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His reputation as a keyboard virtuoso was widespread; Johann Mattheson extolled his organ playing as even superior to Handel's.As for his own music, it's principal surviving remnants are these two collections of sonatas dating from 1716 and 1720. They were conceived for oboe or violin with continuo; the musicians of Cappella Musicale Enrico Stuart have taken a fairly liberal approach, by sharing the melody part in the different sonatas between violin, flute, and oboe, which are supported by a rich continuo group of bassoon, cello, and harpsichord or organ. Not the least attractive aspect of this solution is it's variety across the sequence of 24 sonatas.The influence of Arcangelo Corelli-the Roman violinist-composer whose Op. 5 sonatas (published in 1700) shaped much of 18th-century chamber style across Europe-is evident in Babell's approach. 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Born in 1875, Guido Alberto Fano emulated the model of his teacher Martucci in pursuing a multi-faceted career as composer, conductor, pianist and teacher. At the age of 30 he became director of the conservatoire in Parma before transferring, in 1916, to the Sicilian city of Palermo. A year later he wrote this powerful and turbulent Piano Quintet, which sets out in a broad, contented and Brahmsian vein of expression before venturing into more troubled and chromatically contemporary harmonies, to which a finale brings resolution via a noble chorale theme. At the Quintet's climax, this theme soars over the texture on a solo trumpet, in a stroke of instrumental imagination which anticipates Honegger's Second Symphony by two decades - and indeed the 45-minute Quintet has the dimensions of a 'veiled symphony' in the manner of Brahms's early chamber works and sonatas. Wistful, major-minor Brahmsian motifs and harmonies still permeate the String Quartet which Fano composed in 1941 - another distinctively 'wartime' work - but whether through age or experience they are suffused with a late-style radiance which brings the style of the Quartet closer to Richard Strauss and Debussy. The Ensemble Mark Rothko is a flexible line-up of Italian musicians who specialising in reviving forgotten chamber works of the late 19th and early 20th century. 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Techniques such as circular breathing, overblowing, harmonics, singing while playing, and wind tones allow the flute to unfold into multiple voices, while percussive key clicks provide a steady rhythmic pulse.Deák foregrounds sounds often excluded from classical music-breathy tones, unstable pitches, squeaks, and audible inhalations-treating them as essential expressive tools. This focus reflects her long-term exploration of the flute's physical and expressive limits and connects directly to her ongoing solo practice, The Breathing Project, of which Brisk is a distilled release.Active across classical, contemporary, jazz, and experimental scenes, Deák has collaborated with ensembles including Konstmusik-systrar and the VENI ensemble, and performed at festivals such as Norbergfestival and Ung Nordisk Musik.Across it's seven pieces, Brisk balances immediacy and rigor, inviting focused listening while remaining open and bodily. 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Written during World War II and dedicated to the memory of his close friend Ivan Sollertinsky, the trio confronts themes of death, grief, and suffering. It's four movements range from haunting stillness to violent intensity. The final movement is particularly striking, incorporating Jewish musical elements that suggest both mourning and bitter irony, possibly alluding to the atrocities of the Holocaust.Also included are the 7 Romances on Poems by Alexander Blok, a vocal cycle for soprano, violin, cello, and piano in which each piece explores a different instrumental combination - from duos to the full ensemble. In these Romances, music becomes inward speech - whispered, often suspended over silence. Blok's poems, filled with dreamlike visions and disturbing symbols, become the very fabric of the composition: each word, each image, finds it's sonic counterpart in a language of subtle timbres, controlled dissonance, and unresolved tension. 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Recorded with the new guitarist Pat Lemoine (from the Belgian band CRYME), the album continues in the tradition of the band's previous albums, uniquely blending classic heavy metal with elements of hard rock.Formed in 1982 in Liège, Belgium, FN GUNS gained notoriety with their self-produced debut album Wild Child (1982). After signing with Mausoleum Records, they released the mini-album FN Guns (1983) and Nightmare (1984). In 1987, they released the album Burnin' Out with some changes in the lineup. For Good Shot, the band already had Steve Rodgers on vocals and the addition of Pat Lemoine on guitar brought a new dynamic to the sound.Good Shot features nine tracks that mix heavy riffs and melodic hooks. Tracks like \"Don't Cross The Line\" and \"S.O.S. For Love\" highlight the band's ability to create catchy songs, while the cover of The Beatles' \"I'm the Walrus\" offers a metallic reinterpretation of an all-time classic. The album stands as a testament to FN GUNS' perseverance in the vibrant European metal scene of the 1980s, also capturing the essence of Belgian heavy metal and the band's ambition to reach a wider audience.Reissued for the first time in 35 years since it's original release, we are pleased to bring you the definitive edition of Good Shot in CD format, featuring previously remastered audio, unreleased bonus tracks, and booklet with rare photos plus band biography depicting this era of the band.For fans of: STEELOVER, AC\/DC, SCORPIONS, SAXON.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Cross the Line\u003c\/li\u003e\n\u003cli\u003eShe Goes on\u003c\/li\u003e\n\u003cli\u003eSos for Love\u003c\/li\u003e\n\u003cli\u003eThe Hero\u003c\/li\u003e\n\u003cli\u003eI'm the Walrus\u003c\/li\u003e\n\u003cli\u003eAll the Night\u003c\/li\u003e\n\u003cli\u003eUntil I Die\u003c\/li\u003e\n\u003cli\u003eCan't See It No Way\u003c\/li\u003e\n\u003cli\u003eTeenagers Rampage\u003c\/li\u003e\n\u003cli\u003eRock Me (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eSayonara (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eDon't Go (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eSexy Lizzy (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eMan in Disgrace (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eGimme Some More (Bonus Track)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5601218181199\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Lost Realm Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fn Guns","offers":[{"title":"Default Title","offer_id":45693145186502,"sku":"148564945","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4506683-3560408.jpg?v=1775532966"},{"product_id":"pre-order-burnin-out-bonus-track-cd","title":"Pre-Order: Burnin' Out (Bonus Track) [CD]","description":"\u003cp\u003eLost Realm Records proudly presents the long-awaited reissue of FN GUNS' cult 1987 album Burnin' Out - for the first time ever on CD! One of the hidden gems of the European heavy metal underground, Burnin' Out is finally getting the treatment it deserves!Formed in Belgium in the early '80s, FN GUNS earned a solid following with their explosive blend of traditional heavy metal and hard rock energy, channeling the grit of Judas Priest, the power of Saxon, and the swagger of AC\/DC. After their acclaimed albums Wild Child (1983) and Nightmare (1984), the band returned with Burnin' Out - a more polished yet still fierce release, marked by sharp riffs, thundering rhythms, and memorable hooks.Originally released in 1987 through Stone Records in Belgium, Burnin' Out came out exclusively on vinyl, with a very limited pressing and no official CD release - until now. Copies of the original LP have become extremely rare and sought-after by collectors worldwide.This new Lost Realm Records edition brings Burnin' Out back to life with remastered audio, restored artwork, and an expanded booklet featuring liner notes, and rare photos. 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Emerging from Los Angeles in the early '80s, the band played a crucial role in shaping the U.S. speed metal sound, pushing speed, aggression and precision at a time when the genre was still being defined. Their uncompromising approach left a lasting mark on the underground and influenced generations of bands that followed.New York Daze unveils a long-lost chapter in the band's history. Recorded between 1989 and 1991, this previously unreleased album was intended to mark a new era for Savage Grace, with plans for a major label release that ultimately never came to fruition. During this period, founder Chris Logue relocated from Los Angeles to New York, a transition that influenced a shift in musical direction toward a more hard rock-driven approach, while still retaining the band's metallic core.New York Daze has been fully remastered from the best audio sources available. 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Formed in mid-1989, the group represented a powerful reunion of creative forces, led by guitarist Rudi Vandenbossche and vocalist Steve Shorter, both veteran members of the legendary Belgian metal outfit FN GUNS. While the project initially took shape on the local circuit as a high-energy cover act, the undeniable chemistry between the members soon pivoted the band toward a professional path of original composition and full-time dedication.By early 1992, following a series of commanding live performances in their hometown, SHOOT SHORTER entered the studio to capture their signature sound. The resulting album, \"Pure Rock Intox,\" masterfully maintained the sonic architecture established during their tenure with FN GUNS, delivering a sophisticated blend of hard n' heavy music built upon straightforward, driving riffs and meticulously crafted vocal harmonies. 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