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Founded in 2001 by guitarist Roland Grapow and drummer Uli Kusch following their exit from Helloween, the band quickly established a distinctive identity built on strong melodies, technical precision, and an epic yet modern metal approach. Their self-titled debut album, released in 2003, was met with widespread critical acclaim and immediate chart success, setting the standard for a career defined by consistency and evolution. Over the years, Masterplan have released several highly regarded albums - including Aeronautics, MK II, Time to Be King and Novum Initium - each showcasing refined songwriting and a powerful balance between classic power metal energy and progressive elements. Their work earned them international recognition, extensive touring across Europe and beyond, and industry accolades that confirmed their status as a leading force in the genre. After a prolonged hiatus from studio releases, Masterplan have re-emerged with renewed creative drive. The band recently signed a new worldwide deal with Frontiers Music SRL, marking a significant milestone and the beginning of a new chapter in their career. This partnership sets the stage for their long-awaited return with a brand-new studio album, Metalmorphosis, scheduled for release in May. True to it's title, Metalmorphosis represents both transformation and continuity: a heavier, more aggressive edge combined with the melodic sophistication that has always defined Masterplan's sound. 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Founded in 2001 by guitarist Roland Grapow and drummer Uli Kusch following their exit from Helloween, the band quickly established a distinctive identity built on strong melodies, technical precision, and an epic yet modern metal approach. Their self-titled debut album, released in 2003, was met with widespread critical acclaim and immediate chart success, setting the standard for a career defined by consistency and evolution. Over the years, Masterplan have released several highly regarded albums - including Aeronautics, MK II, Time to Be King and Novum Initium - each showcasing refined songwriting and a powerful balance between classic power metal energy and progressive elements. Their work earned them international recognition, extensive touring across Europe and beyond, and industry accolades that confirmed their status as a leading force in the genre. After a prolonged hiatus from studio releases, Masterplan have re-emerged with renewed creative drive. The band recently signed a new worldwide deal with Frontiers Music SRL, marking a significant milestone and the beginning of a new chapter in their career. This partnership sets the stage for their long-awaited return with a brand-new studio album, Metalmorphosis, scheduled for release in May. True to it's title, Metalmorphosis represents both transformation and continuity: a heavier, more aggressive edge combined with the melodic sophistication that has always defined Masterplan's sound. 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[CD]","description":"\u003cp\u003eA first-ever complete recording for collections of Baroque chamber music which capture the elegance, formality, and lively culture of London in the 1710s.London in the early 18th century was a city animated by music: Italian opera dominated the newly built theatres, French-style dances brought refinement to the salons, and the English cathedral tradition had fully adapted to a native style of text setting. It was from within this vibrant soundscape that William Babell (c. 1690-1723) emerged-an English musician of remarkable versatility, whose keyboard brilliance and expressive chamber works captured the spirit of his place and time.Babell's first teacher was his father, a bassoonist in the orchestra of the Drury Lane Theatre. He rapidly followed in his father's footsteps, playing in the private band of King George I, and was appointed organist of All Hallows, Bread Street, a position he held until his untimely death. His reputation as a keyboard virtuoso was widespread; Johann Mattheson extolled his organ playing as even superior to Handel's.As for his own music, it's principal surviving remnants are these two collections of sonatas dating from 1716 and 1720. They were conceived for oboe or violin with continuo; the musicians of Cappella Musicale Enrico Stuart have taken a fairly liberal approach, by sharing the melody part in the different sonatas between violin, flute, and oboe, which are supported by a rich continuo group of bassoon, cello, and harpsichord or organ. Not the least attractive aspect of this solution is it's variety across the sequence of 24 sonatas.The influence of Arcangelo Corelli-the Roman violinist-composer whose Op. 5 sonatas (published in 1700) shaped much of 18th-century chamber style across Europe-is evident in Babell's approach. Babell's sonata structure-especially the slow-fast alternation, proportions of movements, and rhythmic gesture-bears the stamp of this Corellian model, though with English lightness and a flair for ornamentation. This arrangement not only showcases the instrumental diversity at the heart of the two volumes of sonatas, but also evokes the experience of an 18th-century London salon, where violin, oboe, and flute might seamlessly succeed one another in an evening of chamber music.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758970952\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Cappella Musicale Enrico Stuart","offers":[{"title":"Default Title","offer_id":45541276090566,"sku":"115390884","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4495223-3532872.jpg?v=1771274931"},{"product_id":"pre-order-longo-chamber-music-for-violin-viola-piano-cd","title":"Pre-Order: Longo: Chamber Music For Violin\/Viola \u0026 Piano [CD]","description":"\u003cp\u003eAlessandro Longo (1864-1945) was an influential Italian composer, pianist, and musicologist whose legacy is often linked to his scholarly editions of Domenico Scarlatti's keyboard works. Yet his own compositions reveal a refined musical voice shaped by late-Romantic lyricism, classical balance, and Italian melodic elegance. Central to Longo's style is a clear, singing melodic line, often entrusted to the violin while the piano provides a harmonically rich and supportive texture. His works frequently employ a warm tonal language, with occasional excursions into modal or chromatic inflections that reflect the broader European trends of his time. Rather than pursuing virtuosic display for it's own sake, Longo typically emphasizes expressive nuance and poised interaction between the two instruments. Among his most representative compositions for this ensemble are his character pieces and salon-style works, which combine lyrical charm with formal clarity. These include graceful miniatures such as the Romanza, shaped by a cantabile violin line and elegantly crafted accompaniment. In these pieces, Longo demonstrates his gift for shaping compact musical forms that evoke atmosphere and emotional depth without excess. His more expansive works-such as the larger-scale multi-movement suites-display a broader architectural sense, often organizing thematic materials through subtle variation and motivic development. Played by the Gran Duo Italiano, Mauro Tortorelli (violin) and Angela Meluso (piano), whose previous recordings for Brilliant Classics (Saint-Saëns, Milhaud, Castelnuovo-Tedesco, Scalero, Santoliquido, Caetani, Fano) were highly praised in the international press. \"Tortorelli is equally impressive on viola and on violin... On both instruments he spins a flawless, silky line with perfect intonation.\" (Fanfare, May 2017 - Milhaud). \"This release is not just for violinists and lovers of violin music; it's for everyone. Urgently recommended.\" (Fanfare, July 2021 - Scalero), \"Sympathetic performance... employing many idiomatic (at least to the period) expressive devices.\" (Fanfare, May 2015 - Saint-Saëns)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758974950\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Gran Duo Italiano","offers":[{"title":"Default Title","offer_id":45541276254406,"sku":"115369669","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4495225-3532876.jpg?v=1771274932"},{"product_id":"pre-order-black-mountain-lp","title":"Pre-Order: Black Mountain [LP]","description":"\u003cp\u003eBlack Mountain features original compositions by Alexej Gerassimez and Gordon Hamilton, who also conducts this recording with the NDR Radiophilharmonie. The program explores the dynamic interplay between orchestral sound and percussion, with a highlight being the work Leviathan by John Psathas-a powerful composition for percussion and orchestra, written specifically for Alexej Gerassimez.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 885470045924\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Berlin Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Alexej Gerassimez","offers":[{"title":"Default Title","offer_id":45541278351558,"sku":"115568952","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4495222-3533007.jpg?v=1771274948"},{"product_id":"pre-order-french-cello-sons-vol-4-magnard-vierne-cd","title":"Pre-Order: French Cello Sons Vol. 4 - Magnard \u0026 Vierne [CD]","description":"\u003cp\u003eAlbéric Magnard and Louis Vierne: Two French Masters of the Cello Sonata. The early years of the twentieth century were a time of transition in French music. While impressionism was gaining ground through Debussy and Ravel, some composers remained faithful to the ideals of structural clarity and expressive depth inherited from the Romantic tradition. Among these figures were Albéric Magnard and Louis Vierne, two artists whose sonatas for cello and piano, both composed in 1910, stand as monuments of French chamber music and offer contrasting yet complementary visions of their era. Albéric Magnard, born in Paris in 1865, was a pupil of Dubois, Guiraud, Massenet, and D'Indy at the Paris Conservatoire, and he frequented the circle of César Franck. In 1896 he became a teacher at Paris's Schola Cantorum. Then, from 1904, he settled in the countryside on his estate at Manoir des Fontaines in Baron (Oise), where he died in 1914, shot by German troops while attempting to defend the property. His last chamber work, the Sonata for Cello and Piano Op.?20, is among his most significant compositions. Composed between 1908 and 1910, it is structured in four movements like all his chamber works, betraying his devotion to German contemporaries and in opposition to French impressionism. Louis Vierne (1870-1937), having been taught by César Franck and Widor, became a famous organist. His most important post was that of Notre Dame in Paris, where he was celebrated for his improvisations. As a composer, he indulged in the post-Wagnerian language of his era: highly complicated counterpoint, dense, chromatic harmonies, and an exalted, spiritual atmosphere characterise his works. Vierne's Sonata for Cello and Piano in B minor Op.?27, composed in 1910, offers a fascinating counterpoint to Magnard's work. While Magnard emphasizes formal clarity, Vierne indulges in lyrical expansiveness and harmonic daring. This is the 4th instalment of the \"French Cello Sonatas,\" played by Marina Tarasova and Ivan Sokolov. Their earlier issues have won uniform enthusiastic critical acclaim. The Boëllmann and Widor sonatas merit the very best performances they can possibly have, and in the hands of Marina Tarasova and Ivan Sokolov, they receive them. Tarasova's full-throated, richly coloured cello tone sings with glorious voice, while Sokolov's piano serves as continuo in an elaborate counterpoint for and against the cello, always in perfect harmonization.\" (Fanfare)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758972246\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Marina Tarasova","offers":[{"title":"Default Title","offer_id":45541279432902,"sku":"115367980","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4495224-3532874.jpg?v=1771274961"},{"product_id":"pre-order-freedom-lp-1","title":"Pre-Order: Freedom [LP]","description":"\u003cp\u003eFreedom is a deeply atmospheric ambient harp album, exploring the instrument's natural resonance and spacious textures. It blends acoustic purity with subtle electronics, creating soundscapes of stillness, openness, and release. The album reflects on themes of inner peace, letting go, and the search for personal and artistic authenticity. Margaret Hermant, known from Echo Collective, brings her unique sensitivity for tone, layering, and emotion into a solo context.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 885470045573\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Neue Meister\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Margaret Hermant","offers":[{"title":"Default Title","offer_id":45541280088262,"sku":"115603107","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4495303-3533005.jpg?v=1771274969"},{"product_id":"pre-order-freedom-cd-2","title":"Pre-Order: Freedom [CD]","description":"\u003cp\u003eFreedom is a deeply atmospheric ambient harp album, exploring the instrument's natural resonance and spacious textures. It blends acoustic purity with subtle electronics, creating soundscapes of stillness, openness, and release. The album reflects on themes of inner peace, letting go, and the search for personal and artistic authenticity. Margaret Hermant, known from Echo Collective, brings her unique sensitivity for tone, layering, and emotion into a solo context.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 885470045566\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Neue Meister\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Margaret Hermant","offers":[{"title":"Default Title","offer_id":45541281235142,"sku":"115598561","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4495302-3533003.jpg?v=1771274982"},{"product_id":"pre-order-kammersymphonie-cd","title":"Pre-Order: Kammersymphonie [CD]","description":"\u003cp\u003eKammersymphonie presents a compelling journey through the fractured soundscape of early 20th-century Europe, brought to life by the acclaimed ensemble Fin du Temps. This release brings together three landmark chamber works by Arnold Schoenberg, Hanns Eisler, and Paul Hindemith, composers who each responded in radically different ways to a period of intense artistic, political, and social upheaval.At the heart of the programme lies Schoenberg's Kammersymphonie, Op. 9, heard here in Anton Webern's refined chamber arrangement-a masterpiece that condenses symphonic thinking into a single, highly concentrated movement and marks a decisive step toward musical modernism. Eisler's Vierzehn Arten den Regen zu beschreiben, Op. 70, conceived originally for experimental cinema, offers fourteen sharply etched miniatures of striking expressive power, balancing lyricism, irony, and political awareness.Completing the disc, Hindemith's Quartet for clarinet, violin, cello, and piano reveals a contrasting aesthetic: rigorously constructed, communicative, and rooted in an expanded sense of tonality. Recorded at the Auditorio Manuel de Falla in Granada, this album combines intellectual depth with exceptional sonic clarity and interpretative authority. 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Adorned with artwork as bold as the record, the album reached the top of the U.S. charts and sold over 1 Million copies with the title track \"Children of the Sun\" remaining a staple of FM and rock radio through the decades as well as a highly played track on SiriusXM's Deep Tracks channel. Iconoclassic Records presents the long-awaited and much-requested CD of the original 1979 mix of Children of the Sun, remastered by Wouter Bessels with the approval of both Spencer Proffer and album engineer, Larry Brown. 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