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Produced by guitarist Alex Kane (Life, Sex \u0026amp; Death, Enuff Z'Nuff, Antiproduct), the album oozes infectious 80s sleaze metal energy, further accented by a blitzing guest vocal from Faster Pussycat’s Taime Downe. Eerie introductory track “There's No Such Thing As Monsters” vibrates with electricity before industrial-tinged “Decease and Desist” kicks in full blast. WEDNESDAY 13’s trademark crooning wastes no time entering the fold as he careens through the high-octane horror anthem. “When the Devil Commands” instantly proves itself as a stunner single with an unforgettable hook, charging arena rock-laden drum production and chugging guitars, before tracks like “Rotting Away” and “Blood Storm” ensnare with metallic goth-punk energy that will have crowds moving wall to wall. Featuring Faster Pussycat’s Taime Downe on guest vocals, standout heavy rocker “No Apologies” is a fast-romping exorcism of toxic demons, while the triumphant mini-murder ballad “Decapitation” riles up listeners with a catchy lead riff before making a hard left into a theatrical bridge straight out of a sinister 60s sock hop! Ragers like “In Misery”, “Xanaxtasy” and “Sick and Violent” explore various genres of metal, injecting the album with elements of gripping heaviness for any listener, while downtempo stunners “I Hurt You” and “My Funeral” approach a more pensive territory. 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Now, fans can pre-order the album's limited physical variants, out November 7, 2025 via Napalm Records. Each format of Yokai is designed and curated to honor Adam's creative vision and unwavering passion. Together with the band, this release isn’t just a farewell – it’s a celebration of everything Adam stood for: creativity, connection, and the raw power of music. Available to pre-order today, new physical formats include a special edition green translucent vinyl variant limited to 200 copies worldwide, as well as CD digipak. Hailing from Phoenix, Arizona, DROPOUT KINGS fuse the raw energy of nu‑metal and rap, a synergy Adam helped forge from the very beginning. Just weeks before his tragic passing on May 19, 2025 at age 32, Adam completed the finishing touches on what he considered the band's most personal and powerful album to date. Yokai is more than an album – it’s a legacy. 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On their new studio album Armageddon, set for release on July 4, 2025 via Napalm Records, the five warriors have once again taken up their weapons to bring the legends of their past to life with mighty power metal anthems. Each of them carries the memories of great battles within, and now, the time has come to unleash these stories upon the world alongside the indomitable sorceress Morgana le Fay. Since their formation in 2018, WARKINGS have cemented their place in the power metal scene. They have conquered festival stages, played alongside legends like Powerwolf, Hammerfall, and Subway To Sally, and built a devoted fanbase that has chanted their anthems at Europe’s biggest stages, including Wacken Open Air. The band's fifth album, Armageddon, is a journey through some of history’s most pivotal conquests—moments where warriors stood firm, empires crumbled, and the world was forever changed. The title track, \"Armageddon\", tells the tale of the Viking raid on the Lindisfarne monastery in 793. The English coast was left defenseless against the invading hordes, who burned, plundered, and spared no one in their path. To the monks, it felt like the end of the world—a merciless punishment from God. This brutal moment in history is brought to life through a thunderous storm of sound that immerses listeners in the terror of the doomed monastery. \"Genghis Khan\" recounts the Mongol ruler’s unstoppable warriors, who conquered vast lands with astonishing speed and precision. They saw themselves not as mere invaders, but as great warriors, bound by loyalty and discipline, unwavering in their leader’s vision as they fearlessly charged into battle. To bring this saga to life, WARKINGS join forces with their allies Orden Ogan, whose combined energy transforms the song into an unstoppable anthem—sweeping across the land like the Mongol hordes, leaving nothing but devastation in its wake. But not all warriors were rewarded with glory. \"Hangman’s Night\" tells the tragic story of Friday, October 13, 1307, when King Philip IV of France ordered the arrest of the Knights Templar. Once mighty warriors of the Holy Land, they were now branded as heretics and traitors. Imprisoned and awaiting their execution, some clung to hope for rescue, while others prepared for their final battle—determined to never renounce their faith. With eerie melodies and driving rhythms, Dominum’s Dr. Dead and his undead army amplify the haunting atmosphere of the dungeons, capturing the despair and defiance of the doomed Templars. The album reaches its climactic conclusion with \"Kings of Ragnarok\", a song that depicts the ultimate battle of Norse mythology. 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The Scottish party pirates return with their eighth album, containing eight new anthems packed with blistering riffs, wild shanty-driven melodies, and utterly ridiculous lyrics—taking the high seas of metal to new depths. The Thunderfist Chronicles arrives as the successor to ALESTORM’s epic seventh studio album, Seventh Rum of a Seventh Rum, which peaked at #5 on both the US Current Hard Music and Top New Artist Albums charts, #7 on the German Album charts, and many others. After the release of last year’s Voyage of the Dead Marauder EP and a journey of extensive touring, the pioneering pirate metal band returned to their ship and once again teamed up with Lasse Lammert of LSD-Studios (Gloryhammer, Wind Rose) for production, recording, mixing, and mastering of The Thunderfist Chronicles. The new album promises a wild ride through raging storms, absurd adventures, and epic battles across the vast ocean blue. With explosive opener \"Hyperion Omniriff\", ALESTORM unleashes a tidal wave of melodies that will sweep you off your feet, while \"Killed to Death by Piracy\" delivers thunderous choruses and crushing riffs worthy of the most legendary sea skirmish. Of course, no ALESTORM album would be complete without a dose of their signature humor—\"Banana\" is a ridiculously catchy singalong banger that will turn every concert into a drunken pirate celebration. Meanwhile, \"Frozen Piss 2\" is packed with icy grooves and razor-sharp wit. But it’s not all just chaos and rum-fueled madness—\"The Storm\" offers a dramatic, sweeping atmosphere, leading into \"Mountains of the Deep\", a grandiose, anthem-filled voyage into the ocean’s depths. Then comes the Nekrogoblikon cover \"Goblins Ahoy!\", a rowdy, fantasy-infused riot, before the album culminates in its climactic masterpiece: \"Mega-Supreme Treasure of the Eternal Thunderfist\". 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Swedish grandeurs of melancholic heaviness, KATATONIA, return with Nightmares as Extensions of the Waking State, set for release on June 6, 2025 via Napalm Records. Once again, the Stockholm-based unit masterfully navigates the tightrope act between nocturnal darkness and Scandinavian despair while subtly weaving a sense of hope into the listener’s heart. Since emerging in the early nineties, KATATONIA has projected a beacon of light for the forgotten and the lonely ones, offering solace to those willing to lose themselves in the band’s immersive soundscapes. From their roots in death-doom metal to the post-metal entity they embody today, their art remains as haunting as ever. Nightmares as Extensions of the Waking State marks the next step in KATATONIA’s evolution, building upon the foundation of their previous album, Sky Void of Stars (2023). Crystal-clear production highlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate guitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension. Tracks like \"Thrice\" and \"Warden\" pulse with dynamic energy, while \"Lilac\" sees Jonas Renkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A near-ceremonial piece, \"Wind of No Change\", merges subtle electronic textures with KATATONIA’s enigmatic soundscapes, while \"Temporal\" balances fragility and strength - its intense verses culminating in a soaring, emotionally charged chorus. The breathtaking \"Efter Solen\" (Engl. After the Sun), featuring Swedish lyrics, evokes echoes of Jonas Eika’s 2018 short story collection, with minimalistic yet striking instrumentation. 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Demonstrating just how much the future is really theirs to take, “Gravity” adds Tommy Johansson’s (Majestica, Ex-Sabaton) powerful voice to an 80’s inspired sound, taking Year Of The Snake up another level. “Diamond In The Rough” is an understatement compared to the blues-y strength this song possesses, while previously released “Live And Let Go” with its catchy rhythm is undeniable radio hit material – a style this band wields extraordinarily well. “Clout Chaser” and “Hot Bait” come in uplifting, before THE GEMS delve into “Forgive And Forget”, a ballad in which Guernica’s voice comes across especially strong. “Go Along To Get Along” again illustrates the Swedish fireballs breaking the chains of their past and emerging stronger from it – as proven by speedy “Math Ain’t Mathing”, mighty “Firebird”, and “Stars” with its virtuoso guitar solo. Year Of The Snake is wrapped up by the catchy “Buckle Up” and “Happy Water” – with energetic grooves that ends this album on a high note! 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