{"title":"11\/13\/2026","description":null,"products":[{"product_id":"pre-order-great-violin-concertos-by-oistrakh-cd","title":"Great Violin Concertos By Oistrakh [CD]","description":"\u003cp\u003e\"For many, Oistrakh remains the violinistic ideal. His winning combination of tonal sumptuousness, clear interpretative focus, musical humility and effortless technical poise across a broad repertoire remains unmatched to this day. When Oistrakh played, one felt there was nothing coming between the composer and the listener... He combined fingers of steel with a heart of gold.\" The Strad magazine\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: I. Allegro Ma Non Troppo (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: II. Larghetto (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: I. Allegro\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: II. Largo\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: III. Rondo Alla Polacca\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: I. Allegro Non Troppo (Cadenza By J. Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: I. Allegro\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: II. Andante\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: III. Vivace Non Troppo\u003c\/li\u003e\n\u003cli\u003eAdagio for Violin and Orchestra in E Major, K. 261\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: II. Adagio Di Molto\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: III. Allegro Ma Non Tanto\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: I. Allegro Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: II. Scherzando\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: III. Intermezzo\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: IV. Andante\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: V. Rondo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: II. Andante\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro Energico\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: III. Presto\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: I. Allegro Maestoso\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: III. Presto\u003c\/li\u003e\n\u003cli\u003eRondo for Violin and Orchestra in B-Flat Major, K. 269\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: I. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: I. Allegro (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: II. Andante Cantabile (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: III. Rondeau - Andantino Grazioso - Allegro Ma Non Troppo (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": I. Allegro Aperto (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": II. Adagio (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": III. Rondeau. Tempo Di Menuetto - Allegro (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eRondo for Violin and Orchestra in C Major, K. 373\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: I. Andantino\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: III. Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in G minor, Op. 63: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in G minor, Op. 63: II. Andante Assai\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in G minor, Op. 63: III. Allegro Ben Marcato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: I. Nocturne. Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: II. Scherzo. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: III. Passacaglia. Andante - Cadenza\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: IV. Burlesque. Allegro Con Brio\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5021732960924\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"David Oistrakh","offers":[{"title":"Default Title","offer_id":45459686850758,"sku":"95956800","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4487327-3512615.jpg?v=1768588978"},{"product_id":"pre-order-no-love-lost-20th-anniversary-pink","title":"Pre-Order: No Love Lost - 20th Anniversary [Pink]","description":"\u003cp\u003eAvailable on vinyl in the UK for the first time, marking the album's 20th Anniversary.No Love Lost still sounds like a call to arms. Sharp, restless, and unmistakably London. Released in 2006, this debut didn't just introduce The Rifles; it announced them with urgency and a knowing nod to the lineage of The Jam and The Clash, reframed for a new generation. A cult classic.The 11 original tracks capture the immediacy of youth, nights out, and the bittersweet comedown after. Produced by Ian Broudie, it's chiming guitars, driving rhythms, and Joel Stoker's unmistakable vocal-equal parts defiance and vulnerability-set The Rifles apart. An album that soundtracked mid-2000s Britain while quietly building a loyal following that remains to this day.The 20th Anniversary vinyl edition includes two previously unreleased studio tracks from the No Love Lost sessions, recorded at Abbey Road. 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Sharp, restless, and unmistakably London. Released in 2006, this debut didn't just introduce The Rifles; it announced them with urgency and a knowing nod to the lineage of The Jam and The Clash, reframed for a new generation. A cult classic.The 11 original tracks capture the immediacy of youth, nights out, and the bittersweet comedown after. Produced by Ian Broudie, it's chiming guitars, driving rhythms, and Joel Stoker's unmistakable vocal-equal parts defiance and vulnerability-set The Rifles apart. An album that soundtracked mid-2000s Britain while quietly building a loyal following that remains to this day.The 20th Anniversary vinyl edition includes two previously unreleased studio tracks from the No Love Lost sessions, recorded at Abbey Road. It comes in very limited quantities, featuring alternative artwork editions and special vinyl effects.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShe's Got Standards\u003c\/li\u003e\n\u003cli\u003eLocal Boy\u003c\/li\u003e\n\u003cli\u003eOne Night Stand\u003c\/li\u003e\n\u003cli\u003eHometown Blues\u003c\/li\u003e\n\u003cli\u003ePeace and Quiet\u003c\/li\u003e\n\u003cli\u003eSpend a Lifetime\u003c\/li\u003e\n\u003cli\u003eRobin Hood\u003c\/li\u003e\n\u003cli\u003eShe's the Only One\u003c\/li\u003e\n\u003cli\u003eRepeated Offender\u003c\/li\u003e\n\u003cli\u003eWhen I'm Alone\u003c\/li\u003e\n\u003cli\u003eNarrow Minded Social Club\u003c\/li\u003e\n\u003cli\u003eShe's Got Standards (Band Commentary)\u003c\/li\u003e\n\u003cli\u003eLocal Boy (Band Commentary)\u003c\/li\u003e\n\u003cli\u003eOne Night Stand (Band Commentary)\u003c\/li\u003e\n\u003cli\u003eHometown Blues (Band Commentary)\u003c\/li\u003e\n\u003cli\u003ePeace and Quiet (Band Commentary)\u003c\/li\u003e\n\u003cli\u003eSpend a Lifetime (Band Commentary)\u003c\/li\u003e\n\u003cli\u003eRobin Hood (Band Commentary)\u003c\/li\u003e\n\u003cli\u003eShe's the Only One (Band Commentary)\u003c\/li\u003e\n\u003cli\u003eRepeated Offender (Band Commentary)\u003c\/li\u003e\n\u003cli\u003eWhen I'm Alone (Band Commentary)\u003c\/li\u003e\n\u003cli\u003eNarrow Minded Social Club (Band Commentary)\u003c\/li\u003e\n\u003cli\u003eBonus Track a\u003c\/li\u003e\n\u003cli\u003eBonus Track B\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 711297511437\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Cooking Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Rifles","offers":[{"title":"Default Title","offer_id":45760600539334,"sku":"155499625","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4508134-3565964.jpg?v=1777059741"},{"product_id":"pre-order-mozart-syms-35-36-38-41-remastered-hybrid-sacd-cd","title":"PRE-ORDER: Mozart Syms 35-36 38-41 (Remastered - Hybrid Sacd) [CD]","description":"\u003cp\u003eHerbert von Karajan, the emblematic conductor of the post-war years, did not record Mozart's final six symphonies as a group until September 1970 - in EMI sessions presided over by French producer Michel Glotz, a close friend and colleague. There are some subtle inflections to the Karajan-Berlin sound here: we hear the Philharmoniker's usual silken texture, wonderfully enveloping and accomplished, but here it is more luminous, less sombre and untamed than in the DG recordings. This is nonetheless a fully symphonic Mozart, not deprived of urgency, but with a serious-minded and dignified radiance. Supple and organic, the phrases are steeped in the legato for which Karajan was famed. His introductions are solemn and noble (Nos. 36 and 39), his Andantes and Adagios take a metaphysical turn, and his Menuettos are envisaged almost as interludes - to astonishing effect in Symphony No. 36 - but it is in the finales (the 'Haffner', G minor and 'Jupiter') that Karajan is at his most irresistible. These recordings have just been remastered in HD 192\/24 from the original tapes for the SACD release.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": I. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": I. Adagio - Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": II. Andante cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": IV. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": III. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: IV. 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Two Bruckner symphonies recorded in 1970 and 1971 show just how much the orchestra's musical signature had changed since the recordings of the 1950s. The pitch had historically always been a little higher in Berlin, but under Karajan's leadership the orchestra lightened it's palette, finding a balance in the medium high range that was absolutely foreign to the Germanic tradition. In Berlin, Karajan was drawing straight lines, unbending verticals, clear designs, smooth slopes - building his orchestra up layer by layer, developing the sound he was after, aided by the supreme legato playing of his string section. In addition, any soloistic leanings had been eliminated: the Philharmonic now played as a single instrument, and when the recordings of the 1970s were released more than one music-lover compared it to an organ. Absolute harmony was achieved in the above-mentioned Bruckner symphonies Nos. 4 and 7, the sheer perfection of whose sound is almost unearthly. Newly remastered in 192kHz\/24-bit from original tapes by Circé Studio\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": I. Bewegt, nicht zu schnell (1881 Haas Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": II. Andante, quasi allegretto (1881 Haas Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": III. Scherzo. Bewegt - Trio. Nicht zu schnell (1881 Haas Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 4 in E-Flat Major \"Romantic\": IV. Finale. Bewegt, doch nicht zu schnell (1881 Haas Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in E Major, WAB 107: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam\u003c\/li\u003e\n\u003cli\u003eSymphony No. 7 in E Major, WAB 107: III. 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