{"title":"06\/05\/2026","description":null,"products":[{"product_id":"pre-order-franz-schubert-winterreise-cd","title":"Franz Schubert: Winterreise [CD]","description":"\u003cp\u003e... So what, then, did Winterreise mean to us?At the risk of stating the obvious: it was a journey - albeit a journey with no real destination. The depthof this Everest-like score offered new insights and fresh layers with every reading. Consequently, therewas never - and still isn't, despite years of preparation and live performances - a real sense of completion,no point at which we could say we were \"finished\" studying each lied.And perhaps the Wanderer's journey is also without destination. A physical trek through a cold andindifferent, if not openly hostile, nature, it is also a psychological path through the difficult phases ofprocessing loss - a process that, in truth, never completes. The traveler clings to the pain inflicted bya society that rejected him and continues to reject him, like the barking dogs announcing his passing,finding refuge only in the suffering of memory and in each weary step through the snow\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8011570373441\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Stradivarius\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Giulia Taccagni","offers":[{"title":"Default Title","offer_id":45459552272582,"sku":"44141016","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4467099-3467588.jpg?v=1768587542"},{"product_id":"pre-order-glass-two-uk-cd","title":"Glass Two (Uk) [CD]","description":"\u003cp\u003eThe award-winning vibraphonist Pascal Schumacher and theinternationally acclaimed pianist Danae Dorken present their new album 'Glass Two' - an impressive musical homage to one of the most influential composers of our time: Philip Glass. Their unusual instrumentation for piano and vibraphone creates an unrivaled sound world that brings Glass' minimalist worksto life in a new and refreshing way.At the heart of the album are original interpretations of Glass' compositions, complemented by Schumacher's own works. These pieces, inspired by personalities who influenced the American composer, such as the poet Allen Ginsberg or the sculptor Richard Serra, form a unique fusion of two musical worlds. This fusion creates a profound and multifaceted, yet reduced and clear atmosphere. Pascal Schumacher and Danae Dorken impressively demonstrate that less is sometimes more: Their artfully crafted arrangements are characterised by a fascinating transparency that captures the essence of minimalistmusic. The result is a captivating listening experience that allows the colors and textures of Glass' works to shine in a new light and interact harmoniously with Schumacher's own compositions. The album will be released on the Neue Meister label on CD and vinyl on 8 November 2024 and is an indispensable discovery for all lovers of modern classical music. 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Inspired by the intensity of Nine Inch Nails, the genre-bending chaos of Poppy and the euphoric, cinematic story telling of Lorde; this is music for the club, the stage and the void inside. Self-confessed control freaks, Saint Agnes obsessively curate all aspects of their art and their music; this time, however, they utilised the mixing skills of Jim Pinder (Sleep Token, Bring Me The Horizon), the result being \"Our best sounding record to date, and the truest to our vision,\" says Kitty. Saint Agnes have built a loyal following off the back of two EPs, two critically acclaimed studio albums, over 12 million Spotify streams and strong support from BBC Radio 1. 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However, the fact that this edition focuses not on one composer but on a specific work in three different recordings is remarkable - and justifiable. At the centre is the studio recording of the 'Christvesper des Dresdner Kreuzchores' RMWV 7 from the Lukaskirche in Dresden (better suited for recordings than the Kreuzkirche) from 1993 under the direction of Gothart Stier. It is accompanied by the Eterna recording from 1964, also made in St Luke's Church, in which excerpts from the Christmas Vespers are heard under the direction of the composer and Kreuzkantor Rudolf Mauersberger. What is striking about this disc, which was very popular in the GDR, is the altered order of the individual pieces compared to the complete original work. The only audio and video document recorded in the Kreuzkirche is the MDR television recording from 2003, which gives an impression of the annual performances of the work in the designated church.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 885470023137\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Berlin Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Dresdner Kreuzchor","offers":[{"title":"Default Title","offer_id":45459553452230,"sku":"13470395","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4454921-3445300.jpg?v=1768587557"},{"product_id":"pre-order-couleurs-de-france-cd","title":"Couleurs De France [CD]","description":"\u003cp\u003eThis recording by Ciconia Consort, Couleurs de France, offers a rare and evocative journey through four lesser-known works for string orchestra by three prominent 20th-century French composers: André Jolivet, Jacques Castérède, and Daniel-Lesur.Jacques Castérède's connection to his French predecessors is evident in his use of modal, chromatic, and diatonic scales. A student of Olivier Messiaen, Castérède nonetheless forged a highly personal harmonic style within an extended tonal idiom, characterized by melodic clarity and accessibility. His compositions seem to harmoniously blend the various French styles of the 20th century. In his work, we hear the sonic fingerprints of Arthur Honegger, Daniel-Lesur, and his teacher Messiaen - all woven into a coherent, lyrical whole.Throughout his life, André Jolivet aimed to \"restore to music it's original, ancient meaning, when it served as a magical, incantatory expression of the religious beliefs of human communities.\"* His later compositions continued this exploration, seeking music's original function as an emotional, ritualistic, and celebratory form of expression. His Symphonie pour cordes, commissioned by French radio and television, was composed in 1961 and premiered on January 9, 1962. The symphony demands exceptional technical skill from all performers. It is written in a freely atonal idiom and is characterized by intense dissonance.Daniel Jean Yves Lesur (1908-2002) was a French composer, organist, and teacher, closely linked to the group La Jeune France, alongside Olivier Messiaen and André Jolivet. His music often reflects a balance between tradition and modernity, combining rich harmonic language with a sense of spiritual depth. Lesur's output includes choral works, chamber music, and orchestral compositions, yet he remains less widely known than some of his contemporaries.Among his instrumental works is the Sérénade pour cordes (1949), a luminous piece that highlights his lyrical style and refined craftsmanship. Written for string orchestra, it embraces classical clarity while exploring colorful modal harmonies, characteristic of Lesur's personal voice.This recording is the fifth CD on Brilliant Classics by the Ciconia Consort (The Hague String Orchestra), a Dutch string orchestra conducted by Dick van Gasteren, an internationally active conductor who was Bernard Haitink's assistant during the Mahler Festival Amsterdam in 1995.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758974080\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Ciconia Consort The Hague Orchestra","offers":[{"title":"Default Title","offer_id":45459554697414,"sku":"44050728","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4466993-3471109.jpg?v=1768587576"},{"product_id":"pre-order-baltic-soundscapes-cd","title":"Baltic Soundscapes [CD]","description":"\u003cp\u003eThe album features ten works by Ciurlionis, arranged for cello and piano by Lithuanian cellist Juozas Celkauskas. These arrangements open a new window for experiencing the piano works of Ciurlionis as chamber music, while his pictorially enhanced musical vision remains intact. In addition to the pieces by Ciurlionis, the album introduces three contemporary opuses composed especially for this project by Lithuanian composer Zibuokle Martinaityte, Latvian composer Arturs Maskats and Estonian composer Mihkel Kerem. Each of them, drawing personal inspiration from Ciurlionis, not only wrote a new composition for cello and piano, but also dedicated their creative efforts to the Ciurlionis' anniversary and this duo of performers, thus making this album not only a retrospective, but also a lively, creative dialogue between eras, cultures and personalities. This album is not merely a musical recording. 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It is based on ten historical organ builders who were relevant to Johann Sebastian Bach. With no other instrument like the organ are space and sound so closely linked. The further we look back into the history of music, the more regional developments play a role. 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They perform masterpieces of the Violin sonata repertoire by Claude Debussy, Ignacy Jan Paderewski (Sonata dedicated to Sarasate) and Leos Janacek. Francisco Fullana, winner of the 2018 Avery Fisher Career Grant, performed with Sir Colin Davis, Gustavo Dudamel, Alondra de la Parra and many more. 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The program introduces two composers who represent both poles of Ukrainian musical life - Borys Liatoshynsky from central Ukraine and Vasyl Barvinsky from the west of the country. The recording presents two of the most ambitious Ukrainian piano quintets, which open up different perspectives on one of the most important genres of chamber music, each influenced by unique historical and artistic circumstances.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260052386842\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ars Produktion\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Violina Petrychenko","offers":[{"title":"Default Title","offer_id":45459558072518,"sku":"135687","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4439220-3411748.jpg?v=1768587632"},{"product_id":"pre-order-love-at-first-sight-lp","title":"Love At First Sight [LP]","description":"\u003cp\u003eA true holy grail for boogie funk collectors, Love At First Sight by First Love is finally back on wax! Originally released in 1982 out of Chicago, this masterpiece embodies the golden era of modern soul and funk, delivering that irresistible groove collectors crave. 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Sct aka Levi Schechtmann on the Neue Meister label presents a distinctive fusion of classical piano and modern hip-hop elements?. The album seamlessly blends classical piano compositions with contemporary hip-hop rhythms, showcasing Schechtmann's unique approach to music?. This release marks a significant milestone in Schechtmann's career, reflecting his growth as a composer and pianist who transcends traditional genre boundaries?. Levi. 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As Ilaria Sinicropi observes in her booklet essay, Martucci was 'a composer in the making', in the first flush of his talent. In finding his own voice for instrumental composition, he looked naturally northwards, to the other side of the Alps, and in particular to Schumann and to Brahms, with their strong narrative arcs, their expansion of traditional models such as sonata form and their richly chromatic but disciplined harmony. The more adventurous language of the Capriccio e Serenata Op.57 was yet to come. Yet the first movement of the Piano Sonata - mysteriously neglected by pianists until now, with no other recordings in the current catalogue - already shows Martucci stretching his wings, and adapting the fantasy-style of Schumann to the ends of his own lyrical style. Sinicropi hears within it a powerful evocation of nature in the mould of Grieg's Lyric Pieces, and it prefigures the imposing intensity of expression in the third-movement Andante, with a scintillating Scherzo to serve as intermezzo and a Lisztian finale which synthesizes elements of chorale, fugue and rondo. The suite of Four Pieces Op.31 do not venture into the Sonata's ambitious terrain, cast by and large in a vein of gentle introspection, but they too reward close listening (which again is only now possible with Ilaria Sinicropi's recording). In fact the opening Nocturne is the most developed piece of the quartet, belying it's title with fiery outbursts and unexpected pauses. The following barcarolle and Romance may be heard as songs without words in a stylish emulation of Mendelssohn, before a final 'Dolce Ricardo's (Sweet Memory) returns to the tripartite but eventful form of the Nocturne. Finally, the Mazurka Op.35 makes a graceful encore, 'deeply rooted in the Italian tradition and the expressive style typical of mannerism,' according to Ilaria Sinicropi. 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The Italian composer Carlo Alessandro Landini, whose string quartet was premiered by the renowned Arditti Quartet at the Darmstadt Summer Courses in 1994 and has made him famous in Germany since, has always been concerned with change and transformation, both embodying the deepest essence of music.In the meantime, his works have become calmer, more balanced, exuding aesthetic beauty and harmony through their tonal inventiveness. The listener is surprised by the extremely subtle sound visions that the pieces presented here suggest. They could be understood today as counter-designs-probably due to the composer's spiritually oriented creativity-to our restless times. This leads us right into the heart of these four works.In the background of his creativity, Landini believes in the special proximity of all art to the realm of metaphysics. He is virtually inspired by this aspect and sets out in his compositions in search of what holds the world together. His more recent works convey his message of a \"world soul\" of some kind.His music requires a listener who opens up in order to broaden the shared horizon and feel more strongly what is happening between heaven and earth. Landini continuously unfolds his music from a nucleus. The composer demands intensive, sensitive listening to space and time from himself, his performers, and his listeners. 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