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En los últimos años, ha actuado en algunos de los festivales más importantes del mundo, ha escrito para estrellas del pop (como New Jeans) y ha cantado en temas de baile muy promocionados. Pero cuando te lleva a las extensiones de su tercer álbum (con un tímido \"Bienvenido... va a ser muy divertido\"), te invita a dejar cualquier epíteto grosero de The Nordics' Next Big Thing o Rising Alt-Pop Star en la puerta, junto a tus zapatos y tu abrigo. 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Para Athena, colaboró ​​con un amplio elenco de compositores, productores y músicos para lograr un sonido que es el más completo y rico que ha creado hasta la fecha, al mismo tiempo que se mantiene fiel a la mezcla única de influencias que le ha ganado fans en todo el mundo.\u003c\/p\u003e\n\u003cp\u003e Athena sigue a los EP Sudan Archives (2017) y Sink (2018), que recibieron una cobertura entusiasta en The New York Times, Pitchfork, NPR, VOGUE, la BBC y muchos más.\u003c\/p\u003e\n\u003cp\u003e 1. ¿Sabías que? 2. Confesiones 3. Sonata negra de Vivaldi 4. Down on Me 5. Ballet de los gemelos no nacidos I 6. Ojos verdes 7. Musgo de Islandia 8. Próximamente 9. House of Open Tuning II 10. Glorioso 11. Atascado 12. Sin límites 13. Miel 14. 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Kelela emerge de las mareas de la órbita oceánica de su yo superior con un LP de quince pistas de reproducción continua que explora la autonomía, la pertenencia y la autorrenovación como sanación. Con todo el sensualismo sonoro, visual y físico que magnetizó a su base de fans inicial, el nuevo álbum de Kelela la encuentra más segura y a gusto con la excepcionalidad de su fluidez creativa, sin importar cuán altas o anchas sean sus olas.\u003c\/p\u003e \u003cp\u003eA1. Arrasado A2. Final feliz A3. Déjalo ir A4. A la fuga B1. Llamada perdida B2. Cierre B3. Contacto B4. Tonto C1. Más santo C2. Cuervo C3. Moretones C4. Sorbete D1. Divorcio D2. Suficiente para amar D3. 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A través de 13 temas hipnóticos, continúa usando la música como un vehículo para desentrañar relaciones, lo que a su vez le permite encontrarse y comprenderse a sí misma en un enfoque panorámico que abarca toda la vida.\u003c\/p\u003e \u003cp\u003eCon raíces que van desde el R\u0026amp;B hasta el folk, su voz conmovedora y singular y su sonido atemporal atrajeron la atención mundial con el lanzamiento en 2016 de su EP debut CDW, y a través de su trabajo con amigos y colaboradores BADBADNOTGOOD, Daniel Caesar, KAYTRANADA y River Tiber. Después de compartir escenarios con artistas como Angel Olsen, Local Natives, Feist, Haim y Rhye, la primera gira principal de Wilson en 2018 agotó las entradas en los principales mercados de América del Norte y Europa. Su música ha recibido elogios universales de NPR, Pitchfork, The Fader, Billboard, Spin y muchos otros, y sus canciones han recibido más de 150 millones de reproducciones en todas las plataformas. El sencillo himno de Charlotte \"Work\" ha aparecido en el comercial Shot on iPhone 7 de Apple, así como en programas de televisión como Euphoria de HBO y Grace \u0026amp; Frankie de Netflix. Wilson también hizo su debut en la televisión nocturna estadounidense en 2019 interpretando el sencillo en The Late Late Show con James Corden; También interpretó \"Mountains\" durante la última temporada de The Ellen Degeneres Show en 2022. Su álbum de estudio debut, ALPHA, se lanzó el 9 de julio de 2021 con gran éxito de crítica y ha acumulado más de 50 millones de reproducciones hasta la fecha.\u003c\/p\u003e \u003cp\u003eA1. A mi manera A2. Dinero A3. Encaja A4. Por siempre (feat. Snoh ​​Aalegra) A5. ¿Aún estás? A6. Nuevo día B1. Última llamada B2. Dosel B3. Sobre el arcoíris B4. Bésame y cuéntalo B5. No te amo B6. Azul cian B7. 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A lo largo de sus 18 temas épicos y ambiciosos, Natural Brown Prom Queen muestra una nueva faceta de Sudan Archives: Brittney Parks o Britt, la chica de al lado. En este álbum, Sudan explora temas de raza, feminidad y familia. Natural Brown Prom Queen incluye los sencillos \"Home Maker\" y \"Selfish Soul\", lanzados en la primavera de 2022 con gran éxito.\u003c\/p\u003e \u003cp\u003eLista de canciones 1. Home Maker 2. NBPQ (Topless) 3. Is This Real? (¿Puedes escucharte a ti mismo?) 4. Ciara 5. Selfish Soul 6. Loyal (EDD) 7. OMG BRITT 8. ChevyS10 9. Copycat (Nociones rotas) 10. It‚Äôs Already Done 11. FLUE 12. TDLY (Tierra de cosecha propia) 13. Do Your Thing (Refreshing Springs) 14. Freakalizer 15. Homesick ‚Ä® (Hermosa y arrogante) 16. Milk Me 17. 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De hecho, Cupid Deluxe es una especie de desastre. Es desenfocado, extenso y tan lleno de ideas que nunca parece quedarse en un lugar por mucho tiempo, saltando del pop EDM relajado al rock suave con baladas de saxofón al New Jack Swing de los 90 al hip-hop borroso y viceversa. Si bien no es una escucha fluida de principio a fin, Hynes y su elenco ampliado de colaboradores (que incluyen a la omnipresente Caroline Polachek de Chairlift, Samantha Urbani de Friends, David Longstreth de Dirty Projectors y Clams Casino) alcanzaron suficientes puntos altos como para que valga la pena intentar descifrar el álbum. Incluso si uno nunca llega a entenderlo todo, hay suficiente melancolía elegante y tristeza melodiosa en exhibición para hacer del álbum una escucha estimulante para altas horas de la noche con muchas canciones que permanecerán en los bancos de memoria y en las mezclas de rupturas. 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Acompañado por los productores Doc McKinney e Illangelo, Zodiac y Rainer, Tesfaye (para tomar una frase de David Toop) ejemplifica la combinación de \"azúcar y veneno\" que ha impulsado el R\u0026amp;B a lo largo de su evolución. La voz de Tesfaye es un instrumento suave, magullado y, en ocasiones, de sonido magnífico que, a través del sonido y las palabras, mezcla una beligerancia basada en la base con una agitación interior palpable. \"Let me see that ass, look at all this cash\" (Déjame ver ese culo, mira todo este dinero) y \"I got my heart right here, I got my scars right here\" (Tengo mi corazón aquí, tengo mis cicatrices aquí), ambas de \"Wicked Games\", resumen el ángulo. El flujo incesante de letras dramáticamente interpretadas sobre drogarse y tener sexo puede ser agotador. Si Tesfaye no puntuara tantos pensamientos con \"joder\" y \"joder\", o no tuviera problemas para completar versos (como hace de forma más evidente con \"Estoy en esa mierda que no puedes oler, nena\/Así que deja tu perfume\"), no habría problema. Además, hay casos en los que parece probable que Tesfaye no tenga el Urban Dictionary en sus favoritos, como cuando dice que \"te dejará sin palabras\" (una aparente mezcla de \"te dejará sin palabras\" y \"te dejará sin palabras\") y se jacta de que \"siempre está en ese estado de ánimo\" (a menos que esté orgulloso de ser un felpudo crédulo). Aun así, Tesfaye y sus productores suelen ser el complemento ideal el uno del otro. Las melodías entumecidas y prolongadas y los tambores helados de \"High for This\", y el gancho arrogante sobre un acompañamiento de nana en \"The Party and the After Party\" (uno de los pocos casos en los que Tesfaye ve a una mujer como algo más que una mera conquista) son dos de los varios puntos destacados. 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Por más segura que esté en este modo, no es demasiado orgullosa como para poner a prueba a su pareja (\"Call me on my bullshit, lie to me and say my booty getting biggest even if it ain't\"), expresar su insatisfacción personal (\"All alone still, not a thing in my name\"), o simplemente lamentarse (\"Do you even know I'm alive?\"). El equipo de producción aquí es casi completamente diferente al que participó en Z, con Tyran Donaldson (también conocido como Antydote y Scum) habitual de TDE como el único que sobrevive, presente en siete temas. Por cada truco de trap exagerado, hay un par de detalles astutos, como el surco denso y resonante de \"Go Gina\", donde Rowe ilustra brillantemente un tipo específico de fatiga (\"Recoger un centavo con una prensa es más fácil que mantenerlo presionado\") y la línea de sintetizador mareada y decadente del sencillo \"Love Galore\" con la asistencia de Travis Scott, ideal para una canción sobre reavivar una relación sin futuro. 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Always his greatest way of communicating, he expressed his feelings and experiences of Africa through songs he and others were forming together on the spot, side-by-side in different studios, cities and towns for the very first time. None of the tracks were written before he arrived or after he left, and the arrangements showcase both the countries' native genres as well as the innate, stylistic instincts that have made Morton a 5x GRAMMY-winner and 20x GRAMMY-nominee, whether it be his soul, R\u0026amp;B and gospel roots, or the pop prowess he has further honed as a member of Maroon 5. \"When you've been in music as long as I have, you're constantly looking for inspiration,\" says PJ Morton. \"And you're looking for the things that made you want to do it in the first place. I've made albums every type of way you can think, so I wanted to try something I hadn't done before. As a Black American who had never been to South or West Africa, I knew there was something there waiting for me. 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She remembers hearing one of her older brothers cycling through a variety of music at maximum volume in the room next to hers. \"Reggae to soul to drum and bass to garage music to gospel,\" Jordan recalls. \"It was all intertwining for me at such a young age.\" She developed her own sound quietly, and soon met KLSH through MySpace. They traded multiple songs back and forth daily until he flew her out to L.A. to record what would become her debut project, 2011's R O J O. That collaboration hasn't faltered since, resulting in sonically surprising, subtly infectious sets like Jordan's breakthrough 2014 album 1021 (with \"Lowkey\") and 2021's dance-steeped revelation, Play with the Changes.\"If you're talking about Rochelle Jordan, you're talking about KLSH,\" she says. \"It's one and the same. 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I want to be another story of resilience for people.\" As she prepares to unveil more of her vision, and fans clamber for a long-awaited fourth album, Rochelle Jordan is casting aside self-doubt, and appreciating and underlining her status as a verifiably influential reigning diva in her one-of-one sonic space.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTrack 1\u003c\/li\u003e\n\u003cli\u003eTrack 2\u003c\/li\u003e\n\u003cli\u003eTrack 3\u003c\/li\u003e\n\u003cli\u003eTrack 4\u003c\/li\u003e\n\u003cli\u003eTrack 5\u003c\/li\u003e\n\u003cli\u003eTrack 6\u003c\/li\u003e\n\u003cli\u003eTrack 7\u003c\/li\u003e\n\u003cli\u003eTrack 8\u003c\/li\u003e\n\u003cli\u003eTrack 9\u003c\/li\u003e\n\u003cli\u003eThrough the Wall\u003c\/li\u003e\n\u003cli\u003eCrave\u003c\/li\u003e\n\u003cli\u003eTrack 12\u003c\/li\u003e\n\u003cli\u003eTrack 13\u003c\/li\u003e\n\u003cli\u003eTrack 14\u003c\/li\u003e\n\u003cli\u003eTrack 15\u003c\/li\u003e\n\u003cli\u003eTrack 16\u003c\/li\u003e\n\u003cli\u003eTrack 17\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199316172331\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rochelle Jordan\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.24.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Rochelle Jordan","offers":[{"title":"Default Title","offer_id":45456603513030,"sku":"478349","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4443910-3418775.jpg?v=1768511297"},{"product_id":"1-800-fantasy-blue-colored-vinyl","title":"1-800 Fantasy (Blue) [Colored Vinyl]","description":"\u003cp\u003e1-800 FANTASY is the third studio album from producer, artist, and visionary, Blk Odyssy. In what represents somewhat of a sonic shift for Blk Odyssy - from the dark, brooding blend of R\u0026amp;B \u0026amp; G-Funk to a brighter, warmer and more upbeat Alternative leaning sound - the concept album tells a coming of age story of a teenage boy in the 90s navigating the unfamiliarities of love and lust. The 13-track album includes the previously released singles, \"WANT YOU,\" \"XXX (feat. Wiz Khalifa),\" \"STANK ROSE (feat. Joey Bada$$),\" \u0026amp; \"CHANGES\" - as well the song, \"PHASE,\" which was premiered via COLORS. This latest project marks a pivotal moment in BLK's career, cementing his role as a forward-thinking artist who continues to push the boundaries of R\u0026amp;B and beyond. \"Between exploring a new level of storytelling and also a new world of production and songwriting, this record has been a new chapter for me as an artist.\" Blk Odyssy says about the new album. 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