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Bussanick, Flourishing bassist Eric Rizk, and drummer Ian Jacyszyn (Miasmatic Necrosis) unveiled the Sireless EP in 2018. The years since that brief but powerful introductory statement were spent not in dormancy, but in painstaking composition and relentless experimentation in pursuit of the densely textured, multifaceted sound of The Ailing Facade, and also saw Aeviterne's lineup expand to include guitarist Samuel Smith (Artificial Brain, Luminous Vault). The result is an album that plunges listeners into hellish headspaces of dread, anxiety, and unease through dynamic songwriting and deliberate, nearly narrative sequencing rather than effects pedal abuse, made even queasier and more disorienting through subtle electronics and additional layers of percussion, culminating in the instrumental title track and epic closer \"Dream In Lies.\" Immolation's harsh technicality and the psychedelic menace of Godflesh can serve as reference points, but don't fully capture the all-devouring alchemy of The Ailing Facade.The Ailing Facade was engineered and mixed by Jacyszyn, with drum engineering and mastering by Colin Marston (Gorguts, Krallice). 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Releasing their debut album Children Of The Iron Age in 2014, which was later picked up by Prosthetic Records, they would tour alongside the likes of Dreadnought, Falls of Rauros, Anicon, Velnias, and Haunter. Thei rsecond album Old Souls was released in 2016 and continued the band's progression to a sound not easily confined by genre tags, more refined and decidedly darker. 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The members often cite influences like My Bloody Valentine and Motörhead alongside bands like Comsat Angels, Killing Joke, and The Sound, while singer Joshua Strachan's (Vaura) lyrics split the difference between the anthemic manifestos of Manic Street Preachers and Sisters of Mercy's \"Vision Thing.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 843563152034\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Profound Lore\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.11.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Blacklist","offers":[{"title":"Default Title","offer_id":45561895649478,"sku":"348788","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4133703-2887008.jpg?v=1771967008"},{"product_id":"skorian-greyleer-lp","title":"Skorian Greyleer [LP]","description":"\u003cp\u003eMefitis is a dark metal endeavor dedicated to venturing the shadowy depths and desolate expanses of musical expression. Formed by Pendath and Vatha in 2007, Mefitis would from day one embody a metallic maelstrom intruding on the defined boundaries of extreme music. After some fallow years, the duo emerged to realize their dark metal vision with the 2019 full length Emberdawn. This record put forth their signature style of boundless songwriting across black and death metal, telling parables of degradation and savagery in both lyrics and the very music itself. The kindling now sparked, Mefitis returned in 2021 with their follow up in Offscourings. Here they would expand further on the possibilities of dark metal, exploring gloomier climes and thornier guitar arrangements. In addition, the band solidified a conceptual framework for the music to occupy, known as Skoria. In this parallel world out of time, the music, themes, and imagery could exist as ideas unto themselves rather than mere simulacra. And so, Mefitis brings you their newest work: a duology in grey titled The Skorian \/\/ The Greyleer. Initially conceived as an experiment for analog tape, the new record is informed by the constraints and particular character of that medium. Every piece of sound one hears was initially tracked to tape and then digitized and mixed by the band. The dual title is indicative of the two halves, which were recorded in separate time spans and studio locations. However, The Skorian and The Greyleer are reflections of each other, and can be appreciated both in parts and in whole. Where past works looked outward to an ashen world, this new release contemplates it's own crumbling edifice. It calls into question the very notion of one's 'self' as an entity in thrall to it's master. 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So all there was left to do was write even more music. This gradually led to a creation of not one, but three works: the first being 2024's much-delayed self-released digital EP The Stone Heart and the second being their fourth full-length album Eclipsing Worlds Of Scorn to be released via Profound Lore Records. In the summer of 2024, Obsidian Tongue, comprised of vocalist \/ guitarist \/ bassist Brendan Hayter (Thrawsunblat \/ Obsequiae live) and drummer Raymond Capizzo (Falls Of Rauros \/ Panopticon live) returned to the all-analog Mystic Valley Studio, where their first two records were made, to print their Covid-era home sessions onto two-inch tape. Mixed and mastered in the analog domain as well by Alex Garcia-Rivera, Eclipsing Worlds Of Scorn boasts a unique and unmistakable sonic force amidst the modern digital landscape; created with a total absence of click tracks, quantization, or sound replacement of any kind. 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Theurgion play towering and melancholic death-via-traditional doom metal. 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