{"product_id":"daphnis-et-chloe-complete-ballet-hybr-cd","title":"Daphnis Et Chloe (Complete Ballet) (Hybr) [CD]","description":"\u003cp\u003eRavel's early masterpiece, Daphnis et ChloÃ©, was commissioned by Serge Diaghilev for his Ballets Russes, and was premiÃ¨red in the ThÃ©Ã¢tre du ChÃ¢telet in July 1912. Described by Ravel as a 'symphoni e chorÃ©graphique' (choreographic symphony), the work was performed just twice in that 1912 season, and was given only three more performances the following year. Press reaction was muted, and it is now much more often performed as a concert work than as a ballet. Daphnis, a shepherd, and Dorcon, a cowherd, dance for the privilege of a kiss from ChloÃ©. Daphnis wins the contest and ChloÃ©'s kiss leaves him in ecstasy. ChloÃ© is kidnapped by a band of pirates; Daphnis prostrates himself before the god Pan. The pirates are celebrating their successful raid in their camp when Pan appears and frightens them all away. Some shepherds find ChloÃ© (with Pan's help) and reunite her with Daphnis. This recording uses John Wilson's new performing edition of the work, a project which Wilson took on during the pa ndemic lockdown in 2020. He writes: 'The standard performing materials for Daphnis et ChloÃ© have long been the subject of much discussion among orchestral players, conductors, and musicologists. Aside from a mass of errors in the 1913 published full score, the orchestral parts contain many hundreds of inconsistencies, omissions, and wrong notes. It became apparent that numerous changes made by Ravel in rehearsals were transferred directly into the parts but not carried over into the full score. I have tried to rationalise such (and other) inconsistencies as best I could to arrive at what is, I hope, a useful practical performing edition in which the parts match the full score in every detail and - crucially, for a work of such complexity - everything is carefully laid out and easy to read.'\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~PremiÃ¨re Partie. Une prairie Ã  la lisiÃ¨re d'un bois sacrÃ©:\u003c\/li\u003e\n\u003cli\u003eIntroduction et Danse religieuse. Lent - Animez progressivement jusqu'au trÃ¨s modÃ©rÃ© - TrÃ¨s modÃ©rÃ© -\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~PremiÃ¨re Partie. Une prairie Ã  la lisiÃ¨re d'un bois sacrÃ©:\u003c\/li\u003e\n\u003cli\u003eDanse religieuse. ModÃ©rÃ© - Un peu plus lent - Mouvement du dÃ©but -\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~PremiÃ¨re Partie. Une prairie Ã  la lisiÃ¨re d'un bois sacrÃ©:\u003c\/li\u003e\n\u003cli\u003eVif -\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~PremiÃ¨re Partie. Une prairie Ã  la lisiÃ¨re d'un bois sacrÃ©:\u003c\/li\u003e\n\u003cli\u003eDanse gÃ©nÃ©rale. [Vif] - Beaucoup moins vif - Vif - Moins vif - Plus modÃ©rÃ© -\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~PremiÃ¨re Partie. Une prairie Ã  la lisiÃ¨re d'un bois sacrÃ©:\u003c\/li\u003e\n\u003cli\u003eDanse grotesque de Dorcon. TrÃ¨s modÃ©rÃ© - Pesant - Plus animÃ© - Plus modÃ©rÃ© -\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~PremiÃ¨re Partie. Une prairie Ã  la lisiÃ¨re d'un bois sacrÃ©:\u003c\/li\u003e\n\u003cli\u003eDanse lÃ©gÃ¨re et gracieuse de Daphnis. Assez lent - Plus animÃ© (sans dÃ©composer) - Premier Mouvement - AnimÃ© - Vif - lent -\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~PremiÃ¨re Partie. Une prairie Ã  la lisiÃ¨re d'un bois sacrÃ©:\u003c\/li\u003e\n\u003cli\u003eDanse de LycÃ©ion. TrÃ¨s modÃ©rÃ© - Plus lent - Revenez au mouvement - Premier Mouvement - Plus lent - Encore plus lent - ModÃ©r\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~PremiÃ¨re Partie. Une prairie Ã  la lisiÃ¨re d'un bois sacrÃ©:\u003c\/li\u003e\n\u003cli\u003eNocturne. Danse lente et mystÃ©rieuse des Nymphes. Lent et trÃ¨s souple de mesure - Encore plus lent - Premier Mouvement - Plus\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~DeuxiÃ¨me Partie. Camp des pirates:\u003c\/li\u003e\n\u003cli\u003eIntroduction. MÃªme mouvement -\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~DeuxiÃ¨me Partie. Camp des pirates:\u003c\/li\u003e\n\u003cli\u003eDanse guerriÃ¨re. AnimÃ© et trÃ¨s rude - Animez peu Ã  peu - Plus animÃ© - Encore plus animÃ© - Un peu moins animÃ© - Animez peu\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~DeuxiÃ¨me Partie. Camp des pirates:\u003c\/li\u003e\n\u003cli\u003eDanse suppliante de ChloÃ©. ModÃ©rÃ© - AnimÃ© - Assez lent - Premier Mouvement - AnimÃ© - Lent - Assez animÃ© - Moins animÃ© - A\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~TroisiÃ¨me Partie. Paysage du premier tableau, Ã  la fin de la nuit: 1\u003c\/li\u003e\n\u003cli\u003eLever du jour. Lent - [Un peu plus fort] -\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~TroisiÃ¨me Partie. Paysage du premier tableau, Ã  la fin de la nuit: 1\u003c\/li\u003e\n\u003cli\u003ePantomime (Les Amours de Pan et Syrinx). Lent - TrÃ¨s lent - Vif - Un peu plus animÃ© - En animant toujours davantage - Au Premi\u003c\/li\u003e\n\u003cli\u003eDaphnis et ChloÃ©, M. 57~TroisiÃ¨me Partie. Paysage du premier tableau, Ã  la fin de la nuit: 1\u003c\/li\u003e\n\u003cli\u003eDanse gÃ©nÃ©rale (Bacchanale). [AnimÃ©]\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 095115532720\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chandos\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.3.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Ravel \/ Sinfonia Of London Chorus","offers":[{"title":"Default Title","offer_id":45456616882374,"sku":"493923","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4253161-3206441.jpg?v=1768511519","url":"https:\/\/paladinvinyl.com\/products\/daphnis-et-chloe-complete-ballet-hybr-cd","provider":"Paladin Vinyl","version":"1.0","type":"link"}