpeter Trunino Lowe, and guitarist Jacob Schwantz—on his new recording Get Up Off Your Knees.\u003c\/p\u003e\n\u003cp\u003eThere’s a lot to digest here because the original compositions encompass R\u0026amp;B, soul, spoken word, and “world” music, all seen through the lens of jazz. Harrison tends to weave elements of African music into many of his compositions. On “Siera” and “Samoulén Khalé Yi,” both written by vocalist and bassist Pathe Jassi, he pays tribute to Guinea-Bissau and Senegalese culture. “Educators” also has African nuances in its hardcore drumming and Harrison’s sublime blowing on bass clarinet and clarinet.\u003c\/p\u003e\n\u003cp\u003eAny discriminating jazz listener will be consumed by Get Up Off Your Knees, but it seems Harrison’s primary purpose for making this album is to encourage the current generation to put education first and build social awareness. On the title track, vocalist Miche Braden pushes the self-determination angle, which is again highlighted on “Revolution,” a reimagined take on Gil Scott-Heron’s “The Revolution Will Not Be Televised” delivered with an adherence to contemporary events by the poet Rev. Mbiyu Chui.       By Veronica Johnson from Jazz Times.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eAll songs composed and arranged by Wendell Harrison except for\u003c\/li\u003e\n\t\u003cli\u003eRevolution poetry by Mbiyu Chui (William K Moore) \u0026amp; music by Pamela Samiha Wise\u003c\/li\u003e\n\t\u003cli\u003eEducators poetry by Mbiyu Chui (William K Moore) \u0026amp; music by Wendell Harrison\u003c\/li\u003e\n\t\u003cli\u003eSiera \u0026amp; Samoulen Khale Yi composed by Pathe Jassi\u003c\/li\u003e\n\u003c\/ul\u003e WHR520 -Artist-Wendell Harrison Tribe\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wendell Harrison Tribe","offers":[{"title":"Default Title","offer_id":44303458533574,"sku":"CWC8JS-KKLB-43","price":62.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/wendell-harrison-tribe-get-up-off-your-knees_DcD4O.jpg?v=1759806486"},{"product_id":"shamek-farrah-first-impressions-vinyl","title":"First Impressions [Vinyl]","description":"\u003cp\u003eFor a label that wasn’t around long, Strata East achieved the same sort of label recognition that Impulse! or Blue Note managed to build. In other words, you knew what you were getting when you bought a record on the label, even if you didn’t know the names on the outside of the cover. This is no exception. Who is Shamek Farrah? Who knows? Who cares? It’s the music that’s important. This is the standard spiritually intense new jazz one learns to expect from the label, soaked in some Eastern influences but always with its ear to the street. Musicians took their roles as leaders and spokesmen very seriously back then. This very adult statement from a group of very serious men is no exception. However, what might be an average, forgettable session is rescued by the propulsive engine of Milton Suggs’ bass. He adds the fire and the drive that keeps things interesting and prevents the music from wandering into a circular spiritual morass. For fans of the sound or the label, this can be heartily recommended.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRe-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\u003c\/ul\u003e SES-7412 -Artist-Shamek Farrah\u003cul\u003e\n\u003cli\u003eReleased: 1\/17\/18\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shamek Farrah","offers":[{"title":"Default Title","offer_id":44303463317702,"sku":"2JKNRT-LGBS-N3","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/shamek-farrah-first-impressions_2MFRY.jpg?v=1759806503"},{"product_id":"lyman-woodard-organization-dont-stop-the-groove-vinyl","title":"Don’T Stop The Groove [Vinyl]","description":"\u003cp\u003eWhen Cobb’s Corner nightclub owner Henry Normile was murdered, followed by the in-street shooting and death of Eddie Jefferson, the heart of the Detroit jazz scene was ripped apart. Through the advent of the Labor Day Montreux-Detroit Jazz Festivals starting in 1980, things picked back up measurably, but the club scene has never been the same. This live recording of the Lyman Woodard Organization, which was taped the day before Normile was killed in his next-door apartment, more than any other album or event exemplified the never say die spirit of Motor City jazz. It also was a hallmark for a unique style of the music, an urban rhythm \u0026amp; blues infused contemporary jazz that stood tall for both listeners and dancers during the tail-end of the disco movement. Woodard was in his prime, determined that his idea was singular, and went beyond soul-jazz into a realm where only he could claim ownership. With guitarist Robert Lowe and saxophonist Allan Barnes, who would both go on to national acclaim as leaders, the Organization was a powerhouse in live performance not to be denied, and for sure a solid sending crowd pleaser. A much better recording than his studio cult classic Saturday Night Special, this live set laid the groundwork for the continuation of Woodard’s career for decades to come and showed his fellow Detroiter’s that better days lay ahead. Where the title track is happy and a bit more commercial than the rest with its slinky, straight, finger-popping, sublime beat and seductive vocal line, “Disco Tease” prances along in a hard rock vein with conga accents from Lorenzo Brown and chicken scratch, dramatic guitar chords from Lowe. “Down Lowe” is a concrete, fatback groove from the guitarist, while “Djarum” turns the wick down in a slow, sexy nightshade visage, with Kerry Campbell’s soprano sax expanding the horn section with Woodard’s organ in stretched out phrases. The appropriately titled “Theme in Search of a Sports Spectacular” is the killer track, as trumpeter Marcus Belgrave joins the band in an Olympic sprint, an irresistible melody that is catchy, infectious, memorable, and anthematic as any warrior clarion call to battle in the athletic arena. This driven, tenacious, forceful piece of music still stands the test of time for its ferocious attitude and champion-like strut. This recording documents not only the darkest days, but the bright hope a financially strapped Detroit offers to the rest of the world, and the determination Woodard always exemplified.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRe-mastering by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\u003c\/ul\u003e LW-1353 -Artist-Lyman Woodard Organization\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lyman Woodard Organization","offers":[{"title":"Default Title","offer_id":44303465054406,"sku":"B90WCF-9DHH-WN","price":56.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/lyman-woodard-organization-dont-stop-the-groove_L0gO2.jpg?v=1759806514"},{"product_id":"idris-muhammed-kabsha-vinyl","title":"Kabsha [Vinyl]","description":"\u003cp\u003eThis little-known album by New Orleans-born drummer Idris Muhammad (1939-2014) was originally recorded for \u003cspan class=\"caps\"\u003eTHERESA\u003c\/span\u003e at Rudy Van Gelder’s studio in New Jersey on September 12, 1980 with George Coleman \u0026amp; Pharoah Sanders on tenor saxophones \u0026amp; Ray Drummond on bass.\u003c\/p\u003e\n\u003cp\u003eThe six powerful tracks include originals from Muhammad \u0026amp; Drummond and an impressive version of Billy Eckstine’s ‘I Want To Talk About You’ featuring Sanders.\u003c\/p\u003e\n\u003cp\u003e‘Kabsha’, which is dedicated to Muhammad’s youngest daughter, is recommended to anyone who appreciates inventive and passionate modern jazz.\u003c\/p\u003e\n\u003cp\u003eDrummer Idris Muhammad’s strongest jazz date as a leader. Muhammad, who had often been heard in funky or more commercial settings, really excels in this sparse setting, showing off what he learned from hearing bands in his native New Orleans. In addition, both the underrated Coleman and Sanders are heard in top form, stretching out on originals, basic pieces, and “I Want to Talk About You” (during which Sanders lets out a few trademark screams so everyone knows that he is not John Coltrane).\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eOriginally recorded for \u003cspan class=\"caps\"\u003eTHERESA\u003c\/span\u003e at Rudy Van Gelder’s studio in New Jersey on September 12, 1980 with George Coleman \u0026amp; Pharoah Sanders on tenor saxophones \u0026amp; Ray Drummond on bass.\u003c\/li\u003e\n\t\u003cli\u003eRecommended to anyone who appreciates inventive and passionate modern jazz.\u003c\/li\u003e\n\t\u003cli\u003e180 gram LP x 1 in standard sleeve\u003c\/li\u003e\n\u003c\/ul\u003e TR110 -Artist-Idris Muhammed\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Idris Muhammed","offers":[{"title":"Default Title","offer_id":44303468986566,"sku":"U20ZAI-W2V8-C5","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/idris-muhammed-kabsha_1CJ7p.jpg?v=1759806536"},{"product_id":"dadisi-komolahe-hassans-walk-vinyl","title":"Hassan’S Walk [Vinyl]","description":"\u003cp\u003eDon’t let the date fool you, released back in 1983 this modal to slightly free jazz outfit from California takes you on a journey back to the late 60s and very early 70s, into the spiritual realms of greats like John Coltrane, Pharoah Sanders, John McLaughlin and Miles Davis among others. A soul jazz treasure from the LA scene of the early 80s – a fantastic record that I rank with the best Strata East sides of the time! The group’s led by alto saxophonist Dadisi Komolafe, and features vibes by Ricky Kelly, piano by Eric Tillman, bass by Roberto Miranda, and drums by Sunship Theus – all working together in a style that’s infused with soulful, post-Coltrane exploratory energy, never going too far outside, and always staying true to the rhythmic pulse at its core. Kelly’s vibes are really great – sparkling underneath solos by Komolafe that remind me a lot of Gary Bartz’s earliest work.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRe-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\t\u003cli\u003eRecorded in Los Angeles in October 1983\u003c\/li\u003e\n\t\u003cli\u003eProduced by Tom Albach\u003c\/li\u003e\n\u003c\/ul\u003e NS-3035 -Artist-Dadisi Komolahe\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dadisi Komolahe","offers":[{"title":"Default Title","offer_id":44303470756038,"sku":"WOAA3N-B44N-5W","price":51.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/dadisi-komolahe-hassans-walk_UBwI8.jpg?v=1759806554"},{"product_id":"nate-morgan-journey-into-nigritia-vinyl","title":"Journey Into Nigritia [Vinyl]","description":"\u003cp\u003eMorgan was one of the most active artists in the Los Angeles underground jazz scene, and a member of the late great Horace Tapscott‘s artist collective Union of God’s Musicians and Artists Ascension (\u003cspan class=\"caps\"\u003eUGMAA\u003c\/span\u003e). He performed alongside Tapscott, and other Nimbus recording artists like Jesse Sharps, who he introduced to Tapscott. He also performed with Arthur Blythe, Gary Bartz, Azar Lawrence, as well as soul icons Willie Hutch (notably on the Foxy Brown soundtrack) and Rufus \u0026amp; Chaka Khan. Most recently he contributed to Carlos Niño’s 2016 album Flutes, Echoes, It’s All Happening!, and was a part of Niño and vocalist Dwight Trible’s soul-jazz group Build An Ark (which also featured Tribe’s Phil Ranelin).\u003c\/p\u003e\n\u003cp\u003eJourney Into Nigritia was Morgan’s debut as a leader, and the first of three recordings he released for Nimbus West. The album has a strong post-Coltrane spiritual feel, with some model-based melodies, and some fiery solos from saxophonist Dadisi Komolafe. The record also features a solid rhythm section featuring bassist Jeff Littleton and drummer Fritz Wise.\u003c\/p\u003e\n\u003cp\u003eAt the dawn of the Reagan years, LA jazz pianist Nate Morgan recorded his first album for Nimbus West. Journey Into Nigritia portrays an artist marked by the icons of his day and striving for reinvention. Although he came from a solid jazz background, coming up through the Pan Afrikan People’s Arkestra, Morgan found more exciting work with pop bands in the seventies, including glory years with Rufus w\/Chaka Khan. On Journey into Nigritia, Morgan re-embraces jazz. Included in the band are Jeff Littleton on bass, Fritz Wise on drums, and Dadisi Komolafe on alto sax.\u003c\/p\u003e\n\u003cp\u003eThe collection opens with the Trane-ish Mrafu. Komolafe blasts off in short order, and while the modal chording recalls Tyner, Morgan shows flashes of the nimble loquacious gift that define him. While Alice Coltrane incense perfumes \"Morning Prayer, Morgan’s devotional sincerity and personnel expression triumph.\u003c\/p\u003e\n\u003cp\u003eSuitably complex with yearning minors, Mother features the trio performing a memorable composition. Littleton’s deep-note sustain contrasts Wise’s shimmering cymbals, while Morgan tells heart-wrenching truth. With a somewhat solemn theme, He Left Us a Song regularly bursts through into straight-ahead fast-break sprints up and down the court. The unexpected \"Study in C.T. offers an homage to Cecil Taylor and Morgan’s musical roots with free improvisations on a dense and spiky theme. The exhilarating result has Morgan exploring his own way, with a winking slinging of jagged bass chords halfway through.\u003c\/p\u003e\n\u003cp\u003eWhile a quarter century’s experience has nurtured Morgan’s prodigious gifts beyond this ambitious debut, Journey Into Nigritia offers enjoyable insights into his artistic evolution, while adding another precious title to the discography of one of the most woefully under-recorded greats of our time.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eJourney Into Nigritia was Morgan’s debut as a leader, and the first of three recordings he released for Nimbus West\u003c\/li\u003e\n\t\u003cli\u003eOne of the most woefully under-recorded greats of our time\u003c\/li\u003e\n\t\u003cli\u003eFeatures a solid rhythm section featuring bassist Jeff Littleton and drummer Fritz Wise\u003c\/li\u003e\n\u003c\/ul\u003e NS-3257 -Artist-Nate Morgan\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"NATE MORGAN","offers":[{"title":"Default Title","offer_id":44303482912966,"sku":"ZREG0I-BV0O-5M","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/nate-morgan-journey-into-nigritia_YX3At.jpg?v=1759806604"},{"product_id":"nate-morgan-retribution-reparation-vinyl","title":"Retribution, Reparation [Vinyl]","description":"\u003cp\u003ePianist Nate Morgan (1964-2013) was a central figure on the Los Angeles jazz undergound. A core member of the circle around the legendary bandleader, pianist and community organiser Horace Tapscott, Morgan had been part of Tapscott’s U.G.M.A.A. (Union Of God’s Musicians and Artists Ascension) since he was just a teenager, and was a key member of the Pan Afrikan People’s Arkestra, known as ‘The Ark’. Through the 1980s and 1990s he kept the \u003cspan class=\"caps\"\u003ePAPA\u003c\/span\u003e flame alive, organising the Ark’s sprawling songbook, running legendary jam sessions, and keeping LA’s deep jazz roots well watered. By the early 2000s he was bringing hard won knowledge to a new generation as part of the Build The Ark collective. He was a musician’s musician, at the beating heart of the radical, community-minded Los Angeles jazz network that Tapscott and his associates had first put together in the early 1960s.\u003c\/p\u003e\n\u003cp\u003eRetribution, Reparation was the second of the two LPs Morgan recorded for Tom Albach’s storied Nimbus West imprint. His first, Journey Into Nigritia had been a declaration of arrival laced with energies drawn from Cecil Taylor and Coltrane. One year later, with nods to Herbie Hancock (‘One Finger Snap’) and Ellington (‘Come Sunday’), Retribution, Reparation was a confident statement of purpose. Politically charged with pan-Africanist and Black nationalist sentiments inspired by Marcus Garvey, and titled with uncompromising directness, the album focusses the sound world of the Ark into a surging, restless masterpiece of spiritualised modal jazz. With Danny Cortez on trumpet and Ark stalwart Jesse Sharps on saxophones the frontline is explosive (this set is also one of the few places the extraordinary Sharps can be heard in a small group setting), while Fritz Wise and Ark regular Joel Ector hold down the rhythm section. Morgan’s forceful, Tyner-like chords and virtuosic solos and bind the music together. From the poised drama of the opening dedication to Tapscott’s U.G.M.A.A. (‘U.G.M.A.A.GER’) to the propulsive militancy of the title track, Retribution, Reparation spreads the word: ‘Advance to Victory, Let Nigritia Be Free!\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eRecorded Los Angeles  October 1983\u003c\/li\u003e\n\t\u003cli\u003eEngineer – Dennis Moody\u003c\/li\u003e\n\u003c\/ul\u003e NS-3479 -Artist-Nate Morgan\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 5 business days for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eReleased: 8\/10\/21\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"NATE MORGAN","offers":[{"title":"Default Title","offer_id":44303496708294,"sku":"KWOA9B-87DH-6P","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/nate-morgan-retribution-reparation_iftvv.jpg?v=1759806633"}],"url":"https:\/\/paladinvinyl.com\/es\/collections\/jazz-soul.oembed?page=5","provider":"Paladin Vinyl","version":"1.0","type":"link"}