{"product_id":"female-composers-cd","title":"Female Composers [CD]","description":"\u003cp\u003eWhat would it mean to 'compose like a woman'? The present collection answers the question, in a literal sense, while undoing the premise on which the question was asked in the first place. In social and historical terms, it means enjoying privileges of upbringing, education and\/or wealth that were historically denied to the vast majority of women. It means, on the part of the women represented here, a single-minded determination in pursuit of their vocation, helping them to overcome prejudice and sexism in a cultural, social and political milieu that has consistently denied women the opportunity to find and express their own voice in music. Only with movements of emancipation in the last century, and much more rapidly in the last 50 years, has this situation begun to be addressed and corrected.What composing like a woman does not meanÂ - as the music in this collection makes clearÂ - is a definable set of qualities or characteristics to the music itself which would distinguish the work of female composers from the music composed by men. This remarkable set gathers many individual recordings of music by women composers, which Brilliant Classics has quietly yet actively championed in their catalogue for decades, uniting it with exciting new outings, so that a comprehensive historical picture of the highly varied struggles and successes of women composers through the ages to our present time are chronicled and celebrated.Other information:- Recordings date from 1994-2024- Booklet in English contains liner notes by Peter Quantrill- The revival of interest in female classical composers reflects a growing recognition of their overlooked contributions to music history. For centuries, women composers were marginalized, their works overshadowed by their male counterparts. However, recent efforts by musicians, scholars, and institutions have brought these composers into the spotlight, highlighting the richness and diversity of their compositions.- This renewed focus stems from a broader movement toward inclusivity in the arts, challenging traditional narratives that have historically excluded women. The rise of feminist musicology has also played a key role, offering fresh perspectives on these composers' lives and works. - This comprehensive box set offers a wide spectrum of works by female composers, from the Medieval mystic Hildegard Von Bingen (1098-1179), through the Renaissance Isabella Leonarda (baptized 1620-1704), Francesca Caccini (1587-1640) und Barbara Strozzi (baptized 1619-1677), traversing the Baroque and Classical eras, and arriving in the contemporary field, with composers such as Galina Ustvolskaya (1919-2006) and Grazyna Bacewicz (1909-1969).- A long due homage to the art and voice of female composers, spanning nearly a thousand years!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAntiphona. O Orzchis Ecclesia (IV) \/ Psalmus 94 Ad invitatorium: Venite, exultemus Domino\u003c\/li\u003e\n\u003cli\u003eI. Antiphona. O coruscans lux 68 (IV) \/ Psalmus 10: In Domino confide\u003c\/li\u003e\n\u003cli\u003eII Antiphona. O pulchrae facies (IV) \/ Psalmus 1: Beatus vir\u003c\/li\u003e\n\u003cli\u003eIII. Antiphona. Nunc Gaudeant (VI) \/ Psalumus 86: Fundamenta ejus in montibus sanctis\u003c\/li\u003e\n\u003cli\u003eVersiculum. Diffusa est gratia in labiis tuis\u003c\/li\u003e\n\u003cli\u003eWork(s)~De Libro divinorum operum. Benedictio I, Lectio I\u003c\/li\u003e\n\u003cli\u003eResponsorium I. Nobilissima viriditas\u003c\/li\u003e\n\u003cli\u003eWork(s)~De Libro divinorum operum. Benedictio II, Lectio II\u003c\/li\u003e\n\u003cli\u003eResponsorium II. O vos imitatores excelsae personae\u003c\/li\u003e\n\u003cli\u003eWork(s)~De Libro divinorum operum. Benedictio III, Lectio III\u003c\/li\u003e\n\u003cli\u003eResponsorium III. O felix anima\u003c\/li\u003e\n\u003cli\u003eOratio. Deus, qui beatam Hildegardem Virginem tuam\u003c\/li\u003e\n\u003cli\u003eCh'Amor sia nudo\u003c\/li\u003e\n\u003cli\u003eIo veggio i campi\u003c\/li\u003e\n\u003cli\u003eO che nuovo stupor\u003c\/li\u003e\n\u003cli\u003eChe t'ho fatt'io\u003c\/li\u003e\n\u003cli\u003eCiaccona\u003c\/li\u003e\n\u003cli\u003eDov'io credea\u003c\/li\u003e\n\u003cli\u003eO chiome belle\u003c\/li\u003e\n\u003cli\u003eMaria, dolce Maria\u003c\/li\u003e\n\u003cli\u003eRomanesca\u003c\/li\u003e\n\u003cli\u003eNon so se quel sorriso\u003c\/li\u003e\n\u003cli\u003eDispiegate, guance amate\u003c\/li\u003e\n\u003cli\u003eSe muove a giurar fede\u003c\/li\u003e\n\u003cli\u003eLasciatemi qui solo\u003c\/li\u003e\n\u003cli\u003eS'io me'n vo\u003c\/li\u003e\n\u003cli\u003eO vive rose\u003c\/li\u003e\n\u003cli\u003eChi desia di saper\u003c\/li\u003e\n\u003cli\u003eJesu mi clementissime (a 3, due Canti e Basso, per ogni Tempo)\u003c\/li\u003e\n\u003cli\u003eVibrate (a quattro voci, per ogni Tempo)\u003c\/li\u003e\n\u003cli\u003eAnime belle (a 3, Canto, Alto e Basso, per ogni Tempo)\u003c\/li\u003e\n\u003cli\u003eO quante contra me (a 2, Canto e Basso, per ogni Tempo)\u003c\/li\u003e\n\u003cli\u003eIn foco ardentissime (a quattro voci, per il Santissimo)\u003c\/li\u003e\n\u003cli\u003eO lacrime amare (a quattro voci, per ogni Tempo)\u003c\/li\u003e\n\u003cli\u003eVolo vivere (Basso solo, con Violini)\u003c\/li\u003e\n\u003cli\u003eNo non tentate (a 3, Canto, Alto e Basso, per la Beata Vergine)\u003c\/li\u003e\n\u003cli\u003eSpirate vos zeffiri (a 3, Canto, Alto e Basso, per la Beata Vergine)\u003c\/li\u003e\n\u003cli\u003eSacri concenti a 1, 2, 3, et 4 voci, Op. 3~Gloriosa Mater Domini Ã  4\u003c\/li\u003e\n\u003cli\u003eSacri concenti a 1, 2, 3, et 4 voci, Op. 3~Memento rerum Ã  4 a cappella\u003c\/li\u003e\n\u003cli\u003eMotetti a 1, 2, e 3 e 4 voci, parte con istromenti, Op. 7~Salve regina for solo soprano and 2 violins\u003c\/li\u003e\n\u003cli\u003eMotetti a una, due, e tre coci, con Violini e senza, Op. 13~In caelis gloria Ã  4\u003c\/li\u003e\n\u003cli\u003eSonate a 1, 2, 3, e 4, Istromenti, Op. 16~Sonata No. 9 for 2 violins\u003c\/li\u003e\n\u003cli\u003eMottetti a voce sola, parte con due violini, e parte senza, Op. 6~O flammÃ¦ for solo soprano\u003c\/li\u003e\n\u003cli\u003eMotetti a 1, 2, e 3 e 4 voci, parte con istromenti, e parte senza Op. 7~O dulce sonare for 3 voices and 2 violins\u003c\/li\u003e\n\u003cli\u003eO anima mea (Dresden Mus. 1737-E.500 ; Uppsala Mus: hs.28:1)\u003c\/li\u003e\n\u003cli\u003eSacri concenti a 1, 2, 3, et 4 voci, Op. 3~Dialogo: Quo pergis anima Ã  4\u003c\/li\u003e\n\u003cli\u003eSalmi Concertati a 4 voci con strumenti, Op. 19~Dixit Dominus for 4 voices and 2 violin\u003c\/li\u003e\n\u003cli\u003eCantate, Ariette e Duetti Op. 2~L'amante segreto\u003c\/li\u003e\n\u003cli\u003eCantate, Ariette e Duetti Op. 2~Riamata da chi amava\u003c\/li\u003e\n\u003cli\u003eCantate, Ariete a una, due e tre voci Op. 3~MoralitÃ¡ amorosa\u003c\/li\u003e\n\u003cli\u003eSacri Musicali Affetti Op. 5: O Maria, quam pulchra es\u003c\/li\u003e\n\u003cli\u003eAriette A Voce Sola Op. 6~Parla alli suoi pensieri\u003c\/li\u003e\n\u003cli\u003eAriette A Voce Sola Op. 6~Non vuole amar piÃ¹\u003c\/li\u003e\n\u003cli\u003eDiporti di Euterpe Op. 7~Lagrime mie\u003c\/li\u003e\n\u003cli\u003eCantate a voce sola di diversi auttori: Havete torto\u003c\/li\u003e\n\u003cli\u003eDiporti di Euterpe Op. 7~Sino alla morte\u003c\/li\u003e\n\u003cli\u003eArie Op. 8~Che si puo fare\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en rÃ© mineur (D minor) (Les piÃ¨ces de clavecin)~PrÃ©lude\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en rÃ© mineur (D minor) (Les piÃ¨ces de clavecin)~Allemande\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en rÃ© mineur (D minor) (Les piÃ¨ces de clavecin)~Courante\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en rÃ© mineur (D minor) (Les piÃ¨ces de clavecin)~Courante II\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en rÃ© mineur (D minor) (Les piÃ¨ces de clavecin)~Sarabande\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en rÃ© mineur (D minor) (Les piÃ¨ces de clavecin)~Gigue\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en rÃ© mineur (D minor) (Les piÃ¨ces de clavecin)~Cannaris\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en rÃ© mineur (D minor) (Les piÃ¨ces de clavecin)~Chaconne L'inconstante\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en rÃ© mineur (D minor) (Les piÃ¨ces de clavecin)~Menuet\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en sol mineur (G minor) (Les piÃ¨ces de clavecin)~PrÃ©lude\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en sol mineur (G minor) (Les piÃ¨ces de clavecin)~Allemande\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en sol mineur (G minor) (Les piÃ¨ces de clavecin)~Courante\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en sol mineur (G minor) (Les piÃ¨ces de clavecin)~Courante II\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en sol mineur (G minor) (Les piÃ¨ces de clavecin)~Sarabande\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en sol mineur (G minor) (Les piÃ¨ces de clavecin)~Gigue\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en sol mineur (G minor) (Les piÃ¨ces de clavecin)~Gigue II\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en sol mineur (G minor) (Les piÃ¨ces de clavecin)~Menuet ; Double\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en la mineur (A minor) (Les piÃ¨ces de clavecin)~PrÃ©lude\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en la mineur (A minor) (Les piÃ¨ces de clavecin)~Allemande\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en la mineur (A minor) (Les piÃ¨ces de clavecin)~Courante\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en la mineur (A minor) (Les piÃ¨ces de clavecin)~Courante II\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en la mineur (A minor) (Les piÃ¨ces de clavecin)~Sarabande\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en la mineur (A minor) (Les piÃ¨ces de clavecin)~Gigue\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en la mineur (A minor) (Les piÃ¨ces de clavecin)~Chaconne\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en la mineur (A minor) (Les piÃ¨ces de clavecin)~Gavotte\u003c\/li\u003e\n\u003cli\u003ePiÃ¨ces en la mineur (A minor) (Les piÃ¨ces de clavecin)~Menuet\u003c\/li\u003e\n\u003cli\u003eSonata in F minor Op. 5 No. 2~I. Allegro moderato con espressione\u003c\/li\u003e\n\u003cli\u003eSonata in F minor Op. 5 No. 2~II. Aria con espressione\u003c\/li\u003e\n\u003cli\u003eSonata in F minor Op. 5 No. 2~III. Allegro agitato con fuoco\u003c\/li\u003e\n\u003cli\u003eSonata in F Op. 1 No. 1~I. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSonata in F Op. 1 No. 1~II. Prestissimo\u003c\/li\u003e\n\u003cli\u003eSonata in E-flat Op. 1 No. 2~I. Allegro con moto\u003c\/li\u003e\n\u003cli\u003eSonata in E-flat Op. 1 No. 2~II. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSonata in F minor Op. 1 No. 3~I. Maestoso con espressione\u003c\/li\u003e\n\u003cli\u003eSonata in F minor Op. 1 No. 3~II. Allegro agitato\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 4 in B flat~I. Cantabile\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 4 in B flat~II. Minuetto\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 3 in G minor~I. Tempo giusto\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 3 in G minor~II. Allegro-sostenuto-allegro-sostenuto\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 6 in E~I. Andantino\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 6 in E~II. Con brio-minuetto-con brio\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 1 in E flat~I. Andante ma con un poco di moto\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 1 in E flat~II. Allegretto\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 5 in F minor~I. Larghetto-allegro-larghetto\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 5 in F minor~II. Minuetto\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 2 in B flat~I. Andantino\u003c\/li\u003e\n\u003cli\u003eString Quartet No. 2 in B flat~II. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 1 in E-flat Op. 33~I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 1 in E-flat Op. 33~II. Adagio sostenuto\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 1 in E-flat Op. 33~III. Minuetto. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 1 in E-flat Op. 33~IV. Finale. Vivace\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 2 in D minor Op. 34~I. Andante-Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 2 in D minor Op. 34~II. Tema con Variazioni\u003c\/li\u003e\n\u003cli\u003ePiano Trio No. 2 in D minor Op. 34~III. Rondo. Allegro\u003c\/li\u003e\n\u003cli\u003eCello Sonata in B-flat Op. 46~I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eCello Sonata in B-flat Op. 46~II. Andante sostenuto\u003c\/li\u003e\n\u003cli\u003eCello Sonata in B-flat Op. 46~III. Finale. Allegro ^1\u003c\/li\u003e\n\u003cli\u003eSonata in G minor H-U 395~I. Allegro molto agitato ^1\u003c\/li\u003e\n\u003cli\u003eSonata in G minor H-U 395~II. Scherzo ^1\u003c\/li\u003e\n\u003cli\u003eSonata in G minor H-U 395~III. Adagio ^1\u003c\/li\u003e\n\u003cli\u003eSonata in G minor H-U 395~IV. Finale: Presto ^1\u003c\/li\u003e\n\u003cli\u003eOstersonate~I. Allegro assai moderato ^1\u003c\/li\u003e\n\u003cli\u003eOstersonate~II. Largo e molto espressivo ^1\u003c\/li\u003e\n\u003cli\u003eOstersonate~III. Scherzo: Allegretto ^1\u003c\/li\u003e\n\u003cli\u003eOstersonate~IV. Allegro con strepito ^1\u003c\/li\u003e\n\u003cli\u003eSonatensatz in E H-U 44 ^1\u003c\/li\u003e\n\u003cli\u003eSonata in C minor H-U 128~I. Allegro moderato e con espressione ^1\u003c\/li\u003e\n\u003cli\u003eSonata in C minor H-U 128~II. Andante con moto ^1\u003c\/li\u003e\n\u003cli\u003eSonata in C minor H-U 128~III. Finale: Presto ^1\u003c\/li\u003e\n\u003cli\u003e3 Romanzen Op. 11~I. Romanze in E flat ^1\u003c\/li\u003e\n\u003cli\u003e3 Romanzen Op. 11~II. Romanze in G minor ^1\u003c\/li\u003e\n\u003cli\u003e3 Romanzen Op. 11~III. Romanze in A flat ^1\u003c\/li\u003e\n\u003cli\u003eSonata in G minor~I. Allegro ^1\u003c\/li\u003e\n\u003cli\u003eSonata in G minor~II. Adagio ^1\u003c\/li\u003e\n\u003cli\u003eSonata in G minor~III. Scherzo ^1\u003c\/li\u003e\n\u003cli\u003eSonata in G minor~IV. Rondo ^1\u003c\/li\u003e\n\u003cli\u003eSoirÃ©es Musicales Op. 6~I. Toccatina ^1\u003c\/li\u003e\n\u003cli\u003eSoirÃ©es Musicales Op. 6~II. Notturno ^1\u003c\/li\u003e\n\u003cli\u003eSoirÃ©es Musicales Op. 6~III. Mazurka ^1\u003c\/li\u003e\n\u003cli\u003eSoirÃ©es Musicales Op. 6~IV. Ballade ^1\u003c\/li\u003e\n\u003cli\u003eSoirÃ©es Musicales Op. 6~V. Mazurka ^1\u003c\/li\u003e\n\u003cli\u003eSoirÃ©es Musicales Op. 6~VI. Polonaise ^1\u003c\/li\u003e\n\u003cli\u003eVariationen Ã¼ber ein Thema von Robert Schumann Op. 20 ^1\u003c\/li\u003e\n\u003cli\u003ePiano Trio Op. 17 in G minor~I. Allegro moderato ^1\u003c\/li\u003e\n\u003cli\u003ePiano Trio Op. 17 in G minor~II. Scherzo. Tempo di menuetto - Trio ^1\u003c\/li\u003e\n\u003cli\u003ePiano Trio O\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5028421974347\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Beach \/ Caccini \/ Ensemble San Felice","offers":[{"title":"Default Title","offer_id":45455839887558,"sku":"112529","price":71.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0563\/8085\/0374\/files\/4392362-3320943.jpg?v=1768501521","url":"https:\/\/paladinvinyl.com\/products\/female-composers-cd","provider":"Paladin Vinyl","version":"1.0","type":"link"}